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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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George reply Replies: 0 || 2020-09-29 01:09:12
May Mr. Zimmer and his team be interested on “extracting” music from the human body for medical purposes?
You can reach me at:
jcp77452 at um.es
Thanks

Zrayan reply Replies: 0 || 2020-09-24 21:13:01
can you produce track for me?

Liam Tremblay reply Replies: 0 || 2020-09-24 19:12:52
How do I become your apprentice? tremblayliam@yahoo.com

Amin Toloo reply Replies: 0 || 2020-09-01 23:34:19
Damn, how much talented are you?! that gladiator theme was so great even after 20 years it is new for me. please dont die! because you are uniq.

Satya Siva Kanth reply Replies: 0 || 2020-07-30 20:23:46
The website obviously needs a redesign and a merchandise section would be nice.

Endre reply Replies: 1 || 2017-06-01 23:56:26
Dear Hans Zimmer,

I just came home from your 2017.06.01 Budapest concert. I have to say that the first half of your concert was superb (which included Gladiator and Pirates of the Caribbean), but the second half was a huge disappointment. It resembled more a heavy metal concert than an actual symphonic concert. I could scarcely recognize any musical themes during the second half, seemed like you just left your talent in the first half. Also I deeply missed the music of King Arthur, which is one of your (if not) best score. Please next time try harder and leave out the heavy metal stuff, your audience loves you for your melodic orchestra and not the brainless bass.

Sincerely: Endre


Péter2017-06-02 14:39:46
Hello Hans Zimmer,

We visited your concert yesterday here in Budapest. Unfortunately it was a big disappointment. The first half was OK, but the second half was terrible. It was like a very loud heavy metal concert, we had to cover our ears and not just our ears, but we also had to close our eyes, because of the constant, annoying stroboscope. It was harmful for both eyes and ears and we have seen children and even a pregnant woman in the concert. I am sure it was not healthy for them either. We had to leave 10 minutes before the end because my wife got sick.

What a disappointment...

Regards, Peter

Gary Burkhart reply Replies: 0 || 2020-05-04 09:54:04
Just watched THE RHYTHM SECTION and the music was great. Can the music not the songs be published so we can enjoy more than once ?

Caroline reply Replies: 0 || 2020-05-03 19:50:08
Hi, Have you got any advice for a mature student who would wish to study Music and Film in University yet have been advised by friends and relatives to seek another career path because of their age?

Ison Willis reply Replies: 0 || 2020-03-28 17:16:30
Your Music is the most inspiring art in the past twenty years. i wanna thank you so much for doing this an i hope you keep doing it...

Helia reply Replies: 0 || 2020-04-07 21:18:41
I have a playlist on Spotify that I listen to while reading my books and I had “It’s Complicated” track from “The Holiday” movie and other tracks from this movie on that playlist and enjoyed listening to it very much. But it’s been a few months that it has become unavailable on Spotify and I don’t understand why since other albums are accessible from Hans Zimmer except for this album, there’s only one track available in The Holiday album. I’ve contacted the Spotify for help but they said it has nothing to do with Spotify. I really like that track and I’d be grateful if it became available again. Thank you for your amazing music!

Phil reply Replies: 0 || 2020-04-09 11:06:00
i would like to know the lyrics of the choir part in Pearl Harbor Sountrack, in "December 7th". I guess it's a sort of religious song. What is the title of this hymn? thank you for your help!

Jo&#227;o Gabriel Junqueira Franco reply Replies: 0 || 2020-04-16 20:55:12
Hello my name is Jo&#227;o Franco, I'm from S&#227;o Paulo.

I am requesting the authorization to use the soundtrack Interstellar Main Theme, in a non-commercial project, this project is just an expression of art.



Thank you.

Jamie M. reply Replies: 0 || 2020-03-22 20:19:17
This is merely what I’m sure is a ridiculous suggestion from someone who has no conception of what Mr. Zimmer’s life and schedule are like.
Given the powerful and hypnotic music of works such as “Man of Steel”, “Interstellar”, “Batman Begins”, and “Gladiator”, I’m one of the many diehard fans who selfishly crave more of such music from Mr. Zimmer.

Has he ever considered doing his own music set to The Trojan War?
With the romance, battles, and various gods involved, I can only imagine how amazing his music for that story would be.
I’d gladly pay $20 for that, or more for any kind of extended project, and I’m very sure there are many fans in the world who would do the same.

Just wishful thinking...

Soundtrackcollector reply Replies: 0 || 2020-02-29 22:34:31
Hi, I have a little question?

The Tracklist from the complete Score of Max Q - Emergency Landing, where did you get the information about how each track was named?

Greg reply Replies: 0 || 2020-02-29 00:42:23
Hey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!

Nicholas reply Replies: 0 || 2020-02-26 11:04:25
To whom it may concern...

Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..

Best regards

Nicholas

Mia reply Replies: 0 || 2020-01-09 05:42:22
I am looking for a copy of Secretariat by Nick-Glennie Smith, preferably a digital one, but I cannot find it anywhere. Is it available for purchase? If so, where could I find it?

Naomi reply Replies: 1 || 2020-01-08 11:10:49
Can I use the Videos for your Web for my Referat about Hanz Zimmer? thank you for your Replay!


Naomi2020-01-08 11:11:18
from your Web! sorry...

Bryan Sha' reply Replies: 0 || 2019-12-10 15:43:37
Epic Trailer Music | Film Music

0degreestudios.com

Ferhan Isbilir reply Replies: 0 || 2019-12-07 12:38:33
Dear Mr Antas,
I am a young 19 years old boy who lives in Germany (Rheinland-Pfalz). I am asking for permission to use the music ´Time´ by Hans Zimmer. It will be used as background music for a motivational speech. I would give the credits of course and everything what I have to do, to use that music. Because I am in love with the music you produce and publish. What can I do for you for using it ? On what should I pay attention while publishing or creating my video?

Your sincerly
Ferhan Isbilir

Shawnie reply Replies: 0 || 2019-11-26 18:01:14
Hello Mr.Hans Zimmer,

Big fan, I love your work. I saw you April 2017 at the Microsoft Theater, dream come true. Is there a chance you can please come again to Los Angeles?

Marie W. reply Replies: 0 || 2019-10-24 00:00:32
Dear administrators,
may I ask why the biographie of Mr Zimmer on this page feels kind of outdated? It feels a bit strange in 2019 that it states 'Madagascar' ot 'Batman Begins' are still 'upcoming pojects'...
Mr Zimmer - I'd like to thank you so much for your wonderful work.
If I'll ever be asked, what the most inequity on earth is, I'd say 'That Hans Zimmer didn`t receive more Academy Awards for the fabulous work he's doing" (Pirates of the Carribean?? Inception?? etc...) Please continue in enriching our lives in the way you`re doing it right now.
Looking forward to the next concert 'World of Hans Zimmer' in Hamburg, 2019!!!

Emre reply Replies: 0 || 2019-11-11 23:00:26
Un artiste qui a une force mais d'une puissance ! Bravo depuis la France !

Ralph reply Replies: 0 || 2019-10-30 20:34:48
Dear Mr. Zimmer,
I just bought your excellent "Man Of Steel"-Soundtrack-Album where I found a download Code for the Z+ app (DTS X Headphone).
Here in Germany, this app is not available anymore in Apple´s app store. How can I get this app for my headphone? Because of the very good Reviews of this app I am very interested to listen to your Soundtrack in this Special mode on my headphone. I would appreciate your help in this case. Thank you very much in advande. Kind greetings, Ralph

pamela reply Replies: 0 || 2019-10-30 16:29:05
Dear Mr. zimmer , please send information about concert in Chile in 2020, regards .

Sam Whitacre reply Replies: 0 || 2019-09-05 00:23:26
Dear Mr. Zimmer,

You're actually good at scoring other movies. Will Lorne Balfe score Godzilla vs. Kong after Bad Boys for Life? I think he'll do it after this. Thanks for scoring the live-action version of The Lion King and Dark Phoenix. Hope you'll have a wonderful day. Again, thanks for everything.

Sincerely,
Sam Whitacre

Jadon King reply Replies: 0 || 2019-09-04 05:01:00
Dear Mr. Zimmer,

Thank you for your song "Time" from Inception. I recently (half an hour ago) discovered it and have fallen madly in love with it. I laid down on the floor of my office and turned off the lights and just listened. I swear to you that I felt the vastness of time and space itself forge on past me while I listened. As a senior in high school, it's helped me appreciate even more the fact that time is always moving and that I must take advantage of every possible opportunity that comes my way both this year and in life. Words can't really describe how your song made me truly feel.

Thank again,
Jadon King

farzin again reply Replies: 0 || 2019-08-20 14:57:06
Hi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.com

Konstantin reply Replies: 0 || 2019-08-11 23:07:15
Dear Mr. Zimmer!
Your music is beautiful. I will definitely come to your concert in Moscow. I can not find information about the composition of your orchestra. What are the names of the girls who play the first violin?

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