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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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Anton reply Replies: 0 || 2014-01-17 20:38:13
Hallo, Herr Zimmer! Ich war sehr von Ihrer Musik inspiriert! Sie sind wahnsinnig talentierter Komponist! Ich würde gerne wissen, werden Sie in der nächsten Ankündigung in der Welt oder in Russland Konzerte?

Monika Schmidt reply Replies: 4 || 2013-10-14 18:10:02
Lieber Hans Zimmer,

ich will ihnen von ganzem Herzen meinen Dank ausrichten.
Ihre Musik ist einfach wunderbar, wundertoll. Sie haben so vielen meiner Lieblingsfilmen die Musik verliehen und somit auch die Emotionen und Gefühle, die sich in den Filmen aber auch in uns widerspiegeln. Sie haben jedem der Filme eine Seele gegeben, eine Geschichte, ein Gefühl.
Sie haben die Figuren durch ihre Musik zum leben erweckt, denn ohne Musik würden sie nur einfache Animationen sein. Sie lassen uns durch die Musik die Gefühle der Figuren spüren.
Ihre Musik ist besser als, jeder Song, der in den Charts auf Platz eins war oder ist, denn in jedem ihrer Stücke ist ein Teil ihrer Seele vorhanden, man kann dies spüren. Ich kann ihre Musik stundenlang hören ohne dabei ein Gefühl der Eintönigkeit zu bekommen. Mittlerweile kann ich nur noch ihre Musik und die von ihrem Kollegen, John Powell, hören. Mehrmals erwische ich mich, wie ich bei meinen Lieblingsstücken vor Freude lächle oder sogar weine. Sie inspirieren mich jeden Tag aufs neue. Das tolle an ihrer Musik ist, dass obwohl sie einige male ein und die selbe Melodie benutzen, wie zum Beispiel im Film Kung Fu Panda 2, diese sich aber immer voneinander unterscheiden, denn mit jedem mal kommen andere Gefühle mit ins Spiel. Die Schönheit ihrer Musik ist eigentlich gar nicht in Worten auszudrücken. Man kann dies nur fühlen. Wenn ich ein Bild zu ihrer Musik malen sollte, dann würde es kunterbunt sein, aber nicht so, dass es dreckig aussieht, sondern leuchtend, sauber, klar. Sie und ihre Musik sind mehr wert, als alles Gold, Silber der Welt. Sie sind einfach unbezahlbar. Genauso wie ihr Orchester, die ihren zauberhaften Noten klang gegeben haben.
Mit diesem Brief schreibe ich wohl einige der vielen Gedanken auf, die jeder Fan von ihnen hat. Diese Gedanken sind aber viel zu viele, als dass man sie aufschreiben könnte. Würde man sie alle aufschreiben, wäre das daraus entstandene Buch die „Bibel“ für Hans-Zimmer-Fans.

Ich danke ihnen Hans Zimmer. Ich danke ihnen, und ihren Eltern, dass es sie gibt. Ich danke ihnen, dass sie ihre Bestimmung in der Musik gefunden haben. Ich danke ihnen, dass sie mich inspirieren, mich zum lachen, weinen bringen. Ich danke ihnen, dass sie so tollen Filmen die Musik geben. Ich danke ihnen, dass sie genau ihr Orchester gewählt haben.

Ich danke ihnen Hans Zimmer.
Für Alles. &#9829;


Phil2013-10-14 18:28:47
Ich hätte es selber nicht besser ausdrücken können! :)


Michael Keßler2014-01-10 21:26:28
Hallo Monika,
Wir sind Seelenverwandt :-) Du hast das sehr schön beschrieben, mir geht es genauso.
Gruß Michael


badbu2014-01-10 21:38:43
schön geschrieben ;)


Zimson2014-01-11 06:56:45
Wirklich sehr schön :) Seit kurzem bin ich begeisterst von The Last Samurai. Unglaublich, was man mit Musik alles machen kann.
- "Mittlerweile kann ich nur noch ihre Musik und die von ihrem Kollegen, John Powell, hören."
Mir geht es genauso, habe schon ewig die Top 40 charts nicht mehr angerührt.
Someone should send this to Hans, he would be glad to read that. :)

Michael Keßler reply Replies: 0 || 2014-01-10 21:02:03
Hallo Herr Zimmer,
Ich möchte einfach mal Danke sagen für die fantastische Musik, sie sind der Beethoven des 21. Jahrhunderts! DANKE !
Viele Grüße aus Thüringen

Manveer Gill reply Replies: 3 || 2013-12-28 23:01:07
Dear Mr. Zimmer,
I was just requesting if you could make Washington, one of the songs from 12 years a slave, a 3 minute piece, since it is quite amazing.


Russel2013-12-28 23:04:38
What you could try and do by yourself is maybe make your own extended version, I agree it is very short. It is just a part where Solomon gets out of the Carriage and Arrives at Washington. So, that's why the cue is called "Arrival at Washington". And, I am pretty sure the film version, or the one played within the film is actually shorter than what is on the Original Soundtrack/FYC Score. I have not seen the film though, only have watched that scene, in the Roundtable interview. Which, is actually very interesting to watch. The 40 minute interview flew by! Learned a lot, I think. Hope this helps :)


ham2014-01-02 14:03:09
anyone know what piano plugin hans use?


Russel2014-01-02 19:32:25
For what?

Minseo Jang reply Replies: 0 || 2013-12-21 20:56:17
Dear Mr Hans Zimmer. Hello. I am Minseo Jang, a student of University of Suwon in Republic of Korea. I have a urgent request. Recently, the headmaster of my college is suspected of several corruptions. So I decided to make documentary about it and working on it. I don't want to make any money from this and All I need is to make everyone noticed in school. I found your music from 'Dark knight Rise' is quite fitted with my small film. So I wish you to allow me to use several ones. I hope to receive good news. With my respects, MS J.

ian lee reply Replies: 0 || 2013-11-26 20:47:59
Dear hans zimmer,
I was watching a movie 'the burning plain' and i was facionated by one wonderful soundtrack done by you and omar rodriguez ropez, 'are you coming?'. This song is the best soundtrack ever in my life, so i really wanted to download and keep the mp3 file in my music folder and i did it. But the point is, all music files i have searched and downloaded through out the internet were recorded with the movie sound effects such as car door's closing sound and airplane engine sound effect. It bothers me concentrating to the original song it self.( .. would you mind telling me the way how to get an original sound of 'are you coming' ? I will appreciate very much...

Akos Tomena reply Replies: 1 || 2013-07-11 18:02:32
Hello Mr. Zimmer and Fellas!
I have also made and played a tune with trumpet.
I hope you'll like it:
https://soundcloud.com/akostomena/sunrise

Cheers,
Akos from Hungary.


Ákos Tomena 2013-11-20 22:50:22
If you have not enough time in a job, I would gladly help. :-) a new piece: https://www.youtube.com/watch?v=9mN3PC1tYgM&feature=youtube_ gdata_player

Carolyn Bruce reply Replies: 0 || 2013-11-11 12:01:38
Was watching the movie "Shame", music composed by Harry Escott. The song, "Unravelling", has been lifted, as far as I can tell, note-by-note, from your song,"Journey to the Line" from "The Thin Red Line".

Geraldine Paula reply Replies: 0 || 2013-10-30 12:53:18
Hallo Herr Zimmer,

wann darf meine Stimme mit ihren Noten verschmelzen ?

Ich singe seit Kindesbeinen: dank meiner Mama und Olivier Messiens, der mich in Avignon in seinen Kinderchor geholt hatte. Seither habe ich auf der klassischen Ebene agewirkt, allerdings immer nur nebenberuflich.

Meine Seele ruft nach ihrer Musik. Wann darf ich mit ihnen verschmelzen. Gehen sie gerne auf meine Facebook Seite oder Soundcloud, dort sind einige Soundproben in modernem Musikstil hinterlegt.

Facebook: Pauline Haller

https://soundcloud.com/markus_engel/come-closer-entwurf?utm_ source=soundcloud&utm_campaign=share&utm_medium=facebook

Stephan Hirzel reply Replies: 1 || 2013-10-28 22:41:51
How to book you for a concert in Dubai??

Stephan
MD
www.quickandunique.com


Stephan Hirzel2013-10-28 22:46:00
stephan@quickandunique.com

Simon Böldl reply Replies: 6 || 2013-10-16 19:23:19
Hello Hans Zimmer,
im fascinated by your music. It´s wonderful. Im playing videogames (Beyond Two Souls) and without your music it isn´t so well...
So thanks for your music.

Much greetings from me out of Bavaria.
Simon Böldl

PS: Vieleicht könnten Sie mir einen Soundtrack für unsere YT Webseite machen ;)


Edmund Meinerts2013-10-16 20:06:53
Why do I keep seeing/hearing claims that Zimmer worked on Beyond: Two Souls? He didn't, did he? Beyond "music producer" whatever that means?


Simon Böldl2013-10-17 21:32:47
Yes, he worked on the videogame Beyond: Two Souls. All of the music is by him.


Mike2013-10-17 21:43:26
No, the music in Beyond: Two Souls was composed by Lorne Balfe.


Macejko2013-10-17 21:45:45
You have four options, Simon:
1) Do your research.
2) Stop living in an illusion.
3) Stop trolling.


MacArthur2013-10-18 07:22:48
It is fair to say that with all the media out there saying Zimmer did it he has reason to believe that is is.

But Simon it is done by Lorne Balfe


Simon Böldl2013-10-25 15:34:43
Here is a quote from www.cinemablend.com:
"Lorne Balfe and Hans Zimmer worked together on the soundtrack to the new game, written and directed by David Cage, Beyond: Two Souls ."

They worked together.

Arjang Hamburg reply Replies: 0 || 2013-10-24 00:36:52
Sehr geehter Herr Zimmer. Ich bedanke mich für ihre Musik die
Mich sehr geprägt hat. Ich habe mir sogar ihre soundtracks angehört
Ohne die filme gesehen zu haben :-). Es ist erstaunlich dass sie so verschiedene soundtracks komponiert haben und trotzdem jedesmal ihre alt bekannte Note mit rein bringen. Vorallem möchte ich mich dafür bedanken dass sie Komponisten wie Klaus Badelt oder Ramin djawadi gefördert haben.
Es erfüllt mich mit Stolz dass ein deutscher der beliebteste Komponist der welt ist, und dies gilt doppelt für Ramin djawadi, da wir beide die selben wurzeln haben. Hören sie bitte nie auf mit der Musik und wenn es möglich ist, würde ich mich sehr über eine welt Tournee freuen um sie evtl in Hamburg live zu erleben.
Hochachtungsvoll Arjang

Simon Böldl reply Replies: 0 || 2013-10-17 21:33:56
Hey,
does anybody know when Hans Zimmer comes to Germany (Munic) or Austria(Vienna) in 2014?

Junaid Khawaja reply Replies: 0 || 2013-10-12 09:26:28
Hi Hans Zimmer,
I am Junaid Khawaja from Pakistan a big fan of your movie, game and theatre soundtracks. I am not a musician, music composer, lyricist, singer or anything else like that. I am just a song lover and writing this to you because I just love your music. I am crazy to have all of that. I maintain a list of your works at SoundCloud.com nothing more than that.
I don’t offer to download music freely. I just share the sounds to my SoundClouds’ profile from other public profiles. I can’t afford to buy your soundtracks. I am just writing to you because I want to listen all the work of you and will never share it to someone or upload to the profiles it’s my promise. Can I have all the soundtracks produced by you?
Love from Pakistan. I would love to hear from you as soon as possible.
Please,
Junaid Khawaja

JamesT reply Replies: 0 || 2013-09-23 21:12:35
Harry and Halli's score to The East is now available on iTunes. Very nice!!

Yuri reply Replies: 0 || 2013-09-20 02:53:35
—(••÷[ Hi Mr. Zimmer ]÷••)—

I’m Italian, i have 18 years old and I'm an amateur, an person who would like to do always to realize the own dream and be a composer. Unfortunately i'm surrounded by the wrong persons. Even if i want to learn and study for the job, i never would realize this route. Even if it will be challenging i have some potentialities and i want to realize my dream. I'm ready for whatever!

Here, some compositions that i just concluded:

soundcloud.com/young-flayer/darkness-takes-over



E-mail: yurifiorini@hotmail.it

JamesT reply Replies: 1 || 2013-09-19 19:25:32
I just read that a soundtrack for 12 Years A Slave is due out October 15th -- a few places on-line are reporting that? Anyone know anything about this?


Mike2013-09-19 23:37:17
Not sure, but Zimmer posted on Facebook that one website listed the score as one of the reasons to see the film. It'd be kinda mean of him to tease us like that. But then, maybe that's the idea: he wants us to go watch the film, not just go buy an album.

Doug reply Replies: 2 || 2013-09-08 07:23:25
Mr Zimmer, the version of Johnny Cash's Ring of Fire instumental you created for Mission Impossible 2, with acoustic guitar and orchestra was fantasic. I wish you would compose a complete song out of this. I think it would be very popular.

One criticism though...you give no credit to Cash or the song in the film credits, while at the same time you've gone after web posters, e.g. youtube, to keep your music from being shared. A bit hipocritical to me. It was only by reading comments under one of these posts that identified the song's origin.


MacArthur2013-09-08 07:30:01
I didn't hear that in the score so i don't know what you are talking about. and also maybe that is not what he was trying to do. like me I compose some stuff or progressions sound so good you just have to use them, and then you listen to a score and then you hear the very same progression and think hey that sounds like mine it might be something where he doesn't even realize that he's doing it. It just sounded good so he went with it.


Doug2013-09-08 09:27:29
MacArthur, it actually plays twice in the movie and is very short the longest piece of it is played at the end of the movie when Ethan meets Nahya in the park. I plays right before the Mission Impossible theme song at the end.

You may be right about Zimmer just composing it without realizing the connection. His version varies enough in tempo and instrumental content that I didn't realize it was the Ring of Fire...I just know it sounded familiar. I think Zimmer could make this short piece into a much longer (e.g. 5 min) full length song without too much trouble. It's a really beautiful song the way he has done it.

Blake Conklin reply Replies: 0 || 2013-09-05 00:16:15
Your compositions for Man of Steel were amazing. Every single track fit perfectly with the movie! I had to buy your man of steel album, it was too good to pass up!

Josue Harrison reply Replies: 0 || 2013-08-27 07:06:50
Hello Sr.zimmer, you make music &#8203;&#8203;very very well, &#191;how he comes all that?, his pieces are truly fascinating music, is very well done, please answer me, How he comes, how thinks, how writes, you are amazing! greetings from Mexico.

Mina Emad reply Replies: 0 || 2013-08-20 22:35:47
Okay.I'm not a composer .I'm not even want a chance to work in the company but i really like your music and it's inspired me to do every thing ..all I need is take a picture with you or even see you..see your studio and how to work ..how is your feeling when the film comes to you without music and you create the music .. An Epic music .....

by the way I'm from cairo.egypt and I have no chance to see you but..
it's okay :D .. if you want to text me if you have time ..IF YOU HAVE TIME .( akonmina@yahoo.com ) waiting your massage .it will means alot to me
thanks.

Ian Xavier Perez reply Replies: 0 || 2013-08-16 05:58:37
I love many of the movie sound projects that you guys have done listed here and would love to be a part of visions like them as a sound engineer myself! what type of advice would you guys give audio engineers and future composers who dream of accomplishing such dreams and being a part of such great teams? idproductionsidp@yahoo.com

Marc Provencal reply Replies: 1 || 2013-07-19 16:56:16
Mr Zimmer,

I have learn so much by listening to your amazing music, to me you are a true Genius. Scoring is my ultimate dream, music is all my life, I'm a university trained composer-arranger-musician...If you can take a minute of your precious time to listen to my music on my web site...thank you so much

www.marcprovencal.com

regards


MacArthur 2013-08-14 19:50:08
You ever get any feedback?

MacArthur reply Replies: 0 || 2013-08-14 01:54:13
Hello Mr. Zimmer. I know that you are a busy man. I am a music composer and I live in Arizona. I would love to get in the Film music Industry. It is a dream and goal of mine. Me and a friend of mine have composed some music, and if you are willing to hear it and tell me where I stand, and if i'm capable to make it in.
Thank you for your time.

my e-mail is aaddleman@cox.net

Michael Helmel reply Replies: 0 || 2013-08-02 15:42:42
Hallo Herr Zimmer,
ich würde mich sehr freuen wenn sie Zeit hätten mein Musikstück zu hören. Für eine kurze Rückmeldung, von ihnen oder einen ihres teams, währe ich sehr dankbar. MfG Michael Helmel info@michaelhelmel.com

https://soundcloud.com/michaelhelmel

Phil reply Replies: 0 || 2013-07-21 20:48:32
I'm soooo missing the Webradio

Isoruku reply Replies: 0 || 2013-07-20 20:31:08
Hello. Hans Zimmer created much (but not all) of the music for the 1986 Nicholas Roeg film "Castaway." So I'm wondering if Mr Zimmer composed the beautiful and delicate flute segment that can be heard from 1:24:35 to 1:25:44 during the movie #####

If the answer is yes, what is the name of the song? (And is it available for purchase anywhere?) Many thanks!

Macejko reply Replies: 1 || 2013-07-15 17:13:57
Hey there guys, especially HZ.com team. This will be pretty unusual request, and also a really naive one, I imagine. See, I am working on a lecture for a biggest fantasy-sci-fi-horror-popculture convention in Czech and Slovak republic, called Istrocon. This lecture is about Hans Zimmer and his work.
So, here's the thing: my big dream about ending of this lecture is a video of Hans himself. Not just any video, though. It would be a video, where Hans would say something directly to the visitors of the convention. Something like "Hello visitors of Istrocon, my name is Hans Zimmer and I hope you enjoyed this lecture about my work." That's all.
Now, I understand that this idea is terribly, terribly naive. I understand that Hans is a terribly busy man and he doesn't have time to play around. But something like this would make a killing ending to my lecture.
I know that Hybrid and the other membersof the HZ.com team probably won't pay much attention to this post, but I simply had to try. If you could by some miracle contact Hans, you would have my eternal gratitude.

Matej Vojtko, also known as Macejko,
fan from Slovakia


Macejko2013-07-15 17:15:22
And in any case, my e-mail is vojtko.matej@gmail.com.

Vusi reply Replies: 1 || 2013-07-08 10:32:24
Mr Zimmer,

My name is Vusi Kweyama from South Africa. A friend of mine put together a video of me speaking for about 4 minutes and included Hans Zimmer instrumental song for 15 seconds (entitled: I believe because others believed in me). The video is for non-commercial purposes. Please advise if it is okay to use it.


Kind regards,

Vusi Kweyama


Akos Tomena2013-07-11 18:02:05
Hello Mr. Zimmer and Fellas!
I have also made and played a tune with trumpet.
I hope you'll like it:
https://soundcloud.com/akostomena/sunrise

Cheers,
Akos from Hungary.

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