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Sounds like 13 Hours was in temp!!!!Just saw the Movie few Hours ago and this is a really Great step back to the First one ! Like the fact that it's like in First one optimus vs megatron and Not some galvatron and his City-eatin ship stuff. When Classic themes Kicks in it feels like 2007 in the Cinema and it is much Fun! A Great direction and I Hope that we get Even more Original stuff in the next one ! <br>Go and See tranformers 5 especially of You saw the First one as a Child or if You just like it and enjoy the Music and Fun of it and don't throw it in the trash like many critics Are doin it ! <br>Yes I totaly Agree with You ! It just don't make Sense Even if musicians would get payed again they would Not lose  Money. As I Said there Are many Bad Scores out there that got played by musicians and orchestra and the fact that there Are still on iTunes and so on Shows that Even These Not so good Scores Are paying out so as You Said it is just unlogical !Love it too. Great track, very sweet, very tender. I really love the part from 2:49 utill the end.Yup, you're right about the Autobots theme. I liked the fact that they paid an homage to the first score. Could be wrong, but I don't think we got that in the last two movies. It's like they wanted to distance themselves from the first two scores. Which, to be honest, was something I didn't like. So I'm definitely glad that there are few bits from the first score in "The Last Knight". It was great to hear it all while watching the movie itself.
No, what @MrZimmerFan meant is Hans took the idea of Jablosky and not that he developed it. Ramin was also inspired on this piece for another one of Game of Thrones.Thank god they did an additional intro in the Interstellar section with heavy organ, just like in the movie. I kind of missed this the previous year, and brought me right back to when I saw Interstellar Live in London.. And with the addition of the Wonder Woman theme, this was the best show ever. Hope he does another tour somewhere in the near future!To me the business case is very unlogical! A limitation of copies makes no sense, because you avoid higher revenues. The damage has already been done, because the TF3 movie is 6 years old and Warner Bros.Music has already lost higher revenues. But even other scores like "Black Hawk down" from Hans Zimmer are not featured in iTunes, but I could buy an analogue copy (CD) in a store.<br><br>@Hybrid Soldier: Where do you have your informations from? Is Steve answering on facebook or is this a quote from an interview?Why is Hans uncredited? I'll take it that Bumblebee/AllSpark are Steve's themes then.Not at all! ; ) That's one of my favorite tracks as well. I would also throw in the major chord progressions of the Trident theme in "Power of the Sea" and the INSANE electric cello statement of Salazar's theme at 3:00 in "Kill the Sparrow". Great workout tracks!
Nop, Hans took the idea from All Spark<br><br>;PReally ? Bumblebee is from Hans ?!?Its funny to read that allot of people think the music is for them, it is not and never will be. The person that has to like and approve the music is the director BAY. The music has to reflect what he wants it too, not what any of you want lol. <br><br>We are lucky we get music releases, luckyHans Zimmer (cf. Rush main theme)Yea But it isn't like they would lost Money with such a Giant Score like the TF3 one. Well I still Hope that we will get it one day :)
@meta I'm feeling the same way. TF movies have always been flawed but very enjoyable for me thanks to Michael Bay's trademark. But this one... is so bad not even Michael Bay can save it. I really don't know what the screenwriters did in their "collaboration room"... but for sure they didn't collaborate a lot, because this "story" is probably the most disjointed mess I've ever seen.<br><br>The saving grace for me was the track "We Have To Go", which plays entirely without cut, that whole scene was pretty bad-ass.@Ds: Actually I prefer Ender's Game (also released by Varese Sarabande) over P&G (but the movie is cool)Pain and Gain is not a bad score, actually it's maybe better than the TF scores, in its own genre.<br><br>But it's entirely electronic so I guess there are no musicians to pay!<br><br>Also, maybe a lot of releases have the same deal as TF3 and TF4, but so few people buy them, they remain for sale forever because the maximum allowed number of sales is never reached...I must be the biggest weirdo in all of film score history, because the highlight of DMTNT for me was "I've Come With the Butcher's Bill." It resonated instrumentally, most notably that badass cello (?) at around the 2:35 mark, it was the perfect blend of old and new themes, and best of all, it sounded like a swashbuckling theme. As much as I loved the  action cues in the first three, I sometimes felt that they resembled a Latin hell choir more than a traditional pirate piece, especially AWE. It's good listening, but sometimes it sounded more like Gregorian Chanters of the Caribbean. :P <br>I seriously blast Butcher's Bill out loud on the highway, I love it so much.one more question. Who wrote the Bumblebee theme?
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Evenstar reply Replies: 0 || 2011-05-31 18:39:56
Hans Zimmer does not read messages here... or am i wrong?

Mark Stothard reply Replies: 0 || 2011-05-31 12:36:01
Hans and team just want to thank you for such a great website.

Hans, Thank you so much for being such a huge inspiration to me. You are the reason i began composing music.

No one knows how to get the best out of a movie with music like you do.
I'm constantly amazed how your draw such emotion from every scene. Even a simple scene can have such a huge effect just because of the way you score it.

I've watched every movie you have worked on, from 'success is the best revenge', 'the zero boys' (you even made that good to watch) to 'prince of Egypt', 'Gladiator', 'last samurai' and everything else you have done.

I look forward more to your movies coming out than i do my own Birthday.

Thanks again
Mark Stothard.
www.reverbnation.com/markstothard

Alex reply Replies: 0 || 2011-05-29 23:37:52
Hans

Meine Duetsch is seer shlect, so in English.

As a life long enthusiast of sea chanties and old songs on nautical themes, I must say I am stunned by the beauty of "Jolly Sailor Bold" from the Pirates of the Caribbean soundtrack. When I saw the movie, I though to myself 'How have I missed this song among all the traditional songs of the sea I have heard?' I assumed it was of folk song a couple of centuries old. I was so surprised to find out it is a modern composition! I was further surprised to find out the composer isn't even a native speaker of English.

You crafted a work of art that sounds straight out of some waterfront of the early 19th century. Your choice of archaic turns of phrase, the slightly awkward fit of some of the words to the meter of the tune, and the imperfect transitions in a couple of verses give it the feel of a song that existed in several slightly different versions that periodically got recombined by different singers and passed on orally to new performers over many years.

I am curious to know how you came to be so familiar with traditional English songs of sailors and the sea. I am equally curious why the song is not included in the soundtrack CD from Pirates. I, for one, would buy it instantly if available. And given the number of places on the net that I found with people asking where to get the lyrics, recording of the song, and such, I think someone made a big mistake leaving it off the CD.

To give some sense of the level of interest, I found on YouTube about a dozen different videos of people who had found the lyrics and recorded the song themselves, a cappella, accompanied by classical harp, piano, you name it. The movie has been open less than a week. Clearly your work has touched a chord among music lovers. It is one form of popularity to find many pirated copies of a recorded song on the net - it is something very different to find so many individuals recording themselves singing it in so short a time.

This song is nothing short of a work of genius. Thank you for creating it.

miguel reply Replies: 0 || 2011-05-29 14:51:11
Why ceded the copyright to a political campaign of the Socialist Party of Portugal? They are constantly excerpt from "the batle" at rallies and on television.

Joshua reply Replies: 0 || 2011-05-23 22:54:23
Hey guys great site! im on here at least once a day! Just had a question, is it true that Zimmer left Gorfaine-Schwartz agency to go to William Morris Endeavor? If so do you guys know why? Cheers!

Kurz Dominic reply Replies: 1 || 2011-05-22 20:16:25
Sehr geehrter Herr Zimmer

In der Hoffnung dass Sie dieses hier lesen, möchten wir Ihnen kurz unser Projekt vorstellen. Wir drehen einen Dokumentarfilm über Unwetter in der Schweiz und Europa. Dazu gehören auch Klimawandel und vieles mehr.

Unsere Frage an Sie wäre nun: Dürfen wir ein paar Teile aus einigen Soundtracks für unsere Filmmusik verwenden? Ihr Name wird im Film erwähnt. Ersterer ist der von Madagaskar.

Unsere Kontaktmail lautet: d.kurz@scvswitzerland.ch

Vielen dank!


Antas, Webmaster2011-05-23 09:38:35
in english please. Next time it will be removed

Sinead reply Replies: 0 || 2011-05-20 22:44:09
OH, Email-Adresse vergessen. sinead.s@web.de ;) Danke schon im voraus

Sinead reply Replies: 0 || 2011-05-20 22:42:51
Hallo Herr Zimmer :)
Ich schreibe Ihnen hier in der Hoffnung, dass sie das lesen. Ich habe seit zwei Jahren einen Freund, der eine große Leidenschaft für Filmmusik hat, seitdem er hm ca 13-14 Jahre alt ist. Es wäre schön, wenn es machbar wäre mir eine Autogrammkarte von Ihnen zu schicken. Er fiebert wirklich bei jeder Oscar-verleihung mit und Sie inspirieren Ihn sehr! Es wär schön, wenn Sie oder Ihr Team mir eine Email schicken könnten, damit ich Ihnen die Adresse schicken kann.
Ganz liebe Grüße
Sinead

Anneli reply Replies: 0 || 2011-05-19 17:02:07
Dear, Hans Zimmer

I really think you should work with Bogdan
Put this in the searchfield on youtube
Norske Talenter 2011 - Semifinale - Bogdan Alin Ota |HD

It is Norwegian, check this out!

Noah reply Replies: 0 || 2011-05-19 15:23:11
Dear Hans Zimmer,

For so many years I have wondered if there would ever be a way to express the profound depth of gratitude I continually feel every time I listen to the brief 75 second theme you shared in the film "Driving Miss Daisy" which was used in several scenes: the retrospective in the empty home after Daisy was moved to an assisted living arrangement, the cemetary scene where Freeman is looking for the right headstone, and the last scene where he's helping her eat her pie. I used to study music and film in college, and it's been a life-long joy going back over half a century, but never have I EVER heard a theme that so tenderly and deeply expresses the over-arching spirit of a film as your brief composition in "Daisy." Quite honestly, it literally brings me to tears every time I hear it. I particularly love the sublime transition from a single sustained note at the beginning to the delicate, child-like wonder of what sounds like a harpsichord which then grows stronger into a fuller body of gentle affirmation. There's no way to express how deeply moved I am by this precious musical treasure. Thank you SO much.

smash-it reply Replies: 0 || 2011-05-18 19:54:41
I'm totaly lovin the davy jones score. Man it's so powerful you can sence the anguish jones feels. Keep up the KICK ASS music man.

Anonym reply Replies: 0 || 2011-05-18 18:40:34
Sehr geehrter Hans Zimmer,
ich finde leider keine Worte für ihre Fähigkeiten, solch perfekte Lieder zu komponieren!
Ich würde mich sehr freuen wenn sie ein Angebot von Infinity Ward annehmen, um Modern Warfare 3 zu veredeln mit ihren atemberaubenden Musikstücken!!
Danke für alles.

james reply Replies: 0 || 2011-05-15 19:19:39
This message is for Mr. Hans Zimmer and crew. Thank you for some of the most wounderfull sound tracks to , movies , and games Thank you

EYESPOT reply Replies: 0 || 2011-05-12 17:59:33
Dear Mr. Zinner,

I have made a short video and would like to use your theme song for the movie "Broken Arrow." I have used another non-copyrighted song that is similar in the video, but as I am sure you will agree it does not compare!

My short video is entitled "EYESPOT is the Bomb!" and can be found on YouTube.

Who do I need to contact to get permission to use a short part of your Broken Arrow Theme song?

Keep up the great work!

The EYESPOT team

Home of the Perfect Pair
Fashion Eyeware & Advanced Eyecare

One Boylston Street, Suite 3E
Chestnut Hill, MA 02467

(617) 232-3303

sabrina.fiorani@tiscali.it reply Replies: 0 || 2011-05-08 20:24:43
Ciao Hans ,adoro le tue musiche,non hanno bisogno di immagini ,le tue note fanno volare alta la fantasia.Ho messo le parole ad alcuni brani dei pirati dei caraibi e ho costruito uno spettacolo che portiamo in giro sul lago di Bracciano(roma)se passi da questa parti ti aspetto.Un Bacio da Sabrina.

Matías reply Replies: 0 || 2011-04-30 00:20:49
Hello everyone:

I always thought that the music of Hans Zimmer deleted the complexities of harmony from other classical music. For me, the most interesting thing about this composer is the way he use the instruments and orchestra. Every time I hear the soundtracks of Gladiator, Lion King, Inception, Angels and Demons ... I can understand every move, the reason of the music. It's more than music stage. Good work, Zimmer. Very good work.

Martin reply Replies: 0 || 2011-04-29 13:01:05
Hello Mr.Zimmer,
my life is not very nice now, but your music,help to keep me dreams alive every day.
Thank you

Frank reply Replies: 0 || 2011-04-28 21:31:01
Hello Hans Zimmer,

I'm a big fan of all of your music and I love the music you composed for Inception. "Old Souls" takes me to a different world every time I listen. As summer approaches, I look forward to Pirates of the Caribbean: On Stranger Tides and I have been constantly checking to see if previews would be available for your score. Today, I listened to the previews available on Amazon. Even though the previews were between 30 and 40 seconds, I'm a little concerned for the score. It's great that you are doing collaborations with other artists and creating music that you think fits the film best, but I don't understand why there is such little amount of your great original score. I'm assuming that the several remixes (included on the soundtrack) are not going to be played during the actual film because it would definitely transform the meaning and the world of the film in a significantly different way. Like you (or whoever was in charge of it) released two bonus tracks for Inception, I hope you do the same for Pirates 4. I'm also assuming that movie is at least 2 hours or even more (since the past movies have run for a great length). I'm not saying that your music is off key, I just want to hear more of it, especially if there is other music in the film. Whoever agrees with my perspective of this probably also feels that we are being cheated. Hopefully, some other tracks can be released.

Best,

Frank

xeno vulgaris reply Replies: 1 || 2011-03-26 00:00:00
hi mr.zimmer, i am an amateur musician and i would like to give you for free some songs that i 've wrote .All my songs are just the ideas that i have.
Please tell me if you are intrestred.
My email adress is voulgaris_senofonte@hotmail.com

*all my songs are inspired on midlle ages


Seppy2011-04-26 16:46:46
Hi, I simply wondered: Did you get an answer or even an email from Hans Zimmer ?

Lerenn reply Replies: 0 || 2011-04-25 21:19:35
I often come on your site and I want to say that this new design is really worthy of RCP ! Bravo !

harjis@mac.com reply Replies: 0 || 2011-04-24 22:51:54
Mr. Zimmer,

You music has so much emotion to it. I never knew you were the man behind every amazing movie score. One of my friends had shown me some of your work and i was beyond inspired by your music. I also produce music and after listening to some of your music i had an idea. I made a wonderful edit of your song Time from the movie Inception. I gave an already perfect track, a more electronic feel.

http://soundcloud.com/harji/hans-zimmer-time-harji-singh

Feel free to have a listen.

Cheers!

mackinac2020@mac.com reply Replies: 0 || 2011-04-24 06:56:53
Mr. Zimmer,

Thank you. I am in love with the soundtrack to The Holiday. My favorite piece is Cry, a true love song that evolves taking us from sadness to pure joy with an urgency that fast is not fast enough to return to that one special person.

Thank you.

Paul reply Replies: 0 || 2011-04-16 00:00:00
Dear Mr. Zimmer, I am a 23 year old college student near Boston and I want to thank you for your tremendous contributions to music in my life. I am a huge Bat-fan/Nolan follower and I must have listened to your scores a trillion times - the cave got me ready to go out into the world during my teen years. Incepton and its score...I cannot express to others how it makes me feel. The mathmathical breakdowns and relations between motifs...brilliant. My favorite piece of all is during Cobb and Ariadne's conversation about Mal's Totem through to his confession...a bittersweet, etheral 5-note tune moves me in a way no other music i have come across does. Thank you, I hope one day to meet you and discuss music and life...that would be one of the coolest things ever. Can't wait for TDKR! My email is homemovies539@yahoo.com - If by some chance you want to shoot me an email I would love to coorespond with you, even once!

Oceanside Images reply Replies: 0 || 2011-04-15 00:00:00
Dear Hans,
I have listened to your scores in movies for a long time. In my personal opinion, you are one of the best. My all-time favorite one would definitely be "The Holiday" Movie. The music compliments the actors and storyline perfectly!! I love Arthur's theme! It gets me in a good mood, and makes me feel like I can do anything... Iris's theme also is just as deep, but in a more emotional way. You feel how much Miles cares for her.
I know that when I watch this movie, I instantly feel better, and I recommend it to everyone I know.
I can't wait for more!!!

Harvey J Gildea reply Replies: 0 || 2011-04-14 00:00:00
Dear Mr Zimmer,
For a school project me and my partner are wondering if it would be possible to use the True Romance soundtrack. it will be highly appreciated, of course with your consent first.

Matej Briskar reply Replies: 0 || 2011-04-07 00:00:00
Hello,
I was wondering if we can use hans zimmer music in a small movie maker competition. We just need a permission if we want to compete.. Here is the link : http://www.youtube.com/watch?v=MkL8YlrM8Eo&feature=channel_v ideo_title .. In other case, we dont have any other option for the music in background, we are not music composers :(

Matej Briskar reply Replies: 0 || 2011-04-07 00:00:00
Hello,
I was wondering if we can use hans zimmer music in a small movie maker competition. We just need a permission if we want to compete.. Here is the link : http://www.youtube.com/watch?v=MkL8YlrM8Eo&feature=channel_v ideo_title .. In other case, we dont have any other option for the music in background, we are not music composers :(

I forgot to give here an email, if someone would answer us. It is sproductiond@gmail.com (we are not a real production , we just make videos for fun)

Alexander Razmoski reply Replies: 0 || 2011-04-05 00:00:00
hi i was wondering if i could get an email from hans zimmer , or maybe get in contact with the company he works with ?

i look forward to hearing your reply alexraz01@hotmail.com :)

fs reply Replies: 0 || 2011-04-04 00:00:00
the webradio is absolutely fantastic!!

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