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I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...
Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
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Anneli reply Replies: 0 || 2011-05-19 17:02:07
Dear, Hans Zimmer

I really think you should work with Bogdan
Put this in the searchfield on youtube
Norske Talenter 2011 - Semifinale - Bogdan Alin Ota |HD

It is Norwegian, check this out!

Noah reply Replies: 0 || 2011-05-19 15:23:11
Dear Hans Zimmer,

For so many years I have wondered if there would ever be a way to express the profound depth of gratitude I continually feel every time I listen to the brief 75 second theme you shared in the film "Driving Miss Daisy" which was used in several scenes: the retrospective in the empty home after Daisy was moved to an assisted living arrangement, the cemetary scene where Freeman is looking for the right headstone, and the last scene where he's helping her eat her pie. I used to study music and film in college, and it's been a life-long joy going back over half a century, but never have I EVER heard a theme that so tenderly and deeply expresses the over-arching spirit of a film as your brief composition in "Daisy." Quite honestly, it literally brings me to tears every time I hear it. I particularly love the sublime transition from a single sustained note at the beginning to the delicate, child-like wonder of what sounds like a harpsichord which then grows stronger into a fuller body of gentle affirmation. There's no way to express how deeply moved I am by this precious musical treasure. Thank you SO much.

smash-it reply Replies: 0 || 2011-05-18 19:54:41
I'm totaly lovin the davy jones score. Man it's so powerful you can sence the anguish jones feels. Keep up the KICK ASS music man.

Anonym reply Replies: 0 || 2011-05-18 18:40:34
Sehr geehrter Hans Zimmer,
ich finde leider keine Worte für ihre Fähigkeiten, solch perfekte Lieder zu komponieren!
Ich würde mich sehr freuen wenn sie ein Angebot von Infinity Ward annehmen, um Modern Warfare 3 zu veredeln mit ihren atemberaubenden Musikstücken!!
Danke für alles.

james reply Replies: 0 || 2011-05-15 19:19:39
This message is for Mr. Hans Zimmer and crew. Thank you for some of the most wounderfull sound tracks to , movies , and games Thank you

EYESPOT reply Replies: 0 || 2011-05-12 17:59:33
Dear Mr. Zinner,

I have made a short video and would like to use your theme song for the movie "Broken Arrow." I have used another non-copyrighted song that is similar in the video, but as I am sure you will agree it does not compare!

My short video is entitled "EYESPOT is the Bomb!" and can be found on YouTube.

Who do I need to contact to get permission to use a short part of your Broken Arrow Theme song?

Keep up the great work!

The EYESPOT team

Home of the Perfect Pair
Fashion Eyeware & Advanced Eyecare

One Boylston Street, Suite 3E
Chestnut Hill, MA 02467

(617) 232-3303

sabrina.fiorani@tiscali.it reply Replies: 0 || 2011-05-08 20:24:43
Ciao Hans ,adoro le tue musiche,non hanno bisogno di immagini ,le tue note fanno volare alta la fantasia.Ho messo le parole ad alcuni brani dei pirati dei caraibi e ho costruito uno spettacolo che portiamo in giro sul lago di Bracciano(roma)se passi da questa parti ti aspetto.Un Bacio da Sabrina.

Matías reply Replies: 0 || 2011-04-30 00:20:49
Hello everyone:

I always thought that the music of Hans Zimmer deleted the complexities of harmony from other classical music. For me, the most interesting thing about this composer is the way he use the instruments and orchestra. Every time I hear the soundtracks of Gladiator, Lion King, Inception, Angels and Demons ... I can understand every move, the reason of the music. It's more than music stage. Good work, Zimmer. Very good work.

Martin reply Replies: 0 || 2011-04-29 13:01:05
Hello Mr.Zimmer,
my life is not very nice now, but your music,help to keep me dreams alive every day.
Thank you

Frank reply Replies: 0 || 2011-04-28 21:31:01
Hello Hans Zimmer,

I'm a big fan of all of your music and I love the music you composed for Inception. "Old Souls" takes me to a different world every time I listen. As summer approaches, I look forward to Pirates of the Caribbean: On Stranger Tides and I have been constantly checking to see if previews would be available for your score. Today, I listened to the previews available on Amazon. Even though the previews were between 30 and 40 seconds, I'm a little concerned for the score. It's great that you are doing collaborations with other artists and creating music that you think fits the film best, but I don't understand why there is such little amount of your great original score. I'm assuming that the several remixes (included on the soundtrack) are not going to be played during the actual film because it would definitely transform the meaning and the world of the film in a significantly different way. Like you (or whoever was in charge of it) released two bonus tracks for Inception, I hope you do the same for Pirates 4. I'm also assuming that movie is at least 2 hours or even more (since the past movies have run for a great length). I'm not saying that your music is off key, I just want to hear more of it, especially if there is other music in the film. Whoever agrees with my perspective of this probably also feels that we are being cheated. Hopefully, some other tracks can be released.

Best,

Frank

xeno vulgaris reply Replies: 1 || 2011-03-26 00:00:00
hi mr.zimmer, i am an amateur musician and i would like to give you for free some songs that i 've wrote .All my songs are just the ideas that i have.
Please tell me if you are intrestred.
My email adress is voulgaris_senofonte@hotmail.com

*all my songs are inspired on midlle ages


Seppy2011-04-26 16:46:46
Hi, I simply wondered: Did you get an answer or even an email from Hans Zimmer ?

Lerenn reply Replies: 0 || 2011-04-25 21:19:35
I often come on your site and I want to say that this new design is really worthy of RCP ! Bravo !

harjis@mac.com reply Replies: 0 || 2011-04-24 22:51:54
Mr. Zimmer,

You music has so much emotion to it. I never knew you were the man behind every amazing movie score. One of my friends had shown me some of your work and i was beyond inspired by your music. I also produce music and after listening to some of your music i had an idea. I made a wonderful edit of your song Time from the movie Inception. I gave an already perfect track, a more electronic feel.

http://soundcloud.com/harji/hans-zimmer-time-harji-singh

Feel free to have a listen.

Cheers!

mackinac2020@mac.com reply Replies: 0 || 2011-04-24 06:56:53
Mr. Zimmer,

Thank you. I am in love with the soundtrack to The Holiday. My favorite piece is Cry, a true love song that evolves taking us from sadness to pure joy with an urgency that fast is not fast enough to return to that one special person.

Thank you.

Paul reply Replies: 0 || 2011-04-16 00:00:00
Dear Mr. Zimmer, I am a 23 year old college student near Boston and I want to thank you for your tremendous contributions to music in my life. I am a huge Bat-fan/Nolan follower and I must have listened to your scores a trillion times - the cave got me ready to go out into the world during my teen years. Incepton and its score...I cannot express to others how it makes me feel. The mathmathical breakdowns and relations between motifs...brilliant. My favorite piece of all is during Cobb and Ariadne's conversation about Mal's Totem through to his confession...a bittersweet, etheral 5-note tune moves me in a way no other music i have come across does. Thank you, I hope one day to meet you and discuss music and life...that would be one of the coolest things ever. Can't wait for TDKR! My email is homemovies539@yahoo.com - If by some chance you want to shoot me an email I would love to coorespond with you, even once!

Oceanside Images reply Replies: 0 || 2011-04-15 00:00:00
Dear Hans,
I have listened to your scores in movies for a long time. In my personal opinion, you are one of the best. My all-time favorite one would definitely be "The Holiday" Movie. The music compliments the actors and storyline perfectly!! I love Arthur's theme! It gets me in a good mood, and makes me feel like I can do anything... Iris's theme also is just as deep, but in a more emotional way. You feel how much Miles cares for her.
I know that when I watch this movie, I instantly feel better, and I recommend it to everyone I know.
I can't wait for more!!!

Harvey J Gildea reply Replies: 0 || 2011-04-14 00:00:00
Dear Mr Zimmer,
For a school project me and my partner are wondering if it would be possible to use the True Romance soundtrack. it will be highly appreciated, of course with your consent first.

Matej Briskar reply Replies: 0 || 2011-04-07 00:00:00
Hello,
I was wondering if we can use hans zimmer music in a small movie maker competition. We just need a permission if we want to compete.. Here is the link : http://www.youtube.com/watch?v=MkL8YlrM8Eo&feature=channel_v ideo_title .. In other case, we dont have any other option for the music in background, we are not music composers :(

Matej Briskar reply Replies: 0 || 2011-04-07 00:00:00
Hello,
I was wondering if we can use hans zimmer music in a small movie maker competition. We just need a permission if we want to compete.. Here is the link : http://www.youtube.com/watch?v=MkL8YlrM8Eo&feature=channel_v ideo_title .. In other case, we dont have any other option for the music in background, we are not music composers :(

I forgot to give here an email, if someone would answer us. It is sproductiond@gmail.com (we are not a real production , we just make videos for fun)

Alexander Razmoski reply Replies: 0 || 2011-04-05 00:00:00
hi i was wondering if i could get an email from hans zimmer , or maybe get in contact with the company he works with ?

i look forward to hearing your reply alexraz01@hotmail.com :)

fs reply Replies: 0 || 2011-04-04 00:00:00
the webradio is absolutely fantastic!!

nancy reply Replies: 0 || 2011-03-30 00:00:00
wow........... best music ever

Suman Patra reply Replies: 0 || 2011-03-30 00:00:00
Dear sir,
I loved the songs composed by you. In every movies the songs are too good matches with movie and makes the movie a sparkling one.

FLAVIA MUGNA reply Replies: 0 || 2011-03-26 00:00:00
HANS
LA MÚSICA DE INCEPTION ES INCREÍBLE!
FLAVIA

Anne reply Replies: 0 || 2011-03-22 00:00:00
Hello,

I have heard an amazing music score today, the title was "Hymn to the Fukushima 50" on an Internet radio. I couldn't find the composer's name listed, but it sounded really Zimmer-ish, big, deep, emotional, melodic... does anyone have any information whether Hans or a colleague of his created this score?

Thanks much!

Anne

Hannah Walsh reply Replies: 0 || 2011-03-12 00:00:00
My love for Hans Zimmer's music began when I was ten and Pirates of the Caribbean: Curse of the Black Pearl came out. I am eighteen now and ever since that movie I have developed an extreme love for movies and soundtrack scores and when I go to see new movies, as well as immersing myself in the plot of the film, I pay close attention to the music that accompanies it.

After seeing Inception last year I decided that yes, it is now one of my favourite Zimmer scores. Especially 'Time'. I just finished watching the live performance on Youtube and I'm not going to lie, I was sitting in my chair weeping like a little child. I cannot express my love for Hans Zimmer and it's times like these, crying in my chair, that I wish I wasn't in Australia. We do not get live concerts from composers like Zimmer.

Oh man if I saw a live concert, I honestly don't think that any experience I would or could have in the future could EVER top that. It truthfully is my one and only wish.

BRILLIANT, BRILLIANT WORK.

Roland reply Replies: 0 || 2011-03-12 00:00:00
cool site

Rafael reply Replies: 0 || 2011-03-07 00:00:00
Thank You Hans Zimmer for every second of music.
I´m a great fan from Portugal.
Keep the work and Good Luck.
Respect Rafael

Shirley reply Replies: 0 || 2011-03-02 00:00:00
This is your best topic yet!

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