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Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004
The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze RozmanMondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/
Mine arrived today and is definitely sped up.LOL klaus badelt hardly composed pirates 1You know what? I love the booklet credits! Klaus Badelt is the same guy who scored Pirates of the Caribbean: The Curse of the Black Pearl.Thanks Hybrid soldier for the good news<br>I can't wait to see the documental film and hear the score of lorne balfe & hans zimmer.A score will be released.<br><br>You can always count on Lorne for that. It's in the works.
What was the last Zimmer documentary score that they released outside of BBC? <br><br>I am still waiting for The Great Bear Rainforest.I hope they can the soundtrack release for "Rebuilding Paradise" composed by Hans zimmer & Lorne balfe, including an original song for the film. I hope there is a possibility that they will release the score.How to get this at all?Any news about Rebuilding Paradise soundtrack?@Hybrid:<br>Any news about a release for Ron Howard "Rebuilding Paradise" soundtrack by Hans ans Lorne. The documentary airing today. Any info will be much Appreciated.
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Torsten Gran-Ruaz reply Replies: 0 || 2010-06-26 00:00:00
Dear Mr.Zimmer,
My name is Torsten Gran-Ruaz. First and foremost I just wanted to say that I really love your work, and it has inspired me to want to do film composing. I live on Vancouver Island in British Columbia, Canada and I play mostly guitar and piano. I know that the road to a musical career is a difficult one but I am willing to work as hard as I possibly can to make it happen. I am currently in grade 11 at high school, but I am planning on going to Humber College/University in Toronto for a bachelor's degree in contemporary music. I was inspired to contact you when I heard about Ramin Djawadi, because he seems to have been in a similar situation (guitar player, written for bands, etc) and I heard that he was helped greatly by you to achieve his goals. I was wondering if you could recommend maybe some schools or paths I could take to one day perhaps be taken under your wing, or if you're too busy, if maybe there's someone else who could help me out that you could recommend. Again I love your work and thank you for helping to inspire me! I understand that you're a very busy man, and it would be a treat to hear from you.

Thanks and have a great summer!

Torsten

Torsten Gran-Ruaz reply Replies: 0 || 2010-06-26 00:00:00
sorry, my e-mail is torsten@shaw.ca
-thanks

Gao Hongyuan reply Replies: 0 || 2010-06-19 00:00:00
Dear Mr.Zimmer,
My name is Gao Hongyuan,I'm a Chinese student.I 'm deeply impressed by the theme music in the movie Pirates of the Caribbean.Now,I just finished my college entrance exam.I really want to become a composer like you.But I don't know what should I do.So I hope you can give me some suggestions.I'll appreciate it if you can email me at wgtrc@yahoo.com.cn.Thanks again.

James:Swansea reply Replies: 0 || 2010-06-14 00:00:00
Love Hanz Zimmer, I think his best stuff for me personally was the Broken Arrow OST.

certain parts are so chilling, I know a big part of it is the choir, but the way it goes from calm to chaos is really engaging.

Germany should be so proud.

Mr Cans reply Replies: 0 || 2010-06-12 00:00:00
Heir Zimmer,
Firstly, Thank you for the music. Second I'd like to ask permission to Remix your track (Catatonic).
I have already completed the work and would love for you to hear it, for your benefit I have uploaded it to a small comunity online named soundcloud, the address is

http://soundcloud.com/mr-cans/f-a-o-miz-v3

If you like my working then please contact me via e-mail to mr-cans@live.co.uk

Yours Faithfully

Nick Anderson

AKA

Mr Cans

ahmad hamdi reply Replies: 0 || 2010-06-11 00:00:00
hello mr zimmer my name is ahmad hamdi i am from iran i very very love you and your works your musics are the best symphony music for films and for everything .
if you email to me i very very very tanks form you
very thanks my email : hamdiahmad18@yahoo.com

Luiz Fernando reply Replies: 0 || 2010-06-04 00:00:00
Initially, I offer my congratulations for your amazing work. You have many fans here in Brazil. We love his compositions and arrangements. Come visit us! A big hug. Luiz Fernando - São Paulo - SP - Brazil

helper777 reply Replies: 0 || 2010-06-04 00:00:00
Dear Hans,

Your work is fantastic! For the case that you may need a great vocalist on future productions, I'd like to introduce to you Jean Shy, 2009 Blues Music Award Nominee for "Soul Blues Female Artist Of The Year." Jean Shy is a brilliant, and "one of a kind" Artist.

A critique once described Jean's performance as follows:
Jean Shy has the conciseness of a Tina Turner, the vivid Northern-Soul feeling of a Van Morrison, the expressiveness of an Etta James and she convinces above all with one thing "honesty."

You can check out some of her Music at www.jeanshy.com

Wishing you continued success.
Best regards

From a fellow Frankfurter, helper777 [at] yahoo.com

- reply Replies: 0 || 2010-06-03 00:00:00
Hans Zimmer is the music legend of our time. I have never heard better music than his, and I'm certain I never will. Some parts of his songs have even made me cry, though I was sure that I didn't even know how to cry anymore, for I hadn't cried in many, many years before listening to his music. I can't even find the right words to describe how great and absolutely perfect his music is. Total epicness. Simply stunning.

Vit Hanus reply Replies: 0 || 2010-06-01 00:00:00
Hello Mr.Zimmer I play on keyboard and I love your songs,but I don´t have a notes.Do you know where is notes from Modern Warfare 2 Thanks

(Sorry....My english is not good I´m from czech republic)

Vit Hanus reply Replies: 0 || 2010-06-01 00:00:00
My email is vitecek11@seznam.cz

Charles reply Replies: 0 || 2010-05-28 00:00:00
Hey I love your work!! I play Modern Warfare 2 for PC and I recently got the soundtrack for it. Your work is amazing and I hope you can continue to make many wonderful compositions in the many years to come!

Sarah S reply Replies: 0 || 2010-05-25 00:00:00
I just wanted to say that Hans Zimmer is the most incredibly talented and amazingly stunning composer that I have ever, ever, ever heard before in my life. I have just about finished writing my first novel and I could just about credit the entire thing to Hans as every time I lost the plot (both my mind and the story) I would turn his music on, sit with my eyes closed and let anything at all come to me and everytime without fail, his music inspired something new and creative in my mind. THANK YOU HANS ZIMMER!

Cathy reply Replies: 0 || 2010-05-24 00:00:00
My 13 yr. old son and I have always listened to classical music ~We love the true art and the feeling amazing music can give. But....we are always blown away every single time we listen to the sheer genious of song #5 on the pirates III sondtrack! You gave us a hole new appriciation of what a horn section can sound like.... it is nothing short of inspired genious. This is over due-but-wow!...and thank you so much for inriching our lives the way only you can...

lukas reply Replies: 0 || 2010-05-10 00:00:00
Hello Hans Thank you for the sign my Covers!!!! Best Regards Lukas from Germany

info@renn-koeln.de reply Replies: 0 || 2010-04-28 00:00:00
Hi,
I'm looking for a web site of Rupert Gregson-Williams. Unfortunately he hasn't any one. So I try my request here. I am looking desperately for Piano Sheet Music of "Jack and the Beanstalk", main theme/ harp song. Unfortunately, I can get it anywhere. So you’re my last hope. Would you be so kind to pass on my request to Rupert Gregson-Williams? I hope you have a heart for a fan. Best wishes from Cologne, Germany. Bettina

Ingo from Weimar reply Replies: 0 || 2010-04-23 00:00:00
Hi, we are a Percussion ensemble and we need the O.K. from the Komposer Hans Zimmer, to do engagements from his music,"You`re so cool" and "Pirates of the caribik" for ouer Ensemble.
Can you help us for ouer projekt?.
Some greats

Douxxx reply Replies: 0 || 2010-04-20 00:00:00
To the greatest man that the earth has brought,
If somebody ask me to choose one book, i could'nt. If somebody ask me to choose one movie, i could'nt too.
But if somebody ask me to choose a music man, i'll choose, without any doubt, you.
Since I'm able to walk, my life is rocked by the soundtracks of movies to which you contributed.
Today, not a day passes without some music invented by you do not resound in my ears.
I only want to say you "thank you very much" for these moments full of emotions.
I hope your time will be infinite, and your magnificence, incomparable.

  Your name :   

Please enter number: 0 

Vasilis Alevizos reply Replies: 0 || 2010-04-17 00:00:00
Hallo Mr.Zimmer...I do not know if you will ever read my mail, but i wanted to write it for you...I am i 18 Greek boy and i always admired your music-scores and in general all film scores...I have already finished my music studies with an A degree in piano studies, and i also compose my own orchestral scores. People in my country, teachers everywhere in greece say that i am really good, almost a genius...I never believed them. I mean i know I have some perfect fresh ideas and i know that i am composing for a huge orchestra even though noone tought me how(i studies only music harmony and chorus composition)...And if even i believed them, how can I in this country show my talent? Plenty of music sheets, My 'Rhapsody for a dream' for a huge orchestra, chorus and piano, my piano studies, soundtracks for films and whole new ideas which i do not write them, beacause like the others will end up on my desk waiting to be played for ages...And i speak to you Mr.Zimmer beacause i do not know to whom i may speak...Who can advise me what to do??...you are one of my music idols, talented, successfull, your dream is complete! When will my dream come true?! I know you are to busy to meddle with problems like my one...but you could help me. And remember how much i want to make this dream a reality but i can not alone...Thanks Mr.Zimmer if you read this...or any other reader...And if you could help in someway please contact me...my email address is www.vasilis_al@yahoo.gr...
......a mortal teenage boy from Athens,greece...thanks

Peter Harris reply Replies: 0 || 2010-04-14 00:00:00
Hello Mr Zimmer.

If I could write to Bach and Vavaldi to say thank you for the music, I would. But I can't. They're dead. You're not. Thank you Mr Zimmer.

Jennifer reply Replies: 0 || 2010-04-13 00:00:00
I am a big fan of the movie -- The Holiday.
I just found the soundtracks of the movie are so ingenious and touching.I went to search about those soundtracks and I discovered Mr.Zimmer is the composer of these billiant ingenious..! I must definiately put an eye on your coming composing..!

Khurram Zaman reply Replies: 0 || 2010-03-31 00:00:00
Hello Mr. Zimmer
We're in US for National Tour of Southeast Asia's legendary Classic singer Mr. (Ustad) Hamid Ali Khan ( a living legend).
We'll appreciate if we can setup a meeting to explore areas of mutual understanding. You can follow some of his work on Youtube.
We'll be in US during April and schduled many shows in NY, VI, MI, CA, TX etc.
If you find this of your interest, for any future collaboration, please reply
KHURRAM ZAMAN
001-516-653-8930
justmet.kz@googlemail.com

Jo Scott reply Replies: 0 || 2010-03-23 00:00:00
I am looking for the sheet music to Thunderbird so I can teach it to kids. Is there anyone who knows where I might find it? Thanks

David reply Replies: 0 || 2010-03-22 00:00:00
Mr Zimmer, Thanks for another lovely soundtrack- The PACIFIC. I am part of a foundation doing preservation work on the Peleliu battlefield and your Peleliu cuts are eerie, haunting, and somehow capture
an essence of the place. Now I listen to the CD for accompaniment to some of my work, and some
inspiration for the efforts. Music is very powerful, one cannot ever underestimate how it can have an
affect things, such as a project to preserve a battlefield where so many died. This is a very symphonic,
sublime, deep, and contemplative effort by your team. I will no doubt hear it in my mind's ear when I am there, on island, later this year. Bravo.

monica reply Replies: 0 || 2010-03-20 00:00:00
hi! i'm a hans zimmer fan from spain,
i would like to know if there will be any orchestra concert for cinema songs of hans zimmer in any country of europe.
thanks

soumajit reply Replies: 0 || 2010-03-09 00:00:00
it shuld be a bit more serius....i mean look at the other sites.....the extras bar is too simple....give it a new look....embed music.....try sumthings new.........this is fucking sad to have a website of a such talented person as stupid as this.......typical newbie lighting on the bars........is this it????..i expected much much more.......

Mats reply Replies: 0 || 2010-03-09 00:00:00
Hi!

You guys are doing a great job covering the main topics of a brilliant composer. Thank you. There is one big thing I miss tho on this page and it's the Hans Zimmer "gear" list. What kinda hardware and software does he use for his midi mock-ups and so forth? And what could he recommend for aspiring composers to use? That would be a great additional to this page! Until then keep on brining the good stuff... :)


Cheers,
Mats from Norway.

Garrett Lihou reply Replies: 0 || 2010-03-05 00:00:00
Hey Mr. Zimmer,
My name is Garrett and I am a huge fan of your work. Your music inspires me to say the least and it would absolutly be incredible if you were able to read this in your very limited spare time. I'm a 15 year old highschool student and it would mean so much to see your written score for At Wit's End on the Pirates of the Caribbean: Dead Man's Chest soundtract. I have written some short pieces of music and am in the middle of writing a choral. It has been my dream to arrange some of your briliant pieces for band. I play the trumpet in school at the moment and am also taking music lessons for piano. I don't want to give you my life story here but if you had a couple of minutes out of your day to email me a response or anything I would be ecstatic. My email is: garrett626@hotmail.com.
Thx for your time Mr. Zimmer,
Garrett

Freddy reply Replies: 0 || 2010-03-04 00:00:00
hey mr Zimmer,
as you can see, my name`s Freddy and I`m from Germany. Several days ago I watched the fantastic movie Sherlock Holmes and was totally amazed of the soundtrack, which you composed. Absolutely awesome.
Right now I`m searching for the sheet music of discombobulate and hope I`m gonna find it.
Well, keep on with this great work and I hope you`ll win an oscar!

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