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what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.
TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time latelyOk, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.
It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for itsameNo no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?
Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.
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Teoperseo reply Replies: 0 || 2009-07-05 00:00:00
I'm italian ..second me you will made a version with new language of the web site ... i'm free for collaboration i have the contact for the information for hans zimmer.. if will a version italain i'm free for collaboration..scuse me for the english but i speak very bad... my e-mail is teoperseo@yahho.it

jon reply Replies: 0 || 2009-07-03 00:00:00
great site !

Ben reply Replies: 0 || 2009-07-02 00:00:00
Hallo I love your work and how you did. You make the movie feel like it's cameing to life. With your music. My favs is king arthur and gladiator. I liked the angels and demons movie but you used the computer to much in that one.

wish you well in there music.

Julia reply Replies: 0 || 2009-07-01 00:00:00
You are amazing. Thank you!

Angels & Devils audience reply Replies: 0 || 2009-06-21 00:00:00
Hi Mr.Hans Zimmer
I`m korean so..i can english a little

i wish you would understand

I see Angels & Devils at yesterday

your BGM is very very Good & Nice

So.. i find your bgm in another movies

and i found your BGM .

that is very nice movie The Dark Night , Dead Man`s Chest , At World`s End and so on.

Yet your All BGM not listening

But I`m sure that Another BGM is the best there is, the best there was and the best there ever will be

tim reply Replies: 0 || 2009-06-17 00:00:00
Hello Hans,
I love your music. It really inspires me to follow in you footsteps. I think that if every composer was like you the world of music would be a lovey place to be- it is now but it would be better! Your music gets to me in all ways.
From
Tim Hollow

Ibby Josef reply Replies: 0 || 2009-06-06 00:00:00
Hello Hans,

Id just like to say I feel that you are the greatest composer of our time. Your music has the abillity to touch my mind, my heart and soul :)

I hope I have the opportunity to hear your scores/music for as long as possible, you should be proud of your self sir you are a master.

Take care
Ibby

oraclemtx@hotmail.com

DemonStar reply Replies: 0 || 2009-06-02 00:00:00
Thanks for the Lion King score petition link banner! :)

Fred reply Replies: 0 || 2009-05-31 00:00:00
Hi RCP-Webmaster,
is there a any special reason why this Website still looks like a temporary/alternativ Page? And why is it still a unofficial Website???
It will be realy cool, when some of you guys redesign this Website to something more professional. It is really unworthy for a artist like Hans Zimmer...!
Cheers...

Pridelander / Miya reply Replies: 0 || 2009-05-30 00:00:00
I just noticed the nice banner link to The Lion King petition on the right side. Thanks! :)

Christopher Pegg reply Replies: 0 || 2009-05-19 00:00:00
Id like to congratulate you on yet another superb display of your musical talents in the soundtrack world. Went to see Angels & Demons last night and i was thrilled with the movie but not just that... the score was amazing. It matched what was happening on the movie perfectly.

Again i would like to thank you in making a great score to a great movie. Keep up the great work and i hope that if the next Langdon book gets turned into a movie that you are again at the scores helm.

Thank You.
Chris

cpegg2210@yahoo.com

david nguyen reply Replies: 0 || 2009-05-11 00:00:00
would you please kindly advise on how I can get permission to use songs from the Dark Knight soundtrack? I am a high school student making a film for a scholarship that would help me pay for college. I have no intention of selling or doing anything illegal with the song. All I want is to use parts of the songs in my movie. Your advise would be much appreciated. thank you

email:david_n272005@yahoo.com

Anonymous reply Replies: 0 || 2009-05-10 00:00:00
hello to everyone who enjoys the beautiful music Hans makes, and I was wondering if anyone knows the fan mail address I could write to? thanks in advance

Vesna, Croatia

Aaron Watson reply Replies: 0 || 2009-04-27 00:00:00
Hello Mr Zimmer,

I don't know if you'll have a moment to read this, but I am a Huge fan of your work. I've played trumpet with a handful of touring national musicals, but I've always dreamed of being able to play in a studio orchestra with your music on the stand. I love arranging and am always trying to figure how you create some of the colors you do, my favorites are always your massive french horns and drums.

If you are, in fact, reading this I have a question. Is there the slightest possibility that I could somehow see a sample page of one of your film scores so that I might have an inkling of how to create a similar effect for the groups that I write for here in Florida? Is there any advice you can give to a loyal fan who's dreamt of playing your music into a mic and now only wants an idea of how to create one moment in music the way you do?

Thank you dearly for your consideration, your talents, and your time for reading my post. I sincerely hope to hear from you soon.

My best,

Aaron Watson
Orlando, FL

biju reply Replies: 0 || 2009-04-17 00:00:00
u r great
plse give ur prsenal id
regads
biju

valerio reply Replies: 0 || 2009-04-16 00:00:00
hallo hans!
I am Valerio, live in Italy and very interested in becoming a professional conposer like u... I'd have just a question 4u: Do I need to take a composition degree to become a composer for movies?

thanks in advance.
please answer me to: "sennar3@hotmail.it"

valerio reply Replies: 0 || 2009-04-16 00:00:00
hello hans!
It's me again, valerio! :-)
i'd love to know if you have Howard Shore's email address....I'd like to have also your but... it's your choise... anyway thanks a lot!!!
Please answer me to: "sennar3@hotmail.it"

Toby T. Straight reply Replies: 0 || 2009-04-09 00:00:00
Hallo,

I`m inspired from you.
I come from Germany, I`m a musican - playing more than hundred gigs a year...
My english is not so good...
Listening to your soundtracks is great, beautiful.
Search for "The Crossing Storm" - this we are.
;-)
My new girlfriend gave me your music - GREAT!
Thank you for this...
RESPECT!!!

Stefan Batachko reply Replies: 0 || 2009-03-29 00:00:00
Hallo Herr Zimmer,eine Pre-production würde ich Ihnen gerne zukommen lassen..aber wie ?

Stefan Batachko reply Replies: 0 || 2009-03-29 00:00:00
Hallo Herr Zimmer,eine Pre-production würde ich Ihnen gerne zukommen lassen..aber wie ? stefanbatschko@alice-dsl.net...sorry

Sinclair Mallia reply Replies: 0 || 2009-03-12 00:00:00
Dear Mr. Zimmer,

I'm a fan of your great music. I'm a new film composer and I need some help.

Can you contact me on smallia@di-ve.com or sinclair_mallia@hotmail.com

Thanks a lot.

Yours

Sinclair Mallia

Christa Thompson reply Replies: 0 || 2009-03-06 00:00:00
I loved ypur music in Friday The Thirteen. I was screaming and ecxcited the whole movie and it was absoulely great. Sorry foe the misspellings. Keep up your good work and MAY GOD BLESS YOU

mario reply Replies: 0 || 2009-03-04 00:00:00
MpxpmP h1! nice site! oxyutelno

Russell Esmenda reply Replies: 0 || 2009-03-03 00:00:00
Hello Mr. Zimmer, I just want to thank you and James Newton Howard for making some beautiful music for The Dark Knight. It is filled with intense waves of emotion and moves me to tears sometimes. Looking forward to the Dark Knight 2's score. Regards.

amid ahadi reply Replies: 0 || 2009-03-03 00:00:00
i want to use your the two tower music in my game.
you know im from iran in our country we have not copyright rules so i want to ask you how can i use your music in my game i should pay or i dont know . . . plz contact me

eit0o@yahoo.com

Nathan Kelly reply Replies: 0 || 2009-03-02 00:00:00
I wish that I could personally thank Hans Zimmer for creating such beautiful music. There are countless emotions that flow through me every time I hear "Run Free" from "Spirit," and I would like to thank him, and tell him that no amount of words can explain how wonderful these songs make me feel.

Thank You!

Seif reply Replies: 0 || 2009-02-11 00:00:00
Give please. When they discover the center of the universe, a lot of people will be disappointed to discover they are not it.
I am from Palestinian and learning to read in English, please tell me right I wrote the following sentence: "Harvard educated professionals edit and write resumes and cover letters, web pages and web sites, business."

With love :o, Seif.

Jonathan Jehle reply Replies: 0 || 2009-01-31 00:00:00
Seehr geehrter Hans Zimmer,

mein name ist Jonathan und ich bin 15 Jahre alt.
Ich finde ihre Filmmusik einfach nur genjal!
Ich spiele selbst Klarinette und Alt Sax. (Ich spiele fast nur Stücke von ihnen in meiner Freizeit. Am liebsten Pirates of the Caribbean "Up is Down")
Ich drehe im Moment mit meinen Freunden einen Abenteuer film es handelt sich um fünf Ritter die versuchen einen Magier zu stürzen. Ich will aber keine Filmmusik klauen und habe desshalb versucht mein eigenes Stück zu komponieren. (Das ging voll in die Hose - wenn ich das so sagen darf- !
Wenn ich nun jemeanden beauftragen würde, dann würde dass aber ne ganze Stange geld kosten. Können Sie mir da vielleicht helfen?
Wenn ja können Sie mir auf diese Adresse zurück schreiben:

horsesrider@web.de

Viele Grüße aus dem Schwarzwald

Jonathan Jehle

lkj reply Replies: 0 || 2009-01-31 00:00:00
its fantstik

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