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Sehr geehrter Herr Zimmer, <br>Hallo Hans,<br>  <br>ich habe einige ihrer Konzerte gesehen, Prag jedoch, war wirklich, ich kann es nicht in Worte fassen, unglaublich. Top Musiker und eine super performance!<br>Ihre Musik ist eine Inspiration.<br>Hoffentlich hören wir noch viele Stücke von Ihnen...<br><br>Hochachtungsvoll und liebe Grüße<br>StefanYeah, 30-ish seconds into Do You Bleed?"Reminiscent Therapy" is amazing in the way it incorporates a lot of Williams' classic stuff making it feel very natural and organic, like it's part Powell's themes, like he does with "The Adentures of Han".<br><br>This is a really great scoreHe is the chosen one, the one who will bring balance to the film music world...Thats just 'do you bleed?' with a small insert?
Haha, It's as the prophecy foretold.John Powell, the great uniter of film music fans@MrZimmerFan<br><br>I actually like Rogue One, and I do understand why it leans so heavily on the original themes. Here the themes are incorporated more as fan service, but Powell is able to do wonders with interpolating them with his material. <br><br>And something I forgot to mention, this score reminds me so much of Pan in the action sequences. The percussion and brass writing is great lolim surprised how Powell uses his ANTZ percussion in this!<br><br>The track Train Heist, Into The Maw is good example of it.<br><br>This is the only score that will please the gang at JW and HZ alike.When JWFan and HZ.com are discussing the same score....
'but not as heavily as Rogue One'<br><br>Because Rogue One have conections with certain aspects or characters from the OT?<br><br>An here you have a track with three themes (or cues) with no conections with the OT, Rogue One have more sense... but the score is fricking awesome :)So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, it’s basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poe’s theme from Force Awakens.Let’s just say “Reminiscience Therapy”.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in these
Yeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that I’m guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally I’ve never been in love with Inception. I admire it on a technical level, but outside of “Time” I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...
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Imi reply Replies: 0 || 2008-06-17 00:00:00
Eine schöne Internetseite - ausgesprochen gelungen, wenn man von der traurigen Tatsache absieht, dass ein erfolgreicher deutscher Filmkomponist seine Seite lediglich in Englisch ausstellt.
Aber hey immerhin das Forum verweist noch auf eine französiche Ausgabe! Wozu sich also beschweren?
Ach ja - in english please?
No comment!

Anonymous reply Replies: 0 || 2008-06-11 00:00:00
So where do i go to ask permission to pay copyrights in order to use the Victory Line score in a Year 12 Media Studies film?

Ljubomir Goshev reply Replies: 0 || 2008-06-08 00:00:00
wonderful site, very informative and interesting :) Thanks to all of you!!

Antas, Webmaster reply Replies: 0 || 2008-06-04 00:00:00
@BBE :
garnoo.wordpress.com/2007/10/01/jattends-gortoz-a-ran/

BBE reply Replies: 0 || 2008-06-02 00:00:00
Hi, i'm looking for a song cald Gortos and j'attends(i think) can someone help me?

Antas, Webmaster reply Replies: 0 || 2008-05-24 00:00:00
@ Tillie : Green Card is here :
www.hans-zimmer.com/fr/disco_detail.php?id=24

Try the search option ;-)

Tillie Ray reply Replies: 0 || 2008-05-20 00:00:00
I Love this site, but was dissappointed that "Green Card" wasn't mentioned. I LOVE the music that Hans Zimmer wrote for the movie "Green Card". I purchased the CD with the soundtrack for "Green Card" which I listen to frequently.

Gaute-Hakon Bleivik reply Replies: 0 || 2008-05-17 00:00:00
I am trying to find if Hans Zimmer is going to give any concerts in Europe this year.
Do you know if he is? Where and when?

With regards
bleivik@gmail.com

Anonymous reply Replies: 0 || 2008-05-15 00:00:00
particularly the black hawk down music...

Jack Manning reply Replies: 0 || 2008-05-15 00:00:00
i like the layout of the website... but i believe you should have a sheet music page where you can buy the sheet music

Sahdanny reply Replies: 0 || 2008-05-10 00:00:00
Hello Sir ,
My name is Danny. I live in a little country name Bangladesh. I am painter and graphics designer. I just completed my graduation in drawing and painting. I love movies. i love music of the movies. I have heard about you in the forum tears of the sun is my favorite movie i like your movies soundtrack a lot. The ups and down and the detailed of every emotions attract to your music. I just love your work sir .

sahdanny@yahoo.com
www.sahdanny.com

Hybrid Soldier reply Replies: 0 || 2008-04-30 00:00:00
LOL Sorry David ! :-D

If there's something else to add or change in the future, just tell us ! As Antas said, you can use directly the e-mail.

But, hey, Antas, send it to me after LOL ! :-P

Antas, Webmaster reply Replies: 0 || 2008-04-24 00:00:00
David, could you contact us directly at webmaster@hans-zimmer.com ; so we are sure you are the right person :-) Thanks !

David Buckley reply Replies: 0 || 2008-04-23 00:00:00
Hi there, this is David Buckley who you have listed on your site. Is it possible to remove my additional music credit for Narnia. I did not work on it in the end due to other commitments...

Thanks

Dave

LJ reply Replies: 0 || 2008-04-02 00:00:00
I'm curious if anybody else has noticed the eerily-identicalness of King Arthur's "Do You Think I'm Saxon?" (towards the later part) when compared to Dead Man's Chest "Hello Beastie." There are a couple of measures in there where it is the EXACT same setup, crescendos, and even tune and choir. I was very curious as to figure out what made Hans Zimmer use the same elements/tunes from King Arthur and use them on Dead Man's Chest. I wonder if he wasn't happy the first time, or realized it's potential after King Arthur was produced.

Catharine reply Replies: 0 || 2008-02-24 00:00:00
Hello!
I'm so interested in Hans Zimmer's wonderful music,and I would like to know when will he give us an amazing concert in this year?
Thank you.

Dave Cook reply Replies: 0 || 2008-02-20 00:00:00
Hello,
my name is Dave and i am a grade 12 student working on a 3D Animation for a non-profit school film contest. http://www.durham.edu.on.ca/festival/
i was wondering if i anyone knows if i can use the pirates theme song in my film. i am in Canada and i know as it is in America you can not use a song if you are making money from it. since i am not, does this mean i may use it? i would like to know as soon as possible. you can contact me by E-Mail: sk8er_dave@hotmail.com

Thanks in advance, Dave

Anonymous reply Replies: 0 || 2008-02-12 00:00:00
my email adress is marcusdanieldrinkwater1993@hotmail.com

thank you

marcus reply Replies: 0 || 2008-02-12 00:00:00
my names marcus and i am a student at rutlish school. i was wondering if i could use some of your pictures in my dida 202 project.

thank you

marcus

James reply Replies: 0 || 2008-02-12 00:00:00
Mr. Zimmer- I'm a big fan of your work. I particularly enjoyed Backdraft. I was wondering if someone could e-mail me back and let me know the name of the song from the retirement reception in the movie. I bought the soundtrack and it is not on there. Thank you very much for your help in this matter.

Gayle Oliver reply Replies: 0 || 2008-01-22 00:00:00
Trying to reach Gavin Greenaway. He has uncollected residual checks from the Film Musicians Secondary markets Fund. Please contact me at 818-755-7777 ext. 827 if you have information regarding Mr. Greenaway. Thank you!

Dom reply Replies: 0 || 2008-01-11 00:00:00
Im a great fan of Hans's Zimmer music. Itis possible to get his contact address ? My email is d.stefanino@bluewin.ch.

Thank a lot in advance and greetings from Geneva, Switzerland

cathy reply Replies: 0 || 2008-01-04 00:00:00
i am young. like a young tennager and i enjoy your music a lot. Especially the Pirates of the Caribbean soundtracks. Their amazing and i listen to your music all the time. You are an amazing composer

Anonymous reply Replies: 0 || 2008-01-04 00:00:00
Happy NEW YEAR to the entire team!

Andrew reply Replies: 0 || 2008-01-02 00:00:00
Dear Mr. Zimmer,

Sir, you are a truly amazing composer and musician. The melodies from all your works, especially the score from pirates of the caribbean 1 2 and 3, has inspired me and millions of other people around the world to "World's End".

Every song in the pirates soundtracks has the same origins to the several original tunes, but you have changed them and added so many additional things. I am ridiculously amazed at your work and you and John Williams have inspired me to be a film composer /performer.

I give you my undying gratitude for changing this world's music and everything in it.

Even though I am sure you do not want everyone emailing you all the time, everyone would appreciate it if you did something like set up an email account just for fans and post it here. It would inspire many more to attempt to do what you have accomplished so well.

My motto of life is : Music has given my life meaning and existence. The least we can do is give back to it.

You have truly given back to music, and for that I thank you.

Sincerely and cordially,

Andrew
An Awe-Inspired Composer

Andrew reply Replies: 0 || 2008-01-02 00:00:00
probably the guy that wrote that message

Andrew reply Replies: 0 || 2008-01-02 00:00:00
I hope he actually reads this stuff lol.

Franck Ancelin reply Replies: 0 || 2007-12-27 00:00:00
Excellent site, clear, precise and user-friendly!

Your reputation is no longer to make, you still enjoy the same.

I have not yet had the opportunity to listen to the entire team in full, but as a general rule your world music fascinates me.

Still very creative and constant. Congratulations to your team.

Franck Ancelin composer multimedia

Peter Wilson reply Replies: 0 || 2007-12-08 00:00:00
Hi I am an animation student studying an England and a great admirer of Hans Zimmer's work. I would like to use some of his music in my final year project and would like to ask his permission. Is there an email address I could use to contact him. I would be greatful for any help in this matter. Thanks Peter Wilson (peterandpaul@gmail.com)

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