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Andrew's second solo feature...<br><br><br>Now still waiting for that Sky Hunter release... :(@Hybrid, what happened with Trevor? Why his scores are not listed in the page? ThanksIt is somewhat bizarre that you all are thinking directors actually want to work with Junkie. Surely, the only reason anyone hires him is that they want Zimmer who is not available. Yes, some may have heard Mad Max but it would be silly to think anyone actively wants a Junk score.Bob Badami (as Robert Badami), Melissa Muik, Mark Wherry (as Mark Andrew Wherry are music editors!<br><br>Booklet credits<br><br>Music Editor: Melissa Muik <br>Score Wrangler: Bob Badami<br>Digital Instrument Design: Mark WherryI don't think Junkie XL picks the shittest films to work on. It's just that art film directors won't choose him to score their films. Even in RCP, a lot of his colleagues are more well respected than he is. I would argue Benjamin Wallfisch is already more well regarded. Mad Max is an exception because of its unique setting and story line.
Metro Expanded Score (1997) By Steve Porcaro & James Newton Howard<br><br>I found an interesting about unreleased tracks from the whole movie by one hour and 57 minutes, it's meant something missing in the movie. But I did edit some unreleased tracks from the movie, but not in OST It could be Expanded Score. I'm sure about that!<br><br>1. Main Title (1:57)<br>2. Sam's Death (1:31)<br>3. Keep You Out Of This (0:41)<br>4. Roper & Ronnie (0:51)<br>5. Jewelry Store Heist / That's Korda (1:46<br>6. First Chase (2:41)<br>7. Cable Car Pursuit (6:18)<br>8. He's Getting Away (0:21)<br>9. Car Garage Capture (0:51)<br>10. Dinner Only (1:06)<br>11. Intruder (3:14)<br>12. Ronnie Attack (4:41)<br>13. Love Theme (1:51)<br>14. Korda's Escape (1:49)<br>15. Is She Out There ? (0:26)<br>16. Ronnie Kidnapped / Korda's Demands / The Shipyard (3:16)<br>17. Final Chase (3:11)"I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct."<br><br>I agree with you, except that Snyder and I have very different ideas about what makes good (film) music, and how to emphasize it. Ridley Scott is a somewhat similar case. Somehow he has gotten a ton of great music written for his movies over the years despite the fact that his musical instincts are really strange and misguided sometimes. At least Snyder doesn't butcher the scores he gets.<br><br>You're right that a director like Whedon doesn't seem to pay that much attention to how music can enhance his movie. But as someone who cares about film music 95% of the time as albums, not in film, I often find that a director who gets out of the way and just trusts the composer to do his/her thing is preferable to one who gets overly involved with the scoring process and has lots of ideas about how things should sound. That the subsequent scores end up buried or ineffective in their films is a shame, but the music at least tends to be good on its own terms.@mrzimmerfan<br>Oh no, I mean I love the score as a whole. I was just saying my personal highlights. Man of Steel emotionally resonated with me. But that’s cool that you like BVS, I personally just think Man of Steel is more engaging.@mpolonest: But that moments are simply moments, not the entire score, i prefer BvS, because there is a variety in it: Batman, Wonder Woman, Luthor, and is more complex than MoS (also i prefer the movie over MoS).<br><br>And yes, the theme for Superman is cool, but that dosen't make the entire score cool too.and some nice boob representation, too.
@MrZimmerFan<br><br>Point Break is a lousy movie, but the score and guitar main theme isn't all that bad. Those 10 minutes on the soundtrack don't do it enough justice at all.<br><br>But again - this is Junkie doing action scoring....Miles better than any of his slow stuff. For me, anyway.@Edmund <br>He’s definitely not my favorite director, but I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct. One of my biggest pet peeves is when directors/composers just use music as a sonic wallpaper, instead of letting it improve  and add to the scene. John Ottman is a great example. He can write great themes, but he tends to write underscore which adds nothing to the film. That’s why Zimmer, Williams, James Newton Howard, etc. are so good. They treat each moment with care."Zack Snyder, a director who actually understands music"<br><br>A matter of opinion, and not an opinion I share.@mrzimmerfan <br>I disagree with you there. I love Man of Steel, I think the themes and the overall bombastic nature of the score work perfectly. As for BVS, I’m not a huge fan honestly. There are some amazing highlights, but the tone of the score is so downbeat. It lacks the soaring elements of “Flight” or “What Are You Gonna Do...” and the action highlights of “Terraforming” or “Escape From Ship”. <br><br>To each their own though :-)For the themes mostly, this Batman and this Superman fit with the themes written by Zimmer. But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)<br><br>
I genuinely wish we could hear Justice League, I would have loved to see what he brought to that under Zack Snyder, a director who actually understands music.I still remember when Divergent was released, I was almost immediately dismissive of Junkie XL. Having only heard his remixes and his drum stuff for MoS/300 the first thing I expected was to hear an electronica album with percussion and sound design. So imagine my surprise when I heard several different themes, beautiful string adagios, vocals, and a pretty big variety of styles. And then Run All Night came out and blew me away. Ever since then I’ve been pretty supportive of his work, but I have to agree with everything you guys are saying.<br><br>The past two years have been pretty bad in terms of his ratio of good scores to bad. Black Mass and Brimstone, as I’ve mentioned, are solid scores that veer away from the usual JXL sound. But then we have Deadpool (abrasive), Distance Between Dreams (ok for a stand-alone album), Dark Tower (pretty fun in parts and just bland in others), and Tomb Raider (one of the most generic scores I’ve heard in recent memory). It’s frustrating to see a composer who obviously has talent and a diversity of skills write almost the same thing over and over. <br>And the weirdest thing is, his earlier scores are far more distinctive than his current ones. How did that happen?Nope he released All I see is you Soundtrack last year and it was a great soundtrack..<br><br>Are you sure you're a fan of him?<br><br>So far no project announced for this year but I think there will be at least one...What happened to Marc Streitenfeld? It's been a long time since there has been any involvement or a new score from him. Some years ago, I thought he's going to be the new upcoming star from the horizon of RCP. But then abruptly silence. Any reason or information?@Meta: Really Point Break was interesting?, it's only 10 minutes of music released, and i din't care about it, honestly, and the movie was really, really bad.<br><br>As for Tomb Raider, the music was serviciable in the movie, but i more comfortable with it than Point Break.

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Gaute-Hakon Bleivik reply Replies: 0 || 2008-05-17 00:00:00
I am trying to find if Hans Zimmer is going to give any concerts in Europe this year.
Do you know if he is? Where and when?

With regards

Jack Manning reply Replies: 0 || 2008-05-15 00:00:00
i like the layout of the website... but i believe you should have a sheet music page where you can buy the sheet music

Anonymous reply Replies: 0 || 2008-05-15 00:00:00
particularly the black hawk down music...

Sahdanny reply Replies: 0 || 2008-05-10 00:00:00
Hello Sir ,
My name is Danny. I live in a little country name Bangladesh. I am painter and graphics designer. I just completed my graduation in drawing and painting. I love movies. i love music of the movies. I have heard about you in the forum tears of the sun is my favorite movie i like your movies soundtrack a lot. The ups and down and the detailed of every emotions attract to your music. I just love your work sir .

Hybrid Soldier reply Replies: 0 || 2008-04-30 00:00:00
LOL Sorry David ! :-D

If there's something else to add or change in the future, just tell us ! As Antas said, you can use directly the e-mail.

But, hey, Antas, send it to me after LOL ! :-P

Antas, Webmaster reply Replies: 0 || 2008-04-24 00:00:00
David, could you contact us directly at ; so we are sure you are the right person :-) Thanks !

David Buckley reply Replies: 0 || 2008-04-23 00:00:00
Hi there, this is David Buckley who you have listed on your site. Is it possible to remove my additional music credit for Narnia. I did not work on it in the end due to other commitments...



LJ reply Replies: 0 || 2008-04-02 00:00:00
I'm curious if anybody else has noticed the eerily-identicalness of King Arthur's "Do You Think I'm Saxon?" (towards the later part) when compared to Dead Man's Chest "Hello Beastie." There are a couple of measures in there where it is the EXACT same setup, crescendos, and even tune and choir. I was very curious as to figure out what made Hans Zimmer use the same elements/tunes from King Arthur and use them on Dead Man's Chest. I wonder if he wasn't happy the first time, or realized it's potential after King Arthur was produced.

Catharine reply Replies: 0 || 2008-02-24 00:00:00
I'm so interested in Hans Zimmer's wonderful music,and I would like to know when will he give us an amazing concert in this year?
Thank you.

Dave Cook reply Replies: 0 || 2008-02-20 00:00:00
my name is Dave and i am a grade 12 student working on a 3D Animation for a non-profit school film contest.
i was wondering if i anyone knows if i can use the pirates theme song in my film. i am in Canada and i know as it is in America you can not use a song if you are making money from it. since i am not, does this mean i may use it? i would like to know as soon as possible. you can contact me by E-Mail:

Thanks in advance, Dave

James reply Replies: 0 || 2008-02-12 00:00:00
Mr. Zimmer- I'm a big fan of your work. I particularly enjoyed Backdraft. I was wondering if someone could e-mail me back and let me know the name of the song from the retirement reception in the movie. I bought the soundtrack and it is not on there. Thank you very much for your help in this matter.

Anonymous reply Replies: 0 || 2008-02-12 00:00:00
my email adress is

thank you

marcus reply Replies: 0 || 2008-02-12 00:00:00
my names marcus and i am a student at rutlish school. i was wondering if i could use some of your pictures in my dida 202 project.

thank you


Gayle Oliver reply Replies: 0 || 2008-01-22 00:00:00
Trying to reach Gavin Greenaway. He has uncollected residual checks from the Film Musicians Secondary markets Fund. Please contact me at 818-755-7777 ext. 827 if you have information regarding Mr. Greenaway. Thank you!

Dom reply Replies: 0 || 2008-01-11 00:00:00
Im a great fan of Hans's Zimmer music. Itis possible to get his contact address ? My email is

Thank a lot in advance and greetings from Geneva, Switzerland

cathy reply Replies: 0 || 2008-01-04 00:00:00
i am young. like a young tennager and i enjoy your music a lot. Especially the Pirates of the Caribbean soundtracks. Their amazing and i listen to your music all the time. You are an amazing composer

Anonymous reply Replies: 0 || 2008-01-04 00:00:00
Happy NEW YEAR to the entire team!

Andrew reply Replies: 0 || 2008-01-02 00:00:00
I hope he actually reads this stuff lol.

Andrew reply Replies: 0 || 2008-01-02 00:00:00
Dear Mr. Zimmer,

Sir, you are a truly amazing composer and musician. The melodies from all your works, especially the score from pirates of the caribbean 1 2 and 3, has inspired me and millions of other people around the world to "World's End".

Every song in the pirates soundtracks has the same origins to the several original tunes, but you have changed them and added so many additional things. I am ridiculously amazed at your work and you and John Williams have inspired me to be a film composer /performer.

I give you my undying gratitude for changing this world's music and everything in it.

Even though I am sure you do not want everyone emailing you all the time, everyone would appreciate it if you did something like set up an email account just for fans and post it here. It would inspire many more to attempt to do what you have accomplished so well.

My motto of life is : Music has given my life meaning and existence. The least we can do is give back to it.

You have truly given back to music, and for that I thank you.

Sincerely and cordially,

An Awe-Inspired Composer

Andrew reply Replies: 0 || 2008-01-02 00:00:00
probably the guy that wrote that message

Franck Ancelin reply Replies: 0 || 2007-12-27 00:00:00
Excellent site, clear, precise and user-friendly!

Your reputation is no longer to make, you still enjoy the same.

I have not yet had the opportunity to listen to the entire team in full, but as a general rule your world music fascinates me.

Still very creative and constant. Congratulations to your team.

Franck Ancelin composer multimedia

Peter Wilson reply Replies: 0 || 2007-12-08 00:00:00
Hi I am an animation student studying an England and a great admirer of Hans Zimmer's work. I would like to use some of his music in my final year project and would like to ask his permission. Is there an email address I could use to contact him. I would be greatful for any help in this matter. Thanks Peter Wilson (

Peter Wilson reply Replies: 0 || 2007-12-08 00:00:00
Hi I am an animation student studying an England and a great admirer of Hans Zimmer's work. I would like to use some of his music in my final year project and would like to ask his permission. Is there an email address I could use to contact him. I would be greatful for any help in this matter. Thanks Peter Wilson

Kayla reply Replies: 0 || 2007-11-20 00:00:00

I first heard your work in the movie Spirit. Ever since, I have been completely hooked. You are a musical genius. I just need to listen to the first ten seconds of any song to feel the emotion and the story. I just wish to thank you for all that you have given to this world. Keep up the amazing work!!

Holly Neal reply Replies: 0 || 2007-11-19 00:00:00
I would love to see you in concert in the U.S. - do you have plans to come to the U.S. for a performance?

emily lavallee reply Replies: 0 || 2007-11-15 00:00:00
I got an A+ on my report thanks to this website any one looking for great info on hans zimmer for a sixth gradeodject come here!

emily lavalle reply Replies: 0 || 2007-11-15 00:00:00
im doing a musice report on you and you are oviously a great person, very talented. any way this website was a big help i just turned it in today so i hope i get an A

Bloom reply Replies: 0 || 2007-11-05 00:00:00
I think it's a very good site you made! I check this site all the time to get the latest news for Hans and the Remote Control composers. The only comment I have is about the discographies. Perhaps soundsamples of each track of the soundtracks should be posted:)

Gian Marco Ferronato reply Replies: 0 || 2007-10-26 00:00:00
Hello sir,

I'm Gian Marco, I'm 20 years old and I live in Milàn, Italy.
I have a big passion for soundtracks and music in general.
Recently I've composed and I've recorded a strange mix which envolves music to tell a piece of history (just like a soundtrack)
I wonder if you would listen something about this little project.
Anyway, here is the URL:

Thanks a lot sir.

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