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Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Don’t even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
Hybrid, yes!wow man, hybrid. this isn't right from you. actually really embarrasing and an absolute no-go from a staff/member of this site to write such a comment. even if it's a joke, this is a shame and sad.I was a bit over the line, I admit. I should have made it clearer that all of that "hottest shit in town" bit was meant purely as a part of my personal opinion regarding his output. I never saw or read any interviews with him. <br><br>I also know about his wife, of course... but I guess I'm just too cynical to accept it as an all-encompasing excuse while seeing such massive fanbase clamoring for his new music. I don't know, I admittedly feel a bit bad about what I'm saying myself. I AM an asshole, sure, but only to an extent. <br><br>I think that saying "he is writing scores that he feels comfortable with" and "living his life however he wants", albeit understandable, is still ignoring the fact that he is an artist with a fanbase. We are living in a time when film composers are slowly getting a mainstream recognition as a type of musicians comparable to bands or singers. And that creates a certain responsibility towards that fanbase. An artist doesn't have to fulfill it, sure, but he should at the very least acknowledge and address it.<br><br>Which brings to mind an image of Hans going on a massive tour whilst giving zero fucks about the CD presentation of his scores, but I digress.<br><br>I wouldn't dare giving Powell advices about how to deal with a pain of the loved one's loss. But on the other hand, I strongly believe in artist's responsibility towards the fans. <br><br>For example, that's why I would kick everybody saying "GRRM is not your bitch" right in the goddamn nuts.Now I have ONE true reason to want this score to win !<br><br>PEACE ! lolI stand corrected. Though it's still possible that the score is a combination of live orchestra and samples, a lot of RCP music does that.
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Randy Dominguez reply Replies: 0 || 2016-12-02 03:51:35
Hey RCP fan page and other bloggers. I am looking for feedback and I figured a good place would be here. Thanks!

soundcloud.com/randydominguezmusic

Tara reply Replies: 0 || 2016-11-21 05:24:42
I just did a piece tonight with my 44 senior students to time.. I would love for u to see it ...

Yoga Hanggara reply Replies: 0 || 2016-11-08 02:08:41
Why there are country restriction and we cannot play/buy some Hans Zimmer music in Apple Music & Spotify, like Pirates of Carribean OST, Angels and Demons OST, etc. I'm from Indonesia.

Andres Galindo reply Replies: 1 || 2016-11-05 18:44:51
Dear Hans zimmer and Team HZ,
My name is Andres Galindo and i am currently studying music in Toronto, Canada, i have been always amazed of your music and OSTs. i have worked recently on a project called 'Deadlock' is my composition and i would like you to hear it , i hope i can receive some feed back from you ..in somehow. I used couple of samples from ALBION III:

https://soundcloud.com/andr-s-galindo-arteaga/deadlock-by-an dres-galindo/comment-313120483

Thanks for your inspiration and your music!

E-mail for contact: andresarte_1@hotmail.com


Andres Galindo2016-11-06 03:26:18
Sorry, this is the link that is working:

https://soundcloud.com/andr-s-galindo-arteaga/deadlock-by-an dres-galindo

Thank you so much!

Andres Galindo

Maria reply Replies: 2 || 2016-11-02 14:43:27
Dear Hans, I'm faszinated about the soundtrack from Interstellar. I'ld like to know if there is an interesting reason for using an organ as highlight in it. I think no one has used it before in a soundtrack.
Thank you for answering!
Best wishes from Maria


Anonymous2016-11-02 15:14:18
Maria,

This is a fan based website, so there's no way to ever get a reply from Hans Zimmer himself. But... You may find an answer to your question in this video: https://www.youtube.com/watch?v=e40uAYm5cxE


Maria2016-11-04 21:44:27
Thank you sooooo much!!

Käser Fabian reply Replies: 2 || 2016-11-03 18:56:06
Dear Mr. Zimmer

Currently I’m studying 3D animation. For my degree dissertation i have to do a small 3D animated
movie. your soundtrack from the gladiator „honor him & now we are free“ would be just perfect.
I hardly can immagine another soundtrack.

Therefore I allow myself to kindly ask you if it would be possible to use them and what
would be the cost of it. there would be no commercial use! only the presentation of the film
at the school (EB, Zürich, Switzerland) which is published on youtube as well as on my homepage.

Thank you for your kindly answer as soon as possible as my project has to be ready in
April 2017 and I should start to work on it by mid of November 2016.

Fabian Käser, Switzerland


will2016-11-03 19:10:55
This is a fan based website!


isildur2016-11-04 07:56:26
It's best you write to Hans to the above given PR email. hans@ID-PR.COM

Käser Fabian reply Replies: 0 || 2016-11-03 18:58:01
My E-Mail: cg_studio@gmx.ch

Morgan Joylighter reply Replies: 1 || 2016-10-29 06:47:12
Hey Hybrid,
Just FYI the new Titanfall 2 video game score is composed by Stephen Barton, former HGW assistant. Not sure if he is still associated with RC as I have not seen the score's in-depth credits but I thought it might want to be listed on his credits page here :)


Morgan Joylighter2016-10-30 13:40:58
Listening to Titanfall 2 it definitely sounds like he took a lot of experience from HGW's mid-late 2000s sound :)

Patrick reply Replies: 0 || 2016-10-27 10:19:27
What I always wanted to ask (especially now that I am currently in L.A.): Remote Control Studio doesn't offer visitor tours or something like that, right? Does anybody know?

Hubert reply Replies: 0 || 2016-10-22 17:46:46
Lieber Hans
Ich bin begeistert von dem was ich höre.
Ich würde gerne einige Zeit mit Dir in Kohchanghut in Whitesand Beach auf meiner Terasse zubringen und gemeinsam dem wirklich wilden Meer lauschen.
Wann immer ... ich bin hier Bungalow 21
Dein forever Hubert



Monika Zimmer reply Replies: 0 || 2016-10-22 10:16:21
Hallo, Herr Zimmer,

mein Name ist Monika Zimmer, doch leider habe ich wahrscheinlich keine Ver-wandtschaft zu Ihnen.

Gemeinsamkeiten gibt es trotzdem, zumindest bezogen auf den Musikgeschmack.

Und in gewisser Weise bin ich „Zimmer-Nachwuchs“, denn ich habe soeben mei-nen ersten Song komponiert, der mit Projektmusikern eingespielt wurden, die z. T. aus Dio- oder ehemaligen IRON MAIDEN-Coverbands stammen.

CLAWS OF HATE© ist ein einnehmender, vielschichtiger Musical Rock Song mit charismatischem Gesang und würde sich auch als Filmmusik oder ausschnittsweise als Untermalung für Werbeproduktionen eignen, die mit Energie, Sport, Reisen, Versicherungen oder dem Freiheitsgefühl zu tun haben. Er passt vielleicht sogar zu der bald beginnenden Weihnachtszeit.

Es wäre schön, wenn Sie meinen Song mit der verbundenen Idee unterstützen könnten. Hier ist der YOUTUBE Link dazu:

https://youtu.be/88DVzTcdGCo

Vielen Dank für Ihre Aufmerksamkeit an den besten „Verwandten“, den ich niemals hatte.

Freundliche Grüße

Monika Zimmer
(Projekt Band PHANTOM STRINGS)

Enrique Bunster reply Replies: 0 || 2016-10-12 21:27:57
i would like to know where can i buy hans Zimmer´s full songbooks, i would really wanna buy king arthur´s full score book.
Cant find Hans´s shop or something like that.

Thanks so much.

Enriquebunsterzhotmail.com

Christian Hölter reply Replies: 0 || 2016-09-25 20:37:27
Lieber Hans,

ich hoffe du bist der deutschen Sprache noch mächtig und kannst diese Hieroglyphen entziffern.
im Studium habe ich einen Freudn kennengelernt, der hin und wieder einige Tracks erstellt. Vielleicht hast du ja mal einen langweiligen Tag und hörst dir dieses Lied an:

https://soundcloud.com/frankschlenke/lost


Herzliche Grüße
Christian Hölter

Oogway ascends... reply Replies: 0 || 2016-09-18 04:07:17
....has to be one of the most beautiful pieces of music I have heard in a long time. I've been a long time fan of your work but this piece moved me to express my thanks for sharing your talents. Than you.

Uri Breitman, Israel reply Replies: 0 || 2016-09-07 15:46:04
Hans Zimmer, your "Inception" soundtrack is one of my favorite musical pieces of all time. So moving, so dramatic, so moving and so thrilling. Amazing piece of work. I listen to it again and again, it always inspires and lifts me up from reality to an upper realm. Thank you for your beautiful creations of pure art!

Ricky reply Replies: 0 || 2016-09-04 20:35:34
Hello Hans Zimmer Team,

Great soundtracks ever since !
Just an idea: what about composing for flutes,
especially flutes used in old music in a film, that
everyone expects to have a "modern" theme ?
Some great flute players of today are quite good doing improvisations. best whishes, Ricky

Josiah reply Replies: 1 || 2016-08-22 04:18:46
https://www.change.org/p/dc-hans-zimmer-to-score-the-dc-movi es?recruiter=582676592&utm_source=petitions_show_components_ action_panel_wrapper&utm_medium=copylink&recuruit_context=co pylink_long

Please please!!!


Josiah 2016-08-31 00:34:27
If you want to see like just highlight text then right click then you should see an option to visit link.

Jim L reply Replies: 0 || 2016-08-30 21:10:24
Is there any way to possibly release the chronological order to the Twister film score? Sadly, as it is in the CD is not the order that the tracks appear in the movie - and any help I can get with this would be monumentally appreciated!

Sever Iulian Raileanu reply Replies: 0 || 2016-08-24 11:16:07
Hello!

Could you please tell me if it's possible to use an excerpt (1 minute or 2) from the track "A Dark Knight", included in the soundtrack of the film "The Dark Knight", in a promotional clip, paying for the licensing rights, of course?

I hope this message doesn't offend you! I very much appreciate mr. Zimmer's work!


Sever Iulian Raileanu

DOMINO FILM Ltd.
59 Dr. Felix Street, district 1
Bucharest, Romania

Pascal reply Replies: 0 || 2016-08-22 18:22:31
Hallo Hans, sein Team und sämtliche Musiker, die mit ihm im Studio oder live arbeiten,

vielen Dank an euch für die bislang überwiegend wundervolle Musik.

Mit dem Live-Konzert in Hamburg ist für mich einer meiner Lebensträume in Erfüllung gegangen. Dies ist für mich ein Grund, bei euch nachzuhaken, ob die Performance der Konzerttournee in absehbarer Zukunft auf CD erscheinen wird? Ich wäre euch allen noch dankbarer dafür!

Norddeutsche Grüße aus Hamburg!

Pascal

John reply Replies: 1 || 2016-06-06 01:34:33
You are probably already aware, but do you know LL Bean has used the Interstellar score for commercial purposes?

https://www.youtube.com/watch?v=W0B1OM1TOEk


Matt2016-08-18 20:18:53
It's close, but it's actually not the actual score. It's very very close to the same melody and movement though.

Patrick reply Replies: 2 || 2016-08-11 10:40:40
There is a Sneak Preview from the upcoming BBC Planet Earth II soundtrack, together with Jacob Shea and Jasha Klebe:

https://www.facebook.com/bbcearth/videos/1253466768020210


Anonymous2016-08-11 17:42:27
did hans do the main theme here? FB only lists jacob shea and jasha klebe


Patrick2016-08-12 15:05:11
On his FB site, he writes: "Here's a sneak preview of the score for BBC Earth's Planet Earth II, which Hans composed with Jacob Shea and Jasha Klebe of Bleeding Fingers Music."

Andreas Schrade reply Replies: 0 || 2016-08-12 10:14:04
I wish there was a Hans Zimmer Complete Edition available that contains all(!) of his genius music. (Pretty much the same as the Bach Complete Edition with 142 CDs and a duration of nearly one week :) )

Background:
Even though I already bought more than 35 HZ CDs, I still have only a fraction. Most of the older discs (pre 2000) are extremely rare.

Just for the case that someone from RCP reads that message and wants to fulfill this DREAM: Please do also include all unpublished music in the complete edition (especially everything from "The thin red line") - Many thanks :-)

(I already see the HZ Complete Edition box with 500 CDs on my CD shelf) ;-)



Louetta reply Replies: 0 || 2016-08-02 03:41:23
If ever possible. You must do a feature with one of the most AMAZING FAMILY OF MUSICIANS Kanneh-Masons extremely talented and full of charisma. I have no relation to them whatsoever, but I am such a huge fan of yours and they seem like if they collabed with you. It would be ground breaking.

Igor Shaginyan reply Replies: 0 || 2016-07-23 02:10:11
Hello Hans , please check it https://youtu.be/kCEcHHjIOkA

its my new soundtrack ! may be one day we will play together !

dnoonie reply Replies: 0 || 2016-07-19 10:17:49
I just read the slashfilm.com post saying that you were done with super hero compositions, I'm not going to complain...

I just wanted to say thank you for the fantastic 2013 Man of Steel sound track, I love the percussion, I love the subtle power, the unresolved movement forward of the music, I love the story telling the music does, it really made the movie for me!!!

Good luck with your future pursuits!

Cheers,

Daniel Kephart reply Replies: 0 || 2016-07-13 01:20:16
I'm a huge fan of yours Hans. I'ma music composer that has written a few songs for some rides at Kings Island. I would love to join you in your work sometime. Please, let me know if you would be interested. I'm looking to further my career in music.

oZen reply Replies: 0 || 2016-07-04 21:26:58
Hi, I'm a big fan of that song of you: God Yu Tekem Laef Blong Mi
in a thin red line.
I haven't learnt much on the internet so far expect it is Malaysian.
What I try to know now it's all the cultural things around ?
When do the people sing that kind of song ? Is it a death ceremony song ?

Thank you in advance!

oZen

Heiko reply Replies: 1 || 2016-06-21 14:43:22
Hi,
I want to buy the track "Cat Lore" from Catwoman. Do you know where i can gat it legally, not on illegal sites or bootleg CDs?
Best regards
Heiko


Rhonda Owens2016-06-28 03:30:17
Dear MrZimmer,
Please reconsider scoring some of the upcoming super hero movies.

Thanks

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