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Sehr geehrter Herr Zimmer, <br>Hallo Hans,<br>  <br>ich habe einige ihrer Konzerte gesehen, Prag jedoch, war wirklich, ich kann es nicht in Worte fassen, unglaublich. Top Musiker und eine super performance!<br>Ihre Musik ist eine Inspiration.<br>Hoffentlich hören wir noch viele Stücke von Ihnen...<br><br>Hochachtungsvoll und liebe Grüße<br>StefanYeah, 30-ish seconds into Do You Bleed?"Reminiscent Therapy" is amazing in the way it incorporates a lot of Williams' classic stuff making it feel very natural and organic, like it's part Powell's themes, like he does with "The Adentures of Han".<br><br>This is a really great scoreHe is the chosen one, the one who will bring balance to the film music world...Thats just 'do you bleed?' with a small insert?
Haha, It's as the prophecy foretold.John Powell, the great uniter of film music fans@MrZimmerFan<br><br>I actually like Rogue One, and I do understand why it leans so heavily on the original themes. Here the themes are incorporated more as fan service, but Powell is able to do wonders with interpolating them with his material. <br><br>And something I forgot to mention, this score reminds me so much of Pan in the action sequences. The percussion and brass writing is great lolim surprised how Powell uses his ANTZ percussion in this!<br><br>The track Train Heist, Into The Maw is good example of it.<br><br>This is the only score that will please the gang at JW and HZ alike.When JWFan and HZ.com are discussing the same score....
'but not as heavily as Rogue One'<br><br>Because Rogue One have conections with certain aspects or characters from the OT?<br><br>An here you have a track with three themes (or cues) with no conections with the OT, Rogue One have more sense... but the score is fricking awesome :)So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, it’s basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poe’s theme from Force Awakens.Let’s just say “Reminiscience Therapy”.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in these
Yeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that I’m guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally I’ve never been in love with Inception. I admire it on a technical level, but outside of “Time” I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...
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Cinzia reply Replies: 0 || 2007-07-12 00:00:00
On a podcast, Hans Zimmer said that he'd love to, 'Take a break from score-writing in 2008, and do some touring... work with the local orchestras...'
Has anyone else heard about this? If so, any ideas on the whereabouts of his tour destinations? =D

- Cinzia (Australia *hint hint*)

666nemesis reply Replies: 0 || 2007-06-30 00:00:00
Félicitations et merci pour tout!
Peut être une traduction en Français aiderait pour certains articles...
Bonne et longue route!

ThisBell reply Replies: 0 || 2007-06-23 00:00:00
Jap ! .. I think so too ... We need a newsletter guys :-)

marna udell reply Replies: 0 || 2007-06-22 00:00:00
where can i get the lyrics to diva?

Mat reply Replies: 0 || 2007-06-22 00:00:00
You REALLY need a newsletter!Think about it...

Anonymous reply Replies: 0 || 2007-06-09 00:00:00
jiupoipotyruy

ThisBell reply Replies: 0 || 2007-06-07 00:00:00
Hey Jungs ! =) Grüße aus Hamburg!

TJ RODGERS reply Replies: 0 || 2007-06-05 00:00:00
dude the music for pirated of the caribbean worlds end was awsome..i think the hoist the colours was my favorit..also davy jones music with the music box was sweet.

Corinn reply Replies: 0 || 2007-05-31 00:00:00
Sie rühren Millionen von Menschen zu Tränen, und das allein mit ihrer Musik!!!Vielen Dank

Tim reply Replies: 0 || 2007-05-30 00:00:00
Whats up. I never new he did so many soundtracks. Ive fallen in love with his music. They are totally awesome. He should go on tour, with his orcestra/band performing all of his songs that he does, i think it would be a good hit around the world. He has done so many good soundtracks, , my favorite is Pirates of the cariibean, Black hawk down, gladiator, well all of them he did a surperb job. So Hans if you see this go on tour for me. PLEASE!

Saphien reply Replies: 0 || 2007-05-29 00:00:00
For a number of years I have been performing ski ballet to Hans Zimmer and Trevor Rabin's music, as well as Klaus BAdelt and others you know.

I am now putting on the web a pre-release of a book entitled
Saphien's Guide to Becoming a Prophet.

I would like to ask permission to use with reference Hans' music, and that of others, if you have access.

Thank you ever so much. Hans is a genius.

Saphien

pat reply Replies: 0 || 2007-05-25 00:00:00
hans zimmer is da bomb

shivey reply Replies: 0 || 2007-05-18 00:00:00
i have to say he is one of the greatest composers of this centuary. my personal favourite is Chevalies De Sangreal from The Da Vinci Code. if anyone knows his email i would personally like to let him just how good he is and to keep them coming

Shiveyb

Cinzia reply Replies: 0 || 2007-05-10 00:00:00
When will Hans Zimmer come to Australia!!
Now THAT would be amazing.
from an awed fan,
Cinzia

THE CONTENDER reply Replies: 0 || 2007-05-04 00:00:00
WHAT A GREAT SHOW!

WHAT BOXING IS ALL ABOUT, THE DRAMA BEHIND THE SCENES. THE PEOPLE WHOSE DREAMS YOU GET TO WATCH COME TRUE! THE MUSIC (THANKS HANS ZIMMER) THAT PERFECTLY PORTRAYS THE EMOTION BEHIND THE FIGHT THAT GETS YOU TO YOUR DREAMS!!

arash reply Replies: 0 || 2007-04-16 00:00:00
the biggest composer of all the times is the only herr hans zimmer
i salute you i honor you and your music
wow!

danke schon
alles gutt!
auf wieder sehen

Elie Ryzman reply Replies: 0 || 2007-03-30 00:00:00
When will there be a Hans Zimmer concert in the US?

Haakon Ufert Gørlitz reply Replies: 0 || 2007-03-15 00:00:00
Hello Sir.

My name is Haakon from Norway.
I have a technical idea fore hard drive recorder mixers.

The idea is based on the time shift buffers in harddrive dvd recorders. These recorders can record everything all the time. So if you see a football match and a goal.
You just need to klick save and the goal is saved even if you click record and save after the thing happened.
Therfore things are recorded bakwards in time.
It is a pritty simple concept.

My idea is to do this in hard drive audio mixers/recorders
Fore pro audio. Wich means that the recorder always are in record mode. And any inspired moment can be saved. The sound is recorded into harddrive many minutes backwards. So it is not excsaly the same thing as exsists on some edirol stuff and nuendo cubase. The concept is that you can be shure that any innspired stuff is never not recorded. Wich means you have to record backwards in time a certain amount of minutes.
Not just seconds or one minute.
Without resetting the recorder all the time.
This makes fore a very creative way of making music.
Without dooing anything. One can be shure that any golden moment in the studio is never missed and lost.

I have talked to several companies on this idea.
That I have come up with myselfe.
And most of them see it as a new and interesting idea.
Wich has not been implemented by anyone fore audio pro recordings as yet.

I wonder if you are interested in thurtering the idea?
(I am a struggling musichen and would be very greatful
if you like my idea. To be rewarded with some equiptment fore free fore this idea from whatever company could be interested.


Very best wishes.
Haakon Ufert
Tiurveien 1 F
1920 Sørumsand
Norway



e-mail h-ufe@online.no

Mauro reply Replies: 0 || 2007-03-11 00:00:00
Nice Site indeed.... I like it alot.... just wondering about the long "hibernation" from Zimmer... Can't wait for a new score from him!!!! Mr. Zimmer I need a new album with your name ;))

shiri omer reply Replies: 0 || 2007-03-06 00:00:00
hi
i am searching Hans Zimmer fan address ( if he has any) to send him letter (.....). i am a big admire of Hans Zimmer's work. i know this is might not be the place to this question, but please help me!
sincerely yours
Shiri Omer (Israel)
shirio1@walla.co.il

Dreamfullofzen@yahoo.com reply Replies: 0 || 2007-02-22 00:00:00
Hi there,
I like the site, nice layout and design, not too fancy, but not too dull either. Maybe adding a music player flash item to stream some music in the background might be a nice touch.

Otherwise, great stuff. Mr Zimmer is one of my favourite composers, and i love his work. Very inspiring stuff. Maybe one day i'll get to talk about it over a beer with him one day.

regards,
Dreamfullofzen
dreamfullofzen@yahoo.com
www.myspace.com/dreamfullofzen

Anonymous reply Replies: 0 || 2007-02-18 00:00:00
I think Hans Zimmer is the best composer of the world, the feelings when i listen to his music make me dream.

thanks!

Suicune reply Replies: 0 || 2007-02-03 00:00:00
Hello everybody. Some of you know me. I have a proposition for this site. You have a Top 50 for official CD's, but wouldn't be nice if you create a Top 50 for bootlegs?

Dan reply Replies: 0 || 2007-01-30 00:00:00
Hello, I am a music student and I would like to look at the scores for the Pirates movie. I looked everywhere I could online and found no trace of any music for a full orchestra. I was wondering if I could get in contact with Mr. Zimmer and arrange a way of getting hold of some of the music scores. Please email me with furthur information. This music will only be used for my own research purposes and it would greatly help me with my project.

Please contact me with more information:
wahooatyahoo@hotmail.com

Thank you very much.

Take care.

Weston reply Replies: 0 || 2007-01-26 00:00:00
From everyone else’s post, this seems like the place to get one of the composers email addresses. Well if this be the case I would like to ask you if you could email me either Steve Jablonsky’s or Hans Zimmer’s email address. I need to ask them a question pertaining to my short film which is suppose to be used as a non profit national PSA against drunk driving, I just needed to ask them about rights to the songs that I used, thank you for reading this post. My email is westabong@gmail.com

Anni reply Replies: 0 || 2007-01-17 00:00:00
Hey!

I just love Hans Zimmer's Music... Is it possible to get his email adress? That would be very nice.

Anni (annisell@web.de)

yogi R. Yogaswara reply Replies: 0 || 2007-01-10 00:00:00
Please forward this my e-mail to Mr. Hans Zimmer


Dear, Mr. Hans Zimmer
Introduce me, my name Yogi R. Yogaswara,a Journalist from Behind The Screen Magazine, Indonesia. I would like to ask your comment for my article.

Nowdays, in my country, there has a hot news. A Movie of title "Eskul" got the winner of Indonesian Film Festival.However, This Movie has taken part of your music illustration on "Munich" movie.

Could you give the comment about this case?
This case like a piracy. would you take Eskul Movie" to the juridiction/law. It's is about royalty, isn't?
What your suggest for "Eskul" Movie, about this case?

Im, very proud and very well thanks if you reply/answer these questions as soon as possible.

Regards

Yogi R. Yogaswara.
Editor

Behind The Screen Magazine
Bixindo Building
Komp. Fatmawati Mas, Kav 329
Jl. Raya Fatmawati No. 20
Jakarta 12430 Indonesia
Phone: +62 21 765 92229
Mobile: +62 817 6509 940
email: yogs_odyssey@yaho0.com

Luka Goljevscek reply Replies: 0 || 2007-01-04 00:00:00
Hello
First I like to say a very nice website, with many information, which I just looked around.
So, persist in that good condition you are.
I adore Hans Zimmer and his composing.

Like at many other people is music a first thing in my life, so I like to contact with Hans Zimmer.

Please, send me his email address, I hope there is a chance I could survive with music.

my email: goljevscek.luka@gmail.com

Thank you very, very much!

Adjie reply Replies: 0 || 2007-01-02 00:00:00
We are the production team at indonesia.
Can we get the contact address of Hans Zimmer for our production need
please contact us at tujuhjie@yahoo.com

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