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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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freeringtonesCouroninitard reply Replies: 0 || 2008-07-30 00:00:00
The site www.hans-zimmer.com is cool site, thanks, webmaster.

Anonymous reply Replies: 0 || 2008-07-28 00:00:00
Man you've done it again!!! For me, you have capture the essence of the Batman in your music.
Thankyou so much for giving us the fantastic music that lives up to the fab movie!

Michelle reply Replies: 0 || 2008-07-24 00:00:00
How might one become the next Hans Zimmer?

Vincenzo Luca Borzì reply Replies: 0 || 2008-07-15 00:00:00
Dear Hans,
excuse me for my english.
I'm 24 years old, I compose holy music in Italy, Sicily.
I love your music (Pirates of the carabbien is fantastic).
Congratulations, You and Morricone are the best.
My email is: vincenzoborzi@yahoo.it

Valtemir N. Lourenco reply Replies: 0 || 2008-07-06 00:00:00
My name´s Valtemir I´m a Brazilian people
#######
My congratulation by your site.
#########
I need to read more about you.

Best Regards,

Valtemir

Mark Batch reply Replies: 0 || 2008-06-25 00:00:00
Hello

My name is Mark Batch and I have recently graduated with a Ba Hons degree from The University of Central Lancashire (Preston). I am 21 years old and originally from Gillingham Dorset. I am a multi-instrumentalist being skilled on the keyboard, piano, guitar, bass and drums. I play in 2 gigging bands. One based in Preston (soon to end) and one based in Salisbury. The Salisbury based band playing functions, weddings etc. I am also a keen composer and writer recording many songs at home in a small studio set up. I have done this for many years and am well experienced. I also make small miniature films for friends and for personal enjoyment.



I am writing to you as I have recently graduated this summer and am looking for work or work experience to give me an insight in to this field. To give me experience and knowledge in the music, media world.

My aim (dream) in life is to work within some form or radio or television. Editing, composing music are large passions of mine. My ultimate dream job is to write the music for television shows and to write Radio Jingles for radio companies such as yourself.

As i'm sure you are aware, this industry is incredibly hard to get in to and I am simply looking for a way to start to make this profession real.

While at University my plan/aim afterwards was to go in to teaching. However, while at university I discovered a new passion for radio, and the realisation that this dream job may not be as far away as I first thought. I am therefore exceptionally passionate and willing to give my all to this career. I feel that I am well equipped with basic knowledge. I am also friendly, punctual and reliable.



Speaking off the record, I would just really appreciate this chance that if nothing else I could just come up for the day and see how your company works and operates.



Thank you for reading this and giving me the opportunity.

Yours thankfully



Mark Batch

Mark Batch reply Replies: 0 || 2008-06-25 00:00:00
Hello

My name is Mark Batch and I have recently graduated with a Ba Hons degree from The University of Central Lancashire (Preston). I am 21 years old and originally from Gillingham Dorset. I am a multi-instrumentalist being skilled on the keyboard, piano, guitar, bass and drums. I play in 2 gigging bands. One based in Preston (soon to end) and one based in Salisbury. The Salisbury based band playing functions, weddings etc. I am also a keen composer and writer recording many songs at home in a small studio set up. I have done this for many years and am well experienced. I also make small miniature films for friends and for personal enjoyment.



I am writing to you as I have recently graduated this summer and am looking for work or work experience to give me an insight in to this field. To give me experience and knowledge in the music, media world.

My aim (dream) in life is to work within some form or radio or television. Editing, composing music are large passions of mine. My ultimate dream job is to write the music for television shows and to write Radio Jingles for radio companies such as yourself.

As i'm sure you are aware, this industry is incredibly hard to get in to and I am simply looking for a way to start to make this profession real.

While at University my plan/aim afterwards was to go in to teaching. However, while at university I discovered a new passion for radio, and the realisation that this dream job may not be as far away as I first thought. I am therefore exceptionally passionate and willing to give my all to this career. I feel that I am well equipped with basic knowledge. I am also friendly, punctual and reliable.



Speaking off the record, I would just really appreciate this chance that if nothing else I could just come up for the day and see how your company works and operates.



Thank you for reading this and giving me the opportunity.

Yours thankfully



Mark Batch

Mark reply Replies: 0 || 2008-06-24 00:00:00
I think some of Hanz Zimmer's music is being used illegaly. Follow this link to a trailer and listen to the closing credits, this is the music from Hanz's Gladiator soundtrack:

http://www.youtube.com/watch?v=4LdK5jvX7cg

If they have paid a license fee to use this then fine if not then now you know.

Nathalia reply Replies: 0 || 2008-06-20 00:00:00
I really LOVED the soundtrack of The Holiday. It's amazing, i'm speachless. Just ... perfect!

Imi reply Replies: 0 || 2008-06-17 00:00:00
Eine schöne Internetseite - ausgesprochen gelungen, wenn man von der traurigen Tatsache absieht, dass ein erfolgreicher deutscher Filmkomponist seine Seite lediglich in Englisch ausstellt.
Aber hey immerhin das Forum verweist noch auf eine französiche Ausgabe! Wozu sich also beschweren?
Ach ja - in english please?
No comment!

Anonymous reply Replies: 0 || 2008-06-11 00:00:00
So where do i go to ask permission to pay copyrights in order to use the Victory Line score in a Year 12 Media Studies film?

Ljubomir Goshev reply Replies: 0 || 2008-06-08 00:00:00
wonderful site, very informative and interesting :) Thanks to all of you!!

Antas, Webmaster reply Replies: 0 || 2008-06-04 00:00:00
@BBE :
garnoo.wordpress.com/2007/10/01/jattends-gortoz-a-ran/

BBE reply Replies: 0 || 2008-06-02 00:00:00
Hi, i'm looking for a song cald Gortos and j'attends(i think) can someone help me?

Antas, Webmaster reply Replies: 0 || 2008-05-24 00:00:00
@ Tillie : Green Card is here :
www.hans-zimmer.com/fr/disco_detail.php?id=24

Try the search option ;-)

Tillie Ray reply Replies: 0 || 2008-05-20 00:00:00
I Love this site, but was dissappointed that "Green Card" wasn't mentioned. I LOVE the music that Hans Zimmer wrote for the movie "Green Card". I purchased the CD with the soundtrack for "Green Card" which I listen to frequently.

Gaute-Hakon Bleivik reply Replies: 0 || 2008-05-17 00:00:00
I am trying to find if Hans Zimmer is going to give any concerts in Europe this year.
Do you know if he is? Where and when?

With regards
bleivik@gmail.com

Jack Manning reply Replies: 0 || 2008-05-15 00:00:00
i like the layout of the website... but i believe you should have a sheet music page where you can buy the sheet music

Anonymous reply Replies: 0 || 2008-05-15 00:00:00
particularly the black hawk down music...

Sahdanny reply Replies: 0 || 2008-05-10 00:00:00
Hello Sir ,
My name is Danny. I live in a little country name Bangladesh. I am painter and graphics designer. I just completed my graduation in drawing and painting. I love movies. i love music of the movies. I have heard about you in the forum tears of the sun is my favorite movie i like your movies soundtrack a lot. The ups and down and the detailed of every emotions attract to your music. I just love your work sir .

sahdanny@yahoo.com
www.sahdanny.com

Hybrid Soldier reply Replies: 0 || 2008-04-30 00:00:00
LOL Sorry David ! :-D

If there's something else to add or change in the future, just tell us ! As Antas said, you can use directly the e-mail.

But, hey, Antas, send it to me after LOL ! :-P

Antas, Webmaster reply Replies: 0 || 2008-04-24 00:00:00
David, could you contact us directly at webmaster@hans-zimmer.com ; so we are sure you are the right person :-) Thanks !

David Buckley reply Replies: 0 || 2008-04-23 00:00:00
Hi there, this is David Buckley who you have listed on your site. Is it possible to remove my additional music credit for Narnia. I did not work on it in the end due to other commitments...

Thanks

Dave

LJ reply Replies: 0 || 2008-04-02 00:00:00
I'm curious if anybody else has noticed the eerily-identicalness of King Arthur's "Do You Think I'm Saxon?" (towards the later part) when compared to Dead Man's Chest "Hello Beastie." There are a couple of measures in there where it is the EXACT same setup, crescendos, and even tune and choir. I was very curious as to figure out what made Hans Zimmer use the same elements/tunes from King Arthur and use them on Dead Man's Chest. I wonder if he wasn't happy the first time, or realized it's potential after King Arthur was produced.

Catharine reply Replies: 0 || 2008-02-24 00:00:00
Hello!
I'm so interested in Hans Zimmer's wonderful music,and I would like to know when will he give us an amazing concert in this year?
Thank you.

Dave Cook reply Replies: 0 || 2008-02-20 00:00:00
Hello,
my name is Dave and i am a grade 12 student working on a 3D Animation for a non-profit school film contest. http://www.durham.edu.on.ca/festival/
i was wondering if i anyone knows if i can use the pirates theme song in my film. i am in Canada and i know as it is in America you can not use a song if you are making money from it. since i am not, does this mean i may use it? i would like to know as soon as possible. you can contact me by E-Mail: sk8er_dave@hotmail.com

Thanks in advance, Dave

marcus reply Replies: 0 || 2008-02-12 00:00:00
my names marcus and i am a student at rutlish school. i was wondering if i could use some of your pictures in my dida 202 project.

thank you

marcus

Anonymous reply Replies: 0 || 2008-02-12 00:00:00
my email adress is marcusdanieldrinkwater1993@hotmail.com

thank you

James reply Replies: 0 || 2008-02-12 00:00:00
Mr. Zimmer- I'm a big fan of your work. I particularly enjoyed Backdraft. I was wondering if someone could e-mail me back and let me know the name of the song from the retirement reception in the movie. I bought the soundtrack and it is not on there. Thank you very much for your help in this matter.

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