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I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...
Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
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flovia reply Replies: 0 || 2017-12-17 01:19:23
Does Hans compose music for releasing as his own records? I wish he'll make some

Barry Wang reply Replies: 1 || 2017-12-12 05:36:51
Hello,I'm a Chinese,there is a problem coufusing me,could I define a piece of music originally composed for a movie as BGM?Looking forward to your reply or other guys.thanks


flovia2017-12-17 01:13:44
I think BGM stands for any sort of background music, e.g. caffe music, game themes and, sometimes, film scores. But, IMO, "score" sounds way beter than "BGM"

p.s. Plz, do not my English, imma russian...

Ralf reply Replies: 0 || 2017-11-28 00:34:37
Sehr geehrter Herr Zimmer,

besteht die Otpion, das CD-Cover von "Interstellar" von ihnne signiert zu bekommen, wenn man es ihnen schicken würde?

is there an option to have the CD cover of "Interstellar" signed by you when I send it to you?

Mit freundlichem Gruss,

Ralf

Dear Mr Zimmer,

Andrzej Nieduzak reply Replies: 0 || 2017-11-19 16:19:34
Hallo,

Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.

Gruß


Gilberto Palma reply Replies: 1 || 2017-11-09 14:22:39
Dear Hans,

I am your number one fan. Playing and listening to your music brings on me a sense of ecstasy. When the perfect song hits, an ordinary day becomes extraordinary. Even if I've heard your songs a million times before, they affect me the same way. It's the pulse of the beat, the flow of the chord structure, a repetitive keyboard part, background harmonies or the thump of a bass line.
The overall production of your tracks can bring this euphoria, making everyone wonder how you got the music to work.
I spend hours cataloging albums and genres, creating timelines, lists and graphs, as if trying to solve a physics equation. Simply trying to make sense of it all takes hours. The constant search for a new, essential artist, album or song is something I do, all for the love of music, this is why I know you and Rick Wakeman should join hands and do a project together. I am certain you and Rick have a special bond and are ready to make a great project together.

If we didn't have music, we'd have no purpose,

Kind regards and big hug from me,
Gilberto Palma.


Christy2017-11-09 22:57:27
I pretty much know you will never see this, Mr. Zimmer.
But, I feel compelled to tell you that you have positively impacted my life with your music - which touches my core.
Thank you for creating. Thank you for your vision. And, above all else, thank you for your music which invigorates me. renews me, inspires me, and makes me both smile and cry. Thank you for being.

HUBERT VENTURINI reply Replies: 0 || 2017-10-13 13:52:53
I like your music Hans!
What do you think of mine?...
https://soundcloud.com/yonix-147115494/

Matěj reply Replies: 1 || 2017-10-01 16:16:06
Hello, Im sorry for interrupting but I think that your music from interstellar was used in the documentary film from the production of the Czech television, in Czech it's called:Na cestě po západním grónsku
I don't know if they have the permission to use it so that's why am I texting you.


Filip2017-10-01 22:09:48
Mám pocit, že tyhle věci se neřeší přímo s autory..televize mají smlouvy s organizacemi typu OSA/Intergram apod., na základě kterých mohou použít jakoukoliv hudbu (samozřejmě za ní platí). Televize obecně používají hodně převzaté hudby (v upoutávkách apod.)..

Sal Tim reply Replies: 0 || 2017-09-15 19:04:25
Sincere congrats with your recently past huge Anniversary Mr. Zimmer! I wish you siberian health, wellbeing, development in all spheres, many fruitful years of creativity and a lot of musical hits, travels, meetings, serenity of May on your soul, sea of positive emotions, be loved and happy! My mother is also was born in 1957-)

Carolina reply Replies: 0 || 2017-09-09 17:37:06
Hi, my name is Carolina, I'm from Argentina, and I have to say sorry about my english, is very bad. I'm writing to you to ask for your help, Do you have access to Hans himself?. My boyfriend's birthday is next October 1st, and he is a hugh fan of Hans, his name is Marcos. Is almost impossible to us to go to Hans shows, because of the distance and the money we need to spend to travel to those places, that are really far from our country. I really don't know what I'm asking to you, maybe a greeting, a message from him, something to make Marcos happy, I know he wolud be really happy with any of those simple things. Thank you for read this, and I really apreciate if you can help me. Thanks a lot! Caro.

zhuyin he reply Replies: 0 || 2017-09-05 20:19:59
Hi,Dear &#12298;Interstellar&#12299; 's Distribution company, and music production:

My name is Zhuoyin He , A&#12298;Interstellar&#12299; Fans From China .

A &#12298;China have Hithop &#12299;(&#20013;&#22269;&#26377;&#22075;&#21704;&#65289; TV show , Has been Copyright infringement song"Cornfield Chase" from &#12298;Interstellar&#12299;.

&#12298;China have Hithop &#12299; is a new popular Chinese hip hop TV program. On every Saturday, It's Public competition for television shows.Now on Major video sites. (iQIYI.COM/&#29233;&#22855;&#33402;&#65289;. Also in Youtube .
Please youtube ,From time :38.54. Has been Copyright infringement song from &#12298;Cornfield Chase&#12299;:

Crusoe Diplomat reply Replies: 0 || 2017-09-05 17:29:58
As I can't read music, Can I have the midi files for Genius? I'll certainly take it places. crusoediplomat@gmail.com

Aksel Krystad reply Replies: 0 || 2017-08-25 17:38:10
Hi, my name is Aksel Krystad and I'm a big fan of your music. Your compositions has really inspired me to create my own.

I am currently studying piano/guitar/musical composition and I just began my 3rd year.

I have been playing for 13 years and I currently play in several bands of genres such as: metal/rock, pop and jazz. In addition, I compose film music.

I am interested in getting contacts and opportunities within working as: session guitarist/pianist, composing film music or other genres/instrumentation.

If you have any thoughts / tips about opportunities or contacts, I would greatly appreciate getting a feedback.

Attached follows some links to sketches of some of my compositions:
https://soundcloud.com/aksel_krystad/aksel-krystad-untitled
https://soundcloud.com/aksel_krystad/piano-t
https://www.dropbox.com/s/b789inl1fmfu7t0/s%C3%A6remne%20aks el.sib?dl=0

Sincerely

Aksel Krystad

Toronto Concert Fan reply Replies: 0 || 2017-08-02 21:13:59
Namaste Hans!
What an incredible 1st half of the concert last night in Toronto!

I have high sensitivities to sound, lights, smells, and a few other elements.
Just would like to let you know that even though I brought my dark sunglasses for the bit of strobe lights I was expecting, it didn't help too much when some of the numbers in the 2nd half seemed to be bombarded with strobe lights!
It actually didn't leave a good feel, by the end of the concert. I realize it is not all about me, but as we were leaving, my son, daughter and I heard some people in the elevator on the way out, that they were also affected by the overwhelming strobe lights! Lady said she got a headache from it! My son wasn't feeling well, but he came because he loves your music so much, as my daughter.

Anyway Sir, your music is so great, it does not need strobe lights,they actually take away some of the high quality of your music because they are so distracting.

GREAT DRUMMER!!!! OMG!!!! What an amazing energy he has!
Your talks in between the music was GREAT to listen to, and deeply inspiring!

The one piece that brought me to tears was the theme from DeVinci Code, and that was just the violin playing in the beginning, simple and moving!

THANK YOU HANS ZIMMER for your MUSIC, CREATIVITY, and SHARING with the WORLD!!!!

Good Blessings to you and your loved ones, and all the other artists and crew behind the scenes, who make the in front the scenes happen!

Tom Murchison reply Replies: 0 || 2017-07-31 20:01:08
I have been a fan for years and your concert in Columbia, MD was one of the best shows I have been to in a very long time.
Your orchestra sounded amazing. I dont know how you keep nailing it year after year.
Thank you.

Tom

Michael Roth reply Replies: 1 || 2017-07-19 18:05:42
Atlanta Concert - Tuesday, July 18th, 2017.

The concert was good last night, but not great. Re: there was a preponderance of bass that "washed out" the sound of all the instruments and detracted from the overall music. Wish I could have told him. The bass was so powerful that my wife's chest actually hurt afterward! Absolutely wonderful music and as a musician, I can really appreciate the talent, but the bass needs to be taken down several notches. Don't know if he'll ever see this. Actually listening to the Da Vinci Code score right now.


Scott Matthews2017-07-30 04:28:40
Michael. Thats why they need FOH mixers from Stratford

Jeremiah Zerbe reply Replies: 0 || 2017-07-29 16:24:43
Dear Hanz,

I was at the Canandaigua concert last night, and I just wanted to say that your music reached across the world and touched me. I can't believe that a persona such as yourself would appear just an hour away from my tiny home town in rural upstate New York.

It's been my dream to write music for film for a long time, and I'm on my way to Malibu for college to study music. I've been afraid of failure in the impossible music industry, but your powerful concert reminded me that if I don't at least give music a try, I will live an empty life. Just like you said, a musician's life isn't a bad life. The challenge is incredible and the rewards sometimes slim, but in the end, it's a life with meaning, a life with something to believe in. Your music renewed that belief in me, for better or for worse.

I just wanted to let you know that, and thank you for being humble enough to come all the way out to the middle of nowhere just to bring us a little hope in the world.

Jim reply Replies: 0 || 2017-07-18 16:33:40
Will they be selling DVD's of the live tour? I was at the Nashville show on July 16th and would very much like to get one.

Wolf reply Replies: 0 || 2017-07-16 15:04:58
Is the "World of Hans Zimmer" the new tour in 2018 or can we expect seeing the "Hans Zimmer live" tour in 2018?

James reply Replies: 0 || 2017-07-16 09:23:02
I am looking for an MP3 or a copy of sheet music for the piece "Meeting Angela" from the movie Matchstick Men! This song plays at the scene where Roy is seeing Angela for the first time on the skateboard and she almost skates away. Thank you!

Serafim reply Replies: 0 || 2017-07-12 23:24:13
I'm from Ukraine, yep, I'm in the ass of the word. But I hope leaving. I wonna work in Hans's studio. I'm composer/pianist. Can I send you my records/videos?

Christian reply Replies: 1 || 2017-07-12 00:30:21
Please help! I really want to find out what this piece is at the very beginning of the trailer here: https://www.youtube.com/watch?v=Z8lL0EItUvU&t=95s
and it sounds to me like it really could be Hans Zimmer piece. Anyone have any ideas or am I totally wrong?!


Christian2017-07-12 00:43:57
https://www.youtube.com/watch?v=Z8lL0EItUvU&t=1s
Sorry, link from the start. And its about the first 30 seconds

James reply Replies: 1 || 2017-07-09 00:11:50
"The World of Hans Zimmer"

This is a show without Hans?


Alexander2017-07-09 00:42:52
Yes it's without Hans in person. It is Gavin Greenaway who conducts the orchestra.

Gaëlle C reply Replies: 0 || 2017-06-28 13:55:26
Dear Hans,

I'm french and drove 400 km to be in Nîmes on june the 24th and I've never felt so lucky than this day.
To see and to hear your musicians and you playing was a dream. I fell in love with your music when I was about 15 and had tears in my eyes when hearing the Rain Man theme.
You're a great composer M. Zimmer and a great man. Respectful to your musicians and audience.

I hope you'll be back in France soon, not just for me but for all those who couldn't see you until then and, even if I have more kilometers to drive, I'll do them easily to have the chance to see you again on stage.

Affectionately.

Gaëlle

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Julien C ( 20 years ) reply Replies: 1 || 2017-06-21 03:27:50
Live on Tour - Antwerpen 2017

Dear Hans

the experiment whom I have just lived this day was fabulous, you and your orchestra did nothing but climb levels throughout this extraordinary concert and I hope that it will climb of them others during the rest of your round and your life.

During all the concert, I did nothing but admire your work which is stunning like your production and your fastener towards your orchestra and your public .

Pirate of the Caribbean was brilliant especially the solos of Tina Guo, I had even shivers of them on my chair like for Gladiator, Inception, The Dark knight Small channels without forgetting celebrates it King lion where one was pleased immense to hear the voice of Mr Lebo M (Lebohang Morake) at the time of the beginning of the music.

I hope to re-examine you one day on the Belgian territory for your next round while hoping that there is one of them.

I wish you a good wind for your future productions, it was a pleasure of listening to you and to see you in truth even if I were far from the scene and it will be always a pleasure of listening to your musics.

Sincere greetings still a large whole thank you for what you do and courage for the continuation.

Julien C

Traduction Français

Cher Hans

L'expérience que je viens de vivre ce jour était fabuleuse, vous et votre orchestre n'avez fait que gravir des échelons tout au long de ce concert extraordinaire et j'esp&#232;re qu'il va en gravir d'autres durant le reste de votre tournée et de votre vie.

Durant tout le concert, je n'ai fait qu'admirer votre travail qui est époustouflant ainsi que votre mise en sc&#232;ne et votre attache envers votre orchestre et votre public

Pirate des cara&#239;bes était géniale surtout les solos de Tina Guo, j'en avais m&#234;me des frissons sur ma chaise ainsi que pour Gladiator, Inception, The Dark knight Rises sans oublier le cél&#232;bre Roi lion o&#249; on a eu l'immense plaisir d'entendre la voix de monsieur Lebo M (Lebohang Morake) lors du commencement de la musique.

J'esp&#232;re vous revoir un jour sur le territoire belge pour votre prochaine tournée tout en espérant qu'il y en ait une.

Je vous souhaite un bon vent pour vos futures productions, c'était un plaisir de vous écouter et de vous voir en vrai m&#234;me si j'étais loin de la sc&#232;ne et ce sera toujours un plaisir d'écouter vos musiques.


Sinc&#232;res salutations encore un tout grand merci pour ce que vous faites et courage pour la suite.

Julien C


Jimmy2017-06-24 11:00:56
Dear Hans Zimmer and all the artists, i saw your performance in amsterdam and it was amazing.. loved it. hope this is only the first live tour of many to come, if so i will be there for sure... beautiful medley's. Can't get enough of it... Thank you for a great/amazing night.. hope to see you all again in amsterda, stay well, true fan, jimmy

Jess reply Replies: 0 || 2017-06-19 22:28:24
Live Tour Sound Levels - Glasgow edition

Leaving this comment here as not sure where else one would feedback on such things but...

I was at the show in Glasgow last night (18/06/2017) and sadly had a similar experience to quite a few of the posters below. The sound levels were really, really off and made the melody inaudible for most of the concert. For the first half of the concert it seemed there was some effort to counteract this (i.e. the pieces would find their level about half way through each one) but the second half of the concert was just a wall of sound. For example, The Wonder Woman Theme ("Is She With You?") was utterly unrecognizable except that Hans Zimmer made reference to it once the piece ended. It made me sad that all the build, nuance and explosive musical climax that HZ and his team are known for were lost in the cacophony.
I left feeling really angry and to be honest angry for the performers most of all. You can see that they play their socks off, are ridiculously talented and love what they do, but they were greatly misrepresented by the poor levels last night.

To be clear, I saw this concert last year in another city and it was amazing. When the music is allowed to shine it is truly wonderful. So my issue was with the poor sound quality rather than the music selection itself. I find it quite shocking that for a tour that has been going for well over a year, with a set running order, talented musicians and crew, and with the technology that we now have, that the sound could be such a disaster.

That being said, if you get a chance go see this tour. The lighting and staging are done well. Hans' anecdotes are charming and the musicians are a joy to watch. When the sound levels are on point the music is powerful and moving, and if you are fan of his body of work you really need to hear Hans Zimmer's compositions live.

Alan Roberts reply Replies: 0 || 2017-06-17 20:42:43
Thanks you for cheering me up in London on the 16th June. My Dad had a near fatal heart attack at the age of 85. He's only just alive but insisted I came to the concert at the SSE. Although a sad time you helped me get through the day and night. Gladiator was done so beautifully that night I balled my eyes out throughout the performance.

Your're an inspiration and one the greats.

Alan

Vinibash reply Replies: 0 || 2017-06-16 09:56:38
Hans

Thank you for your kind donation of the proceeds of last nights show to the victims and survivors of the Grenfell Tower Fire. Your generosity is an example to us all!

The show rock as usual, a fitting tribute to London!

We are all London!

Tom Grice reply Replies: 3 || 2017-01-17 19:11:08
I saw Hidden Figures this weekend and as a former adolescent NASA geek from the 60's I thoroughly enjoyed the movie and the stories. There were only two places in the film where the music grabbed my attention. Those times were after John Glenn's lift-off as he climbed into orbit and when he had his ticker tape parade. Can you tell me, is that a snippet of Carmen Ohio I am hearing?" If so, it is a great tribute to Sen. Glenn and his love for the Buckeye State. If not, chalk it up to failing hearing and an vivid imagination.


BuckeyeinFL2017-02-01 00:15:58
I caught Carmen, Ohio too. Awesome!


MissouriBuckeye2017-02-01 21:01:21
Having been a member of the OSU Marching Band, I assure you that you did hear the first 5-6 notes of "Carmen, Ohio" (the Ohio State alma mater) during the launch sequence.

Glenn himself went to Muskingum College, about 50 miles away from Ohio State. I don't know what their alma meter is.


Tom Grice2017-06-11 20:15:03
Thank you for the confirmation.

I tried out for I-Row in '74. B player/C marcher kept me out.

OSU HEC '87

Mehmetcan Gler reply Replies: 0 || 2017-06-08 21:47:47
Which ones are Blake's composed Themes for the movie "The Da Vinci Code"?

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