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Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.
Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/
i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>Really surprised at this album, I’ve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. It’s funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfe’s contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). It’s disappointing that they didn’t include more of his contribution though, since he apparently rewrote the entire score.Lorne said in his Twitter, the first album for His Dark Materials come 3rd November, no date, for the moment, for the second album.Was the producersi haven't understood the fact, that Lorne was involved in this. Can someone explain it for me? Was the director not satisfied with Richters music? Was the deadline too near? Or what was the reason why they have brought Lorne to this project?
"The Wanderer", "Event Horizon", "You Have To Let Me Go" and "Tuesday (Voiceless)" = WOW WOW WOW!!!Zanelli is no James Newton Howard, but he did a fantastic job with writing a large scale fantasy score. I’ll even say that, while I think the first Maleficent is stronger overall, I personally like the action writing better here. Also 2 little things I’ve noticed;<br><br>1. The new theme here sounds fairly similar to the Father/Son tune from KFP3<br>2. 2:20-3:30 sounds like it may have been temped from the finale of Fantastic Beasts. (Or maybe I’m just crazy lol)Great work of Zanelli, if is not as good like JNH's Maleficent, is a tremendous work, with a terrific writing and orchestrations, even the most tender parts are terrific.It’s definitely Balfe. I’ve seen the film for the second time two weeks ago so my memory is kind of hazy but luckily I decided to record the end credits for reference and I think it plays in Balfe’s section / variation of one of his themes played on a solo string instrument. <br><br>I think we got most of Richter cues as it was mainly his release. I feel that Lorne has moved on from this project - he didn’t even mention the release so an extended release of his material seems unlikely to happen :( <br><br>For those interested the credits suite plays as follows: <br><br><br>“A Trip To The Moon” (synth part)<br>“I Put All That Away”<br>Variation on the theme in “Underground Lake” at 0:14<br>Variation on the theme in “Trip To Neptune” 0-1:00<br>“To The Stars”Season 2 premieres in 2 weeks, if he was scoring he would be working on it at the moment. But yes no confirmation regarding his return or a new composer. No news regarding new composer might be a hint whether Djawadi is returning or not.
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Thomas reply Replies: 0 || 2017-02-20 10:50:13
Who can tell me the new release date of the DVD Live on Tour 2016? Thank you all.

Tony reply Replies: 0 || 2017-02-17 04:49:41
I noticed Hans has an event local to me titled "Revealed". The ticketmaster website suggests this is not a concert, bu more of a q&a with the artist? I'm interested in seeing him and the orchestra live. Thank you

Dominik reply Replies: 0 || 2017-02-16 12:27:17
Great team, great composer... always an inspiration for me:

https://soundcloud.com/kilo-900819724/cosmic-soundtrack

Eric Burke reply Replies: 2 || 2017-02-04 19:51:00
What is Captain Barbossas theme in Pirates of the Caribbean?


Edmund Meinerts2017-02-04 22:11:04
I don't think he ever got a specific theme - the ominous rising theme from "Fog Bound" and "Underwater March" is sort of used for Barbosa and the undead pirates, but not really enough for you to make that connection. The first Pirates score was never all that careful about what themes it used where and for whom - that sort of leitmotif approach didn't really happen until the second and especially third ones (and then was totally messed up again in the fourth, where IIRC they use a motif associated with Cutler Beckett/the EITC for "privateer Barbosa" for some bizarre reason).


Ernie2017-02-06 19:43:12
Please please come to Hong Kong! Asia tour!

thank you reply Replies: 0 || 2017-01-25 12:52:20
his music bring me a great joy i just want to thank him

Piece for Zimmer reply Replies: 0 || 2017-01-05 10:54:07
Hans Zimmer you inspire me every day. I'm proud to send this your way.

https://soundcloud.com/zach-boyt/piano-piece

Michael reply Replies: 1 || 2016-12-23 23:13:21
Hello Everyone a quastion no one knows exactly where the tracks are played in the background of Batman v Superman, their war here is a movie version of the best sounds and other tracks in film such as batman training and create kryptonite spear background music looks like zod theme and after moment batman say superman do you bleed you will begin soundtrack an&#1074; ends when Lex opens a box with a kryptonite .


Anonymous2016-12-23 23:16:13
Just i very loved is soundtracks hans zimmer and I would like to listen to only play in the film version music for batman v superman but it is nowhere huh... so I want to strongly .

Mitch J. Jang reply Replies: 0 || 2016-12-15 13:48:10
Dear Hans Zimmer Team:


Hello. I am a huge and serious fan of Hans Zimmer music. I am also a big fan of John Powell, the composer of scores of <The Bourne Supremacy>.

I am eager to get a "film version" of <Bim Bam Smash> the studio version of which I have. (You know, just like <Training Montage> from <Rocky 4> comes in a film version and a studio version.)

The film version of <Bim Bam Smash> is a little longer and more heart-pounding than the studio version. I could not find any tip on how to get that version after searching the whole Internet for days. I thought about extracting the score from the movie file (mp4), but the other background sound is too loud.

Any tip would be appreciated.

Randy Dominguez reply Replies: 0 || 2016-12-02 03:51:35
Hey RCP fan page and other bloggers. I am looking for feedback and I figured a good place would be here. Thanks!

soundcloud.com/randydominguezmusic

Tara reply Replies: 0 || 2016-11-21 05:24:42
I just did a piece tonight with my 44 senior students to time.. I would love for u to see it ...

Yoga Hanggara reply Replies: 0 || 2016-11-08 02:08:41
Why there are country restriction and we cannot play/buy some Hans Zimmer music in Apple Music & Spotify, like Pirates of Carribean OST, Angels and Demons OST, etc. I'm from Indonesia.

Andres Galindo reply Replies: 1 || 2016-11-05 18:44:51
Dear Hans zimmer and Team HZ,
My name is Andres Galindo and i am currently studying music in Toronto, Canada, i have been always amazed of your music and OSTs. i have worked recently on a project called 'Deadlock' is my composition and i would like you to hear it , i hope i can receive some feed back from you ..in somehow. I used couple of samples from ALBION III:

https://soundcloud.com/andr-s-galindo-arteaga/deadlock-by-an dres-galindo/comment-313120483

Thanks for your inspiration and your music!

E-mail for contact: andresarte_1@hotmail.com


Andres Galindo2016-11-06 03:26:18
Sorry, this is the link that is working:

https://soundcloud.com/andr-s-galindo-arteaga/deadlock-by-an dres-galindo

Thank you so much!

Andres Galindo

Maria reply Replies: 2 || 2016-11-02 14:43:27
Dear Hans, I'm faszinated about the soundtrack from Interstellar. I'ld like to know if there is an interesting reason for using an organ as highlight in it. I think no one has used it before in a soundtrack.
Thank you for answering!
Best wishes from Maria


Anonymous2016-11-02 15:14:18
Maria,

This is a fan based website, so there's no way to ever get a reply from Hans Zimmer himself. But... You may find an answer to your question in this video: https://www.youtube.com/watch?v=e40uAYm5cxE


Maria2016-11-04 21:44:27
Thank you sooooo much!!

Käser Fabian reply Replies: 2 || 2016-11-03 18:56:06
Dear Mr. Zimmer

Currently I’m studying 3D animation. For my degree dissertation i have to do a small 3D animated
movie. your soundtrack from the gladiator „honor him & now we are free“ would be just perfect.
I hardly can immagine another soundtrack.

Therefore I allow myself to kindly ask you if it would be possible to use them and what
would be the cost of it. there would be no commercial use! only the presentation of the film
at the school (EB, Zürich, Switzerland) which is published on youtube as well as on my homepage.

Thank you for your kindly answer as soon as possible as my project has to be ready in
April 2017 and I should start to work on it by mid of November 2016.

Fabian Käser, Switzerland


will2016-11-03 19:10:55
This is a fan based website!


isildur2016-11-04 07:56:26
It's best you write to Hans to the above given PR email. hans@ID-PR.COM

Käser Fabian reply Replies: 0 || 2016-11-03 18:58:01
My E-Mail: cg_studio@gmx.ch

Morgan Joylighter reply Replies: 1 || 2016-10-29 06:47:12
Hey Hybrid,
Just FYI the new Titanfall 2 video game score is composed by Stephen Barton, former HGW assistant. Not sure if he is still associated with RC as I have not seen the score's in-depth credits but I thought it might want to be listed on his credits page here :)


Morgan Joylighter2016-10-30 13:40:58
Listening to Titanfall 2 it definitely sounds like he took a lot of experience from HGW's mid-late 2000s sound :)

Patrick reply Replies: 0 || 2016-10-27 10:19:27
What I always wanted to ask (especially now that I am currently in L.A.): Remote Control Studio doesn't offer visitor tours or something like that, right? Does anybody know?

Hubert reply Replies: 0 || 2016-10-22 17:46:46
Lieber Hans
Ich bin begeistert von dem was ich höre.
Ich würde gerne einige Zeit mit Dir in Kohchanghut in Whitesand Beach auf meiner Terasse zubringen und gemeinsam dem wirklich wilden Meer lauschen.
Wann immer ... ich bin hier Bungalow 21
Dein forever Hubert



Monika Zimmer reply Replies: 0 || 2016-10-22 10:16:21
Hallo, Herr Zimmer,

mein Name ist Monika Zimmer, doch leider habe ich wahrscheinlich keine Ver-wandtschaft zu Ihnen.

Gemeinsamkeiten gibt es trotzdem, zumindest bezogen auf den Musikgeschmack.

Und in gewisser Weise bin ich „Zimmer-Nachwuchs“, denn ich habe soeben mei-nen ersten Song komponiert, der mit Projektmusikern eingespielt wurden, die z. T. aus Dio- oder ehemaligen IRON MAIDEN-Coverbands stammen.

CLAWS OF HATE© ist ein einnehmender, vielschichtiger Musical Rock Song mit charismatischem Gesang und würde sich auch als Filmmusik oder ausschnittsweise als Untermalung für Werbeproduktionen eignen, die mit Energie, Sport, Reisen, Versicherungen oder dem Freiheitsgefühl zu tun haben. Er passt vielleicht sogar zu der bald beginnenden Weihnachtszeit.

Es wäre schön, wenn Sie meinen Song mit der verbundenen Idee unterstützen könnten. Hier ist der YOUTUBE Link dazu:

https://youtu.be/88DVzTcdGCo

Vielen Dank für Ihre Aufmerksamkeit an den besten „Verwandten“, den ich niemals hatte.

Freundliche Grüße

Monika Zimmer
(Projekt Band PHANTOM STRINGS)

Enrique Bunster reply Replies: 0 || 2016-10-12 21:27:57
i would like to know where can i buy hans Zimmer´s full songbooks, i would really wanna buy king arthur´s full score book.
Cant find Hans´s shop or something like that.

Thanks so much.

Enriquebunsterzhotmail.com

Christian Hölter reply Replies: 0 || 2016-09-25 20:37:27
Lieber Hans,

ich hoffe du bist der deutschen Sprache noch mächtig und kannst diese Hieroglyphen entziffern.
im Studium habe ich einen Freudn kennengelernt, der hin und wieder einige Tracks erstellt. Vielleicht hast du ja mal einen langweiligen Tag und hörst dir dieses Lied an:

https://soundcloud.com/frankschlenke/lost


Herzliche Grüße
Christian Hölter

Oogway ascends... reply Replies: 0 || 2016-09-18 04:07:17
....has to be one of the most beautiful pieces of music I have heard in a long time. I've been a long time fan of your work but this piece moved me to express my thanks for sharing your talents. Than you.

Uri Breitman, Israel reply Replies: 0 || 2016-09-07 15:46:04
Hans Zimmer, your "Inception" soundtrack is one of my favorite musical pieces of all time. So moving, so dramatic, so moving and so thrilling. Amazing piece of work. I listen to it again and again, it always inspires and lifts me up from reality to an upper realm. Thank you for your beautiful creations of pure art!

Ricky reply Replies: 0 || 2016-09-04 20:35:34
Hello Hans Zimmer Team,

Great soundtracks ever since !
Just an idea: what about composing for flutes,
especially flutes used in old music in a film, that
everyone expects to have a "modern" theme ?
Some great flute players of today are quite good doing improvisations. best whishes, Ricky

Josiah reply Replies: 1 || 2016-08-22 04:18:46
https://www.change.org/p/dc-hans-zimmer-to-score-the-dc-movi es?recruiter=582676592&utm_source=petitions_show_components_ action_panel_wrapper&utm_medium=copylink&recuruit_context=co pylink_long

Please please!!!


Josiah 2016-08-31 00:34:27
If you want to see like just highlight text then right click then you should see an option to visit link.

Jim L reply Replies: 0 || 2016-08-30 21:10:24
Is there any way to possibly release the chronological order to the Twister film score? Sadly, as it is in the CD is not the order that the tracks appear in the movie - and any help I can get with this would be monumentally appreciated!

Sever Iulian Raileanu reply Replies: 0 || 2016-08-24 11:16:07
Hello!

Could you please tell me if it's possible to use an excerpt (1 minute or 2) from the track "A Dark Knight", included in the soundtrack of the film "The Dark Knight", in a promotional clip, paying for the licensing rights, of course?

I hope this message doesn't offend you! I very much appreciate mr. Zimmer's work!


Sever Iulian Raileanu

DOMINO FILM Ltd.
59 Dr. Felix Street, district 1
Bucharest, Romania

Pascal reply Replies: 0 || 2016-08-22 18:22:31
Hallo Hans, sein Team und sämtliche Musiker, die mit ihm im Studio oder live arbeiten,

vielen Dank an euch für die bislang überwiegend wundervolle Musik.

Mit dem Live-Konzert in Hamburg ist für mich einer meiner Lebensträume in Erfüllung gegangen. Dies ist für mich ein Grund, bei euch nachzuhaken, ob die Performance der Konzerttournee in absehbarer Zukunft auf CD erscheinen wird? Ich wäre euch allen noch dankbarer dafür!

Norddeutsche Grüße aus Hamburg!

Pascal

John reply Replies: 1 || 2016-06-06 01:34:33
You are probably already aware, but do you know LL Bean has used the Interstellar score for commercial purposes?

https://www.youtube.com/watch?v=W0B1OM1TOEk


Matt2016-08-18 20:18:53
It's close, but it's actually not the actual score. It's very very close to the same melody and movement though.

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