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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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ALexander reply Replies: 0 || 2016-05-22 10:42:55
Hi Mr Zimmer, I am a big fan of your work. Recently a Colorbond Steel advertisement was posted on YouTube and the music played in it sounds all to similar to your 'Cornfield Chase' piece from Interstellar. I know i wouldn't want my music to be copied like that so i just thought I'd inform you.
Thanks

Carlos Medina reply Replies: 0 || 2016-05-19 07:50:09
Zimmer, simple question. I love music and I love composing, where do I start to make movie music like you.

Peter Fox reply Replies: 0 || 2016-05-18 20:22:13
I recently read that much of the music written for The Thin Red Line was not used in the movie. Is this extra music available anywhere?

Thanks.

Raimo van der Klein reply Replies: 0 || 2016-05-17 09:41:37
Dear Mr. Zimmer,

Two years my co-founder and myself decided to work together for the next ten years. The only thing we knew is that we wanted to use our full potential to make something important for our children.

It was your music for Interstellar that enabled us to dream, travel to the future and to look at the earth from a distant place.

Now two years later we are at the brink of entering in the light.

Our venture is about the power of teams. We believe that in our near future it is not the products that define success it is the team behind it.

Many teams these days live in the “dark” like we did. Still with nothing to show. They are not the ones in the news. They are building muscles, finding courage to do what we are doing. Which is the impossible.

We want to motivate those teams just like your music has motivated us.

We are now in the process of making a video in which we acknowledge the teams that operate in the dark still and give them the courage to step into the light together and shine.

In this video we would love to use the music from the track Mountains from the Interstellar soundtrack. It is the track that helped us in our darkest days to keep pushing and believing. It gave us the means to dig deep inside ourselves.

We would be honored to be able to use your music. Of course we would pay any needed royalties or license fees.

Please contact us on raimo@teamily.com or call us on +31641171116

Thank you for your wonderful music.

Raimo van der Klein

Bryan Fury reply Replies: 6 || 2016-05-15 13:17:05
Greetings sir Zimmer. I'll try to keep my comment short. I've been in love with Your music since Crimson Tide and The Rock movie, where I first heard Your master pieces. I own most of Your discography on CDs. I've been to Your concert in Bratislava, and I'm sorry for my boldness, but it was sheer disaster. Nothing Your fan would want. You made the worst of the worst out of some nice songs of Yours, You driven a lot of fans out of the hall in second half, not sure if You noticed, plenty of ViP places were vacant after. With hard heart I write this, but Your so called "concert" was the biggest disaster of my life. It has almost nothing in common with Your divine works, it was just a pure plunder for cash and money. I strongly suggest You use something like Symphonic Orchestra next time. What You did in Bratislava will forever be engraved in the souls of Your true fans, as a day You sold Your soul to some drum'n'bass, grunge and whatever-c*ap music You turned Your master pieces into.


Ds2016-05-15 15:30:16
I really wonder what kind of fan would buy a VIP seat, then be put off by the 1st half of the concert (which includes very faithful interpretations of The Da Vinci Code, Pirates of the Caribbean or Gladiator, among many others), in such a way that they would LEAVE at the intermission, consequently missing other classics such as True Romance, Rain Man, The Thin Red Line or Inception.

And if you really think his music would sound better with a symphonic orchestra... then your so called collection of CDs must be pretty thin... From the start Zimmer's music has been more about rock and electronics than classical music. Try to play Crimson Tide or The Rock or Broken Arrow or Inception with only a symphonic orchestra, good luck with that! It would sound nothing like the original.


DavidS2016-05-15 16:18:34
You know nothing Bryan Fury ;) ...no seriously, the music in the concert was exactly like Hans' music is ment to be!


Bryan Fury2016-05-15 16:54:11
Ds: I actually sat in ViP lounge after first half, for a few minutes, since there were tons of free places, and the true ViP lounges [in the upper rim] were 60-80% empty. Sound in the upper ring was horrid, You couldn't hear a thing, just overwhelming and ultra low quality bass.

ViP places at the bottom were so so, but still, when the Batman theme started, I fleed, because it was nearly tearing my internal organs apart, how strong the bass were. His concert had absolutely nothing to do with his art. Crimson Tide had only a very part of the main theme composed within, there was his choir, which was very weak, all You could hear was always the drums and bass like hell. Lionking was some mix of Lionking 1 and 2 soundtrack, only one part, the first track and some pseudo theme from second. Pirates of Carribean were almost good, yes, they were enjoyable, but they still missed some crucial parts of the main theme. Afaik it was the dead mans chest intro theme, what was played on "concert". Davinci code was of no interest for me, indeed. I wasn't there for Inception, that part I miss [mombasa], it was an encore. I just left, alive, at the Batman theme. Also, back to Crimson Tide. That ending addition of drums was poor excuse for music. There was like few minutes of something that looked like Crimson Tide, and the rest of the track was just bashing into drums, without any notion or reminder of the original theme, nor soundtrack parts.

Whole concert wasn't concert at all, it was just a ruckuss, bashing into drums and totaly cra*tacular sounds stuck together.

Also, I was so dissapointed, there was no The Rock theme, it's one of his best opuses ever.

And I'm not sure if You're having some hearing issues, but Hans's soundtracks are mainly orchestral, vocal, and they have some rock parts in them, very neatly and softly incorporated. I'm listening to Zimmer's opus for almost two decades now, so I believe I still can differ among genres. And Hans's art has nothing to do with drum'n'bass nor grunge, afaik, with rock, yes, a lot, but very good incorporated rock, though mostly, it has to do with orchestral instruments [well, so speaking, he's doing or used to do most of his work on synths, in early 80/90s afaik.].


Hybrid Soldier2016-05-15 18:14:18
"And I'm not sure if You're having some hearing issues, but Hans's soundtracks are mainly orchestral, vocal"

Apparently I've been wrong for many many years... :O Thanks for pointing this out ! lol


Ds2016-05-15 18:54:00
Thanks for the lengthy answer Bryan, but your statement is full of mistakes. Apparently you think you know Hans' music, but it is pretty obvious you dont know it that good. Driving Miss Daisy and Sherlock Holmes were almost copy-pasted from the original tracks. Madagascar was a superior rearrangement and a great intro for the orchestra. Crimson Tide was like the original version, except they extended the climax (which is a spectacular idea). Then Angels and Demons sounded 100% like on album, with a drums intermede inserted in the middle (I net you thought that was still Crimson Tide, lol). Gladiator was a glorious 15min of all the very best pieces from that movie, faithfully arranged. Da Vinci Code was genuine beauty (but you had no interest in it, too bad for you). Then Pirates had the Jack theme, the love theme, an unreleased, fan-favourite cue (awesome gift to the fans, and proof that Hans knows very well how to please us), and then the famous theme everyone on this planet knows.

Dont tell me it is a cashgrab, it is an absolutely wonderful selection, with diverse styles and instrumentation.

Second part had very faithful arrangements of Man of Steel, The Amazing Spiderman 2, Inception, True Romance, Rain Man, Thin Red Line and Interstellar. Admittedly the Dark Knight was full of drums, distorsion, guitars in a very Dark, agressive mood, even more than in the official soundtrack, but those scores were pretty savage to begin with.

So dont blame Hans for being faithful to his music or his fans. Blame yourself for having such a poor knowledge of Hans Zimmer's music. My advise: re-listen to your collection, and purchase the dozens of albums you obviously never checked out :-)


Zimson2016-05-15 19:49:03
I was at the Vienna concert this friday and it was breathtaking. 16000 people came and the crowd went absolutely crazy when the band started to play Dream Is Collapsing at the end. Nobody left before the end.
The sound was amazing, I can't even think of one thing to complain about.
If you're more into the likes of Hannibal, Last Samurai or Beyond Rangoon then this wasn't the concert for you but there were plenty of recordings from the two london concerts on youtube that would have warned you beforehand that it's going to be loud.

Evamaria Nowak reply Replies: 0 || 2016-05-13 10:10:52
Lieber Hans Zimmer!

Gestern Abend in Graz durfte ich Sie live miterleben und war unglaublich begeistert. Tausend Dank, dass Sie und ihr Team ihr Talent mit uns teilen und wir so an ihrer Welt teilhaben dürfen. Ihre Musik live zu erleben war für mich und meinem Freund einfach eine große Bereicherung. Wir waren emotional äußerst ergriffen und wir wurden tief in unseren Herzen berührt. Ein riesiges Danke dafür und wir sind uns einig dass wir noch lange von ihrem Konzert zehren werden.

Nader reply Replies: 0 || 2016-05-12 17:51:39
Dear Mr.Zimmer
Your soul and talent in music are the best
in 21St century.thank you for unique times with your musics.
How and whith which instruments I can begin creating solitude times melody???

Wolfgang Ziegler reply Replies: 0 || 2016-05-12 10:43:49
Dear Mr. Zimmer,

ich danke Ihnen für dieses außergewöhnliche Musikspektakel gestern Abend in Budapest. Ich war nicht schlecht erstaunt, als Sie zu Beginn über Ihre Hartneckigkeit erzählten, in Ihrer Filmmusik auch Chor zu verwenden. Bravissimo und Chapeau dafür.
Weiterhin viel Erfolg wünscht Ihnen
Wolfgang Ziegler, Präsident des Chorverband Österreich

Kakan reply Replies: 0 || 2016-05-11 21:35:14
Dear mr Zimmer,

Two years ago I made some big changes in my life. I got divorced, moved into my own apartment and went back to the university to finally become a special education teacher. This has been a dream for me for a long time, but I have never found the time to do something just for myself. I have soon finished my second year and by the next summer I will be able to help my students more. I´m specializing in helping young people who have trouble with reading and writing.

Now to the reason why I´m writing to you. I just wanted to say thank you for your beautiful music! Every time I´m going to write a text or a paper to hand in to the university I listen to the soundtrack to "Inception". I don´t know why, but that music makes it so much easier to write! I get inspired and the fingers just dances like water on the keyboard! So, thank you for helping me while struggling with all my homework! (To be honest, I think the music helps me dream a little bit about Leo too, but that´s a whole different story... ;)

So, thank you!

Best regards,
a fan in Sweden

Yana reply Replies: 0 || 2016-05-11 03:17:56
Dear Hans Zimmer and team!
My dream is for you to check my music, it would be such an honor.
I want to create soundtracks to movies! Maybe you'll have a few minutes to listen to it? I have a lot of original music which I don't share much online yet.
But I've got a few of my originals on YouTube! Maybe you will delete this message, but either way, would be an honor if you could at least listen to some of my music!!! Thank you for everything that you do! You're truly inspiring!!!!
All the best, Yana
Original: https://youtu.be/cpHPch9QhI4
Original 2: https://youtu.be/zqHfOAfYZwM

Corinna H. reply Replies: 1 || 2016-04-28 22:17:15
Good evening,

My boyfriend and I visited the Concert in Munic at 26th april. And i have to say: We were speechless!! The only thing we were able to do was starring at the stage and listen to this awesome concert.
Respect tot he whole team, you guys are truly amazing!
I hope i have another chance to visit a conert again.

My boyfriend said: „I will never hear such an amazing concert again in my whole life“ – and i think he’s right.
There are so much feelings in this Music. We were really touched, exspecially „The Lion King“ touched us so much! Tears were running over our cheeks and there were goose bumps all over our bodies.

Keep going on like this, you Guys are truly amazing! It was such a wounderful evening!

Thank You so much
Corinna


Yana2016-05-11 03:12:34
Hi Corinna! It's must be so great to hear Hans Zimmer live!
If you like this kind of music, maybe you'll be interested to hear mine?
There're more originals to come though, it's just the beginning! &#128522;
youtube.com/yanachernysheva

Anonymous reply Replies: 0 || 2016-05-10 16:50:30
Sono stata al concerto di Zurigo del 9 maggio.
E' stata una delle esperienze pi&#249; memorabili della mia vita, il concerto &#232; riuscito a superare tutte le mie alte aspettative, la sua musica ha forza, grande energia, &#232; un'esperienza fisica e mentale che coinvolge tutti i sensi e ti pervade l'anima.
Un vero genio.
Paola


Luis reply Replies: 0 || 2016-05-07 09:30:47
Hello:

I'm a big fan of Zimmer's music, but I have encountered a problem that has puzzled me.
I have a mobile terminal with Windows 10, and z+ application does not exist for that operating system.

I think it would be interesting and good to create a version for that system, so we can use this feature.

Thank you.

Daulet Shozhikov reply Replies: 0 || 2016-05-06 20:09:34
Yesterday, it was my birthday. Me and my wife went to Bratislava and enjoyed the amazing performance made by Hans Zimmer. Thanks a lot, Mr Zimmer for such a nice atmosphere you and your team created. I wish you all long live and inspiration for making more beautiful music!

Sincerely,

Daulet


Lukas reply Replies: 0 || 2016-05-06 19:57:51
Thank you for amazing show in Krakow. That was the best evening in my life! All the best from Poland. <3

HansZimmerFan :o) reply Replies: 3 || 2016-05-05 21:57:24
Hello,
can anybody tell me the name of the bass to the far left on stage?


Hybrid Soldier2016-05-05 22:19:57
Double bass ! Andy Pask !


HansZimmerFan :o)2016-05-05 23:51:59
THANKS!


HansZimmerFan2016-05-06 00:46:11
So I collect:
front (left to right)
Andy Pask, Tina Guo, Rusanda Panfili, Aleksey Igudesman, Ann Marie Simpson (well Einzinger), Mike Einzinger, Czarina Russel, THE MASTER, Yolanda Charles, Guthrie Govan, Richard Harvey, Mel Wesson, Andrew Kawczynski.
behind (left to right)
Lucy Landymore, Nathan Stornetta, Nick Glennie-Smith, Satnam Ramgotra, Gary Kettel, Steve Mazzaro, Holly Madge.
Background:
15 strings, 7 horns
24 Choir members

Steffen Schwarz reply Replies: 0 || 2016-05-01 02:30:19
Danke für das großartige Konzert in Berlin. Es war einfach sensationell !! Mehr als 2 Stunden Gänsehaut. Eine Live-DVD der 2016er Tour wäre mehr als wünschenswert. Alles Gute weiterhin für den "Maestro" und das gesamte Team auf und hinter der Bühne !

Wilfried reply Replies: 0 || 2016-04-30 19:20:13
Ich habe Ihr Konzert in Köln sehr genossen. Das Beste, was ich bisher in meinem Leben gehört habe. Sehr ergreifend. Bitte produzieren Sie eine DVD von den Liveauftritten des Orchesters.

Tobias Lehmberg reply Replies: 0 || 2016-04-29 02:27:03
Hallo und danke für das tolle Konzert in Köln!
Der Sound war phantastisch und auch der LJ hat hat ganze Arbeit geleistet - einziger Wermutstropfen war, daß ich mich sehr über einen persönlichen Kontakt bei einer Signierstunde gefreut hätte, Ihre Signatur hätte sich sicher auf dem ein oder anderen Booklet sehr wohl gefühlt neben der von Lisa. Ich freue mich auf alles weitere aus Ihrer Feder und hoffe auf künftige Konzerte. MfG, Tobias

Dmitry Kovalev reply Replies: 0 || 2016-04-27 10:25:14
Hello!

My name is Dmitry Kovalev, we recently rescued orca sandwiched ice floes on the coast of the Sea of Okhotsk (Sakhalin Island, Russia). We have successfully rescued the animal and want to make a video as we struggled with ice, standing in cold water. I ask permission to use the song in the album Rise Hans Zimmer - The Dark Knight Rises - OST. This is a non-profit project aimed to show people that they can help animals in severe situation for them! I really hope for your positive response!
The short film will be used photos with this report and video made the night!

My small tip for the salvation of orca.

"The ice captivity":

His ears still stands weeping and killer whales. Crying literally tearing you apart, feeling that this is your baby cries and you are uncomfortable trying to help him, and you have bad it turns out.
Feeling limited time to give to know salvation. tide time within which it was necessary to help get through the pile of Orca ice and get into clean water.

Floe tossed all that can only be used - hooks, hands, feet, pulling the rope, pushing the boat. We provide an approach to the orca, who was sitting on the rocks.
"Wave," cried the elder. We have deployed a boat sideways to the orca, and the guys in the water, starting from the feet side pull it forward to salvation.
I flew by hour hour was not to sleep. Tired, chosen on the shore, quickly warming up again in cold water, again on ice barricades.
It was evident that the orca is exhausted to the limit, but even in this state has helped swimmers to move. They came to a standstill, stranding !!! blazed a new route. Cold and fatigue do their dirty work, but we are not retreating, we sought to bring the killer whale.
Waves of increased boat in a drunken waltz began to wobble. On the breast of a camera in his hand a pole, a sleeve dripping water, but it is a trifle, which stopped paying attention. The guys in the water was even worse, some experienced involuntary shivering, but you can not give up!
It remained the last ridge of ice, behind which there was clear water.
Swim, native! Oh please! With these thoughts, where aloud to myself, where we continued to remove the animal from the labyrinth.
Gritting his teeth, hits the ice floe, we take them on board the ship
and take off in hand! The path is open! But why did not the killer whale swims ?! It turns out that the engine is heated !!!))))))
I do not know what the sound was like when he gathered himself and swam !!! Our jubilation knew no bounds! We shouted, shouted, cried and smiled at the same time! Orca proudly raised fin and headed for the open sea!

We were overwhelmed with intoxicating happiness of knowing that we saved someone's life !!!
On the right side of the breakwater is slowly engaged colorful dawn! It was delightful!

Translated with Google.translate

with respect,
Dmitry Kovalev,
member of the Russian Geographical Society,
Sakhalin island,
Russia
my e-mail:fredericlorsan@yandex.ru

Cor Schoonhoven reply Replies: 0 || 2016-04-27 09:38:24
Dear Mr. Zimmer,

the performance was wonderfull, but i must tell you that the volume was very loud, sometimes the music turned into a lot of combined noise instead of beautifull sound that i expected, some suites where just impressive, but sometimes you coult not here the chior because if the loud music, to bad because i came all the way from Rotterdam Holland.

mabe next time,

With regards,

Cor.

Matthias K. reply Replies: 0 || 2016-04-25 13:50:32
Dear Mr. Zimmer,

it was an awesome show in Oberhausen and i gladly enjoyed every track you played along with your fantastic band members and the awesome orchestra and choir. You give a lot of people a magnificent time with these concerts and that is something truly wonderful. I wouldn't know what to do better, except maybe showing some snippets (or images) from the respective movies. Otherwise i'd love to see that concert on DVD again :)

Greetings from Germany,
Matthias

Julien reply Replies: 0 || 2016-04-25 13:14:12
Dear Mr. Zimmer,

Yesterday night in Paris I sat awestruck witnessing what may be the best concert I ever attended. Several masterpieces like the Interstellar suite, Knights of the Sang Real and Gladiator already made it a magical 2 hours, but what always gets me is your amazing work for Lion King.

You and Lebo M made shed some tears performing Lea Halalela, straight from the underated album Rythm of the Pride Lands you seem to have composed together before Disney adulterated it. Since I am 9 years old, Busa/Kube/It's time/Noyana have made my heart fill with emotions every time. I am a huge fan of Lebo M and would have loved to find more of his music here in Europe. Perhaps you can help me with this. It was great to see how complicit you two have grown over these 20 years.

I also find your work with the pipe organ for Interstellar absolutely groundbreaking and awesome. I hope you get to compose more pieces with this kind of atmosphere in the future; you have found a way to transcribe just how small humans are before the immensity of space, but how thrilling and emotional exploration can be. No one has done this before you.

And these are but a few of the feats you demonstrated before us last night. My most sincere thanks and congratulations to you and your fantastic orchestra. I wish you a great tour, but I am sure you will be overwhelmed with the positive reception.

My best regards,
Julien

Dylan reply Replies: 0 || 2016-04-25 12:35:26
Hello,

When will the Inception App be updated? You will make the app-fans so happy.

Thank you!


Dylan

Thomas reply Replies: 0 || 2016-04-24 19:24:20
Hello Mr. Zimmer,

i saw your great concert in Oberhausen. But we had bad places at the side of the stage and we have not seen very much of the light show and many musicians.

So there will be a Live DVD of one concert? PLEASE. This would be so amazing.

Greetings from Frankfurt

Sylvain Fr reply Replies: 0 || 2016-04-24 01:36:36
Dear HZ,

Just go back home after your, how can i say in words, amazing wonderfull live tonight in Paris...
My skin never felt this kind of feeling when i was inside your music. It's so magical the share with you this moment.
Thx also for your words regarding terrorists attempt...
this night will be in my mind forever.
And your track "Time" is one of the best track i ever listened in my own life <3
Thx to exist we all need guy like you.

Vera reply Replies: 0 || 2016-04-23 18:59:25
Dear Hans Zimmer,
thank you and all of your musicians so much for the more than fantastic concert in Oberhausen yesterday! It made us having goosebumps all over and having an unforgettable night!

Ralph reply Replies: 0 || 2016-04-22 18:49:25
Lieber Hans Zimmer,
vielen Danke für dieses wunderschöne Konzert in Berlin. Ich bin so begeistert, ich kann es nicht so richtig in Worte fassen. Danke und hoffentlich auf ein Wiedersehen

Jamie reply Replies: 0 || 2016-04-20 05:48:20
I read what you recently had to say about how difficult it was to do the music for "Batman vs. Superman", and how you won't do any more 'superhero' scores.

While I haven't the vaguest conception of how difficult it must be to compose new music, I wanted to say that I was very impressed with your new theme for Wonder Woman, and if you were to do a full score based on that theme alone, I would gladly pay $20 for it.

Regardless, I have been a huge fan for years and will continue to look forward to anything new that you do.

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