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The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.
The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.
Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54
<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze RozmanMondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/Mine arrived today and is definitely sped up.
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Yoga Hanggara reply Replies: 0 || 2016-11-08 02:08:41
Why there are country restriction and we cannot play/buy some Hans Zimmer music in Apple Music & Spotify, like Pirates of Carribean OST, Angels and Demons OST, etc. I'm from Indonesia.

Andres Galindo reply Replies: 1 || 2016-11-05 18:44:51
Dear Hans zimmer and Team HZ,
My name is Andres Galindo and i am currently studying music in Toronto, Canada, i have been always amazed of your music and OSTs. i have worked recently on a project called 'Deadlock' is my composition and i would like you to hear it , i hope i can receive some feed back from you ..in somehow. I used couple of samples from ALBION III:

https://soundcloud.com/andr-s-galindo-arteaga/deadlock-by-an dres-galindo/comment-313120483

Thanks for your inspiration and your music!

E-mail for contact: andresarte_1@hotmail.com


Andres Galindo2016-11-06 03:26:18
Sorry, this is the link that is working:

https://soundcloud.com/andr-s-galindo-arteaga/deadlock-by-an dres-galindo

Thank you so much!

Andres Galindo

Maria reply Replies: 2 || 2016-11-02 14:43:27
Dear Hans, I'm faszinated about the soundtrack from Interstellar. I'ld like to know if there is an interesting reason for using an organ as highlight in it. I think no one has used it before in a soundtrack.
Thank you for answering!
Best wishes from Maria


Anonymous2016-11-02 15:14:18
Maria,

This is a fan based website, so there's no way to ever get a reply from Hans Zimmer himself. But... You may find an answer to your question in this video: https://www.youtube.com/watch?v=e40uAYm5cxE


Maria2016-11-04 21:44:27
Thank you sooooo much!!

Käser Fabian reply Replies: 2 || 2016-11-03 18:56:06
Dear Mr. Zimmer

Currently I’m studying 3D animation. For my degree dissertation i have to do a small 3D animated
movie. your soundtrack from the gladiator „honor him & now we are free“ would be just perfect.
I hardly can immagine another soundtrack.

Therefore I allow myself to kindly ask you if it would be possible to use them and what
would be the cost of it. there would be no commercial use! only the presentation of the film
at the school (EB, Zürich, Switzerland) which is published on youtube as well as on my homepage.

Thank you for your kindly answer as soon as possible as my project has to be ready in
April 2017 and I should start to work on it by mid of November 2016.

Fabian Käser, Switzerland


will2016-11-03 19:10:55
This is a fan based website!


isildur2016-11-04 07:56:26
It's best you write to Hans to the above given PR email. hans@ID-PR.COM

Käser Fabian reply Replies: 0 || 2016-11-03 18:58:01
My E-Mail: cg_studio@gmx.ch

Morgan Joylighter reply Replies: 1 || 2016-10-29 06:47:12
Hey Hybrid,
Just FYI the new Titanfall 2 video game score is composed by Stephen Barton, former HGW assistant. Not sure if he is still associated with RC as I have not seen the score's in-depth credits but I thought it might want to be listed on his credits page here :)


Morgan Joylighter2016-10-30 13:40:58
Listening to Titanfall 2 it definitely sounds like he took a lot of experience from HGW's mid-late 2000s sound :)

Patrick reply Replies: 0 || 2016-10-27 10:19:27
What I always wanted to ask (especially now that I am currently in L.A.): Remote Control Studio doesn't offer visitor tours or something like that, right? Does anybody know?

Hubert reply Replies: 0 || 2016-10-22 17:46:46
Lieber Hans
Ich bin begeistert von dem was ich höre.
Ich würde gerne einige Zeit mit Dir in Kohchanghut in Whitesand Beach auf meiner Terasse zubringen und gemeinsam dem wirklich wilden Meer lauschen.
Wann immer ... ich bin hier Bungalow 21
Dein forever Hubert



Monika Zimmer reply Replies: 0 || 2016-10-22 10:16:21
Hallo, Herr Zimmer,

mein Name ist Monika Zimmer, doch leider habe ich wahrscheinlich keine Ver-wandtschaft zu Ihnen.

Gemeinsamkeiten gibt es trotzdem, zumindest bezogen auf den Musikgeschmack.

Und in gewisser Weise bin ich „Zimmer-Nachwuchs“, denn ich habe soeben mei-nen ersten Song komponiert, der mit Projektmusikern eingespielt wurden, die z. T. aus Dio- oder ehemaligen IRON MAIDEN-Coverbands stammen.

CLAWS OF HATE© ist ein einnehmender, vielschichtiger Musical Rock Song mit charismatischem Gesang und würde sich auch als Filmmusik oder ausschnittsweise als Untermalung für Werbeproduktionen eignen, die mit Energie, Sport, Reisen, Versicherungen oder dem Freiheitsgefühl zu tun haben. Er passt vielleicht sogar zu der bald beginnenden Weihnachtszeit.

Es wäre schön, wenn Sie meinen Song mit der verbundenen Idee unterstützen könnten. Hier ist der YOUTUBE Link dazu:

https://youtu.be/88DVzTcdGCo

Vielen Dank für Ihre Aufmerksamkeit an den besten „Verwandten“, den ich niemals hatte.

Freundliche Grüße

Monika Zimmer
(Projekt Band PHANTOM STRINGS)

Enrique Bunster reply Replies: 0 || 2016-10-12 21:27:57
i would like to know where can i buy hans Zimmer´s full songbooks, i would really wanna buy king arthur´s full score book.
Cant find Hans´s shop or something like that.

Thanks so much.

Enriquebunsterzhotmail.com

Christian Hölter reply Replies: 0 || 2016-09-25 20:37:27
Lieber Hans,

ich hoffe du bist der deutschen Sprache noch mächtig und kannst diese Hieroglyphen entziffern.
im Studium habe ich einen Freudn kennengelernt, der hin und wieder einige Tracks erstellt. Vielleicht hast du ja mal einen langweiligen Tag und hörst dir dieses Lied an:

https://soundcloud.com/frankschlenke/lost


Herzliche Grüße
Christian Hölter

Oogway ascends... reply Replies: 0 || 2016-09-18 04:07:17
....has to be one of the most beautiful pieces of music I have heard in a long time. I've been a long time fan of your work but this piece moved me to express my thanks for sharing your talents. Than you.

Uri Breitman, Israel reply Replies: 0 || 2016-09-07 15:46:04
Hans Zimmer, your "Inception" soundtrack is one of my favorite musical pieces of all time. So moving, so dramatic, so moving and so thrilling. Amazing piece of work. I listen to it again and again, it always inspires and lifts me up from reality to an upper realm. Thank you for your beautiful creations of pure art!

Ricky reply Replies: 0 || 2016-09-04 20:35:34
Hello Hans Zimmer Team,

Great soundtracks ever since !
Just an idea: what about composing for flutes,
especially flutes used in old music in a film, that
everyone expects to have a "modern" theme ?
Some great flute players of today are quite good doing improvisations. best whishes, Ricky

Josiah reply Replies: 1 || 2016-08-22 04:18:46
https://www.change.org/p/dc-hans-zimmer-to-score-the-dc-movi es?recruiter=582676592&utm_source=petitions_show_components_ action_panel_wrapper&utm_medium=copylink&recuruit_context=co pylink_long

Please please!!!


Josiah 2016-08-31 00:34:27
If you want to see like just highlight text then right click then you should see an option to visit link.

Jim L reply Replies: 0 || 2016-08-30 21:10:24
Is there any way to possibly release the chronological order to the Twister film score? Sadly, as it is in the CD is not the order that the tracks appear in the movie - and any help I can get with this would be monumentally appreciated!

Sever Iulian Raileanu reply Replies: 0 || 2016-08-24 11:16:07
Hello!

Could you please tell me if it's possible to use an excerpt (1 minute or 2) from the track "A Dark Knight", included in the soundtrack of the film "The Dark Knight", in a promotional clip, paying for the licensing rights, of course?

I hope this message doesn't offend you! I very much appreciate mr. Zimmer's work!


Sever Iulian Raileanu

DOMINO FILM Ltd.
59 Dr. Felix Street, district 1
Bucharest, Romania

Pascal reply Replies: 0 || 2016-08-22 18:22:31
Hallo Hans, sein Team und sämtliche Musiker, die mit ihm im Studio oder live arbeiten,

vielen Dank an euch für die bislang überwiegend wundervolle Musik.

Mit dem Live-Konzert in Hamburg ist für mich einer meiner Lebensträume in Erfüllung gegangen. Dies ist für mich ein Grund, bei euch nachzuhaken, ob die Performance der Konzerttournee in absehbarer Zukunft auf CD erscheinen wird? Ich wäre euch allen noch dankbarer dafür!

Norddeutsche Grüße aus Hamburg!

Pascal

John reply Replies: 1 || 2016-06-06 01:34:33
You are probably already aware, but do you know LL Bean has used the Interstellar score for commercial purposes?

https://www.youtube.com/watch?v=W0B1OM1TOEk


Matt2016-08-18 20:18:53
It's close, but it's actually not the actual score. It's very very close to the same melody and movement though.

Patrick reply Replies: 2 || 2016-08-11 10:40:40
There is a Sneak Preview from the upcoming BBC Planet Earth II soundtrack, together with Jacob Shea and Jasha Klebe:

https://www.facebook.com/bbcearth/videos/1253466768020210


Anonymous2016-08-11 17:42:27
did hans do the main theme here? FB only lists jacob shea and jasha klebe


Patrick2016-08-12 15:05:11
On his FB site, he writes: "Here's a sneak preview of the score for BBC Earth's Planet Earth II, which Hans composed with Jacob Shea and Jasha Klebe of Bleeding Fingers Music."

Andreas Schrade reply Replies: 0 || 2016-08-12 10:14:04
I wish there was a Hans Zimmer Complete Edition available that contains all(!) of his genius music. (Pretty much the same as the Bach Complete Edition with 142 CDs and a duration of nearly one week :) )

Background:
Even though I already bought more than 35 HZ CDs, I still have only a fraction. Most of the older discs (pre 2000) are extremely rare.

Just for the case that someone from RCP reads that message and wants to fulfill this DREAM: Please do also include all unpublished music in the complete edition (especially everything from "The thin red line") - Many thanks :-)

(I already see the HZ Complete Edition box with 500 CDs on my CD shelf) ;-)



Louetta reply Replies: 0 || 2016-08-02 03:41:23
If ever possible. You must do a feature with one of the most AMAZING FAMILY OF MUSICIANS Kanneh-Masons extremely talented and full of charisma. I have no relation to them whatsoever, but I am such a huge fan of yours and they seem like if they collabed with you. It would be ground breaking.

Igor Shaginyan reply Replies: 0 || 2016-07-23 02:10:11
Hello Hans , please check it https://youtu.be/kCEcHHjIOkA

its my new soundtrack ! may be one day we will play together !

  Your name :   

Please enter number: 0 

dnoonie reply Replies: 0 || 2016-07-19 10:17:49
I just read the slashfilm.com post saying that you were done with super hero compositions, I'm not going to complain...

I just wanted to say thank you for the fantastic 2013 Man of Steel sound track, I love the percussion, I love the subtle power, the unresolved movement forward of the music, I love the story telling the music does, it really made the movie for me!!!

Good luck with your future pursuits!

Cheers,

Daniel Kephart reply Replies: 0 || 2016-07-13 01:20:16
I'm a huge fan of yours Hans. I'ma music composer that has written a few songs for some rides at Kings Island. I would love to join you in your work sometime. Please, let me know if you would be interested. I'm looking to further my career in music.

oZen reply Replies: 0 || 2016-07-04 21:26:58
Hi, I'm a big fan of that song of you: God Yu Tekem Laef Blong Mi
in a thin red line.
I haven't learnt much on the internet so far expect it is Malaysian.
What I try to know now it's all the cultural things around ?
When do the people sing that kind of song ? Is it a death ceremony song ?

Thank you in advance!

oZen

Heiko reply Replies: 1 || 2016-06-21 14:43:22
Hi,
I want to buy the track "Cat Lore" from Catwoman. Do you know where i can gat it legally, not on illegal sites or bootleg CDs?
Best regards
Heiko


Rhonda Owens2016-06-28 03:30:17
Dear MrZimmer,
Please reconsider scoring some of the upcoming super hero movies.

Thanks

Gustavo Kjaer da Fonseca reply Replies: 0 || 2016-06-15 14:08:20
Hello Hans Zimmer , I am a big fan of yours , I am Brazilian and I would love to be able to see it live at a concert here in Brazil . When we have that honor ?

Anonymous reply Replies: 1 || 2016-06-15 01:10:24
To all the mods, to Hybrid, to the community here... since this is the feedback section, I'll go ahead and leave this here:

It may sound funny to say, but thanks for this great site. It's truly a resource for anyone interested in RCP and background on RCP / Zimmer scores, and it's been an awesome place for discussion and learning about all these scores for as long as I've been visiting (5 years or so now). There are lots of great film score / composer sites, but this one tops all of them for me (even though RCP isn't necessarily my favorite in the film score world). So to everybody who makes this site awesome... thank you. :)


Hybrid Soldier2016-06-15 10:00:43
Thanks ! :)

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