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Sehr geehrter Herr Zimmer, <br>Hallo Hans,<br>  <br>ich habe einige ihrer Konzerte gesehen, Prag jedoch, war wirklich, ich kann es nicht in Worte fassen, unglaublich. Top Musiker und eine super performance!<br>Ihre Musik ist eine Inspiration.<br>Hoffentlich hören wir noch viele Stücke von Ihnen...<br><br>Hochachtungsvoll und liebe Grüße<br>StefanYeah, 30-ish seconds into Do You Bleed?"Reminiscent Therapy" is amazing in the way it incorporates a lot of Williams' classic stuff making it feel very natural and organic, like it's part Powell's themes, like he does with "The Adentures of Han".<br><br>This is a really great scoreHe is the chosen one, the one who will bring balance to the film music world...Thats just 'do you bleed?' with a small insert?
Haha, It's as the prophecy foretold.John Powell, the great uniter of film music fans@MrZimmerFan<br><br>I actually like Rogue One, and I do understand why it leans so heavily on the original themes. Here the themes are incorporated more as fan service, but Powell is able to do wonders with interpolating them with his material. <br><br>And something I forgot to mention, this score reminds me so much of Pan in the action sequences. The percussion and brass writing is great lolim surprised how Powell uses his ANTZ percussion in this!<br><br>The track Train Heist, Into The Maw is good example of it.<br><br>This is the only score that will please the gang at JW and HZ alike.When JWFan and HZ.com are discussing the same score....
'but not as heavily as Rogue One'<br><br>Because Rogue One have conections with certain aspects or characters from the OT?<br><br>An here you have a track with three themes (or cues) with no conections with the OT, Rogue One have more sense... but the score is fricking awesome :)So first impressions:<br><br>JP knocked this one out of the park! The whole score has this excellent swashbuckling vibe, which is surprisingly aggressive during the action sequences (entirely due to his trademark percussion).<br><br>The writing style is really interesting, it’s basically John Powell doing his usual style but with some Williams flourishes, especially during the softer cues. The Star Wars themes do return, but not as heavily as Rogue One. And of course the JW cue is great, although surprisingly structured more as an action cue as opposed to a concert suite.<br><br>And for some reason the Han theme sounds vaguely similar to Poe’s theme from Force Awakens.Let’s just say “Reminiscience Therapy”.... hold onto your seats! ;-)This score is awesome!! Powell did a great job at making a score that's differet than all the other SW scores, but still you know it's a SW score. He reprised Williams' theme brilliantly and I can't stop to listen to it!!!what about the music when batman makes it back to the cave and lex opens the case of kryptonite. cant find it in these
Yeah I can't agree that Inception or Interstellar are superior pieces of scoring. Certainly not in structure, thematic development, etc. <br><br>What defined those scores is the vision behind them more so than the execution. In so many ways, that is opposite of The World's End. Interstellar is a brilliant score that managed to provide each scene with a simplistic tone, but one that captured the atmosphere behind the scenes perfectly, such as the unique use of the organ. Same with Inception with the guitars. <br><br>With a World's End, the vision is nothing special. It is a rock and roll twist to classic music. But the execution brings enormous power and gravitas to the movie.<br><br>I would sum it up by saying that in Interstellar and Inception, the creation of the music drives the movie's ideas while in At World's End, the movie drives the creation of the music.Nazg&#251;l for Azog I will never forgive. It's not a Servant of Sauron theme, it's a Ringwraith theme, and Azog's not a Ringwraith, he's a goddam Orc, and that theme doesn't belong there, full stop. It was just put there because it sounds "epic" and would "pump up the action scene". Gondor Restored at the end is just as stupid. And the Dreaming of Bag End theme for Bilbo is indeed lovely, and would have been lovelier still if it actually appeared in the movie. Instead it just gets replaced by copy/pasted Hobbit music from LOTR instead because Peter Jackson desperately wants his audience to remember how good those movies were in lieu of the Hobbit ones being any good on their own. Needless to say it goes missing entirely from the second and third score...along with the Misty Mountains melody (the strongest theme of the first one). I still really like those scores overall but they got absolutely butchered in terms of their thematic usage in the films. Then again those movies were an absolute clusterfuck so I shouldn't be surprised.<br><br>WRT Harry Potter, the 3 note theme does work okay for Voldemort, except that there's already a longer, separate Voldemort theme in Philosopher's, one that I like even more, and which only gets used once in Chamber (when Riddle rearranges the letters). I can understand liking Chamber better than Philosopher when you compare the albums, but in terms of the complete scores there's no contest at all, Philosopher wins by a country mile because of Chamber's rehash issues (and there are some good cues missing from the album, such as the Troll and Forbidden Forest scenes).@Edmund<br>The thing with the Nolan scores (at least Interstellar/Inception) is that they are repetitive, in as much as being built heavily around the suites that I’m guessing they use to edit and temp the film. <br>And while the themes are simple I do think they are structured in a unique enough way which builds emotional resonance through the gradual increase in chords/volume/speed/etc. Even Dunkirk is a relatively simple score theme wise, but is so technically complex.<br><br>And personally I’ve never been in love with Inception. I admire it on a technical level, but outside of “Time” I find it to be a fairly cold score. Obviously what it was meant to do so not a complaint, more of a personal preference thing.You know, I actually like Chamber of Secrets much more than Philosopher's Stone. It has the best moments from that score with improved themes. (I actually like the 3 note motif for Voldemort better than it being used for the stone, it already sounded like the Sith theme from Star Wars so might as well go all the way with it.) It felt more tight, better paced, and had an overall more energetic feel to it.<br><br>The Hobbit, I'm not entirely sure where you're getting heartbreaking from. If you mean the state of its release I absolutely agree, if you're talking about its reprisals the only one I had any issue with was the Return of the King/Gondor Restored theme which had nothing to do with Thorin and Bilbo's relationship. <br><br>The Nazghul theme being used for Azog I thought was fine as he was a servant of Sauron in the movies, History of the Ring and Gollum's themes were used effectively, and the new thematic material for the first film, I thought was wonderful. The themes A Baggins of Bag-End and The Lonely Mountain song being used as a Fellowship type of theme are the greatest highlights for me.See, I don't find Inception or Interstellar (or Thin Red Line) all that "complex". Especially not compared to At World's End (how many themes are in that score, like 15? 20? Pretty much all of which show up in rapid succession during the Maelstrom battle?). The Nolan scores are more about building up around very simple conceptual ideas.<br><br>Unless you're talking about emotional complexity, which is a very different thing and not really possible to objectively judge...
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pashalis777 reply Replies: 0 || 2015-03-26 16:50:41
is Zimmer going to compose Inferno..cause one of the biggest pluses of the previous 2 movies was the music..

Joby reply Replies: 0 || 2015-03-25 08:20:48
No matter how many times I hear the soundtrack of Gladiator I cannot think it is the best movie score of all time for me. I always awed specially Sorrow with Lisa Girard, Am I Not Merciful, and Now We are Free.

MOUGENEL Yannick reply Replies: 0 || 2015-03-24 15:25:16
Hello Mr ZIMMER,
Thank you for your music that I find meaningful contribution, an emotion to the film, you are a very great composer, I am fans of your music from longtemp and I listen to you very often .Please bring us such a feeling !!
Yannick FRANCE.

Jacinthe Beaudry reply Replies: 0 || 2015-03-23 23:36:25
Dear Mr. Zimmer,
I am currently working on a short drama movie for a contest exclusive to high school students. «Time» being one of my all-time favourites, I was wondering if my team and I could use it as the main soundtrack.

We will in no way gain money from this short, nor do we intend on sharing it beyond the contest's audience reach. Thank you for your time and your masterpieces.

Society Blue reply Replies: 0 || 2015-03-23 05:45:33
Hans:

Rise Above is song that we (society blue) composed last year. I feel the song would be unique if an orchestrated effort was pursued. I hope inspirations can be felt from you as you have to us.

Info@societyblue.com

Mike reply Replies: 0 || 2015-03-21 15:24:47
Ich schreibe trotzdem in Deutsch:

Vielen Dank für die immerwieder neuen Musikstücke!
Hoffentlich wird es noch sehr lange so weitergehen ! :)

Felipe Andres Alves Gonzalez reply Replies: 0 || 2015-03-19 18:41:25
Greetings, dear Zimmer!

I am a game design student, and I am developing a game about samurais. I came here to ask you if I could use some of your songs of the movie "The Last Samurai" as soundtracks for the Demo version of my game.

I have no intention to gain money or sell, it is just for academic purposes.

That album is amazing and really combines with my game.
Thanks for the attention and I will wait for your answer!

Regards!

Wayne reply Replies: 0 || 2015-03-17 11:47:12
Dear Hans Zimmer,
Thank you for bring us so many incredible music.
I really hope you can compose music for the next godzilla film!

Krrish Venkat. reply Replies: 1 || 2015-03-14 10:01:35
Hello sir.I am from India.I am praying to god everyday that one day i will meet you and beg you for composing music for my film.


Edmund Meinerts2015-03-14 10:11:02
Well good luck with that...

Nicola reply Replies: 0 || 2015-03-08 16:02:30
I sent my cover inspired by the fantastic soundtrack "A Way of Life", in the film "The Last Samurai", directed by the great Edward Zwick. Hope you like and that you appreciate my work.

Best Regards,
Nicola.

Hans Veriyan reply Replies: 0 || 2015-03-01 20:25:18
Hi I would like to know why Hans Zimmer Credited AR Rahman on the sound track of Batman the dark knight rises.. May i know for which part he credited him?

Jiri L reply Replies: 0 || 2015-02-23 20:29:00
Hello,
I want to have your creation at her wedding. I should be grateful if you were present. It's a beautiful location in the Czech Republic

SebastianS reply Replies: 0 || 2015-02-23 14:11:04
Lieber Hans Zimmer,
ich hoffe Sie nehmen es mir nicht übel daß ich meinen Kommentar auf deutsch verfasse.
Ich finde es sehr traurig daß Sie, mal wieder, bei der Oscar- Verleihung leer ausgegangen sind. Meiner Meinung nach sollte die Academy den besten Komponisten Hollywoods endlich wieder mit dem Oscar ehren.
Machen Sie und Ihr Team weiter wie bisher, entführen Sie die Menschen auch weiterhin musikalisch in eine andere Welt und tragen Sie auch so weiterhin dazu bei, Kino zu einem wirklich fesselden Erlebnis zu machen.
Mit den besten Grüßen aus Deutschland
Sebastian S.

louis beaudoin reply Replies: 0 || 2015-02-23 01:54:28
hi as a composer where can i send you my demo?
thks

jguill reply Replies: 0 || 2015-02-10 21:02:43
Who/Where do i need to contact/go to get permission to use music from the Davinci Code Soundtrack for a school production?

Zato Alpha reply Replies: 0 || 2015-02-09 06:57:57
What kind of tele are you playing at the Grammy's with Usher? A G&L ASAT (a true Fender by Leo)?

badbu reply Replies: 0 || 2015-02-06 21:24:23
http:/ /youtu.be/2jtl3s5StLY

Sam Cozik reply Replies: 0 || 2015-02-06 19:15:33
I am in the process of creating a short film for contest and would like very much to use the Hans Zimmer song, "The Red Warrior' in the background. I would be very grateful to have permission to use the song.
Thank you,
Sam Cozik
Email: guitarist357@gmail.com

Arthur Hernandez reply Replies: 4 || 2015-02-01 23:04:49
I am in the process of creating a video on Atom Interferometry which involves Quantum Mechanics and I very much would love to use Hans Zimmer song as a background. Would you please be so kind to tell me what is the name of Hans Zimmer publisher so I may get permission for one of his songs?. "Waking Up" from the movie "Oblivion" is the one I want to use. Please advice.
Very appreciatively,
Arthur Hernandez
Email: arthurz11@yahoo.com


Edmund Meinerts2015-02-01 23:59:38
Yeah, Oblivion isn't by Zimmer...although given how similar that cue is to "Time", maybe you really are asking in the right place after all!


Anonymous2015-02-02 02:28:31
Edmund, I think you need your ears checked if you think "Waking Up" sounds even remotely similar to "Time"


Edmund Meinerts2015-02-02 09:59:29
Derpty derpty doo, I was mixing it up in my head with "Fearful Odds". FAYUL.

Fine. It sounds like "A Dark Knight" then. Same idea. :b


Zimson2015-02-02 16:50:55
Yep, A Watchful Guardian was definitely the temp there.

bennett reply Replies: 0 || 2015-02-01 05:44:38
Is there any way to listen to some of the unreleased music? I'm a big fan of Zimmer music, and I own a couple of his movie scores, Pirates of the Caribbean: At World's End included, but when I look at the extended cut I'm disappointed. There are some beautiful pieces of music from the film that do not appear at all in the score, especially the malestrom scene, my favorite part being the end at Will's death. Why is that? I don't mind paying a little more for excellent music, I just wish it were available in good quality and by legitimate means!

123456 reply Replies: 1 || 2015-01-28 09:37:06
someone knows the piano piece at the begining?
https:// www.youtube.com/watch?v=yeWdTAGJv_0


badbu2015-01-29 19:02:21
i dont know...

Leon reply Replies: 0 || 2015-01-28 09:28:54
Illegal use of your music to undermine the generality of another state. Understand please.
https://www.youtube.com/watch?v=mPB-sZ4sVss

Jim Ross reply Replies: 0 || 2015-01-09 16:52:30
Hallo!

Hans Zimmer is an incredible fantastic composer. Listening to his music I know what to strive for as composer.

Inspired of his great sountracks I have written my own

https://soundcloud.com/jim-ross/cinematic


Naveed Haider reply Replies: 0 || 2015-01-01 04:30:05
I loved, absolutely loved the soundtrack to Inception. Now Interstellar moves me in a way that is just amazing. I used to be a bit of a snob when it came to film music although as a 12 year old I kind of started collecting music soundtracks. But the music of Hans Zimmer is just brilliant. They work wonderfully when watching an amazing movie (The Nolan/Zimmerman combo is magic) and these soundtracks stand by themselves.

Interstellar soundtrack reply Replies: 0 || 2014-12-29 22:23:13
Just wanted to comment about the work you and team did for the Interstellar soundtrack. It was quite simply the most moving soundtrack I have ever heard in a film. I can't get enough of it. It is so incredibly beautiful, whenever I hear it, I swell with an intimacy and human presence towards something so grandiose. It is just electrifying. I swear this is stimulating a different part of my brain then any music before it.

Congratulations on a job well done.

Guido reply Replies: 2 || 2014-12-19 17:17:53
sorry -
my englisch is too bad for what i want to say.

Lieber Hans
so ein kleines Motiv – trägt den ganze riesen Film …
Und es ist so traurig fragend, und vollkommen klar und so mitten durchs Herz.
Ich hab Interstellar erst gestern gesehen/gehört - ich habe ab dem ersten Moment gedacht, ich liebe das!

Eine Trennung durch einen ganzen Kosmos:
wie schlimm für die, die sich lieben;
und nur durch die Liebe kann es lösen.
Dieses wunderschöne Motiv trägt alles in sich.
Und der Rest ist einfach nur noch konsequent.
Das ist total geil gemacht: ich bin sehr berührt!
Danke und Grüße, Guido


Guido 2014-12-19 17:52:21
I was a bit fast with my german comment and I thought about it – and now I try in Enlgish :-)
Interstellar has got an incredible Soundtrack!
In my opinion it is so often the very small thing, that shows us a real miracle.
This is so well and beautiful done in this movie - Thank you Hans!


Jo2014-12-19 18:17:33
May I say that your German comment was worded quite beautifully. At least until "total geil", although I still agree with that as well ;)

Pavel Vorobyev reply Replies: 0 || 2014-12-13 22:25:37
very good phrase.... one great composer wrote "...to satisfy pedants")))

Pavel Vorobyev reply Replies: 0 || 2014-12-13 22:14:43
incredible and amazing...to see with the eyes, and to hear the music!

Pavel Vorobyev reply Replies: 0 || 2014-12-13 21:49:02
vpvhunter

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