NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

Andrew's second solo feature...<br><br><br>Now still waiting for that Sky Hunter release... :(@Hybrid, what happened with Trevor? Why his scores are not listed in the page? ThanksIt is somewhat bizarre that you all are thinking directors actually want to work with Junkie. Surely, the only reason anyone hires him is that they want Zimmer who is not available. Yes, some may have heard Mad Max but it would be silly to think anyone actively wants a Junk score.Bob Badami (as Robert Badami), Melissa Muik, Mark Wherry (as Mark Andrew Wherry are music editors!<br><br>Booklet credits<br><br>Music Editor: Melissa Muik <br>Score Wrangler: Bob Badami<br>Digital Instrument Design: Mark WherryI don't think Junkie XL picks the shittest films to work on. It's just that art film directors won't choose him to score their films. Even in RCP, a lot of his colleagues are more well respected than he is. I would argue Benjamin Wallfisch is already more well regarded. Mad Max is an exception because of its unique setting and story line.
Metro Expanded Score (1997) By Steve Porcaro & James Newton Howard<br><br>I found an interesting about unreleased tracks from the whole movie by one hour and 57 minutes, it's meant something missing in the movie. But I did edit some unreleased tracks from the movie, but not in OST It could be Expanded Score. I'm sure about that!<br><br>1. Main Title (1:57)<br>2. Sam's Death (1:31)<br>3. Keep You Out Of This (0:41)<br>4. Roper & Ronnie (0:51)<br>5. Jewelry Store Heist / That's Korda (1:46<br>6. First Chase (2:41)<br>7. Cable Car Pursuit (6:18)<br>8. He's Getting Away (0:21)<br>9. Car Garage Capture (0:51)<br>10. Dinner Only (1:06)<br>11. Intruder (3:14)<br>12. Ronnie Attack (4:41)<br>13. Love Theme (1:51)<br>14. Korda's Escape (1:49)<br>15. Is She Out There ? (0:26)<br>16. Ronnie Kidnapped / Korda's Demands / The Shipyard (3:16)<br>17. Final Chase (3:11)"I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct."<br><br>I agree with you, except that Snyder and I have very different ideas about what makes good (film) music, and how to emphasize it. Ridley Scott is a somewhat similar case. Somehow he has gotten a ton of great music written for his movies over the years despite the fact that his musical instincts are really strange and misguided sometimes. At least Snyder doesn't butcher the scores he gets.<br><br>You're right that a director like Whedon doesn't seem to pay that much attention to how music can enhance his movie. But as someone who cares about film music 95% of the time as albums, not in film, I often find that a director who gets out of the way and just trusts the composer to do his/her thing is preferable to one who gets overly involved with the scoring process and has lots of ideas about how things should sound. That the subsequent scores end up buried or ineffective in their films is a shame, but the music at least tends to be good on its own terms.@mrzimmerfan<br>Oh no, I mean I love the score as a whole. I was just saying my personal highlights. Man of Steel emotionally resonated with me. But that’s cool that you like BVS, I personally just think Man of Steel is more engaging.@mpolonest: But that moments are simply moments, not the entire score, i prefer BvS, because there is a variety in it: Batman, Wonder Woman, Luthor, and is more complex than MoS (also i prefer the movie over MoS).<br><br>And yes, the theme for Superman is cool, but that dosen't make the entire score cool too.and some nice boob representation, too.
@MrZimmerFan<br><br>Point Break is a lousy movie, but the score and guitar main theme isn't all that bad. Those 10 minutes on the soundtrack don't do it enough justice at all.<br><br>But again - this is Junkie doing action scoring....Miles better than any of his slow stuff. For me, anyway.@Edmund <br>He’s definitely not my favorite director, but I do think he knows how to place emphasis on music as opposed to Joss Whedon or any of the other studio director who treats it like a byproduct. One of my biggest pet peeves is when directors/composers just use music as a sonic wallpaper, instead of letting it improve  and add to the scene. John Ottman is a great example. He can write great themes, but he tends to write underscore which adds nothing to the film. That’s why Zimmer, Williams, James Newton Howard, etc. are so good. They treat each moment with care."Zack Snyder, a director who actually understands music"<br><br>A matter of opinion, and not an opinion I share.@mrzimmerfan <br>I disagree with you there. I love Man of Steel, I think the themes and the overall bombastic nature of the score work perfectly. As for BVS, I’m not a huge fan honestly. There are some amazing highlights, but the tone of the score is so downbeat. It lacks the soaring elements of “Flight” or “What Are You Gonna Do...” and the action highlights of “Terraforming” or “Escape From Ship”. <br><br>To each their own though :-)For the themes mostly, this Batman and this Superman fit with the themes written by Zimmer. But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)<br><br>
I genuinely wish we could hear Justice League, I would have loved to see what he brought to that under Zack Snyder, a director who actually understands music.I still remember when Divergent was released, I was almost immediately dismissive of Junkie XL. Having only heard his remixes and his drum stuff for MoS/300 the first thing I expected was to hear an electronica album with percussion and sound design. So imagine my surprise when I heard several different themes, beautiful string adagios, vocals, and a pretty big variety of styles. And then Run All Night came out and blew me away. Ever since then I’ve been pretty supportive of his work, but I have to agree with everything you guys are saying.<br><br>The past two years have been pretty bad in terms of his ratio of good scores to bad. Black Mass and Brimstone, as I’ve mentioned, are solid scores that veer away from the usual JXL sound. But then we have Deadpool (abrasive), Distance Between Dreams (ok for a stand-alone album), Dark Tower (pretty fun in parts and just bland in others), and Tomb Raider (one of the most generic scores I’ve heard in recent memory). It’s frustrating to see a composer who obviously has talent and a diversity of skills write almost the same thing over and over. <br>And the weirdest thing is, his earlier scores are far more distinctive than his current ones. How did that happen?Nope he released All I see is you Soundtrack last year and it was a great soundtrack..<br><br>Are you sure you're a fan of him?<br><br>So far no project announced for this year but I think there will be at least one...What happened to Marc Streitenfeld? It's been a long time since there has been any involvement or a new score from him. Some years ago, I thought he's going to be the new upcoming star from the horizon of RCP. But then abruptly silence. Any reason or information?@Meta: Really Point Break was interesting?, it's only 10 minutes of music released, and i din't care about it, honestly, and the movie was really, really bad.<br><br>As for Tomb Raider, the music was serviciable in the movie, but i more comfortable with it than Point Break.

Please install Flash®
and turn on Javascript.

Rate those CD:
Top 50

Hans Zimmer and other composers from Remote Control do not accept demos or unsolicited audio/video material. Please, don't ask us how to contact them either.

The Team :

Antas / Nicolas / Stephane H.

The Team :

Antas De Philvei / Stéphane Vidali
Webmaster - Programmer - Design - Editor - Press - News - Contact
Nicolas Cabarrou
Webmaster - Editor - Press - News - Contact
Stéphane Humez
News / Disco guru

Thank you :

Karel Antonín

For any problems on the website :
Contact information for Hans : hans@ID-PR.COM

Create Topic

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 >>

Wayne reply Replies: 0 || 2015-03-17 11:47:12
Dear Hans Zimmer,
Thank you for bring us so many incredible music.
I really hope you can compose music for the next godzilla film!

Krrish Venkat. reply Replies: 1 || 2015-03-14 10:01:35
Hello sir.I am from India.I am praying to god everyday that one day i will meet you and beg you for composing music for my film.

Edmund Meinerts2015-03-14 10:11:02
Well good luck with that...

Nicola reply Replies: 0 || 2015-03-08 16:02:30
I sent my cover inspired by the fantastic soundtrack "A Way of Life", in the film "The Last Samurai", directed by the great Edward Zwick. Hope you like and that you appreciate my work.

Best Regards,

Hans Veriyan reply Replies: 0 || 2015-03-01 20:25:18
Hi I would like to know why Hans Zimmer Credited AR Rahman on the sound track of Batman the dark knight rises.. May i know for which part he credited him?

Jiri L reply Replies: 0 || 2015-02-23 20:29:00
I want to have your creation at her wedding. I should be grateful if you were present. It's a beautiful location in the Czech Republic

SebastianS reply Replies: 0 || 2015-02-23 14:11:04
Lieber Hans Zimmer,
ich hoffe Sie nehmen es mir nicht übel daß ich meinen Kommentar auf deutsch verfasse.
Ich finde es sehr traurig daß Sie, mal wieder, bei der Oscar- Verleihung leer ausgegangen sind. Meiner Meinung nach sollte die Academy den besten Komponisten Hollywoods endlich wieder mit dem Oscar ehren.
Machen Sie und Ihr Team weiter wie bisher, entführen Sie die Menschen auch weiterhin musikalisch in eine andere Welt und tragen Sie auch so weiterhin dazu bei, Kino zu einem wirklich fesselden Erlebnis zu machen.
Mit den besten Grüßen aus Deutschland
Sebastian S.

louis beaudoin reply Replies: 0 || 2015-02-23 01:54:28
hi as a composer where can i send you my demo?

jguill reply Replies: 0 || 2015-02-10 21:02:43
Who/Where do i need to contact/go to get permission to use music from the Davinci Code Soundtrack for a school production?

Zato Alpha reply Replies: 0 || 2015-02-09 06:57:57
What kind of tele are you playing at the Grammy's with Usher? A G&L ASAT (a true Fender by Leo)?

badbu reply Replies: 0 || 2015-02-06 21:24:23
http:/ /

Sam Cozik reply Replies: 0 || 2015-02-06 19:15:33
I am in the process of creating a short film for contest and would like very much to use the Hans Zimmer song, "The Red Warrior' in the background. I would be very grateful to have permission to use the song.
Thank you,
Sam Cozik

Arthur Hernandez reply Replies: 4 || 2015-02-01 23:04:49
I am in the process of creating a video on Atom Interferometry which involves Quantum Mechanics and I very much would love to use Hans Zimmer song as a background. Would you please be so kind to tell me what is the name of Hans Zimmer publisher so I may get permission for one of his songs?. "Waking Up" from the movie "Oblivion" is the one I want to use. Please advice.
Very appreciatively,
Arthur Hernandez

Edmund Meinerts2015-02-01 23:59:38
Yeah, Oblivion isn't by Zimmer...although given how similar that cue is to "Time", maybe you really are asking in the right place after all!

Anonymous2015-02-02 02:28:31
Edmund, I think you need your ears checked if you think "Waking Up" sounds even remotely similar to "Time"

Edmund Meinerts2015-02-02 09:59:29
Derpty derpty doo, I was mixing it up in my head with "Fearful Odds". FAYUL.

Fine. It sounds like "A Dark Knight" then. Same idea. :b

Zimson2015-02-02 16:50:55
Yep, A Watchful Guardian was definitely the temp there.

bennett reply Replies: 0 || 2015-02-01 05:44:38
Is there any way to listen to some of the unreleased music? I'm a big fan of Zimmer music, and I own a couple of his movie scores, Pirates of the Caribbean: At World's End included, but when I look at the extended cut I'm disappointed. There are some beautiful pieces of music from the film that do not appear at all in the score, especially the malestrom scene, my favorite part being the end at Will's death. Why is that? I don't mind paying a little more for excellent music, I just wish it were available in good quality and by legitimate means!

123456 reply Replies: 1 || 2015-01-28 09:37:06
someone knows the piano piece at the begining?

badbu2015-01-29 19:02:21
i dont know...

Leon reply Replies: 0 || 2015-01-28 09:28:54
Illegal use of your music to undermine the generality of another state. Understand please.

Jim Ross reply Replies: 0 || 2015-01-09 16:52:30

Hans Zimmer is an incredible fantastic composer. Listening to his music I know what to strive for as composer.

Inspired of his great sountracks I have written my own

Naveed Haider reply Replies: 0 || 2015-01-01 04:30:05
I loved, absolutely loved the soundtrack to Inception. Now Interstellar moves me in a way that is just amazing. I used to be a bit of a snob when it came to film music although as a 12 year old I kind of started collecting music soundtracks. But the music of Hans Zimmer is just brilliant. They work wonderfully when watching an amazing movie (The Nolan/Zimmerman combo is magic) and these soundtracks stand by themselves.

Interstellar soundtrack reply Replies: 0 || 2014-12-29 22:23:13
Just wanted to comment about the work you and team did for the Interstellar soundtrack. It was quite simply the most moving soundtrack I have ever heard in a film. I can't get enough of it. It is so incredibly beautiful, whenever I hear it, I swell with an intimacy and human presence towards something so grandiose. It is just electrifying. I swear this is stimulating a different part of my brain then any music before it.

Congratulations on a job well done.

Guido reply Replies: 2 || 2014-12-19 17:17:53
sorry -
my englisch is too bad for what i want to say.

Lieber Hans
so ein kleines Motiv – trägt den ganze riesen Film …
Und es ist so traurig fragend, und vollkommen klar und so mitten durchs Herz.
Ich hab Interstellar erst gestern gesehen/gehört - ich habe ab dem ersten Moment gedacht, ich liebe das!

Eine Trennung durch einen ganzen Kosmos:
wie schlimm für die, die sich lieben;
und nur durch die Liebe kann es lösen.
Dieses wunderschöne Motiv trägt alles in sich.
Und der Rest ist einfach nur noch konsequent.
Das ist total geil gemacht: ich bin sehr berührt!
Danke und Grüße, Guido

Guido 2014-12-19 17:52:21
I was a bit fast with my german comment and I thought about it – and now I try in Enlgish :-)
Interstellar has got an incredible Soundtrack!
In my opinion it is so often the very small thing, that shows us a real miracle.
This is so well and beautiful done in this movie - Thank you Hans!

Jo2014-12-19 18:17:33
May I say that your German comment was worded quite beautifully. At least until "total geil", although I still agree with that as well ;)

Pavel Vorobyev reply Replies: 0 || 2014-12-13 22:25:37
very good phrase.... one great composer wrote " satisfy pedants")))

Pavel Vorobyev reply Replies: 0 || 2014-12-13 22:14:43
incredible and see with the eyes, and to hear the music!

Pavel Vorobyev reply Replies: 0 || 2014-12-13 21:49:02

Pavel Vorobyev reply Replies: 0 || 2014-12-13 21:40:00

Pent up for so many years. Do not hope that this text will read Hans. But still I will write...a lot of music has pereslushal for his life. You can write a lot, how and what....but....I will give my opinion. When I listen to the music from the movie's incredible! It's been 14 years, after I saw the movie and heard the music. And the truth is...when I was ill, music for film Gladiator...give me strength! Not very good for me with English...sorry...But...With a childhood dream to write music for films...without fanaticism...just really...a Lot of movies looked...and realized that the "pictures" that's not the point...don't believe?!))) turn off the sound and watch the movie!))) agree! the movie can "see" with your eyes closed...if you hear it!!!))) Ah...the Music for the film Gladiator....great work!!! Well, that life...allow...sad...not all...and it is unreal)( 1995 learn and I will bad I'm a student...time still nobody. And all my dreams and music...stay with a remote Russian province...I shall sit with swollen ears headphones))) and write music...Sorry friends...clumsy wrote...just not to convey...) only music......And the parents were told to study to be a doctor or engineer)))))) When he studied at the College of music...wrote the piece for two violins and cello))) it was very interesting! Ah...tomorrow night and day...and after all repeats.......but with us the music!!! And we are not alone! Never swear! Respect others! P. S. First time in my life spoke) With bad English of course)) Sorry) Wanted to know how Hans wrote music for orchestra.......or all in the sad...wish with all my soul to see the world and to be heard in the music...but no one will hear...Dear Hans! I think You are a great composer! This is not flattery, it is my opinion! The melody for the movie Gladiator!!! Thank You, mr.Hans! Let my chord get lost among the millions...You are the best!

Mohammad Azzam reply Replies: 0 || 2014-12-10 14:50:46
Any idea when we're going to have Interstellar's OST on Vinyl?

Jax reply Replies: 0 || 2014-12-06 22:17:19
I was wondering if Hans Zimmer took any inspiration from Ysaye's Sonata Number 2. The theme is very similar to Interstellar's "Day One Dark."

Julio Yankovic reply Replies: 0 || 2014-12-04 12:55:31
Fantastic! Thank you for your music. Interstellar soundtrack is awesome!

Enthusiastic Listener reply Replies: 0 || 2014-11-29 13:55:04
Just want to say you are the king. I bet if you would do the soundtrack to the worst movies in the world they would be 100% better.

Stephan Brauer reply Replies: 0 || 2014-11-26 17:47:25
Hello to LA from Germany! I LOVE Hans Zimmers music-my favorite is Inception which I listen to on all my long car rides to all the different theaters I work-just incredibly awsome! I got tickets for a concert in Berlin April 2015 with his music. Will Mr. Zimmer be there as well?
I wish I could meet and greet!
Best, Stephan

Lyon Hansen reply Replies: 0 || 2014-11-26 04:45:52
Watched Interstellar two days ago. What really stays with me is the awesome soundtrack, I mean, holy shit it was good. The soundtrack is spellbinding in the way Tchaikovski's music is. The Interstellar soundtrack will S.T.A.Y. with me for a long long time. Thank you Hans.

Pages << 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 >>© 2001-2017 OST 
Stephane Vidali / Antas - Nicolas Cabarrou