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Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.
Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.
Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112
You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze Rozman
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Silvio Pasquarelli reply Replies: 0 || 2016-01-11 07:23:36
When I would have a Taxi Hollywood with enjurance for return;
I would want to live in Lady Gagas Villa, drink red whine with Roland Emmerich while being livetime apprendist and free composer, desighner under the friendly sponsoring of Hanz Zimmer in his studios; while hawing even the possibility to free make what I want in creativ collaborations.
All that in the hope that Francis Ford Coppola would not let kill me bekause I may have dishonourated my italian family.
Midwhile I search a Job.
https://sites.google.com/site/silviopasquarelli/musikalische s-schaffen

Olivier reply Replies: 0 || 2016-01-09 16:14:51
Hello,

Hans gone perform in Paris this year, on 23 / 24th of April.
can you tell about the orchestra?
thank you.
Oli.

Steph reply Replies: 1 || 2016-01-08 14:01:01
Hallo,....

die PEGIDA ind Deutschland nutzt den Song 'Time' von H.Zimmer und betreibt damit wie ich finde Propaganda...

Das finde ich nicht nur sehr traurig, sondern denke dass das am ende illegal sein sollte. Ich geh einfach mal davon aus dass das nicht im Namen von H.Zimmer passiert ist.

Sehr würde ich mich freuen, wenn der Komponist sich hier distanziert und man vllt Pegida auch mal auffordert das zu ändern.

Soweit ich weiß ist das Urheberrechtsverletzung!

Würde mich sehr freuen wenn man so etwas bewegen kann!

LG
aus Deutschland


Johnny2016-01-08 15:41:55
Hallo Steph,
versuche es besser mit einer Mail an Warner Bros. Records.
Viele Grüße

brian reply Replies: 0 || 2016-01-08 12:13:04
Hi,
I would like to know the name of the music creation with the choir in this commercial.
mizbala.com/offline/television/107609

Thanks!

TREKi (Daniel) reply Replies: 0 || 2016-01-01 11:26:40
Thx for your sound.
Oft habe ich geweint, gelacht zu deinem Sound.
Danke! Du bist eine Bereicherung für die Menschheit!
Vielen vielen Dank

Sherlock reply Replies: 0 || 2015-12-29 16:58:44
Hi. Thank you for all of your efforts.
I like you Mr. Hans Zimmer and I like your musics,
Especially the little prince soundtrack album.
Merry Christmas to you
I wish Happiness and Health to you...
S.Arjmand

liejanne reply Replies: 0 || 2015-12-18 22:41:59
So sad..
I created a great (Dutch) ChristmasWish with MovieMaker for my friends. Because I love the movie (and soundtrack) "the Holiday" so much I used it to go with my Wish. Wanted to send it to my FBfriends, but got deleted within a few minutes.
It had nothing to do with copying, it should be seen as a compliment. Stupid Copyright.. :(

fanco reply Replies: 0 || 2015-12-10 09:58:12
Chinese tencent's game:[&#29579;&#32773;&#33635;&#32768;]
Year:2015-10
Composer: hans zimmer

01Hans Zimmer - Main Theme
02Hans Zimmer - First War
03Hans Zimmer - Second War
04Hans Zimmer - Big Creature
05Jeff Broadbent - Our Hero Is Back
06Jeff Broadbent - The Back Ground Story
07Jeff Broadbent - Summoner
08Duncan Watt - Volcano
09&#36213;&#40511;&#39134; - Forest
10Duncan Watt - Desert
11&#36213;&#40511;&#39134; - Relic
12Hans Zimmer - Let’s Play Again

MP3 download only

Alan O D reply Replies: 0 || 2015-12-02 11:14:23
Bought tickets off worldticketshop.com for the Paris show. Can someone please put my mind at ease and assure me they are legit! I know I may be panicking for no reason but these are a Christmas present for someone very special, and a trip to Paris as well. Anyone outside of France get Paris tickets yet?

Chus reply Replies: 0 || 2015-11-29 20:38:43
In the song December 7th, can they say to me if the part coral belongs to some Requiem?. Thank you

David Allen reply Replies: 0 || 2015-11-26 16:18:21
Biography of Hans Zimmer

He should write a biography book!

Dominika reply Replies: 0 || 2015-11-19 13:31:14
Come to Italy please!!

a disappointed fan reply Replies: 3 || 2015-11-18 23:29:04
Dear mr Hans Zimmer,

After buying a ticket for your show I just drove 10 hours to be at your concert in Wroclaw.
To my surprise you weren't there. This is a bit confusing since your name is printed clearly and large on the ticket so I would expect you you to be there.

Could you please explain?

Sincere a disappointed fan.


Anonymous2015-11-19 04:01:53
Wut

This a joke


a disappointed fan2015-11-19 08:29:30
Unfortunately not.


Ds2015-11-19 08:39:31
If you go to "unofficial" concerts it's your problem, you should have checked that before... Many orhcestras organize concerts and play music from well-known composers, it doesn't mean the composer has to be there. Most of the time I guess the composer is not even aware of this concert.

Pablo reply Replies: 1 || 2015-11-15 16:55:32
How Can I contact mr. Zimmer about doing a arrangement of his ost?
email.: pabloguerreromartin@gmail.com


AA1132015-11-18 00:25:28
*************
** Don't try to give Hans email please ! **

rhod tibbles reply Replies: 5 || 2015-11-11 20:05:32
Film music makes a vivid impression on me. Just about my favourite film is Gladiator and I find the music very emotional and uplifting... particularly 'earth' and the first battle/final amphitheatre fight scene at the end. Could I raise a possible plagarism issue here ? While on a clipper ship cruise, the ships sails were raised to music that I assumed was part of Gladiator - but which I subsequently found was Vangelis soundtrack to a film Conquest of Paradise 1492. Listening to both in paralle, it is apparent as a keen musician, that both sound very similar - only difference is that Vangelis theme starts in minor key and moves to major while Gladiator starts in the major key - but the main tune sounds so similar...... but Gladiator came first. Anyone else notice this ? If so should the Vangelis version be considered as plagarism ??


billy2015-11-12 14:31:05
I think Vangelis' theme came fisrt, in 1992, while Gladiator was in 2000. They look similar indeed, but only in the beginning. In my opinion it's not a plagiarism, as the two melodies evolve differently, I would call it just an "inspiration" for Glaiator's theme,something that happens quite often, especially in film composing. Notice, also, that Vangelis has inspired Zimmer a lot ;-)


Edmund Meinerts2015-11-12 15:48:16
I think that bastard Holst stole something from Gladiator too. And don't get me started on that hack Richard Wagner. Man, Gladiator sure is a popular source of inspiration!

;)


Edmund Meinerts2015-11-13 15:08:57
Yes, I'm a troll.


Wagnerian2015-11-14 15:35:55
Zimmers music is full of plagiarisms. Listen to Crimson Tide soundtrack and then to the Sigfried theme in Wagners ring... Come on! Really?


Wagnerian2015-11-14 15:43:26
OK "Plagiarism" is too strong a word - let's call it "inspiration". Zimmers music is great but it would be even greater to acknowledge the inspirations. Howard Shore admitted to the Rheingold Leitmotifs being a great inspiration for his amazing LOTR soundtrack...

Victor reply Replies: 0 || 2015-11-13 19:32:21
Hello, Hans!
My name is Victor and I am from Ukraine. I have great friend and he is your biggest fan, seriously! It so happened that soon his birthday. It would be great if you could send some kind of your item with your autograph for him. It is nothing for you but means a lot to him.
If you agree, i can send you my address.

Hopefully you read this,
With respect, Victor.

Sophia reply Replies: 0 || 2015-11-13 08:29:16
You're music is full of emotions. Many musicians are loosing the feelings in their music but you're music is catching me evertytime I listen to it. With such a talent you are a hero for many people.

Knut Becker reply Replies: 0 || 2015-11-05 11:47:14
Congratulations ... The Interstellar soundtrack is one of the best!!!

Andrea Schwaighofer reply Replies: 0 || 2015-10-31 20:37:00

Ich hab tausende Lieder, ohne die ich nicht leben könnte. Die Spitze führt schon seit über 20 Jahren Russ Ballard mit "on the rebound" an. Wobei ich das auch nicht als absolutes Lieblingslied titulieren könnte, da mir eben soooooo viele Andere auch gefallen. Wenn ich aber Hans Zimmer`s "Chevalier des Sangreal" höre, laufen mir jedes mal die Tränen. Einfach vor Freude und Ehrfurcht, dass Jemand so ein perfektes Lied komponiert hat. Gänsehaut von den Haarspitzen bis zum kleinen Zeh. Selbst wenn ich es 10mal hintereinander anhöre. Wer so einen Effekt bei einem anderen Menschen mit nur einem Lied erzeugen kann, ist für mich der Grösste. Danke Hans, wenn ich an einen guten Gott glauben würde, dann wüsste ich, dass Du es bist.

  Your name :   

Please enter number: 0 

Horst Eidel reply Replies: 1 || 2015-10-22 12:23:11
Geschätzter Herr Hans Zimmer!

Sie und ich teilen uns nicht nur das gleiche Geburtsjahr und -land, sondern auch die Liebe zur Musik, im Besonderen den Soundtrack.

Da ich im nördlichsten Mittelgebirge Deutschlands, dem Harz, einige Ferienwohnungen betreibe, stelle ich auch eine Reihe von informativen Dokumentarfilmen her. Die letzte Produktion ist ein Portraits der UNESCO-Welterbestadt Quedlinburg mit dem Titel "Quedlinburg - Wiege Deutschlands".
Quedlinburgs Bürgermeister Eberhard Brecht begründete die Entscheidung für den Slogan "Wiege Deutschlands" mit der Rolle der Stadt zur Ottonenzeit im 10. und 11. Jahrhundert, als viele Reichstage hier stattfanden und damit der Ort der Mittelpunkt des Deutschen Reiches war. Für diese, wie ich denke, beeindruckende Doku dieser beeindruckenden Stadt habe ich keine bessere und passendere Begleitmusik gefunden als die genialen Melodien aus Madagascar 2 und 3. Es würde wirklich ein Unterschied zwischen Tag und Nacht ergeben, wenn ich freundlicher Weise diese legal erworbenen Kunstwerke in meinem Dokumentarfilm "Quedlinburg - Wiege Deutschlands" verwenden dürfte, um auf unserer Website www.feriendomizil-badharzburg.de interessierten Urlaubern zur Verfügung zu stellen.

Mit der herzlichen Bitte um Verwendung o.g. Melodien unter ausdrücklicher Namensnennung des genialen Composers verbleibe ich mit

Harzlichen Grüßen
Horst Eidel



Michael2015-10-25 06:25:22
Hans Zimmer bekommt deinen Post nicht mit. Es handelt sich hier um eine Seite die in Frankreich betrieben wird und nur so ausschauen soll als ob. Ich bin selber am Anfang auf diese Seite reingefallen. Gruß Mike

Ben Schäfer reply Replies: 0 || 2015-10-12 21:27:53
Dear Mr. Zimmer,

I just want to say 'thank you' for the incredible soundtrack to "Interstellar", especially "Dust", which lets me feel the deep space and make me thoughtful about everything. It is also a very good music for programming. I know you hear this very often and from everyone. But there is no reason why I shouldn't tell you also that you are awesome! Thanks for so many years of great music!

Daniel reply Replies: 0 || 2015-10-02 12:20:40
Dear Mr. Zimmer, My little sister is watching a TV series Called "The Hamama" which is using your pieces (Dark knight, Intersteller..), No credit is given to your name which makes me believe it is stolen.

It is hosted in Israel, The creator of the series Is Giora Hamizer, And the so called "music composer" is Tal Yardeni.

Sorry for the bad English, just wanted to let you know about the situation. It is a very popular Teen's show here.

Thanks for reading


AGC reply Replies: 0 || 2015-09-27 23:40:40
I'd love to see Mr. Zimmer's Dark Knight concert put on bluray disc. :) I'd buy a copy for sure. Mastered professionally in DTS HD 7.1 audio.

Aleksandr reply Replies: 0 || 2015-09-19 23:15:34
Dear Mr.Zimmer, thank You so much for the incredible music. Very pleased to be Your contemporary and be able to listen it. You are a genius composer, best wishes to You.
Thanks)

Marcus reply Replies: 0 || 2015-09-15 22:58:41
Dear Mr. Zimmer. I recently discovered that a few songs on the magnificent Interstellar: Original Motion Picture Soundtrack Album on Spotify has been removed or dissapeared for some reason. The tracks included are "First Step", "No Time For Caution", "Flying Drone" and a few others. What is going on and will they be put back in the album soon? I'm a huge fan of you Hans so it's really killing me to not be able to enjoy your amazing music! I would be very thankful for your answer. Please contact me on my email marcus.norgren@telia.com or just respond here.
Best regards, Marcus.

Jo reply Replies: 0 || 2015-09-15 00:37:07
Born on 12.09 in germany...
Happy Birthday ...and lets go to the forthcoming ventures
best
Jo

Vyacheslav reply Replies: 0 || 2015-09-11 13:52:21
Hello, dear Hans Zimmer!
My name is Vyacheslav! I am the CEO of small and young theater company «Art-Lab». Our projects are focused on socially vulnerable segments of Russian population - children, seniors and war veterans.
Our company starts a new ballet statement for children, in which they can get knowledge of good and evil, lies and honesty, about how beauty and love will save our lives. For a full and strong sense reflection on the ballet stage, we want to use your music:
1. Cornfield Chase (OST Interstellar),
2. 160 BPM (OST Angels and Demons),
3. "Daniel's 9th Cipher" (OST - The Da Vinci Code)
We hope you will help us.
pva_86@mail.ru

George reply Replies: 0 || 2015-09-08 23:55:39
Mr. Zimmer,

I am writing this to you because a friend of ours who lives with my wife and I is a huge fan of yours. Because of you he is trying to get into the Carnegie School of Music in Pittsburgh, Pa. If there is any way you can send him not only some advice but words of encouragement. It would be much appreciated. He has a couple of disabilities he works with to include Turrets and aspergers syndrome. But he is determined to not only graduate school but to be able to create works as well as you do. He has written some works and he has had very little formal training but your words would help to inspire him.

Thank You
George

David reply Replies: 0 || 2015-09-05 21:02:41
To Whom It May Concern,

I have directed a short film I want to put on youtube, but it would make the world of difference and make my video amazing if I could possibly speak to somebody about obtaining the rights to the song Waiting For A Train from the Inception soundtrack.

Please excuse me if this is not the correct place to ask as I am not sure the exact procedure. It would be much appreciated that if this is not the correct address to ask this, could you point me in the right direction. I can be contacted at thedav3@gmail.com. Thanks in advance.

Regards

David

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