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Hybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752
My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing ó but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! Thatís all really interesting. So how much of the OST is really HAnS Zimmer then???
Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Canít insult me! I am genuinely curious. Whatís this about The Last Samurai???I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.he is working on the new Terminator movie?! :O
Credits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.So he's scoring that and the new terminator? Damn dude's getting as busy as Henry JackmanUnless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?Tom is scoring the live action Sonic movie. He just confirmed that he is scoring it!
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Harry Gregson-WilliamsTrevor RabinHans ZimmerDon Harper
ComposerComposerAdditional MusicAdditional Music
Armageddon
Label: Sony Music Soundtrax
Length: 50'13
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8018 votes)
  1. Armageddon Suite (5:20)
  2. Harry & Grace Make Peace (1:43)
  3. A.J.'s Return (4:27)
  4. Oil Rig (1:59)
  5. Leaving (2:30)
  6. Evacuation (3:43)
  7. Harry Arrives At Nasa (1:00)
  8. Back In Business (1:37)
  9. Launch (7:54)
  10. Words (1:37)
  11. Underwater Simulation (2:10)
  12. Finding grace (1:06)
  13. Armadillo (1:15)
  14. Short Straw (3:46)
  15. Demands (1:26)
  16. Death Of Mir (1:32)
  17. Armageddon Piano (0:33)
  18. Long Distance Goodbye / Landing (6:33)
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Knight reply Replies: 0 || 2019-01-30 23:15:46
Just realized the Harry & Grace credit is wrong, its a Rabin solo... Must have been too tired lol

Knight reply Replies: 8 || 2019-01-30 04:57:41
Credits on this album are Don Harper and Paul Linford exclusively, as all cues are Rabin ones, heres what I had before the cuesheet here got updated:

Don Harper:
A.J.'s Return
Leaving
Evacuation
Harry Arrives at NASA
Launch
Underwater Simulation
Short Straw

Paul Linford:
Armageddon Suite
Harry & Grace Make Peace
Oil Rig
Words


Mike2019-01-30 05:36:56
Hybrid, I think you've got a rival....


TrevsFan2019-01-30 09:17:44
lol :)


Hybrid Soldier2019-01-30 12:34:29
Poor journalism, if you ask me...

Did you cross check any of this ? ;)


Knight2019-01-30 13:34:28
Yep, cross-checked all of them with the complete score


Knight2019-01-30 13:43:38
Thankfully Rabin almost never significantly changes his cue names, so all of these except for Words are identical to the cues on the complete


Bayhem2019-01-30 17:11:14
Thanks for all the updates, Knight. Appreciate your work.

Keep it up!


Hybrid Soldier2019-01-30 22:48:27
You cross checked nothing, you took a look at what I wrote... lol


Knight2019-01-30 23:09:26
I assumed that's what you meant by cross-checked as Linford doesn't have a website, Harper doesn't list his additionals, and there's nothing on either ASCAP or BMI about it.

Armageddon reply Replies: 14 || 2017-09-20 12:41:38
THIS, ladies and gents, is the greatest MediaVentures-RemoteControl score. No way you can convince me otherwise. lol! No seriously, even The Rock and Crimson Tide are inferior. The Armageddon score has it all, breathtaking and epic action cues, powerful dramatic cues, adventurous pieces, comedic cues. It literally covers the entire emotional spectrum. What other score can do that? Think about it and you'll see that I'm right.

Cheers,

B.


JR2017-09-20 14:12:15
mmmh not for me, even The Peacemaker or Deep Blue Sea (both ****) are superior than this one! (Iíll give it a *** 1/2).


Edmund Meinerts2017-09-20 16:25:42
Armageddon is great fun, but I can think of plenty other scores that cover that spectrum of emotions. At World's End certainly does, and then some.


rockhound2017-09-20 17:47:58
i think Armageddon is better in covering of all emotions than Pirates III, because there is one more thing the music has to do in Armageddon....covering bad acting. without the music, all emotional scenes with bruce willis would have been a joke. he acts really bad in these scenes, but the music works wonders.


Armageddon2017-09-21 09:05:39
To rockhound,

With all due respect, sir, that's a stupid statement. Very stupid. Guess you're mad that Rockhound wasn't the main character. How is Willis acting in those scenes bad? He's not overacting, he's not crying-screaming like a little girl. His character is actually very grounded. In the scene with Liv Tyler at the end, he is actually watching a picture of his real daughter. It makes it all the more real. He's very quiet and the performance is realistic. Nothing over-the-top. And people absolutely love that scene. Go to YouTube and read all the comments under the video. So, having said all of that, what exactly is your problem with it? You want him to go all crazy emotional like Nic Cage in Face/Off? Is that it?


Armageddon2017-09-21 09:28:44
To Edmund Meinerts,

I admit I never really got the chance to listen to the entire At World's End score. But now you sir got me interested and I will check it out.

Cheers.


Edmund Meinerts2017-09-21 11:31:24
So rockhound...your argument is that the score is better because the movie is worse? That's a new one, gotta admit... :D

to Armageddon, do it! The complete score, if you can. It's incredible!


Meta2017-09-21 14:15:16
Total video game score, circa 98. This is one of those scores -
my first - that you just didn't get enough of no matter HOW many cds they released of it. Hell, it wasn't until 2000 when I finally got the complete score on 2 cds. Sadly, by that time I burned out on it...


rockhound2017-09-21 18:49:34
@Armageddon

1. i love the movie. 2. rockhound is the most annoying character in the whole movie, but at least he has a cool name. ;) 3. bruce willis is smiling in almost all his emotional scenes and not just in this movie. but you know, in germany the movies are dubbed, so his "german" voice and the music helped alot to make these scenes nontheless convincing. to be honest, the goodbye scene was even more sad than the dying scene of leonardo dicaprio in Titanic. so you see, what impact the music had.

@Edmund

i didnt say the movie is bad, just bruce willis in a couple of scenes. so....the music had alot more to do than in Pirates III. the impact of the music in Armageddon must be way stronger to make these scenes work than in Pirates III. in Pirates III these scenes would have been also convincing without the music, because the acting was strong enough. but nontheless the music in Pirates III adds alot to the scenes and makes them stronger. just my opinion.


Edmund Meinerts2017-09-22 12:39:50
Yeah, but the quality of the acting beneath the score doesn't affect the quality of the music.


rockhound2017-09-22 17:31:37
maybe quality is also not the correct word. its the function of the music. i just think the music of Armageddon is much stronger in its function as a filmscore than Pirates III. i also think the themes are stronger and rabins main theme is used in a wide range. but this also a matter of taste ofc.


Armageddon2017-09-25 09:47:50
To rockhound,

Well sir, apparently you just don't like Bruce Willis. That "smiling" you speak of is part of his charm as an actor. That's just how his face is. I don't have a problem with it, and honestly I've never heard people complaining about it. Until now. But fair enough, you have the right of an opinion. I'm just sharing mine.

Cheers.


rockhound2017-09-25 16:59:47
@Armageddon
i have nothing against bruce willis. he got an Golden Raspberry Award for that role, so im not the only one who think, he did not his best job in that movie. but hey, in the german version it worked for me and the movie is a great ride nontheless. :)


Armageddon2017-09-26 13:45:10
To rockhound,

I knew you would bring up the Razzies. I'm sure you know these awards are meant as a joke. Even the guy who created them said so. I mean Jesus, even Stanley Kubrick was "nominated" for a Razzie. And for his masterpiece The Shining!! So the last thing any person can do is to take these awards seriously. But even if we do take them seriosuly, Willis in Armageddon was nominated for Best Actor for a Blockbuster Entertainment Award. So the awards cancel each other out. And we're again left with our own opinions. Whether he did his best job in Armageddon, you are going to get different answers depending on who you ask. Still, fact of the matter is that this is one of his biggest, most popular movies. Everyone knows Armageddon. And not only the movie. The score and the soundtrack are absolute blockbusters as well. Hugely successful and popular. And that's what matters at the end of the day.

Cheers.


Meta2017-09-26 15:38:34
LOL @ Razzies
Back in 98 you had a choice between TWO comet apocalypse movies: Armageddon or Deep Impact. Armageddon was the popular vote, after the popularity of the Rock...Let's just say I never watched Deep Impact - and their "selling" point to try to one up Armageddon, from what I recall, was Morgan Freeman as the first black President ever seen in a movie....Yawn.

Whatever.

Anyway, great score. The movie wound up boosting Bruce Willis' career even more, and it helped pave the way not only for Trevor Rabin and Harry Gregson Williams careers, but also Zimmer and Bruckheimer...And of course, Ben Affleck, and other cast members, who would go on to shine in other movies.

This film and its score is SO powerful (for me anyway), all I'm gonna say is I'll never watch it again, because I simply CANT...That goes double for the score, which is rousingly awesome.

Then again, this movie serving as both the alpha and omega of a relationship I had at the time probably has something to do with it. This is what happens when you take film scores and use them as your own personal emotional, historical "diary"; you tend to appreciate them as the years go by, but never return to them because of all the energy you put into them.

Armageddon reply Replies: 0 || 2017-09-26 13:44:35
To rockhound,

I knew you would bring up the Razzies. I'm sure you know these awards are meant as a joke. Even the guy who created them said so. I mean Jesus, even Stanley Kubrick was "nominated" for a Razzie. And for his masterpiece The Shining!! So the last thing any person can do is to take these awards seriously. But even if we do take them seriosuly, Willis in Armageddon was nominated for Best Actor for a Blockbuster Entertainment Award. So the awards cancel each other out. And we're again left with our own opinions. Whether he did his best job in Armageddon, you are going to get different answers depending on who you ask. Still, fact of the matter is that this is one of his biggest, most popular movies. Everyone knows Armageddon. And not only the movie. The score and the soundtrack are absolute blockbusters as well. Hugely successful and popular. And that's what matters at the end of the day.

Cheers.

sone reply Replies: 2 || 2012-08-30 20:18:52
does anyone know on which tracks did Hans work on?


Prott2012-08-30 20:46:59
I believe it's "Asteroid Chase - Shuttle Crash" (but none of his music is present in this score).


sone2012-08-31 00:32:51
unfortunately not. But now I took this Asteroid Chase track and compared it to the tracks on this list and my conclusion is that none of them contains music from it (except the main theme muisc which wasn't composed by Hans anyway). SO nothing here :)

Phil reply Replies: 1 || 2012-01-13 11:31:33
Happy Birthday Mr. Rabin!


Trevor2012-01-13 11:42:24
thank you phil, very kind from you :)

Jane reply Replies: 0 || 2011-07-24 21:26:36
Wowza, problem solved like it never hapnpeed.

Phil reply Replies: 0 || 2011-06-23 15:00:58
can't express this masterpiece in words...just amazing and breathtaking

"Launch" the best score I'ver ever heard... everytime I hear it I get goosebumps..:)

kero reply Replies: 0 || 2010-03-06 00:00:00
This music is really awesome

rabbit reply Replies: 0 || 2009-09-09 00:00:00
THis music is really really awesome! and i agree with someone else that tracks 9 and 18 are the best!!

mike reply Replies: 0 || 2009-09-03 00:00:00
The composer is like Beethoven. If Beethoven lived today, he would be a soundtrack composer. Very good music. I believe it is a great cd.

masmek reply Replies: 0 || 2009-05-01 00:00:00
joz

qa reply Replies: 0 || 2009-04-25 00:00:00
qqqqq

guss reply Replies: 0 || 2008-02-21 00:00:00
aaaaaaaaaaaaaa

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-13 00:00:00
Great score. A pesar de faltar mucha mķsica, el cd resulta notable y emotivo. Rabin en estado puro.

Uroö reply Replies: 0 || 2006-02-07 00:00:00
Rabin is just great! This score is very good. The tracks 9 and 18 are great. Very powerfull and romatic. Trevor Rabin is one of the best composers ever!

Zilvinas (Lithuania) reply Replies: 0 || 2006-01-27 00:00:00
Hello!I like your music and want have your music more and more...I very like film Armageddon...So I want ask you where i can download your Armageddon soundtracks?For free please :)
(My e-mail ########) Thanks :)

jose maria alcaraz gimenez reply Replies: 0 || 2005-05-02 00:00:00
es la mejor obra maestra que he escuchado nunca.emotiva ,con un poco de accion,melodias que siempre tarareo y que llevo en mi mente.simplemente fantastica

Fernando reply Replies: 0 || 2004-12-09 00:00:00
The best score of the year and the best score of Trevor Rabin. Fantastic!!! Emotive!!! Spectacular!!! Enjoy this version or the complete bootleg version. After you listening this music experience you will be absolutely fan of TREVON RABIN. Go on Rabin!!! A fan from Spain.

 HANS-ZIMMER.com© 2001-2018 OST 
Armageddon soundtrack - Harry Gregson-Williams - Trevor Rabin 1998