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where can i find the cue sheets? thxWondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.All those people who complain that Hans isn't sticking to more traditional scores forget that at heart, hes a synth man who loves his synthesizers and keyboards. Hans is just as much as a musical artist as Bowie or Paul Mccartney, in the sense that he goes through musical trends and his style adapts or changes. That's just the way it is, enjoy it for what it is. <br><br>Crucify me for comparing a human to David Bowie!Wow! Stephen Barton worked on a lot of the important cues here, huh?I'm with Edmund in that I'd love for Hans to win more Oscars, but not this score. I feel like even Blade Runner 2049 is more deserving of an award than this. Sure, it works great in the film, but that shouldn't be reason enough for an Oscar. I feel like Desplat's nominated score is more deserving than this one. <br><br>"But this one has a unique sound and recording!"<br><br>Okay... a lot of scores have that. A lot of Zimmer's work has that. Doesn't make them all masterpieces.<br><br>"But we have to spite those evil reviewers who hate this score!"<br><br>Why do you let their opinion get in the way of your enjoyment? If you love it enough, the critics' opinions should only make you enjoy it more because you see something in it they don't. <br><br>I agree with George in that Hans needs to go back to a melodic sound. I don't think whether this score wins or not will change Hans' mind on that, but I do want his next Oscar winner to mean something other than, "Oh cool! I won this award because I made weird sounds!" (Which by the way, involves things like programming and a lot of other technical adjustments that have nothing to do with Hans' composing ability).
"The thing that I'm proudest about Dunkirk is you can't separate it from the film."<br>- Hans Zimmer, GQI understand, but it does not make sense.<br>You're arguing that the score for a movie released in January this year was produced before of the score of a movie that went to theaters in July. If Balfe started working on "12 strong" a year before the movie release, the same can be said of Dunkirk. It is easy to infer that the Dunkirk's score has been working since the middle of 2016! Or even before, because of the tours that Zimmer has done.<br>The music/sound design, even being simple, was not made and recorded between January and May of last year.Olive  that is when it was announced !!! Not when he did itBalfe's hiring came out in May, when Dunkirk's production was already at the end. No contest.<br><br><br>filmmusicreporter.  com/ <br> 2017/05/24/lorne-balfe-to-score-horse-soldiers/Hans finished the bulk of the score before he went on tour, you could find an interview where he himself says so. <br>Ben worked solely on Variation 15. <br>Scroll down on this page and you'll find the full cuesheet with the credits. <br>
Edmund - how do you think Zimmer wrote Dunkirk when he was on a world tour !!!Congratulations to Ben, Lorne also .Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.
Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).
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Harry Gregson-WilliamsTrevor RabinHans ZimmerDon Harper
ComposerComposerAdditional MusicAdditional Music
Armageddon
Label: Sony Music Soundtrax
Length: 50'13
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7255 votes)
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  1. Armageddon Suite (5:20)
  2. Harry & Grace Make Peace (1:43)
  3. A.J.'s Return (4:27)
  4. Oil Rig (1:59)
  5. Leaving (2:30)
  6. Evacuation (3:43)
  7. Harry Arrives At Nasa (1:00)
  8. Back In Business (1:37)
  9. Launch (7:54)
  10. Words (1:37)
  11. Underwater Simulation (2:10)
  12. Finding grace (1:06)
  13. Armadillo (1:15)
  14. Short Straw (3:46)
  15. Demands (1:26)
  16. Death Of Mir (1:32)
  17. Armageddon Piano (0:33)
  18. Long Distance Goodbye / Landing (6:33)
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Armageddon reply Replies: 14 || 2017-09-20 12:41:38
THIS, ladies and gents, is the greatest MediaVentures-RemoteControl score. No way you can convince me otherwise. lol! No seriously, even The Rock and Crimson Tide are inferior. The Armageddon score has it all, breathtaking and epic action cues, powerful dramatic cues, adventurous pieces, comedic cues. It literally covers the entire emotional spectrum. What other score can do that? Think about it and you'll see that I'm right.

Cheers,

B.


JR2017-09-20 14:12:15
mmmh not for me, even The Peacemaker or Deep Blue Sea (both ****) are superior than this one! (I’ll give it a *** 1/2).


Edmund Meinerts2017-09-20 16:25:42
Armageddon is great fun, but I can think of plenty other scores that cover that spectrum of emotions. At World's End certainly does, and then some.


rockhound2017-09-20 17:47:58
i think Armageddon is better in covering of all emotions than Pirates III, because there is one more thing the music has to do in Armageddon....covering bad acting. without the music, all emotional scenes with bruce willis would have been a joke. he acts really bad in these scenes, but the music works wonders.


Armageddon2017-09-21 09:05:39
To rockhound,

With all due respect, sir, that's a stupid statement. Very stupid. Guess you're mad that Rockhound wasn't the main character. How is Willis acting in those scenes bad? He's not overacting, he's not crying-screaming like a little girl. His character is actually very grounded. In the scene with Liv Tyler at the end, he is actually watching a picture of his real daughter. It makes it all the more real. He's very quiet and the performance is realistic. Nothing over-the-top. And people absolutely love that scene. Go to YouTube and read all the comments under the video. So, having said all of that, what exactly is your problem with it? You want him to go all crazy emotional like Nic Cage in Face/Off? Is that it?


Armageddon2017-09-21 09:28:44
To Edmund Meinerts,

I admit I never really got the chance to listen to the entire At World's End score. But now you sir got me interested and I will check it out.

Cheers.


Edmund Meinerts2017-09-21 11:31:24
So rockhound...your argument is that the score is better because the movie is worse? That's a new one, gotta admit... :D

to Armageddon, do it! The complete score, if you can. It's incredible!


Meta2017-09-21 14:15:16
Total video game score, circa 98. This is one of those scores -
my first - that you just didn't get enough of no matter HOW many cds they released of it. Hell, it wasn't until 2000 when I finally got the complete score on 2 cds. Sadly, by that time I burned out on it...


rockhound2017-09-21 18:49:34
@Armageddon

1. i love the movie. 2. rockhound is the most annoying character in the whole movie, but at least he has a cool name. ;) 3. bruce willis is smiling in almost all his emotional scenes and not just in this movie. but you know, in germany the movies are dubbed, so his "german" voice and the music helped alot to make these scenes nontheless convincing. to be honest, the goodbye scene was even more sad than the dying scene of leonardo dicaprio in Titanic. so you see, what impact the music had.

@Edmund

i didnt say the movie is bad, just bruce willis in a couple of scenes. so....the music had alot more to do than in Pirates III. the impact of the music in Armageddon must be way stronger to make these scenes work than in Pirates III. in Pirates III these scenes would have been also convincing without the music, because the acting was strong enough. but nontheless the music in Pirates III adds alot to the scenes and makes them stronger. just my opinion.


Edmund Meinerts2017-09-22 12:39:50
Yeah, but the quality of the acting beneath the score doesn't affect the quality of the music.


rockhound2017-09-22 17:31:37
maybe quality is also not the correct word. its the function of the music. i just think the music of Armageddon is much stronger in its function as a filmscore than Pirates III. i also think the themes are stronger and rabins main theme is used in a wide range. but this also a matter of taste ofc.


Armageddon2017-09-25 09:47:50
To rockhound,

Well sir, apparently you just don't like Bruce Willis. That "smiling" you speak of is part of his charm as an actor. That's just how his face is. I don't have a problem with it, and honestly I've never heard people complaining about it. Until now. But fair enough, you have the right of an opinion. I'm just sharing mine.

Cheers.


rockhound2017-09-25 16:59:47
@Armageddon
i have nothing against bruce willis. he got an Golden Raspberry Award for that role, so im not the only one who think, he did not his best job in that movie. but hey, in the german version it worked for me and the movie is a great ride nontheless. :)


Armageddon2017-09-26 13:45:10
To rockhound,

I knew you would bring up the Razzies. I'm sure you know these awards are meant as a joke. Even the guy who created them said so. I mean Jesus, even Stanley Kubrick was "nominated" for a Razzie. And for his masterpiece The Shining!! So the last thing any person can do is to take these awards seriously. But even if we do take them seriosuly, Willis in Armageddon was nominated for Best Actor for a Blockbuster Entertainment Award. So the awards cancel each other out. And we're again left with our own opinions. Whether he did his best job in Armageddon, you are going to get different answers depending on who you ask. Still, fact of the matter is that this is one of his biggest, most popular movies. Everyone knows Armageddon. And not only the movie. The score and the soundtrack are absolute blockbusters as well. Hugely successful and popular. And that's what matters at the end of the day.

Cheers.


Meta2017-09-26 15:38:34
LOL @ Razzies
Back in 98 you had a choice between TWO comet apocalypse movies: Armageddon or Deep Impact. Armageddon was the popular vote, after the popularity of the Rock...Let's just say I never watched Deep Impact - and their "selling" point to try to one up Armageddon, from what I recall, was Morgan Freeman as the first black President ever seen in a movie....Yawn.

Whatever.

Anyway, great score. The movie wound up boosting Bruce Willis' career even more, and it helped pave the way not only for Trevor Rabin and Harry Gregson Williams careers, but also Zimmer and Bruckheimer...And of course, Ben Affleck, and other cast members, who would go on to shine in other movies.

This film and its score is SO powerful (for me anyway), all I'm gonna say is I'll never watch it again, because I simply CANT...That goes double for the score, which is rousingly awesome.

Then again, this movie serving as both the alpha and omega of a relationship I had at the time probably has something to do with it. This is what happens when you take film scores and use them as your own personal emotional, historical "diary"; you tend to appreciate them as the years go by, but never return to them because of all the energy you put into them.

Armageddon reply Replies: 0 || 2017-09-26 13:44:35
To rockhound,

I knew you would bring up the Razzies. I'm sure you know these awards are meant as a joke. Even the guy who created them said so. I mean Jesus, even Stanley Kubrick was "nominated" for a Razzie. And for his masterpiece The Shining!! So the last thing any person can do is to take these awards seriously. But even if we do take them seriosuly, Willis in Armageddon was nominated for Best Actor for a Blockbuster Entertainment Award. So the awards cancel each other out. And we're again left with our own opinions. Whether he did his best job in Armageddon, you are going to get different answers depending on who you ask. Still, fact of the matter is that this is one of his biggest, most popular movies. Everyone knows Armageddon. And not only the movie. The score and the soundtrack are absolute blockbusters as well. Hugely successful and popular. And that's what matters at the end of the day.

Cheers.

sone reply Replies: 2 || 2012-08-30 20:18:52
does anyone know on which tracks did Hans work on?


Prott2012-08-30 20:46:59
I believe it's "Asteroid Chase - Shuttle Crash" (but none of his music is present in this score).


sone2012-08-31 00:32:51
unfortunately not. But now I took this Asteroid Chase track and compared it to the tracks on this list and my conclusion is that none of them contains music from it (except the main theme muisc which wasn't composed by Hans anyway). SO nothing here :)

Phil reply Replies: 1 || 2012-01-13 11:31:33
Happy Birthday Mr. Rabin!


Trevor2012-01-13 11:42:24
thank you phil, very kind from you :)

Jane reply Replies: 0 || 2011-07-24 21:26:36
Wowza, problem solved like it never hapnpeed.

Phil reply Replies: 0 || 2011-06-23 15:00:58
can't express this masterpiece in words...just amazing and breathtaking

"Launch" the best score I'ver ever heard... everytime I hear it I get goosebumps..:)

kero reply Replies: 0 || 2010-03-06 00:00:00
This music is really awesome

rabbit reply Replies: 0 || 2009-09-09 00:00:00
THis music is really really awesome! and i agree with someone else that tracks 9 and 18 are the best!!

mike reply Replies: 0 || 2009-09-03 00:00:00
The composer is like Beethoven. If Beethoven lived today, he would be a soundtrack composer. Very good music. I believe it is a great cd.

masmek reply Replies: 0 || 2009-05-01 00:00:00
joz

qa reply Replies: 0 || 2009-04-25 00:00:00
qqqqq

guss reply Replies: 0 || 2008-02-21 00:00:00
aaaaaaaaaaaaaa

Mikel Carmona-S.i.W (from Spain) reply Replies: 0 || 2006-12-13 00:00:00
Great score. A pesar de faltar mucha música, el cd resulta notable y emotivo. Rabin en estado puro.

Uroš reply Replies: 0 || 2006-02-07 00:00:00
Rabin is just great! This score is very good. The tracks 9 and 18 are great. Very powerfull and romatic. Trevor Rabin is one of the best composers ever!

Zilvinas (Lithuania) reply Replies: 0 || 2006-01-27 00:00:00
Hello!I like your music and want have your music more and more...I very like film Armageddon...So I want ask you where i can download your Armageddon soundtracks?For free please :)
(My e-mail ########) Thanks :)

jose maria alcaraz gimenez reply Replies: 0 || 2005-05-02 00:00:00
es la mejor obra maestra que he escuchado nunca.emotiva ,con un poco de accion,melodias que siempre tarareo y que llevo en mi mente.simplemente fantastica

Fernando reply Replies: 0 || 2004-12-09 00:00:00
The best score of the year and the best score of Trevor Rabin. Fantastic!!! Emotive!!! Spectacular!!! Enjoy this version or the complete bootleg version. After you listening this music experience you will be absolutely fan of TREVON RABIN. Go on Rabin!!! A fan from Spain.

 HANS-ZIMMER.com© 2001-2017 OST 
Armageddon soundtrack - Harry Gregson-Williams - Trevor Rabin 1998