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Formality indeed. Complicated ! lol<br><br>You can bet Blake Neely didn't need anyone to "write" those 10 seconds !! lolI always found these credits to be a bit confusing. Klaus Badelt is credited on almost every cue, even when his themes don't appear and another additional composer is credited as well. I thought maybe it was just a formality that Zimmer and Badelt were credited everywhere (I mean, how much could they be involved on a cue like "Welcome to the Caribbean"?), but then "No real ship" and "Sword Fight Pt. 2" have no Badelt for some reason. Does someone know a bit more about this?well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.
Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nopeYou realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.
The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?
The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.
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Daft PunkJoseph TrapaneseToby ChuGavin Greenaway
ComposerCo-ComposerAdditional ArrangementsConductor
Tron Legacy
Label: Walt Disney Records
Length: 82'26
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (10180 votes)
CD1
  1. Overture (2:28)
  2. The Grid (1:37)
  3. The Son Of Flynn (1:35)
  4. Recognizer (2:38)
  5. Armory (2:03)
  6. Arena (1:33)
  7. Rinzler (2:18)
  8. The Game Has Changed (3:25)
  9. Outlands (2:42)
  10. Adagio For TRON (4:11)
  11. Nocturne (1:42)
  12. End Of Line (2:36)
  13. Derezzed (1:44)
  14. Fall (1:23)
  15. Solar Sailer (2:42)
  16. Rectifier (2:14)
  17. Disc Wars (4:11)
  18. C.L.U. (4:39)
  19. Arrival (2:00)
  20. Flynn Lives (3:22)
  21. TRON Legacy (End Titles) (3:18)
  22. Finale (4:23)
CD2
  1. ENCOM, Part I (3:53)
  2. ENCOM, Part II (2:18)
  3. Round One (1:41)
  4. Castor (2:19)
  5. Reflections (2:42)
Digital Bonus Tracks
  1. Father And Son (3:12) (iTunes)
  2. Outlands Part II (2:53) (iTunes)
  3. Sea Of Simulation (2:41) (Amazon)
  4. Sunrise Prelude (2:50) (Ovi Nokia)
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theeaglesfan005 reply Replies: 3 || 2014-01-29 00:55:01
What's with DP's helmets on the top right?

I know on the liner notes there is a thank you directed towards Zimmer.. But what's the connection between HZ & DP?


RealFfingMusic2014-02-08 20:23:13
About the helmets, who is who?
I mean, there's a yellow and a blue. Which one's Guy and which one's Thomas?


Leo2014-02-09 06:28:08
Thomas wears the silver helmet and Guy wears the golden helmet :)


RealFfingMusic2014-02-09 16:20:15
Thanx Leo. lol.

Leo reply Replies: 0 || 2013-07-17 23:03:43
What is, exactly, a music consultant?

C.L.U. reply Replies: 10 || 2012-01-31 04:57:29
Has anyone checked out the complete Blu-ray rip?


Areozz2012-01-31 18:01:11
Yes, I have checked out *a* Blu-Ray rip...Have you...?


C.L.U.2012-02-03 00:02:21
Pretty sure there is only ONE Blu-ray rip out there. Anyway, it's pretty awesome


Flynn2012-05-03 15:44:22
I have it and I LOVE it


Hybrid Soldier2012-05-18 17:30:45
And the real sessions look nothing like that !


Mr. Fate2012-05-18 17:44:13
Ooh, ya cut me real deep Hybrid. Thanks for letting us know that fact.


Hybrid Soldier2012-05-18 17:59:43
What ?

I have the whole cue sheet for it... :)


Mr. Fate2012-05-18 19:01:48
What? That's completely different. Saying that the recording sessions *sound* (I know you didn't even say sound; you said look) different from this Edition of the score is not at all the same as saying the *cue sheets* of the recording sessions look different from this track list. (And I thought you were implying the former.)

Well, of course they do. You can't expect that he had the official cue sheets when he made his Blu-Ray rip, and besides, it is a really stupid idea to name the tracks in a Blu-Ray or DVD rip after the official track names.

That's good for you that you have all the cue sheets for it but you sure could have worded that previous post a lot better.


Hybrid Soldier2012-05-18 19:11:17
Using "look" was not innocent indeed.


Mr. Charles2012-05-19 03:28:38
I have a 66 track version. It's a combination of Metrotokyo's Blu-ray rip and a few other sources. Hybrid, I'm sure the real sessions look nothing like that tracklist that was posted.

I am very happy and content with what I have for TRON: Legacy, but the sessions would be nice, one day...

In the meantime, I have what I consider to be the most complete version of the score - it clocks in at 2 & 1/2 hrs


Anonymous1232012-12-26 06:57:11
Tron Recording Sessions

Tracklist:
TRON 1m1a Legacy Open
TRON 1M1b Bedtime Story
TRON 1M1CS Creation of Tron
TRON 1M2 News Report
TRON 1M3 Motochase
TRON 1M4A Encom Tower pt 1
TRON 1M4b Encom Tower pt 2
TRON 2M10 Sirens
TRON 2M11 Disc Game Intro
TRON 2M12 First Round
TRON 2M13 Sam FIghts
TRON 2M14 Rinzler vs Sam
TRON 2M5 Sam Visits Arcade
TRON 2M6AS Tron Scherzo
TRON 2M6BS Tron Scherzo (unused)
TRON 2M6S Separate Ways
TRON 2M7S Sweet Dreams (Are Made of This)
TRON 2M8 Recognizer Capture
TRON 2M9 Sam Descends to Grid
TRON 3M15 Throne Room
TRON 3M16 Lightbikes Intro
TRON 3M17 Clu Crowd Intro
TRON 3M18 Lightbikes Battle
TRON 3M19 Quorra Saves Sam
TRON 3M20 Safehouse Reunion
TRON 3M20A Clu Waits
TRON 4M21 Flynn's Flashback
TRON 4M22 Sam Plans Escape
TRON 5M23 Quorra Decides
TRON 5M24 Sam Seeks Zuse
TRON 5M25S End of Line
TRON 5M26S Final Scheme Alt
TRON 5M26S Final Scheme Intro
TRON 5M27 Clu Breaks In
TRON 5M29S Party Crashers
TRON 5M30 Flynn Drops In
TRON 5M31 Solar Sailer Intro
TRON 5M32A Solar Sailer
TRON 5M32B Solar Sailer Alt
TRON 5M32C Clu Arrives (unused)
TRON 5M32D Clu Arrives Alt
TRON 6M33A Flynn's Promise
TRON 6M33B Tron Tracks Flynn
TRON 6M33C Clu Sees Zuse
TRON 6M34 Sunrise Prelude
TRON 6M35 Rectifier Arrival
TRON 6M36 Quorra Caught
TRON 6M37 Clu Prepares
TRON 6M38 Quorra Meets Clu
TRON 6M39 Clu Speech
TRON 6M40 Recovering the Disc
TRON 7M41 Lightjets
TRON 7M42 Clu_Tron Fall
TRON 7M43 Portal Arrival
TRON 7M44 Portal Climax
TRON 7m45 Flynn Lives
TRON 7M45ALT2 Flynn Lives (unused)
TRON 7M46 First Sunrise
TRON 10M48 Long End Credits
TRON 10M48 Short End Credits
TRON 10M51 Legacy Theme

Felix reply Replies: 0 || 2012-05-18 16:10:26
01. Overture
02. The Grid (Instrumental)
03. Father and Son Prelude
04. Missing
05. The Son of Flynn
06. ENCOM Pt.1
07. ENCOM Pt.2
08. The Arcade
09. Recognizer
10. Not the Games
11. Armory
12. Arena
13. Round One
14. Round Two
15. Rinzler
16. Not Your Father
17. Fireworks
18. Challenge of the Grid
19. The Game Has Changed
20. Outlands
21. Father and Son
22. Your Move, Flynn
23. Adagio For TRON
24. Nocturne
25. Flynn's Dream
26. Outlands, Pt.2
27. End of Line (Castor Edit)
28. Reflections
29. Castor
30. Derezzed
31. Fall
32. Sea of Simulation
33. The Boy and Flynn are Gone
34. Father and Son II
35. Footprints
36. Enjoy the Drink
37. Sunrise Prelude
38. New Course
39. Rinzler II
40. Rare Bird
41. Rectifier
42. Disc Wars
43. C.L.U.
44. TRON
45. Arrival
46. Flynn Lives
47. Alan Bradley's Message
48. Sunrise
49. End Credits
50. Solar Sailer
51. Finale

Papapalpatine77 reply Replies: 0 || 2011-08-26 11:13:09
I love it

Dakota reply Replies: 0 || 2011-05-11 03:53:17
Has anyone noticed how the very beginning of Disc Wars sounds like that cue in Transformers? You can hear it when Sam asks the cop "are you on drugs?" and then it cuts to Lennox and Epps in Qatar. I do know that Hans did add a little touch on this, so maybe that's why.

Dakota reply Replies: 0 || 2011-04-12 00:00:00
Next to Inception, the best film score of 2010. For me, anyway. The best track is #20, "Flynn Lives". It fits in perfectly at the end sequence, a very dramatic and emotional scene.

Dakota reply Replies: 0 || 2011-04-12 00:00:00
Check this out!!! Limited Edition see-through vinyls!!!

h t t p://www.iamfatterthanyou.com/2011/04/tron-legacy-translucenc e-identity-disc-limited-edition-vinyl-record-by-daft-punk/

Dakota reply Replies: 0 || 2011-01-22 00:00:00
It's definitely ENCOM, pt II. I just listened to it. You mean the scene when the guard is up there with him and he jumps, right? If so then ENCOM, pt II.

Dakota reply Replies: 0 || 2011-01-22 00:00:00
@JD,

I think it's either ENCOM, pt I or ENCOM, pt II. I've still only seen it once, but it's most likely one of those 2

JD reply Replies: 0 || 2011-01-22 00:00:00
Does anyone know which track is played during the section of the film (near the beginning) when Sam is standing on Encom tower?

Dakota reply Replies: 0 || 2011-01-15 00:00:00
@Eme

I completely agree with everything you just said. I listened to the CD since the day I got it, and it was all from pure memory that I made a tracklist for myself when I saw it.

Greg reply Replies: 0 || 2011-01-15 00:00:00
Isn't Father & Son or at least a portion of it used immediately after The Grid also? There's definitely a piano rendition of the main theme at that point, and no one has listed a "missing track" for that scene.

Eme reply Replies: 0 || 2011-01-12 00:00:00
@tomPoland

hah, who said anything about a notebook and pencil? It was memory and only memory.

If I find a score enjoyable/beautiful, I will listen to it routinely. TRON:L has been playing regularly on my car stereo since mid-November. I had plenty of time to ~mentally absorb~ each composition. So, recognizing each track during the film wasn't difficult at all. The correct ordering however was tricky, since many of the pieces are repeated and/or blended.

It's all about the flow of compositions for me. I don't see scores as 'only' an aid to a film's narrative. A score can also be it's own narrative if successfully executed... this is where the order matters, in my opinion.

Anywho, please excuse my OCDness with the track order, but the tracklist I submitted below is incorrect/outdated/etc.

Sergio reply Replies: 0 || 2011-01-07 00:00:00
Thank you Tom, and thanks to everybody who's close to Hans, whose gve positve ideas do all of them (like Daft Punk). Joined also the excuses for being a bit off-topic.

tomPoland reply Replies: 0 || 2011-01-07 00:00:00
I haven't played MW2 - I heard it's so called 'scenario' is a joke, so i said no. MoH has coherent, emotional story and decent multi, so I think EA game is a better choice. Also when it comes to music. Djawadi did much better job with MoH then 'Hans and co.' in MW2. Check YouTube and then decide.

PS Sorry Hybrid for off-topic.

Sergio reply Replies: 0 || 2011-01-06 00:00:00
Yeah probably they're very good compsosers but not at the level of Zimmer or God Williams, but i hope the Djawadi will show us that he could do better and more better.
Anyway writing MoH you remembered me a thing. I've the PS3 but no war games because i usually don't love them too much (i've only COD.MW2 demo); but recently i knew that MW2 score is from Hans Zimmer and MoH, do you suggest me to buy them, at least for the score??

tomPoland reply Replies: 0 || 2011-01-06 00:00:00
Definitely James Newton Howard - best guy in business nowadays. Shore is a very good composer also (LOTR or Departed - love that score), but IMO it's a different league.

Djawadi - i liked Iron Man, PB theme is nice, Clash is below average (no fantasy in it, you don't feel that this is ancient 'history') and beautiful MoH. Haven't seen FlashForward though so I can't tell anything about that. He could be very good, but i don't think he will reach Powell's level. Or HGW. But who knows... World needs good composers:)

Sergio reply Replies: 0 || 2011-01-06 00:00:00
I agree with the marketing thing. In fact i saw the film only once and usually i do get away with one watch -excluding some particular case, like "The Dark Knight" that i saw it twice at cinema because i went it again not only because i loved it but also because i re-watched it with a friend of mine who hadn't seen it- and specially if in 3D!! (other marketing way to make money that not always works)
But i don't totally agree with the 3 best composers....considered that Williams is my God and always He will be it, and also considering Zimmer as a living genius i will specify the "Howard" that you said in two genius: James Newton H. and H. Shore, an other great man, genius and composer.
Finally we didn't mention the emergin genius! Hans Zimmer's pupil!! Ramin Djawadi!!!
A guy that did not only give a soul to the Iron Man movie, but also did the best TV series scores....

P.S. Hope to listen him in a new series of Flash Forward, i want it back!!!!! HANS DO SOMETHING TO HELP YOUR PUPIL MAKING THIS SERIES SCORE FOR OTHER 7 TIMES, PLEASE!!!!

Sergio reply Replies: 0 || 2011-01-05 00:00:00
@tomPoland and Dakota
Hey, i'm pretty sure that Burger King released an ultimate extra bonus tracks!! ;D
Quoting "2010/12/29 - tomPoland -- Who knows? Maybe KFC or McDonalds will release some extras:) "

Seriously, maybe some people could judge you totally crazy fro doing something like listing all tracks in order of listening or get every track is possible, but not me. Because i know how do you feel it. Because i know that a really good soundtrack joining a beautiful movie's atmosphere -like Tron- is one of the best joy given by life. And maybe it's for this that every movie that i really loved has a great soundtrack (like many Hans Zimmer's works and most of John Williams).
Love (for the music),
Sergio.

P.S.John your music will be always te best of the world...ooops this is Hans Zimmer(2nd)'s site,sorry... =D

tomPoland reply Replies: 0 || 2011-01-05 00:00:00
I'm against this kind of 'marketing' and forcing fans to buy the same thing 3 or 4 times. I understand when iTunes OR Amazon release some extras to expand its digital sale. But this? This is madness:)

Agree - good film + good soundtrack is something almost divine. Although i don't like huge complete scores - too much is too much for me; 70 minutes is my limit.

PS Howard, Williams and Zimmer - best 3 composers today.

tomPoland reply Replies: 0 || 2011-01-04 00:00:00
I've never been in cinema twice on the same movie. Don't want to destroy first impression - better wait for DVD. But seriously - I respect people that are able to find even 10 seconds of particular song in a movie. Nice.

Dakota reply Replies: 0 || 2011-01-03 00:00:00
Hey man, someone's gotta do it. I made a tracklist with my ipod touch when I saw it. I'm grateful to the people who do it, and I'm sure I'm not the only one =)

tomPoland reply Replies: 0 || 2011-01-03 00:00:00
@Eme

Respect, I go to cienema to watch movies, not with notebook and pencil to make playlists:)

Eme reply Replies: 0 || 2010-12-31 00:00:00
Seen the film 3 times now.... I made an effort to pay attention to the track order on my most recent viewing. Here's the order (and changes) I noticed:

01. The Grid
02. Overture (occurs during Father/Son storytime. A brief part of the track is featured.)
03. The Son of Flynn
04. Encom Part I
05. Encom Part II
05. Alan Bradly's Message
06. Seperate Ways (Worlds Apart) by Journey
07. Sweet Dreams are (Made of This) by Eurythmics
08. (An unknown/unreleased track, briefly featured)
09. Recognizer
10. Armory
10. Arena
11. Round One
12. Rinzler
13. The Game Has Changed
14. Outlands
15. Father & Son
16. Adagio for Tron
17. Outlands, Pt. II
18. End of Line
19. Castor
20. Reflections
21. Derezzed
22. Fall
23. Sea of Simulation
24. Nocturne (Sam brings Daddy Flynn up to speed on current events in the real world)
25. Sunrise Prelude (I swore Solar Sailer occured here... I was surprised).
26. (An unreleased/unknown track)
27. Rectifier
28. Disc Wars
29. C.L.U. (this track isn't the full version. There's a nice string solo that's featured when Flynn asks, "Tron, what have you become?"/Tron finally shakes his reprogramming. This piece ends right before that moment.)
30. Arrival
31. Flynn Lives
32. Sunrise Prelude (the only track that occurs twice)
33. TRON Legacy (End Titles)
34. Solar Sailer
35. Finale
*36. Derezzed extended (remix)

tomPoland reply Replies: 0 || 2010-12-29 00:00:00
Who knows? Maybe KFC or McDonalds will release some extras:)

Dakota reply Replies: 0 || 2010-12-29 00:00:00
All in all, I have 39 tracks. This includes both iTunes bonus tracks, the Amazon bonus, Nokia bonus, the 5 tracks on disc 2, and a few others I found floating around. Is there anything else?

Dakota reply Replies: 0 || 2010-12-27 00:00:00
Maybe one of them is the music used in the final trailer (the 3rd one). It starts when the Disney logo comes up and then you hear it again when the title comes up at the end. It sounds like a horn. I really really want it.

tomPoland reply Replies: 0 || 2010-12-27 00:00:00
it's not mine. found it on forum where people tried to figure film order.

5. and 35. are from Disney/Daft Punk website, looks they were used in trailers
i took this from ffshrine forum

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