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I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...
Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
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Composer - Musician : Synthesizer - Synth ProgrammingComposer - Musician : Piano
Hans ZimmerJames Newton HowardLorne BalfeHenry Jackman
ComposerComposerAdditional MusicAdditional Arrangements
The Dark Knight (Complete Score)
Label: Unofficial Release
Length: 182'18
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (22893 votes)
  1. Logo (0:59)
    Mel Wesson
  2. Bank Robbery (5:36)
    Hans Zimmer
  3. Find The Batman (1:46)
    Hans Zimmer
  4. Buyer Beware (3:06)
    Hans Zimmer, Mel Wesson
  5. Dirty Cash (0:55)
    James Newton Howard
  6. The New DA (1:04)
    James Newton Howard
  7. Hostile Witness (1:43)
    James Newton Howard
  8. Bank Warrants - LSI Holdings (2:40)
    James Newton Howard
  9. Who Appointed Batman? (1:17)
    James Newton Howard
  10. Move The Money (1:34)
    Hans Zimmer
  11. Kill The Batman (3:18)
    Hans Zimmer
  12. Halfaway To Hong Kong (1:19)
    James Newton Howard
  13. Trip To Hong Kong (1:29)
    Hans Zimmer
  14. Put A Smile On That Face (4:05)
    Hans Zimmer
  15. LSI Extraction (4:01)
    Hans Zimmer
  16. Mobsters Taken To Justice (0:59)
    James Newton Howard
  17. Are You Up To It? (1:14)
    James Newton Howard
  18. A Hero With A Face (1:25)
    James Newton Howard
  19. Joker Crashes The Party (3:05)
    Hans Zimmer
  20. Panic Room (0:33)
    Hans Zimmer, Lorne Balfe
  21. You're Gonna Love Me (3:04)
    Hans Zimmer, Lorne Balfe
  22. Watch The World Burn (3:19)
    James Newton Howard
  23. Loud Enough (4:06)
    Hans Zimmer
  24. Speech Ambush (1:39)
    Hans Zimmer
  25. Dent To Van (0:52)
    James Newton Howard
  26. Gordon Is Dead (1:05)
    Hans Zimmer
  27. Rachel Next (1:05)
    James Newton Howard
  28. Interrogating Schiff (2:50)
    James Newton Howard
  29. Blood On My Hands (1:41)
    James Newton Howard
  30. The Outcast (1:00)
    Lorne Balfe
  31. I Am The Batman (3:44)
    James Newton Howard
  32. Truck Convoy (1:07)
    Hans Zimmer
  33. Pod Deploys (0:57)
    Hans Zimmer
  34. Batman Down (0:51)
    Hans Zimmer
  35. We Gotcha (1:17)
    James Newton Howard
  36. Gordon Returns Home (1:08)
    James Newton Howard
  37. You Complete Me (3:41)
    Hans Zimmer
  38. Wired (8:49)
    Hans Zimmer
  39. Harvey Two-Face (2:43)
    James Newton Howard
  40. This Is My City (2:22)
    Hans Zimmer
  41. Hospital Bomb Scare (Part 1) (3:40)
    Hans Zimmer, Lorne Balfe
  42. Hospital Bomb Scare (Part 2) (3:57)
    Hans Zimmer
  43. Explosion Aftermath (2:20)
    Hans Zimmer
  44. Dent Kills Wertz (1:15)
    James Newton Howard
  45. Sonar System (3:24)
    Hans Zimmer
  46. Unlucky Driver (1:19)
    James Newton Howard
  47. The Ferries (4:35)
    Hans Zimmer, Henry Jackman
  48. Always A Catch (2:43)
    Hans Zimmer
  49. Storming Pruitt Building (3:52)
    Hans Zimmer, Lorne Balfe
  50. Give It To Me (3:44)
    Hans Zimmer, Henry Jackman
  51. A Little Push (2:19)
    Hans Zimmer
  52. Eye For An Eye (3:49)
    James Newton Howard
  53. Dent Defeated (0:36)
    Hans Zimmer
  54. I'm Not A Hero (3:45)
    Hans Zimmer
  55. A Dark Knight (0:37)
    Hans Zimmer
  56. End Credits (2:14)
    Hans Zimmer, Lorne Balfe
  57. The Joker Suite (11:12)
    Hans Zimmer
  58. Harvey Dent Suite (10:22)
    James Newton Howard
  59. New Batman Theme (19:45)
    Hans Zimmer
  60. 103BPM Action Ice Theme (5:18)
    Hans Zimmer
  61. Interrogating Schiff (Alternate Intro) (2:43)
    James Newton Howard
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Anonymous reply Replies: 0 || 2012-07-15 10:06:21
Thanks from Rex ;)

dewdd reply Replies: 0 || 2012-06-27 14:47:14
wasnt there a track on this list called "who appointed the batman (alt.)"..........??

Anonymous reply Replies: 3 || 2012-06-23 05:17:09
lengths for cues on disc 3 have been changed ????


Poe2012-06-23 06:19:24
Surely this has to be a mistake. Hybrid??


TK2012-06-23 17:43:52
Joker suite should be 9:27 (full fade out ending, as opposed to the album cut that runs into I'm Not A hero) Harvey dent suite should remain 6:16, same as album, and new batman theme should be 'dark knight suite', 16:15. 103BPM action ice theme is the new batman theme and should remain at 5:02 exactly like the album.

thats how it is on my version of this.


dewdd2012-06-26 04:47:15
why do they change the names?

Mr. Charles reply Replies: 12 || 2012-02-23 19:52:22
Check this out:

h t t p://herocomplex.latimes.com/2012/02/23/dark-knight-rises-han s-zimmer-defends-chris-nolans-secrecy/


MGDrone2012-02-25 04:53:56
I'm really excited to hear what his new ideas are. I think it's great that he's taken so much time to do this score, it will most likely be epic!


Mr. Charles2012-02-25 06:49:46
Maybe this is why On Stranger Tides & A Game of Shadows sucked. If he's really putting everything he's got into TDKR, I will put Pirates & Sherlock in the past. I'm hoping he pulls out all the stops this time


MGDrone2012-02-25 23:30:09
Well, in all fairness, On Stranger Tides and A Game of Shadows didn't suck, they just weren't as good as their predecessors. They both had their highs and lows. But anyway, yeah, if he's been working for a year on this already, it better be good. I hope we'll get a long album like TDK


Samir Aziz2012-03-16 20:16:06
Perfect,Perfect,Indeed.


Samir Aziz2012-04-08 20:59:44
I found this complete score and it is good but The Joker suite ,Harvey Dent suite and The Dark Knight suite you can find it in the 2cd special edition....

CD 1

01. Logo (0:56)
02. Bank Robbery (5:31)
03. Find the Batman (1:44)
04. Buyer Beware (3:03)
05. Dirty Cash (0:54)
06. The New DA (1:02)
07. Hostile Witness (1:41)
08. Bank Warrants/LSI Holdings (2:37)
09. Who Appointed Batman? (1:15)
10. Move the Money (1:32)
11. Kill the Batman (3:16)
12. Halfway to Hong Kong (1:18)
13. Trip to Hong Kong (1:27)
14. Put a Smile on that Face (4:02)
15. LSI Extraction (3:58)
16. Mobsters Taken to Justice (0:56)
17. Are You Up to It? (1:11)
18. A Hero with a Face (1:23)
19. Joker Crashes the Party (3:01)
20. Panic Room (0:31)
21. You're Gonna Love Me (3:01)
22. Watch the World Burn (3:16)
23. Loud Enough (4:02)
24. Speech Ambush (1:36)
25. Dent to Van (0:49)
26. Gordon is Dead (1:03)
27. Rachel Next (1:01)
28. Interrogating Schiff (2:49)
29. Interrogating Schiff (Alternate) (2:39)
30. Blood on My Hands (1:38)
31. The Outcast (0:58)
32. I am the Batman (3:42)
33. Truck Convoy (1:05)

CD 2

01. Pod Deploy (0:54)
02. Batman Down (0:49)
03. We Gotcha (1:16)
04. Gordon Returns Home (1:07)
05. You Complete Me (3:38)
06. Wired (8:45)
07. Harvey Two-Face (2:40)
08. This is My City (2:18)
09. Hospital Bomb Scare A (3:38)
10. Hospital Bomb Scare B (3:55)
11. Explosion Aftermath (2:18)
12. Dent Kills Wertz (1:14)
13. Sonar System (3:22)
14. Unlucky Driver (1:18)
15. The Ferries (4:33)
16. Always a Catch (2:41)
17. Storming Pruitt Building (3:49)
18. Give It to Me (3:42)
19. A Little Push (2:17)
20. Eye for an Eye (3:47)
21. Dent Defeated (0:35)
22. I'm Not a Hero (3:44)
23. A Dark Knight (0:31)
24. End Credits (2:13)
25. New Batman Theme (5:02)


cheesy2012-04-09 02:43:39
WHERE DID YOU FIND THIS OMG DO YOU KNOW WHERE I CAN GET THIS


Mr. Fate2012-04-09 03:07:41
I'm no Dark Knight fan, but when I compare your track list, Samir Aziz, to the track list that this page is dedicated to, I see no difference.

The only difference I could guess there might be is that, like you said, some of the suites are missing from the list you posted. Tell me: what makes your version different/better?


Anonymous2012-04-09 05:47:21
it's better because pickles


Samir Aziz2012-04-09 05:47:52
^^^^


Sam'aziz2012-04-09 16:46:41
Because i look for this complete score (3cd) and didn't find it but i found the 2cd but and it is real but iam afraid i don't think the 3cd is really exist.


uga2012-04-10 18:01:37
Thats because cd 3 is already out. Its just the suites from the soundtrack.


Anonymous2012-06-22 04:58:18
the cd 3 is real i have it

Anonymous reply Replies: 0 || 2012-02-25 11:00:17
I'm really excited to hear what his new ideas are. I think it's great that he's taken so much time to do this score, it will most likely be epic!

Mr. Charles reply Replies: 2 || 2011-12-16 08:10:46
Chime in, you guys!!

h t t p://www.mtv.com/news/articles/1676109/dark-knight-rises-hans -zimmer.jhtml


Adrian2011-12-16 10:37:36
Too bad the video isn't available in Europe... Grr


Mr. Charles2011-12-16 18:21:53
So what? You can still be part of the score! Just go to UJAM.com!

Anonymous reply Replies: 7 || 2011-04-26 01:23:25
I guess this is as much a fan edit as Broken Arrow, huh? After all, all Hybrid did was add some OST tracks to the bootleg! :P


Jones2011-06-24 20:34:55
Far from it. This is the REAL thing. No DVD rip could even come close to the quality this has to offer.


Dakota2011-06-24 21:18:27
Jones is right, this is the real deal. I know ppl who know this is real


Ramon2011-08-14 18:12:58
Are you guys dealing drugs or something? lol


Anonymous2011-08-14 19:56:13
Well yeah its real but adding OST tracks makes it another fan edit -- like those Broken Arrow sessions hybrid pored scorn on.


Takehiro2011-08-14 21:27:37
Go away, Anonymous. These are real cues, the third disc is simply unreleased/alternate material from the OST to make it more complete.


Agnt007dman2011-08-14 22:48:18
Well The Joker Suite, Harvey Dent Suite & Dark Knight Suite are all on the OST, but it's nice that they included it on the complete score as well. The Dark Knight Suite is fantastic. It's nicely edited and fades into all the themes quite nicely


Anonymous2011-08-15 05:16:38
I'll take a "Track 10", not a "Track 5"..."Track 5" wink wink is too small an amount for me. I got a pool party comin' up, yo...

tomPoland reply Replies: 0 || 2011-08-14 13:33:02
I've just found it, real deal, no sfx.

Stone reply Replies: 0 || 2011-06-14 15:06:19
HHIS I sohuld have thought of that!

Van Gharakhani reply Replies: 0 || 2011-06-13 17:34:41
I have the complete score at home with the official covers!!! Best day EVER!!! Nice Job HANS!!!

Prott reply Replies: 1 || 2011-04-19 00:00:00
... I don`t think that HZ`s theme suites fail in presenting the best (or probably the most consistent) things from the movie (but even 60 minutes of great suites can`t compensate for the complete 2-3 hours long score - especially in theme progression, overall mood, etc. ). :-)

Sorry for the misinformation about Batman & fees. :)


jack2011-05-23 10:19:11
I personally hate Hans Zimmer cd's with suites like At world's end, why they just cant make up 80 mins from the recording sessions because who cares about a listening experience, I mean do people actually sit there and listen to a whole cd. Hah when I get a score I just look for my favorite bits.

T-Mann036 reply Replies: 0 || 2011-04-21 00:00:00
Apologies accepted, Prott.

Agent Smith reply Replies: 0 || 2011-04-19 00:00:00
may i know, why the composers don't release all the music that was in the music? but always just a short part of it? and than making it like it's something political and secret?

why can't we enjoy the music from the beginning, completed, like we heard it in the movie?
i hate all those games, there are those recording sessions. someone has it, feels like he is the greatest (hybrid) and others don't have it.

why do act like that? music is not politics. music is beautiful that everyone should have the chance to enjoy it. i'm not speaking to download it, but make it available for purchasing it. even as an mp3 version.

i hate all those games with the "secret" music.

Hybrid Soldier reply Replies: 0 || 2011-04-19 00:00:00
... And HZ regularly fail in presenting the best things on a soundtrack... :S


And the fees rule doesn't apply in the Batmans case... They are part british films... ;)

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Prott reply Replies: 0 || 2011-04-19 00:00:00
Agent Smith: Because of recording fees (you have to pay more if you exceed certain length of the score). .-)
Company which releases the OST simply calculate which score can earn enough to justify the expanded (longer) release.

Composers themselves usually make suites to present movie`s longer score in it`s shorter form as good as possible (or to present their original theme suites - without need to hit different cuts/events/etc.) :)

Dakota reply Replies: 0 || 2011-04-15 00:00:00
I have posted links here before, but that was before I read the "rules". As in rules, I mean what is stated right above the comment box: "This zone is only to post comment, not to ask for CD downloading, copying or trading! Each comment can be possibly edited or deleted to ensure it is suitable for public presentation". When I first discovered this board, I was careless and negligent to read that, and I would just post whatever I wanted. But now I know what I can and can't post, and Damien I did not/have not posted any link(s) since I was told not to ever since I came to the HZ board close to a year ago. I assume someone posted a link, because you said "as someone begins to post link I will have no other choice but to close this topic", or something along those lines. I swear on my life I did not post any links. Like I said, I own up to any wrong-doing I have done in the past, which I do. But that was not me. I ALWAYS leave my name, I'm not someone who hides behind not posting my name. I do not want to cause/start any trouble, nor be blamed for something that I did not do. I would hate for this topic to be cloased like Clash of the Titans was. That was a disappointment. I love having a place to come and talk about this wonderful music with others, so I would not do anything to cause this topic to be closed. I just want to be on the same page as you, that's all.

Dakota reply Replies: 0 || 2011-04-14 00:00:00
I'm having trouble understanding some of your comment by the way it's typed. I think you and I live in seperate countries perhaps? Hybrid wasn't happy that I left my Email address for someone to Email me about a totally different topic. (see? I'm going off topic right now) People do that all the time, and I get blamed. I apologized and said I would not do it again, and have not since. I always apologize and own up to any wrong doing I have done. But aside from the post about Google, what else do you think was posted by me? I always leave my name, I have never been one to not do that. I do not hide who I am. "I did remove two of your posts in two days (and I know they were posted by you and only you)" I swear I only posted about Google. I'm not playing the innocent guy who did nothing wrong, it's just that you guys can be harsh. It's always "I begin to fed up with you" - and I understand if I did something wrong. You also said "The second one about google was perhaps not as bad as the first one, but I did not check the search result and as I thought it was too closely related to first post, I did not let it." Please tell me what this "first post" is that you're talking about. I'm not looking for any trouble, Damien. I just want to understand, that's all. And, I apologize.

anakinbetrayal reply Replies: 0 || 2011-04-14 00:00:00
Excellent score !! I found it...it's great !

Damien, Moderator reply Replies: 0 || 2011-04-14 00:00:00
Just look at my post on 2011/04/09...

T-Mann036 reply Replies: 0 || 2011-04-13 00:00:00
Fo' shizzle!

Dakota reply Replies: 0 || 2011-04-13 00:00:00
I love how I defend myself and back myself up and the moderators have nothing to say. Maybe because I have a stronger argument that's also true? Hmm......

Takehiro reply Replies: 0 || 2011-04-13 00:00:00
Hybrid, Im watching this now and some of these cues seem out of order. Shouldnt they be as follows? Dent and Gordon talk about Lau being "halfway to Hong Kong" much earlier than Fox's trip there.

Logo (0:59)
Bank Robbery (5:36)
Find The Batman (1:46)
Buyer Beware (3:06)
Dirty Cash (Unused) (0:55)
The New DA (1:04)
Hostile Witness (1:43)
Halfaway To Hong Kong (Unused) (1:19)
Who Appointed Batman? (1:17)
Bank Warrants - LSI Holdings (2:40)
Move The Money (1:34)
Kill The Batman (3:18)
Trip To Hong Kong (1:29)
Put A Smile On That Face (4:05)

Damien, Moderator reply Replies: 0 || 2011-04-13 00:00:00
Dakota, stop playing the innocent guy that never did something wrong.
You already get warned by Antas and Hybrid as well, so it not a problem between you and me.
And if time lag does that what was today for me, was yesterday for you, I can nothing again that. I did remove two of your posts in two days (and I know they were posted by you and only you). The second one about google was perhaps not as bad as the first one, but I did not check the search result and as I thought it was too closely related to first post, I did not let it.
And if I did not answer yesterday is only because I wasn't connected.

Dakota reply Replies: 0 || 2011-04-12 00:00:00
lol word

Anonymous reply Replies: 0 || 2011-04-12 00:00:00
word!

Dakota reply Replies: 0 || 2011-04-12 00:00:00
Damien, which post was that? Was it *possibly* the one where I said how when I went to Google "The Dark Knight Rises" and the first thing that came up was "the dark knight complete score no sfx" I have no idea why that post needed to be removed, I was just commenting about how this has completely blown up. And what post from today? I didn't post anything today, I have been at work all day. Unless there is some other Darkota out there, then it was not me. I feel like you're attacking me, I did nothing wrong. I already got a hold of it days ago, anyway - I'm not looking for anything. I am not asking for anything, looking to download anything, or even asking for Hybrid Soldier to add all these scores that will "give people heart attacks". It is I who begins to bed fed up with YOU. There are people who come here and post some things that shock me, and the posts stay up. Yet I post 1 thing yesterday and you remove it? I don't understand..........

Damien, Moderator reply Replies: 0 || 2011-04-11 00:00:00
Dakota, I begin to be really fed-up with you. You have been warned several times, your saturday post needs to be deleted, your today post also. There will be no warning any more.

Anonymous reply Replies: 0 || 2011-04-11 00:00:00
What is this Action Ice Theme? And also this "Who Appointed Batman (ALT)? I don't have these two tracks in my version. Can someone please clarify this for me?

T-Mann036 reply Replies: 0 || 2011-04-10 00:00:00
My wish has been FINALLY fulfilled. The complete film score of The Dark Knight is ultimately one of the BEST film scores that Hans & James (including Lorne "Modern Warfare 2" Balfe and Henry "Kick-Ass" Jackman) have ever composed.

If you're not into any of the Batman pictures, you're missing out on everything. This is a definite MUST!!!!

Overall: 100.5 out of 100!!!!!

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