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I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...
Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
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Hans ZimmerGeoff ZanelliDominic LewisTom Gire
ComposerAdditional MusicAdditional MusicAdditional Music
Rango
Label: Anti Records
Length: 34'18
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (20446 votes)
  1. Welcome Amigo (1:06)
    Rick Garcia, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  2. Rango Suite (5:58)
    Hans Zimmer
  3. Certain Demise (0:24)
    Heitor Pereira (Produced by Hans Zimmer, Gore Verbinski)
  4. Medley : It's A Metaphor / Forkboy (0:43)
    Hans Zimmer, Geoff Zanelli / Lard
  5. Welcome To Dirt (0:58)
    Hans Zimmer, Geoff Zanelli
  6. Name's Rango (1:33)
    Hans Zimmer, Dominic Lewis
  7. Lizard For Lunch (1:26)
    Jose Hernandez, Anthony Zuniga, Robert Lopez, Hans Zimmer, Tom Gire, John Sponsler
  8. Stuck In Guacamole (0:21)
    Heitor Pereira (Produced by Hans Zimmer, Gore Verbinski)
  9. Underground (3:18)
    Hans Zimmer, Geoff Zanelli
  10. We Ride, Really! (0:51)
    John Thum, David Thum, Geoff Zanelli, William Malpede (Produced by Hans Zimmer)
  11. Rango And Beans (1:04)
    Hans Zimmer
  12. Medley : Bats / Rango Theme / Ride of The Valkyries / An Der Schönen Blauen Donau, Op. 314 (4:28)
    Hans Zimmer, Tom Gire, John Sponsler, John Thum, David Thum, Louis Knatchbull
  13. The Bank's Been Robbed (0:23)
    Rick Garcia, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  14. Rango Returns (1:16)
    Hans Zimmer, Dominic Lewis
  15. La Muerte A Llegado (0:45)
    Rick Garcia, George Del Hoyo, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  16. It's A Miracle (1:58)
    Hans Zimmer, Geoff Zanelli
  17. El Canelo (0:44)
    Los Lobos, Gore Verbinski
  18. The Sunset Shot (0:53)
    Hans Zimmer
  19. Walk Don't Rango (2:49)
    Los Lobos, Arturo Sandoval, John Thum, David Thum, Michael Levine (Produced by Hans Zimmer, Gore Verbinski)
  20. Rango Theme Song (3:57)
    Los Lobos, John Thum, David Thum, Michael Levine (Produced by Hans Zimmer, Gore Verbinski)
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SPS reply Replies: 0 || 2017-01-29 09:39:26
Welcome to dirt reminds of the start of a pop song by I think a female vocalist. Any ideas?

Zimson reply Replies: 0 || 2014-04-13 12:31:00
Welcome to Dirt is really beautiful. Who did the major part, Zanelli or Zimmer?

vicky reply Replies: 4 || 2014-02-06 18:35:31
Hi.. I love rango theme and lizard for lunch.. Could any1 tell what kindda music is lizard for lunch?.. I mean which country style music is that?..

  Your name :   

Please enter number: 1007 


Arreoz2014-02-07 13:36:40
Really? Is that a serious question?


Vicky2014-02-08 07:45:26
Yes.. I love that music.. I wanna know some other album's name exactly like this music and style.. Cud u help me pls.. I tried in Rex Allen albums but i cudnt get this kindda music.. Basically im a cowboy music lover..


MacArthur2014-02-08 17:28:23
Try Lone Ranger.


Edmund Meinerts2014-02-08 18:16:16
lol, Mac...that's not what she's looking for...

Anonymous reply Replies: 1 || 2013-06-19 02:32:11
8 additional composers! Busy score!


Mike2013-07-17 00:16:40
If I'm not mistaken, the reason there's so many is because Verbinski made some decision that involved the need for the score to be reworked, almost from scratch, in a short time.

Mike reply Replies: 0 || 2013-06-18 23:45:04
The Rango suite is intensely enjoyable, in my opinion.

lkjj reply Replies: 0 || 2013-05-12 17:32:46
YES It has leaked

El Baradei reply Replies: 1 || 2013-01-24 18:02:17
It seems Hans likes to take exisiting pieces of music and mixes them instead of writing new music.
Also the main theme is just another version of Jack Sparrow's theme.
I think his last REALLY good score was King Arthur.


Evenstar2013-01-24 21:55:59
lol... king arthur? really?

Ds reply Replies: 18 || 2012-12-11 12:46:49
The new "Lone Ranger" trailer states: "MUSIC BY HANS ZIMMER" !!!

I thought it was scored by Jack White, but this is AWESOME news!


Macejko2012-12-11 13:08:03
It's a proof that justice exists!


Tim2012-12-11 17:37:51
Yay! Before Hans Jack White was on the notes - at least that's what imbd said at that time ;)


Vordmira2012-12-12 00:19:10
Jack White might sing a theme song for the film which is co-written by Hans Zimmer


Mike2012-12-12 00:28:21
Speaking of films Hans Zimmer will score, did anyone see the newest trailer for Man of Steel? The music sounded very Gladiator-ish, but I don't know if that's what it was.


Mr. Charles2012-12-12 01:49:22
I hear it, Mike. It almost sounds like an alternate version of "Elysium". It's not quite what we hear on the OST. If it's not Gladiator, it's definitely Lisa Gerrard. Without a doubt


Zantlwisder2012-12-12 03:31:10
It's Lisa Gerrard's "Elegy"


tomPoland2012-12-12 13:50:15
it's terrible news - hz is making MoS, he shouldn't involve in something else
no minions, co-writers, and so on - pure Zimmer please, its THE SUPERMAN, no some B class movie


Ds2012-12-12 13:56:59
I think the music we hear in the beginning of the MoS trailer is the same track we heard in Zack Snyder's movie "Legend of the Guardians". Kind of a remix of the Lisa Gerrard song from "Man on Fire".


Ds2012-12-12 14:38:18
No sorry i was wrong, this is definitely "Elegy" by Lisa Gerrard. Sorry!


blu2012-12-12 15:17:39
I am pretty sure master Z can handle this whilst giving MoS the best he can. These guys have never failed to deliver under tight deadlines before.


tomPoland2012-12-12 15:42:06
that's the point - there is no tight deadlines! he has like 7 months to create something memorable, epic, climatic; with orchestra, choir and all that goosebump stuff

taking another project will make MoS worse that it could be, i fear


Hybrid Soldier2012-12-12 15:58:34
You speak like Hans is just starting working on MOS.

You think he was sleeping in the last 5 months ? ;)


Pierre2012-12-12 17:39:06
He's currently recording Man of Steel. That means it's written. Loads of time to work on the Lone Ranger.


Jasper2012-12-12 18:16:46
I honestly think that the coming year is going to be the most exciting Hans Zimmer year in a long time. As far as I know, he'll be doing the soundtracks for 3 major films next year, none of them sequels. All new themes, all new music. Looking forward to an amazing 2013. If the world doesn't end, that is :p


Mike2012-12-12 22:13:12
I'm excited for the same reason, Jasper, but we shouldn't get our hopes too high. Maybe he'll be rushed and we'll have another Curse of the Black Pearl that takes cues from his other movies.

In all seriousness though, I'm really excited. Especially for Man of Steel.


Ds2012-12-12 22:21:48
Man of Steel & Lone Ranger scores will certainly be great, but i think Lone Ranger is more the kind of movie that needs a true fantastic and epic score - the kind of movie for which Hans is the best.


Joshua2012-12-12 22:24:37
Score for Man Of Steel records in mid January. He'll have 5-6 months to work on Lone Ranger.


Mike2012-12-12 22:35:34
Awesome!

pbm reply Replies: 2 || 2011-03-14 00:00:00
Question everybody..i know i must be very stupid to ask this but..what's the name of the original music used in the track Bats, it plays at 2.15.

Thank you


Jiri W Krecek2011-09-09 05:47:06
THe flying bat song is Ride of the Valkyries by Richard Wagner


S2012-01-01 03:26:32
But the 2.15 bit is actually from 'An der schönen blauen Donau Waltz' composed by Johann Strauss II

Rango Sparrow reply Replies: 0 || 2011-09-17 09:11:06
01-1m10v1.5 (0:54)
02-1m15-17v16.1 (3:08)
03-1m19v1.04 (0:48)
04-2m27v12.09 (1:44)
05-2m28v12.01 (0:37)
06-2m29v2.8 (1:29)
07-2m33-36v7.06 (2:24)
08-2m37v11 (2:29)
09-2m41v3.6 (1:18)
10-2m41v3.8 (1:28)
11-3m43v4 (0:57)
12-3m48v6.02 (1:03)
13-3m50v4.7 (0:31)
14-3m51v1.3 (0:44)
15-3m51v1.6 (0:39)
16-3m53v3.7 (1:32)
17-4m55v1.9 (0:56)
18-4m56v1.00 (0:56)
19-4m59v1.01alt (1:16)
20-4m59av7 (0:53)
21-4m62v1.4 (1:04)
22-4m64v1.07 (0:33)
23-4m66v3 (0:35)
24-4m66v3alt (0:35)
25-4m68v2 (2:07)
26-4m69v8.1 (0:53)
27-4m70sv1 (0:15)
28-4m71v12.3 (1:59)
29-5m74v7 (0:54)
30-5m76v3.6 (3:30)
31-5m78av9.6 (0:36)
32-5m79v5.3 (0:56)
33-5m79v5.3 (0:56)
34-5m81av1.5 (1:16)
35-5m84v5.3 (0:57)
36-6m87v2.02 (1:31)
37-6m88v1.12 (1:34)
38-6m89v6.01 (1:35)
39-6m91v2.7 (5:37)

Total time: 59:09

Anonimo reply Replies: 2 || 2011-09-16 07:04:13
anyone knows about the demo recordings of rango?? i saw de the cover today


Agnt007dman2011-09-16 08:07:54
yes, I saw them the other day. I wonder too


Smith2011-09-16 21:23:15
what should i know about them? they leaked.

rhys reply Replies: 0 || 2011-08-04 11:00:05
sigh why do they never release the entire score..

Bast reply Replies: 2 || 2011-03-12 00:00:00
Spoiler Inside:
He miss a song when Rango goes out Dirt and he walks alone in the desert and he crosses the road. It's a sad song. Someone see the song and have the song ?
PS:Sorry for my bad english but I hope you understand me :p


Mikey2011-07-01 14:04:17
Explosions in the sky - your hand in mine


Trent Easton Navarro2011-07-01 23:28:26
It's not by EitS but by Danny Elfman, taken from his score of The Kingdom

Norm reply Replies: 1 || 2011-03-14 00:00:00
@ Bast

The song when Rango walks out in the desert isn't by Zimmer. It's Danny Elfmans song "Finale" from the Movie "The Kingdom" - don't know why they used this one...wasn't Zimmer able to compose a better track?

http://www.youtube.com/watch?v=KPgKFySmbrw


Mikey2011-07-01 14:03:22
Actually, i thought it was

Explosions in the sky - your hand in mine

Dakota reply Replies: 0 || 2011-03-21 00:00:00
Thanks Hybrid!! =)

pbm reply Replies: 0 || 2011-03-20 00:00:00
I knew it was a famous piece, just couldn't quite put a name to it xP

pbm reply Replies: 0 || 2011-03-20 00:00:00
Thank you guys :D

Hybrid Soldier reply Replies: 0 || 2011-03-20 00:00:00
I added all the credits ! ,)

Joshua reply Replies: 0 || 2011-03-19 00:00:00
@pbm i think its from the nutcracker?

Dakota reply Replies: 0 || 2011-03-19 00:00:00
The Ride of the Valkyries is also in there

JOnathan Rochat reply Replies: 0 || 2011-03-19 00:00:00
--> PBM

Yes this is a classical reprise, "Le Beau Danube Bleue" composed by Strauss (Op 314). This is written on the title of the song if you buy the album on iTunes!

Anonymous reply Replies: 0 || 2011-03-19 00:00:00
wow how could you not know the blue danube :-D?? Have you been living under a rock all your life or something :-p

pbm reply Replies: 0 || 2011-03-15 00:00:00
I'm sorry, I meant 2.25..I'm sure it's a well known classical tune...just can't put a name to it :X

Fearandloathing reply Replies: 0 || 2011-03-15 00:00:00
That little track if i think its the same as what you mean, is kind of a steller reprise of the Rango theme:

The OSt version cuts that piece out and instead uses a banjo intro, while th emovie cuts right to the guitar then that piece, then the end....I found it weird. I dont know who composed it tho.

Trent Easton Navarro reply Replies: 0 || 2011-03-14 00:00:00
@ Norm

Maybe it was used in the temp track and Verbinski really liked it. I thought it fitted the scene perfectly, best piece of music in the entire film. Judging by the rest of the score it's pretty obvious Zimmer wasn't capable to compose something better.

Norm reply Replies: 0 || 2011-03-14 00:00:00
@ Trent

You're right - that track fits the scene perfectly. But if I was the composer for a movie and the director said to me: "Don't Bother - we use the work of another Composer for that scene" I would have worked my ass of the create a track a hundred times better! Just wondered why Zimmer hasn't done that.

Anonymous reply Replies: 0 || 2011-03-14 00:00:00
@ The Dude

You notice that first minute of the track from the duel looks a loot like Parlay from POTC AWE?

Bast reply Replies: 0 || 2011-03-14 00:00:00
@Norm
Thanks ;)

Adam reply Replies: 0 || 2011-03-12 00:00:00
Please let us request walk don't rango.I'TS MY FAVOURITE ONE!!

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