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You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.
I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!
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Conductor
Steve JablonskyClay DuncanNick Glennie-SmithSuzette Moriarty
ComposerAmbient Music DesignConductorOrchestrator
Your Highness
Label: Varese Sarabande
Length: 60'13
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (15454 votes)
  1. Let Us Quest! (4:29)
  2. Isabel The Strong (4:30)
  3. Goodbye My Tinys (2:53)
  4. Best Man (1:26)
  5. The Greatest Most Beautifullest Love Song In All The Land (1:33)
  6. The Virgin Is Plucked (3:04)
  7. Not In My Castle (1:43)
  8. Leezar's Date, Belladonna's Hate (1:21)
  9. Playful Secrets! (1:52)
  10. Mean Knights And Horsies O' My! (3:16)
  11. Here Come The Marteetee (2:27)
  12. A Fistful Of Snakes (1:47)
  13. Isabel Thrashes (2:36)
  14. Muldiss Darton, City Of Lore (1:39)
  15. The Same Betrayal As Before (0:59)
  16. Labyrinths And Humps (5:21)
  17. Kill-Trophy And The Warrior's Birth (1:45)
  18. The Effening (1:02)
  19. Tis I, Thadeous The Hero (1:57)
  20. Heroes Unite (1:05)
  21. Orgy Of Violence (6:35)
  22. 'Til We Meet Again (1:50)
  23. Way Of The Warriors (1:11)
  24. Thadeous (3:52)
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Joshua reply Replies: 0 || 2015-08-10 07:05:52
Man, the all synth version of the themes for the end credits of this film is fantastic. Almost wish they would have used those instead. Wish they would have included an end credits suite with those versions on the album.

Geofcraze634 reply Replies: 0 || 2014-02-02 06:11:54
Some soundtracks like Kill-Throphy And The Warrior's Birth imagines that I'm playing Age of Empires 2: The Age of Kings... Awesome soundtrack, Steve Jablonsky

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Please enter number: 1009 

Evenstar reply Replies: 4 || 2012-03-07 23:00:20
Varese Sarabande will release "Battleship" on 05/08/12.


Adrian2012-03-08 02:07:48
As in May or August?


Areozz2012-03-08 02:48:34
....Well, when is the movie coming out? It's May 8, not August 5.


Ds2012-03-08 15:37:59
The movie comes on april 11th in Europe, i hope there will be a digital release at the same time!


T-Mann0362012-03-08 17:24:06
Next two months-- This I gotta listen to!

Stevie reply Replies: 0 || 2011-07-25 09:58:15
That's way the besstet answer so far!

Dakota reply Replies: 2 || 2011-04-17 00:00:00
I freaking love Steve's take on the Universal theme. It is so good.


T-Mann0362011-04-29 15:34:19
I love Steve's Universal logo theme as well, Dakota!!!!!


Phil2011-07-15 17:19:54
simply nice score... :)
well, done by Jablonsky ;)

T-Mann036 reply Replies: 1 || 2011-04-29 01:49:20
I'm looking forward to Steve's next film score-- Transformers 3!!!!!


Dakota2011-04-29 02:06:00
F yeah man, it's gonna be epic!!!

T-Mann036 reply Replies: 0 || 2011-04-24 17:23:35
I'm having problems with the Your Highness complete score. In track 7 "Angry Boremont", it was corrupted. Either it's from the burned CD or otherwise, I think. If anyone has the original source, please let me know.

OKKU reply Replies: 0 || 2011-04-24 10:42:37
Heroes Unite is not bad.

Evenstar reply Replies: 0 || 2011-04-19 00:00:00
Linkin Park & Jablonsky about Transformers 3 (+Video Interview with Jablonsky!)
comingsoon.net/news/movienews.php?id=76623#ixzz1Jz6aWgkL

Anonymous reply Replies: 0 || 2011-04-17 00:00:00
THIS IS THE TRACKLIST OF THE COMPLETE SCORE:
1.- Universal Logo (Steve Jablonsky Version)
2.- Prologue / Maiden Saved
3.- Thadeous and Dwarfs
4.- Run From Dwarfs
5.- Introducing Belladonna
6.- Best Man
7.- Angry Boremont
8.- The Greatest Quest
9.- Leezar Kidnaps Belladonna
10.- The King's Decree
11.- Leezar's Trick
12.- Belladonna's Fate
13.- Thadeous & Courtney Wake Up
14.- Thadeous Falls Down Steps
15.- Wizard's Lair
16.- Wizard Foretells Quest
17.- Camp Action
18.- Eat Heart
19.- Brothers In Tent
20.- Julie Captured
21.- Julie & Boremont Alliance
22.- Carriage Chase
23.- Leezar's Dinner
24.- Tracking The Knights
25.- Fabious Tells of Love for Belladonna
26.- Girl Lures Thadeous
27.- Captured by White People
28.- Marteetee
29.- Snake Fist Attack
30.- Snake Fist & Isabel
31.- Meeting Isabel
32.- Fabious and Courtney
33.- Leezar Snorts Fairies
34.- Travel to Muldiss Darton
35.- Knights Attack Fabious
36.- Tavern Fighting - Part 1
37.- Tavern Fighting - Part 2
38.- Courney Has Compass
39.- Work Together
40.- Labyrinth
41.- Minotaur Penis Trophy
42.- Fabious Torture
43.- Mothers Prepare Belladonna
44.- Fabious Rescued
45.- Warriors Unite
46.- Heroes Battle Leezar
47.- Isabel and Thadeous
48.- Heroes Return
49.- Isabel Returns

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
To the anonymous person who've posted the complete score tracklist... THANKS FOR EVERYTHING!!!!! We needed that.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
Wow the Complete Score is 1hours and 13 minutes long.
pff the score release 1 hours.
we all die 13min not on cd
13 minutes is a joke!!! buy the score release and not the illegal download bullshit!

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
@ /&/

Quit being such a hater. Just because the additional 13 minutes wasn't in the official soundtrack doesn't mean you'll have to whine and complaint about it. And besides, the additional 13 minutes isn't a joke... it is 100% real and legit.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
T-Mann036
13 minutes!!!!

Its been so boring! for 13 minutes, the cry begin. one hour film score in a public score publication better is not. you comedian!

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
I never joke around /&/. Sometimes (if not all), the official soundtrack doesn't have a lot of film scores. Case in point-- Transformers: Revenge of The Fallen.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
T-Mann036

We are talking about your Highness and not have transformers - revenge of the fallen. Your problem is with nothing to harmony that it since! Perhaps Transformers 3 score is longer? Can do what no one if RC is too lazy to publish longer score.


You make very good music, but are not the only who make good music.


John Debney, Trevor Rabin, Brian Tyler, or bear McCreary would be the best alternative.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
It is me personally to buy prefer official publications. When illegal uploads to download and I think it also not very much. But there was once a time as it was to film remember to continue to publish. Thinking of times about it!
It will come out every year to enough music from Zimmer and co. Because, similar to many things that were for the other score not on it.

T-Mann036 reply Replies: 0 || 2011-04-17 00:00:00
While I was listening to the complete film score, it appears to me that track 7 (Angry Boremont) was interrupted. If anyone has the full track, please let me know.

Per reply Replies: 0 || 2011-04-17 00:00:00
Well, the tracklist of the 'complete' shown below leaves out the 3 theme suites, so it has closer to 25 min more than the official, not just 13 min... not that it's very important though, just thought I would mention it.

Dakota reply Replies: 0 || 2011-04-17 00:00:00
@ /&/

I don't think illegal downloads will be the end of physical CD releases. You would think that 8 tracks, cassettes, and MP3s would have ended vinyl, but it's still kickin'. And T-Mann036 is right, just because there's an additional 13 minutes is nothing to cry about. The film itself is an hour and 42 min, so that's a difference of about a half hour. There is not music in every single scene. That would mean that there's music continuously from when the Universal logo comes up to the time the end credits finish playing. Stop your complaining.

/&/ reply Replies: 0 || 2011-04-17 00:00:00
Have you ever thought? If ever illegal gedownload is that at some point ever no CD publications appear more?

Dakota reply Replies: 0 || 2011-04-16 00:00:00
@T-Mann

I didn't realize you have it. I just got it, I'll let you know what I think. I'm baffled that there's a complete score for a film that has only been out for a week, especially by Steve. He's my favorite right below Hans.

T-Mann036 reply Replies: 0 || 2011-04-16 00:00:00
@Dakota

At first, I had doubts that it was fake. But after listening to the complete film score, I was epically blown away. Although I haven't seen the picture at a theater, Steve have done an outstanding job composing as well as the conducting of Nick "The Rock" Glennie-Smith.

49 tracks in 1 hour, 13 minutes!!!! Let me know what you think of Jablonsky's complete score.

T-Mann036 reply Replies: 0 || 2011-04-15 00:00:00
LZ isn't lying at all, Dakota. It is no longer a rumor. The "Your Highness" complete film score is real.

Dakota reply Replies: 0 || 2011-04-15 00:00:00
I know. I realized that when Hyrbid pretty much stated it's real

Joshua reply Replies: 0 || 2011-04-11 00:00:00
Great Score! Just saw the film, its silly as hell an i was laughing all the way threw it. The score really is its own character in the film. Its the music Thadeous undoubtedly hears in his head when he goes on his quest lol

MK reply Replies: 0 || 2011-04-10 00:00:00
@Miles Blitch

Yes, you are right.

Miles Blitch reply Replies: 0 || 2011-04-10 00:00:00
@MK

I've been listening to the score, and I wouldn't say that there is a "heavy" Transformers influence, any more than usual in Jablonsky's works. That said, some parts are heavily influenced by Pirates of the Caribbean (Thadeous' theme in particular), but I can live with it.

MK reply Replies: 0 || 2011-04-10 00:00:00
This is a treat! Great fun to listen although there is very heavy influence taken from Transformers... but hey! It is Steve! Can't wait to hear Transformers 3!!

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Your Highness soundtrack - Steve Jablonsky 2011