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I'd love to see Hans do another historical epic, for the record. I'm sure he'd say he's moved on from that sound, but personally, I miss it. That being said, Harry Gregson-Williams did good work here. Even if he then copied and pasted whole sections for Narnia. lol.Music editors loved their Gladiator temp too muchWhat was the reason of their swap? Why did Hans Zimmer quit Kigdom of HeavenHybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.
Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5
Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing — but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! That’s all really interesting. So how much of the OST is really HAnS Zimmer then???Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Can’t insult me! I am genuinely curious. What’s this about The Last Samurai???
I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.he is working on the new Terminator movie?! :OCredits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.
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John PowellJames McKee SmithMichael John MolloBeth Caucci
ComposerAdditional MusicAdditional MusicAdditional Music
Mars Needs Moms
Label: Walt Disney Records (Digital Download Only)
Length: 49'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6219 votes)
  1. Mars Observers (3:26)
  2. Abduction / Trashworld (4:48)
  3. Enjoy The Ride (1:34)
  4. Mars Needs Moms (2:08)
  5. Gribble's Plan (1:21)
  6. Milo Escapes (3:48)
  7. Gribble's Loss (3:17)
  8. Firing Squad (5:03)
  9. To The Surface (6:36)
  10. The Sacrifice (3:23)
  11. Transformation (3:47)
  12. Family Reunion (2:58)
  13. Mars Needs Moms Credits Suite (3:43)
  14. Martian Mambo (3:09)
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John Powell lover #1 reply Replies: 1 || 2016-02-18 17:37:05
This Soundtrack should be way more popular. It's so good! It's probably because they movie sucked so bad.


Edmund Meinerts2016-02-18 19:15:34
Yeah this one tends to get lost in the shuffle. A shame, it's an absolutely wonderful score.

Vahn Gharakhani reply Replies: 0 || 2011-06-13 17:41:10
It was so good I burned a disc for myself!!! Made covers too? Any one want to see them???

Awsome Job JOHN!!!

Mikel Siw (a fan from Spain) reply Replies: 0 || 2011-09-18 13:18:47
HAPPY BIRTHDAY, POWELL!!!!!!!!!!!

John reply Replies: 0 || 2011-04-13 00:00:00
Are there credits for this one?

Hybrid Soldier reply Replies: 0 || 2011-03-20 00:00:00
It's available (like almost all Disney digital releases) in lossless on French digital store Starzik.com ! ;)

Hypton reply Replies: 0 || 2011-03-15 00:00:00
John Powell !! I love him ! :P AWESOME MUSIC !! :D

Mikel Siw (a fan from Spain) reply Replies: 0 || 2011-03-12 00:00:00
Powell´s last piece is terrific!!!!! GREAT MUSIC!!!!!

Tim reply Replies: 0 || 2011-03-09 00:00:00
Maybe James Newton Howard is on it, due to the fact that direcor Tony Gilroy worked with him on all his previous projects.

Thiva reply Replies: 0 || 2011-03-09 00:00:00
I Just listened the mars needs moms soundtrack .It was supeb! John powell done a great job .
Who is the composer of Upcoming Bourne film?

John reply Replies: 0 || 2011-03-08 00:00:00
Alan Silvestri is doing Captain America. It's been confirmed on his Facebook page.

And thank God Powell didn't do The Smurfs! He has had enough bad films on his resume, he doesn't need new ones....

Mario Soundtrack reply Replies: 0 || 2011-03-07 00:00:00
I heard that John Powell was busy with the 5 Soundtracks that he had been asked to do. For that reason it has not done either Wiinie the Pooh, the Smurfs or Captain America.
Disney and DreamWorks are now struggling to John Powell.!!

Tim reply Replies: 0 || 2011-03-07 00:00:00
@ *the nameless guy*:
really?! neither imdb nor giacchino's official page confirms that. well, there isn't any composer confirmed, yet. I would be as delighted if Giacchino score it as Powell would, anyway :)

Anonymous reply Replies: 0 || 2011-03-07 00:00:00
Torque, it's neither Powell or Silvestri. Michael Giacchino will score Captain America.

aldan reply Replies: 0 || 2011-03-07 00:00:00
I just found this track on youtube:
http://www.youtube.com/watch?v=UCh536cpv8E

I think that was a combination of Mars Needs moms and mars needs moms credits suite. Well,although i love the main theme( you done it again powell !!), but there are still many similarities from Powell' other soundtracks that i can found.( Buck winning theme in Ice age 3( this theme can be heard clearly), Some theme from HTTYD, and Ice age 3 credits theme itself). But, still good though.

Torque reply Replies: 0 || 2011-03-04 00:00:00
Andrew, Alan Silvestri will score Captain america, not Powell.

Anonymous reply Replies: 0 || 2011-03-01 00:00:00
King Powell!

aldan reply Replies: 0 || 2011-03-01 00:00:00
From the sample, i can conclude that:

-Abduction/trashworld: sounded like Paycheck, Bolt, Hancock, and The bourne soundtrack.
-Enjoy the ride: sounded like a piece from ice age 3, when Buck saved Sid from lava fall.
-Mars needs moms: abstract, can't be defined.
-Gribble's plan: sounded like antz( that whistle part), paycheck, and bolt.
-Milo escapes: sounded exciting, but still has a paycheck theme in it.
-Gribble's plan: abstract, but touching.
-To the surface: Sounded like HTTYD, very much, with a little improvement in it, before it turned into that Paycheck-ish action track.
-to the sacrifice: well, good enough
-transformation: original, well done.
-mars needs moms credits suite: The best of them all. I think this is the main theme.
-martian mambo: sounded like that sid-clan song from ice age 2.

No, powell. You started to act like zimmer. But, still good nonetheless. i hope you can do better on Rio.
But, you're still the man.

MK reply Replies: 0 || 2011-03-01 00:00:00
No CD?! What the...?!!!

Enrico reply Replies: 0 || 2011-03-01 00:00:00
Digital Download...what a BAD thing!!! WE WANT CD!!!!!!!!!!!!!!!!!!!!!!!!!

CD FOREVER!!!!!!!!!!!!!!!!!!

John reply Replies: 0 || 2011-03-01 00:00:00
@Aldan

The reason why it sounds similar to other Powell stuff its because this is a replacement score. Originally, Hans Zimmer was going to score the movie and he left or was rejected, so they brought in John. And I imagine that with the rush they tracked the movie with previous Powell music.

However, the quality of the orchestra sounds amazing. Can't wait!

Prott reply Replies: 0 || 2011-03-01 00:00:00
John: Hans.. rejected? No way! :-)
It was announced (John Powell scoring this) a long time ago (more than half a year).

Andrew reply Replies: 0 || 2011-03-01 00:00:00
I don't think Zimmer was rejected. He probably felt that this film is too similar in its musical needs to Megamind. He probably passed it to Powell.

And regarding the similar motifs. I think there is only so much innovation you can come up with, once you score a fair amount of movies of the same genre.

I cannot help but wonder what Powell would have done for a concept like Captain America...

Mikel Siw (a fan from Spain) reply Replies: 0 || 2011-02-28 00:00:00
Only for digital download... no Cd for this one, right dudes??

John reply Replies: 0 || 2011-02-28 00:00:00
The samples sound extremly good, particularly the string writing. However, I'm hearing too close similiarities to Hancock, Dragon and Ice Age 2.

Despite that, it sounds very very promising!

Anonymous reply Replies: 0 || 2011-02-28 00:00:00
Amazon MP3 sound samples online now.

They sound once again AMAZING!

Hybrid Soldier reply Replies: 0 || 2011-02-28 00:00:00
Happy with that ?? :P

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