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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.

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Additional Music
Ramin DjawadiBobby TahouriStephen ColemanBrandon Campbell
ComposerAdditional MusicOrchestratorTechnical Score Advisor
Game Of Thrones (TV Series - Season 1)
Label: Varese Sarabande
Length: 65'01 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4956 votes)
  1. Main Title (1:46)
  2. North Of The Wall (3:48)
  3. Goodbye Brother (3:07)
  4. The Kingsroad (2:06)
  5. The King's Arrival (3:34)
  6. Love In The Eyes (4:00)
  7. A Raven From King's Landing (1:16)
  8. The Wall (1:59)
  9. Things I Do For Love (1:52)
  10. A Golden Crown (1:38)
  11. Winter Is Coming (2:42)
  12. A Bird Without Feathers (2:02)
  13. Await The King’s Justice (2:00)
  14. You’ll Be Queen One Day (1:36)
  15. The Assassin’s Dagger (1:19)
  16. To Vaes Dothrak (1:29)
  17. Jon's Honor (2:35)
  18. Black Of Hair (1:40)
  19. You Win Or You Die (1:57)
  20. Small Pack Of Wolves (1:57)
  21. Game Of Thrones (1:18)
  22. Kill Them All (2:35)
  23. The Pointy End (3:16)
  24. Victory Does Not Make Us Conquerors (1:35)
  25. When The Sun Rises In The West (2:40)
  26. King Of The North (1:28)
  27. The Night’s Watch (1:44)
  28. Fire And Blood (4:30)
  29. Finale (2:31)
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iamtommie reply Replies: 0 || 2019-03-11 20:12:24
Just be reminded. It might not be completely right.

Episode 1
North Of The Wall
Main Title (Every episode of course)
A Raven From King's Landing
The King's Arrival
A Golden Crown
Things I Do For Love
Game Of Thrones (More episode through all seasons)

Episode 2
To Vaes Dothrak
A Bird Without Feathers
Goodbye Brother
The Kingsroad
The Assassin's Dagger
Love In The Eyes
Winter Is Coming

Episode 3
The Wall
The Pointy End

Episode 4
Await The King's Justice

Episode 5
Small Pack Of Wolves

Episode 6
You'll Be Queen One Day
Black Of Hair

Episode 7
You Win Or You Die

Episode 8

Episode 9
Victory Does Not Make Us Conquerors

Episode 10
Kill Them All
King Of The North
Jon's Honor
When The Sun Rises In The West
The Night's Watch
Fire And Blood

Bibi reply Replies: 0 || 2018-05-09 09:40:15
So, nothing about the live experience here ?

Warfighter reply Replies: 6 || 2012-05-14 21:21:03
Season 2 score release coming from Varese Sarabande --Season/Detail

...2015-07-07 19:25:15
Hybrid, do you know who was the cello player on this score? I am pretty sure it's not Martin Tillman. It could be a pleath I guess but would like to know for sure!

Hybrid Soldier2015-07-07 21:27:31
No idea ! No one's credited as musician... Maybe it's Ramin...

...2015-07-07 22:19:37
Ramin plays the cello? I didn't know that, awesome!

Edmund Meinerts2015-07-08 11:00:55
I always assumed it was Ramin himself, although admittedly I've never seen that confirmed anywhere, so whaddo I know. :p

Phil2015-07-08 12:45:59
probably Tina Guo?

H2O2015-07-09 00:57:23
Nope. Not Tina Guo, she just performed her own covers for the Main Theme & The Rains of Castamere. Dunno, may be it's Brandon Campbell who plays the cello.

Jasper reply Replies: 0 || 2011-07-04 00:48:34
Just listened it for the first time. I kinda like it, but I gotta listen it a couple more times. Good first impression though!

Edmund Meinerts reply Replies: 2 || 2011-06-27 18:05:29

As a big fan of the books I have to say that Djawadi really didn't (or doesn't have the ability to) live up to the potential that this incredibly intricate storyline offers - dozens of subplots, intriguing characters, it's a really awesome story and the series did it full justice in every aspect EXCEPT for this underwhelming music.

To my ears Djawadi is one of the least impressive composers to come out from under Hans Zimmer's wing. Powell, Harry Gregson-Williams, Rabin, Jablonsky, Mancina, Jackman, Orvarsson, Balfe, Rupert Gregson-Williams, are all much better. I wish one of them could have had this incredible opportunity.

That said, the main theme isn't actually too bad. Kind of catchy. But I hate the synthy sound of the string section and in general it's really underplayed. Thank God the series is so strong it barely even needs a score ;)

Edmund Meinerts2011-06-27 18:06:47
Oh, and Nick Glennie-Smith is better too...:p

Ds2011-06-27 21:27:01
Totally agree!! wonderful main theme but the rest is ambient music without any originality...

D A R T H reply Replies: 1 || 2011-06-16 14:05:26
Ramin Djawadi is not constant, but here, i think it's a very good album with ethnic and medieval sonority...

my note : 4 of 5

Bill L.2011-06-16 20:31:16
indeed ! Incredible soundtrack

Bill L. reply Replies: 6 || 2011-05-04 16:57:06
Yeahhhh ! very good - I am impatient to get it :p

D A R T H2011-05-26 23:24:16
It's for June...

D A R T H2011-05-27 19:47:18
the 14th or 17th june

D A R T H2011-06-13 21:10:23
MMM...ok ...06 / 28

HZfan2011-06-14 19:11:29
It's available on iTunes now!!!

Miles2011-06-14 22:02:18
The samples sound pretty good; there's a real emotional core within the music. Nice job, RJ!

My only quibble is that something must have been up with the mixing or whatever: when it moves into the higher or lower registers, there's this static-y background harmonic, but for all I know it could be something different. It's noticable on tracks like "Goodbye Brother" and "Finale".

Bastian Nanchen2011-06-14 22:35:03
Always in iTunes Switzerland...i'm sad !!!

Bastian Nanchen reply Replies: 0 || 2011-06-08 19:24:04
Now, you can preorder the soundtrack from HBO shop:
http: // ?p=301299&v=hbo_shows_game-of-thrones&ecid=SMM-11859&pa=SMM- 11859

Evenstar reply Replies: 3 || 2011-06-01 09:46:46

Track List:
1. Main Title (1:46)
2. North Of The Wall (3:48)
3. Goodbye Brother (3:07)
4. The Kingsroad (2:06)
5. The King’s Arrival (3:34)
6. Love In The Eyes (4:00)
7. A Raven From King’s Landing (1:16)
8. The Wall (1:59)
9. Things I Do For Love (1:52)
10. A Golden Crown (1:38)
11. Winter Is Coming (2:42)
12. A Bird Without Feathers (2:02)
13. Await The King’s Justice (2:00)
14. You’ll Be Queen One Day (1:36)
15. The Assassin’s Dagger (1:19)
16. To Vaes Dothrak (1:29)
17. Jon’s Honor (2:35)
18. Black Of Hair (1:40)
19. You Win Or You Die (1:57)
20. Small Pack Of Wolves (1:57)
21. Game Of Thrones (1:18)
22. Kill Them All (2:35)
23. The Pointy End (3:16)
24. Victory Does Not Make Us Conquerors (1:35)
25. When The Sun Rises In The West (2:40)
26. King Of The North (1:28)
27. The Night’s Watch (1:44)
28. Fire And Blood (4:30)
29. Finale (2:31)

Evenstar2011-06-01 09:48:00
Release Date: 06/28/11

Hybrid Soldier2011-06-01 10:24:14
Even, I've said it before, so it's just once more : I hate people posting tracklists !

I'm adding it ! Hey, I have the right to sleep too ! :O

Evenstar2011-06-01 14:47:06
Sorry Hybrid, i thought it would be nice someone help you out. Won't do anymore.© 2001-2018 OST 
Game Of Thrones (TV Series - Season 1) soundtrack - Ramin Djawadi 2011