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I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). Itís fine to not like the music, everyone has different tastes, but donít criticize a composer for writing what he was asked to write.I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldnít afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said no
I Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from WallfischOne-worded track titles! Reminds me of early days of Media Ventures!<br><br>They sure tried real hard to keep spoilers out of these, didn't they? I suppose I'd take this approach over Latin or irrelevant names, though a little bit of pun and flavor wouldn't have hurt.So you can't wait to hear the score but you already say it's a great score ?<br><br><br>#inceptionAnother great score from Benjamin Wallfisch can't wait to hear the score & see the movie <br><br>Music By Benjamin Wallfisch<br>Additional Music By John Paesano & Adam Hochstatter<br>Orchestra Conducted By Tim Williams<br>Orchestrations By Peter Bateman & David J. KrystalWhy is people saying that Balfe kept some original music from Kraemer? I have listened to the whole score and I didn't found any quotes. Maybe in The Syndicate there is some kind of reference to Kraemer's theme but I don't really know.<br><br>And I have to say that I was expecting Balfe to shine on this one, but I ended up disappointed. There are some great action cues, and I like some things he does with the main theme like the use of choir, but the score as a whole feels like a reuse of many things I have already heard and ends up feeling repetitive and a bit boring. <br>And note that this is my opinion so don't jump into my neck saying this is the best score in the saga, because I think Rogue Nation is a really big step above this. I hope that at least it works in the context of the movie, which I suppose it does really well...
Re-listening the score again...Ö.Have to say, Lisbeth Scott's beautiful vocals are definitely one of the highlights. She's amazing. On par with Lisa Gerrard.<br><br>Speaking of, what the hell happened to MV/RC guys incorporating female vocalists in their scores? I've always loved that approach. But it seems that it kinda went away......replaced by more and more sound design! So except for this score (and Steve's Your Highness) is there a recent big MV/RC score that actually features female vocals? Maybe I'm missing some...Ö..I was wondering that is there a Hans Zimmer library you need to license from Remote Control.<br><br>I kinda saw a composer's Cubase setup and he labeled one of his folders, HZ STR, HZ BRS, and HZ Choir.<br><br>Does Zimmer have a brass and choir sample library you need to have a license for?Easy now Mr. Anonymous, no need to be so superior. <br>I looked up that tracklist, and couldn't find 'Tai Lung Escapes' specifficaly listed, hence asking. Closest there is 'Shogun Mongol Prison', but it's too short to be the whole scene.   <br><br>But I'll try to get a hold of that complete version somehow, looks super interesting.Its just three short bursts of sound, really.Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheet
It should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional music
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Jim DooleyHarry Gregson-WilliamsSteve JablonskyJames S. Levine
ComposerComposerComposerComposer
WWII In HD (TV Documentary)
Label: Extreme Music (Digital Download Only)
Length: 44'39
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5053 votes)
  1. Nu Dimension (2:27)
    James S. Levine
  2. Mount Legend (2:33)
    Lorne Balfe (as Oswin Macintosh)
  3. Shaft Of Glory (3:24)
    Lorne Balfe (as Oswin Macintosh)
  4. Victory Quest (1:19)
    John Powell
  5. Rough Justice (2:50)
    Klaus Badelt
  6. Trailblazing (2:53)
    Steve Jablonsky
  7. Black Passage (2:33)
    James S. Levine, Dolph Taylor, Russel Emanuel
  8. Wicked Way (1:48)
    John Paesano
  9. Flood Rush (2:18)
    Lorne Balfe (as Oswin Macintosh)
  10. Strings Of Change (2:28)
    James S. Levine
  11. Gross Encounter (2:16)
    Atli ÷rvarsson
  12. Three Strikes (3:02)
    James Dooley
  13. Destiny's Wild (3:09)
    James Dooley
  14. Eruptive Force (1:32)
    Lorne Balfe (as Oswin Macintosh)
  15. All The Way (1:51)
    Lorne Balfe (as Oswin Macintosh)
  16. 8th Wonder (1:00)
    Harry Gregson-Williams
  17. Nowhere To Run (2:04)
    Klaus Badelt
  18. Stone Cold (2:18)
    Geoff Zanelli
  19. White Hope (2:54)
    James Dooley
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MacArthur reply Replies: 0 || 2013-09-02 21:22:39
It's funny all of these Composers are RCP but no Hans Zimmer. and was Oswin Macintosh Lorne Balfe

Phill B reply Replies: 0 || 2011-09-15 18:43:39
sooo epic
LOVE IT, especially Shaft of Glory
many thanks to all Composers of this Album !!!

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Dakota reply Replies: 0 || 2011-06-14 03:39:00
This compilation is the sh!t! Can anyone tell me where I have heard some of these tracks from, because I'm recognizing some of them as I add each one into iTunes.

Hybrid Soldier reply Replies: 1 || 2011-06-05 17:56:24
This excellent compilation has been released lately by Extreme Music... It's all Directors Cuts series cues for the WWII in HD show, finally available !


Anonymous2011-06-09 03:18:31
Seems kinda pointless to market this as a soundtrack when its just unrelated library music... but then again it lets fan get their hands on some hard-to-find tracks!

Brad reply Replies: 6 || 2011-06-05 20:21:19
@Hybrid:
Why does Lorne Balfe go under the sur-name Oswin Macintosh for this album? Just curious.


al bundy2011-06-05 20:26:42
that was his name when the track was composed. All these tracks are from the directors cuts album (from extreme music).


Hybrid Soldier2011-06-06 07:50:55
It's just a nickname, nothing more or special with it... ;)


Taaboo2011-06-08 19:34:55
It's actually Oswin Mackintosh with a "k" after the C.

Thanks,

O.M.


Hybrid Soldier2011-06-08 20:21:15
Whatever !

It's just L-O-R-N-E B-A-L-F-E anyway !!! haha :D


Kon2011-06-08 21:15:33
@Hybrid

why does track 15 all the way sound like a transformers track, its like lorne had a big hand in the score beside the additional composer credit?


Adrian2011-06-08 21:20:06
@ Hybrid,

No you should be accurate, dude! :P

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WWII In HD (TV Documentary) soundtrack - Jim Dooley - Harry Gregson-Williams - Steve Jablonsky - James S. Levine 2011