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"Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.where got you did tracklist have been?
Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hans’ theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If you’re talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hans’ ideas.
His KPM and Extreme library tracks are excellentOh I know! I'd say I've heard maybe 20 scores or so by him, so not totally useless, but he's definitely someone I still need to explore more.It would be good to see Kawczynski doing more.Chappie was excellentIan - I prefer Rogue One over Jurassic World. The movie and the score.<br><br>Edmund - You have missing a lot of great stuff by Goldsmith! :DProbably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :p
Wallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesn’t harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that don’t think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.@HunterTech<br><br>"I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world."<br><br>Exactly. Hans, for all the criticism he gets (much of it for good reason), has written some of the best film music of all time (seriously, having listened to huge amounts of Williams and Goldsmith, I still find Science & Religion my favorite cue ever). On the other hand, Lorne has written innumerable adequate-to-good scores, but none that I can recall are iconic. I'd say the closest he's come is in the form of his contributions to some of Zimmer's work (personally, I think his Kick It theme is the most interesting of those in Inception), but even then he hasn't done anything as memorable as Djawadi's theme from Batman Begins.
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyPaul Linford
ComposerComposerAdditional MusicAdditional Music
Enemy Of The State
Label: Hollywood Records
Length: 54'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4428 votes)
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  1. Main Titles (2:00)
  2. Enemy Of The State Main Theme (2:55)
  3. Brill's Theme (3:28)
  4. The Ferry (1:26)
  5. Hotel Chase Part 2 (3:45)
  6. Zavitz Chase Part 1 (2:02)
  7. NSA Research (2:35)
  8. Brill And Dean Meet (4:13)
  9. Free Ferry (0:37)
  10. Nanny Drive (1:32)
  11. Final Confrontation (8:43)
  12. Coal Yard Part 1 (3:42)
  13. Face To Face (3:09)
  14. The Tunnel Part 1 (1:57)
  15. Coal Yard Part 2 (4:53)
  16. Rachel's Found Dead (5:18)
  17. Wish You Were Here (1:59)
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Viper5charlie reply Replies: 7 || 2012-11-27 12:34:11
Yesssss Complete!!!!!!!!!!
1M1 Opening (0:51)
1M2 Murder (1:38)
1M3 Main Titles (2:02)
1M4 Rachel (0:55)
2M5 Pintero's Social Club (2:54)
2M6 Recording (1:31)
2M7-8 Intercept (1:12)
3M9 Murder On Tape (1:31)
3M10A Zavitz On the Loose (1:47)
3M10B Zavitz Chase Pt.1 (2:05)
3M10B Zavitz Chase Pt.1 (Alt.) (2:05)
3M11 Zavitz Chase Pt.2 (2:29)
4M12 Profiling (1:01)
4M13 NSA Research (2:38)
4M14 Inquiry (0:59)
4M15 Package (1:00)
5M16-18 Night Visitors (2:12)
5M19 Bugged (1:01)
5M20 Rachel's Call (0:46)
6M21 Dean Fired (0:20)
6M22 You Wanna Blend (0:25)
6M23 Tracked (0:46)
6M24 Limousine Service (0:22)
6M25 In the Park (2:53)
6M26 The Ferry (1:17)
6M26b Free Ferry (0:44)
7M27 Taxi Ride (1:57)
7M28 Brill & Dean Meet (4:18)
7M29 Hotel Chase Pt. 1 (2:58)
8M30 Hotel Chase Pt. 2 (3:54)
8M31A The Tunnel Pt. 1 (2:01)
8M31B The Tunnel Pt. 2 (2:06)
8M32 Winning Carla Over (0:57)
8M33 The Present (0:36)
9M34 Nanny Drive (1:39)
9M35 Rachel's Found Dead (5:20)
9M36 We Got Nothing (0:54)
9M37 Phone Call (1:16)
10M38 Brill's Office (1:45)
10M39A Coal Yard Pt. 1 (3:48)
10M39B Coal Yard Pt. 2 (5:01)
11M40 Edward Lyle (0:47)
11M41-42 The Promise Turning the Tables (5:03)
11M43 Wired Room (1:16)
12M44 Bank Account (1:34)
12M45 Meeting (0:56)
12M46 Face to Face (3:12)
13M47 Brill Caught (0:21)
13M48 Final Confrontation (8:50)
13M49 Brill Disappears (1:21)
14M50 Wish You Were Here (2:03)
14M51 Enemy Of The State Main Theme (2:55)
14m52 Brill's Theme (3:28)


Real Scorefan2012-11-28 00:52:27
Finally, sorry elitist, more complete scores are coming


Dawn2012-11-28 22:45:10
"Elitists" are those who leak unreleased music. Enjoy the music and keep your mouth close, Real Scorefan ! ;)


Bondo2012-11-29 00:20:09
Did you ever stop to think that sometimes they're not ALLOWED to release music, or perhaps not allowed to release it until a certain amount of time has passed? You're trying to paint the picture of "elitist" sitting atop their throne of music, randomly deciding when to pass it out to the lower class. If you really believe that, you're a bit too cynical for my taste.


Mr. Fate2012-11-29 02:48:18
THANK YOU, BONDO! We need a way to spread the word. So many people see the elitists as the top of society and that they take pleasure in showing off what they have to the less fortunate. Well, that's true in only one situation: when the dick who has something that other people don't gets off to making people angry--and most of the time, that dick doesn't even have anything real.

No, the true elitists are the ones who have what they have and keep it to themselves--and that's largely because there are REAL WORLD reasons for them doing what they do. There truly are legal matters surrounding the 'elitists' and their music.

Add to all this the fact that just about the only people the commoners see as being 'elitists' are in no way elitists at all. The public's view of them is all wrong.


Scorefan / Real Scorefan2012-11-29 20:48:53
suck my dick Dawn, Bondo and Mr. Fate!!!!!!!!!!!!


Real Scorefan2012-11-30 00:16:04
to @Scorefan / Real Scorefan what the fuck are you doing with my name? What do you want to pretend? Please buy a life and live piece of crap


T-Mann0362012-12-09 11:40:06
The complete score leak is like MC Hammer-- 2 Legit.

Anonymous reply Replies: 0 || 2006-08-17 00:00:00
German HGWonline: www.harry-gregson-williams.de

herman reply Replies: 0 || 2005-04-29 00:00:00
Enemy of the State est de loin la meilleure bo de Trevor Rabin et Harry Gregson Williams qui ont ecrit pour le film un theme principal memorable ainsi qu'1 trés bon final confrontration
du grand art

alvaropino reply Replies: 0 || 2005-01-19 00:00:00
Who to by the music sheet of :
The Last Samurai

Thanks for your Help

Prof. Alvaro Pino N.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
I would really love if there were more tracks like the outstanding Bill's theme and the main titles, i.e. the more orchestral ones instead of all this well-organised noise --) The orchestral / dramatic bits of this score alone deserve the purchase and fans of SPY GAME or MAN ON FIRE should already own this :)

Demetris Christodoulides

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Enemy Of The State soundtrack - Harry Gregson-Williams - Trevor Rabin 1998