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Booklet credits:<br><br>Score Composed, Produced, Programmed, Mixed and Mastered by Tom Holkenborg<br><br>Additional Music: Antonio Di Iorio<br>Additional Synth Programming by Sara Barone<br>Technical Score Engineers: Jacopo Trifone, Shwan Askari, Gevorg Chepchyan and Jarrod Royles-Atkins<br>Music Production Services by Michiel Groeneveld<br>Score Mixed at Computer Hell Cabin<br><br>Score Conducted by Edward Trybek<br>Score Orchestrated by Edward Trybek, Henri Wilkinson, Jonathan Beard and Tom Holkenborg<br>Music Contractor: Peter Rotter (For Encompass Music Partners)<br>Score Copied by Edward Trybek and Henri Wilkinson<br>Score Recorded by Chris Fogel<br>Digital Recording by Kevin Globerman<br>Score Recorded at Elbo Studios<br><br>Executive in Charge of Music for Paramount Pictures: Randy Spendlove<br>Soundtrack Album Coordinator: Michael Murphy<br>Executive Album Producers for La-La Land Records: MV Gerhard and Matt Verboys<br>Art Direction by Dan Goldwasser at Warm Butter Design<br>Production Assistance: Frank K. DeWald and Neil S. Bulk<br><br>Special Thanks:<br>Saskia Holkenborg, Julian and Darren Holkenborg, David Altschul, Anne Cobb, Allison Dotson, Richard Kraft, Laura Engel, Hisham Dahud and Alastair Duncan<br><br>Paramount Pictures Thanks:<br>Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicholl, Vanessa Palmer, Areli Quuirarte, Maddy Van Remortel, Kim Seiniger, Johnathan Weiss and Clare YezerskiHey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.
I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probably
I am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!
Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyPaul Linford
ComposerComposerAdditional MusicAdditional Music
Enemy Of The State
Label: Hollywood Records
Length: 54'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5174 votes)
  1. Main Titles (2:00)
  2. Enemy Of The State Main Theme (2:55)
  3. Brill's Theme (3:28)
  4. The Ferry (1:26)
  5. Hotel Chase Part 2 (3:45)
  6. Zavitz Chase Part 1 (2:02)
  7. NSA Research (2:35)
  8. Brill And Dean Meet (4:13)
  9. Free Ferry (0:37)
  10. Nanny Drive (1:32)
  11. Final Confrontation (8:43)
  12. Coal Yard Part 1 (3:42)
  13. Face To Face (3:09)
  14. The Tunnel Part 1 (1:57)
  15. Coal Yard Part 2 (4:53)
  16. Rachel's Found Dead (5:18)
  17. Wish You Were Here (1:59)
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Viper5charlie reply Replies: 7 || 2012-11-27 12:34:11
Yesssss Complete!!!!!!!!!!
1M1 Opening (0:51)
1M2 Murder (1:38)
1M3 Main Titles (2:02)
1M4 Rachel (0:55)
2M5 Pintero's Social Club (2:54)
2M6 Recording (1:31)
2M7-8 Intercept (1:12)
3M9 Murder On Tape (1:31)
3M10A Zavitz On the Loose (1:47)
3M10B Zavitz Chase Pt.1 (2:05)
3M10B Zavitz Chase Pt.1 (Alt.) (2:05)
3M11 Zavitz Chase Pt.2 (2:29)
4M12 Profiling (1:01)
4M13 NSA Research (2:38)
4M14 Inquiry (0:59)
4M15 Package (1:00)
5M16-18 Night Visitors (2:12)
5M19 Bugged (1:01)
5M20 Rachel's Call (0:46)
6M21 Dean Fired (0:20)
6M22 You Wanna Blend (0:25)
6M23 Tracked (0:46)
6M24 Limousine Service (0:22)
6M25 In the Park (2:53)
6M26 The Ferry (1:17)
6M26b Free Ferry (0:44)
7M27 Taxi Ride (1:57)
7M28 Brill & Dean Meet (4:18)
7M29 Hotel Chase Pt. 1 (2:58)
8M30 Hotel Chase Pt. 2 (3:54)
8M31A The Tunnel Pt. 1 (2:01)
8M31B The Tunnel Pt. 2 (2:06)
8M32 Winning Carla Over (0:57)
8M33 The Present (0:36)
9M34 Nanny Drive (1:39)
9M35 Rachel's Found Dead (5:20)
9M36 We Got Nothing (0:54)
9M37 Phone Call (1:16)
10M38 Brill's Office (1:45)
10M39A Coal Yard Pt. 1 (3:48)
10M39B Coal Yard Pt. 2 (5:01)
11M40 Edward Lyle (0:47)
11M41-42 The Promise Turning the Tables (5:03)
11M43 Wired Room (1:16)
12M44 Bank Account (1:34)
12M45 Meeting (0:56)
12M46 Face to Face (3:12)
13M47 Brill Caught (0:21)
13M48 Final Confrontation (8:50)
13M49 Brill Disappears (1:21)
14M50 Wish You Were Here (2:03)
14M51 Enemy Of The State Main Theme (2:55)
14m52 Brill's Theme (3:28)


Real Scorefan2012-11-28 00:52:27
Finally, sorry elitist, more complete scores are coming


Dawn2012-11-28 22:45:10
"Elitists" are those who leak unreleased music. Enjoy the music and keep your mouth close, Real Scorefan ! ;)


Bondo2012-11-29 00:20:09
Did you ever stop to think that sometimes they're not ALLOWED to release music, or perhaps not allowed to release it until a certain amount of time has passed? You're trying to paint the picture of "elitist" sitting atop their throne of music, randomly deciding when to pass it out to the lower class. If you really believe that, you're a bit too cynical for my taste.


Mr. Fate2012-11-29 02:48:18
THANK YOU, BONDO! We need a way to spread the word. So many people see the elitists as the top of society and that they take pleasure in showing off what they have to the less fortunate. Well, that's true in only one situation: when the dick who has something that other people don't gets off to making people angry--and most of the time, that dick doesn't even have anything real.

No, the true elitists are the ones who have what they have and keep it to themselves--and that's largely because there are REAL WORLD reasons for them doing what they do. There truly are legal matters surrounding the 'elitists' and their music.

Add to all this the fact that just about the only people the commoners see as being 'elitists' are in no way elitists at all. The public's view of them is all wrong.


Scorefan / Real Scorefan2012-11-29 20:48:53
suck my dick Dawn, Bondo and Mr. Fate!!!!!!!!!!!!


Real Scorefan2012-11-30 00:16:04
to @Scorefan / Real Scorefan what the fuck are you doing with my name? What do you want to pretend? Please buy a life and live piece of crap


T-Mann0362012-12-09 11:40:06
The complete score leak is like MC Hammer-- 2 Legit.

Anonymous reply Replies: 0 || 2006-08-17 00:00:00
German HGWonline: www.harry-gregson-williams.de

herman reply Replies: 0 || 2005-04-29 00:00:00
Enemy of the State est de loin la meilleure bo de Trevor Rabin et Harry Gregson Williams qui ont ecrit pour le film un theme principal memorable ainsi qu'1 trťs bon final confrontration
du grand art

alvaropino reply Replies: 0 || 2005-01-19 00:00:00
Who to by the music sheet of :
The Last Samurai

Thanks for your Help

Prof. Alvaro Pino N.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
I would really love if there were more tracks like the outstanding Bill's theme and the main titles, i.e. the more orchestral ones instead of all this well-organised noise --) The orchestral / dramatic bits of this score alone deserve the purchase and fans of SPY GAME or MAN ON FIRE should already own this :)

Demetris Christodoulides

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Enemy Of The State soundtrack - Harry Gregson-Williams - Trevor Rabin 1998