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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyPaul Linford
ComposerComposerAdditional MusicAdditional Music
Enemy Of The State
Label: Hollywood Records
Length: 54'14
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4858 votes)
  1. Main Titles (2:00)
  2. Enemy Of The State Main Theme (2:55)
  3. Brill's Theme (3:28)
  4. The Ferry (1:26)
  5. Hotel Chase Part 2 (3:45)
  6. Zavitz Chase Part 1 (2:02)
  7. NSA Research (2:35)
  8. Brill And Dean Meet (4:13)
  9. Free Ferry (0:37)
  10. Nanny Drive (1:32)
  11. Final Confrontation (8:43)
  12. Coal Yard Part 1 (3:42)
  13. Face To Face (3:09)
  14. The Tunnel Part 1 (1:57)
  15. Coal Yard Part 2 (4:53)
  16. Rachel's Found Dead (5:18)
  17. Wish You Were Here (1:59)
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Viper5charlie reply Replies: 7 || 2012-11-27 12:34:11
Yesssss Complete!!!!!!!!!!
1M1 Opening (0:51)
1M2 Murder (1:38)
1M3 Main Titles (2:02)
1M4 Rachel (0:55)
2M5 Pintero's Social Club (2:54)
2M6 Recording (1:31)
2M7-8 Intercept (1:12)
3M9 Murder On Tape (1:31)
3M10A Zavitz On the Loose (1:47)
3M10B Zavitz Chase Pt.1 (2:05)
3M10B Zavitz Chase Pt.1 (Alt.) (2:05)
3M11 Zavitz Chase Pt.2 (2:29)
4M12 Profiling (1:01)
4M13 NSA Research (2:38)
4M14 Inquiry (0:59)
4M15 Package (1:00)
5M16-18 Night Visitors (2:12)
5M19 Bugged (1:01)
5M20 Rachel's Call (0:46)
6M21 Dean Fired (0:20)
6M22 You Wanna Blend (0:25)
6M23 Tracked (0:46)
6M24 Limousine Service (0:22)
6M25 In the Park (2:53)
6M26 The Ferry (1:17)
6M26b Free Ferry (0:44)
7M27 Taxi Ride (1:57)
7M28 Brill & Dean Meet (4:18)
7M29 Hotel Chase Pt. 1 (2:58)
8M30 Hotel Chase Pt. 2 (3:54)
8M31A The Tunnel Pt. 1 (2:01)
8M31B The Tunnel Pt. 2 (2:06)
8M32 Winning Carla Over (0:57)
8M33 The Present (0:36)
9M34 Nanny Drive (1:39)
9M35 Rachel's Found Dead (5:20)
9M36 We Got Nothing (0:54)
9M37 Phone Call (1:16)
10M38 Brill's Office (1:45)
10M39A Coal Yard Pt. 1 (3:48)
10M39B Coal Yard Pt. 2 (5:01)
11M40 Edward Lyle (0:47)
11M41-42 The Promise Turning the Tables (5:03)
11M43 Wired Room (1:16)
12M44 Bank Account (1:34)
12M45 Meeting (0:56)
12M46 Face to Face (3:12)
13M47 Brill Caught (0:21)
13M48 Final Confrontation (8:50)
13M49 Brill Disappears (1:21)
14M50 Wish You Were Here (2:03)
14M51 Enemy Of The State Main Theme (2:55)
14m52 Brill's Theme (3:28)


Real Scorefan2012-11-28 00:52:27
Finally, sorry elitist, more complete scores are coming


Dawn2012-11-28 22:45:10
"Elitists" are those who leak unreleased music. Enjoy the music and keep your mouth close, Real Scorefan ! ;)


Bondo2012-11-29 00:20:09
Did you ever stop to think that sometimes they're not ALLOWED to release music, or perhaps not allowed to release it until a certain amount of time has passed? You're trying to paint the picture of "elitist" sitting atop their throne of music, randomly deciding when to pass it out to the lower class. If you really believe that, you're a bit too cynical for my taste.


Mr. Fate2012-11-29 02:48:18
THANK YOU, BONDO! We need a way to spread the word. So many people see the elitists as the top of society and that they take pleasure in showing off what they have to the less fortunate. Well, that's true in only one situation: when the dick who has something that other people don't gets off to making people angry--and most of the time, that dick doesn't even have anything real.

No, the true elitists are the ones who have what they have and keep it to themselves--and that's largely because there are REAL WORLD reasons for them doing what they do. There truly are legal matters surrounding the 'elitists' and their music.

Add to all this the fact that just about the only people the commoners see as being 'elitists' are in no way elitists at all. The public's view of them is all wrong.


Scorefan / Real Scorefan2012-11-29 20:48:53
suck my dick Dawn, Bondo and Mr. Fate!!!!!!!!!!!!


Real Scorefan2012-11-30 00:16:04
to @Scorefan / Real Scorefan what the fuck are you doing with my name? What do you want to pretend? Please buy a life and live piece of crap


T-Mann0362012-12-09 11:40:06
The complete score leak is like MC Hammer-- 2 Legit.

Anonymous reply Replies: 0 || 2006-08-17 00:00:00
German HGWonline: www.harry-gregson-williams.de

herman reply Replies: 0 || 2005-04-29 00:00:00
Enemy of the State est de loin la meilleure bo de Trevor Rabin et Harry Gregson Williams qui ont ecrit pour le film un theme principal memorable ainsi qu'1 trés bon final confrontration
du grand art

alvaropino reply Replies: 0 || 2005-01-19 00:00:00
Who to by the music sheet of :
The Last Samurai

Thanks for your Help

Prof. Alvaro Pino N.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
I would really love if there were more tracks like the outstanding Bill's theme and the main titles, i.e. the more orchestral ones instead of all this well-organised noise --) The orchestral / dramatic bits of this score alone deserve the purchase and fans of SPY GAME or MAN ON FIRE should already own this :)

Demetris Christodoulides

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Enemy Of The State soundtrack - Harry Gregson-Williams - Trevor Rabin 1998