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Hans for Star Wars ?<br><br><br>Never.<br><br><br>Ron probably asked him first and Hans probably was like "JOHN POWELL !!"What would have happened if Ron Howard would have been the first choice to direct Solo? He would have chosen James Horner (if he wasn't dead) or try to convince Hans Zimmer to do the music. The only collaboration between Howard and maestro Williams was in the movie Far And Away.Poster in SpainA Star Wars score that sounds like a Powell score? I'm in.<br><br>From what I've heard of many people, the score is really great and apart from the Williams theme, I heard Powell also had a lot of great themes.<br><br>I cannot wait for it!Your source?
Just saw the film, really fun and faced paced movie. The score is great, it has a solid main theme by John Williams (not as great as Rey theme though) but still memorable and john powell adapts this main theme in various variations throughout the film. Star Wars fan might be dissapointed by the score because this overall sounds like a typical Powell score which doesnít really sound like a typical Star Wars movie. Still fans of Powell will love this new score.La La-Land is going to release the scorePowell adapted ideas from Williams (i think in one interview, he saids the new themes come from tunes by Williams)Music providen by additional composers, mean like, diferent version or re-arranged parts from a cueSorry about my lack of knowledge on this...but somebody can explain me what means "Additional Music"?.<br><br>I know somebody composed the score, sometimes the same person is the arranger or orchestrator (like ussually do John Williams), but "Additional Music"??? I'm lost like always...
Anyone else think the credits are too complicated? Why not just have "Han Solo theme by John Williams" and "Score by John Powell"? I know that Powell directly quotes some Williams cues, but I dunno. That's an overly complicated cover, in my opinion.I saw it in Paris, amazing show, my favourite after Zimmer's oneI think that credit connected with John Williams's music from the original Star Wars movies. So, Herbert Spencer was the original orchstrator on the first three movies (New Hope, The Empire Strikes Back and Return Of The Jedi). More of that, he's been credited on Rogue One: A Star Wars Story as orchestrator. All other people usually works with John Williams, except Mark Graham, who's heading music preparation in almost every Hollywood movies now (Jo Ann Kane Music Services)I am increasingly seeing two separate credits for the orchestration role: one being the usual "Orchestrated By" and the other is this "Additional Orchestrations" credit. I can understand what one might mean by "additional music" but what differentiates these two orchestration roles from one another?Music Credits (From The Film):<br><br>Han Solo Theme And Original Star Wars Music By<br>JOHN WILLIAMS<br><br>Score Composed And Adapted By<br>JOHN POWELL<br><br>Additional Music And Arrangements By<br>BATU SENER<br>ANTHONY B. WILLIS<br>PAUL MOUNSEY<br><br>Supervising Orchestrator<br>JOHN ASHTON THOMAS<br><br>Orchestrated By<br>GEOFF LAWSON<br>TOMMY LAURENCE<br>ANDREW KINNEY<br>RANDY KERBER<br>RICK GIOVINAZZO<br>GAVIN GREENAWAY<br><br>Additional Orchestrations By<br>HERBERT W. SPENCER<br>MARK GRAHAM<br>GREGORY JAMROK<br>VICTOR PESAVENTO<br>PAUL HENNING<br><br>Music Editors<br>JACK DOLMAN<br>RYAN RUBIN<br>RAMIRO BELGARDT<br>SALLY BOLDT<br><br>Orchestra Conducted By<br>GAVIN GREENAWAY<br><br>Orchestra Leader<br>EMYLIN SINGLETON<br><br>Score Recorded And Mixed By<br>SHAWN MURPHY<br><br>Additional Recordings By<br>JAKE JACKSON<br>NICK WOLLAGE<br><br>Additional Mixing By<br>JOHN TRAUNWIESER<br><br>Mix Assistant<br>GORDON DAVIDSON<br><br>Scoring Editor<br>DAVID CHANNING<br><br>Digital Score Recordist<br>ERIK SWANSON<br><br>Orchestra Contractor<br>LUCY WHALLEY<br>For<br>ISOBEL GRIFFITHS LTD<br><br>Choirs<br>ETHNIC BULGARIAN CHOIR "VANYA MONEVA"<br>SOFIA SESSION CHOIR<br><br>Choir Contractor<br>GEORGE STREZOV<br><br>Vocal Contractor<br>EDIE LEHMANN BODDICKER<br><br>Solo Vocals<br>BARAK MAY<br>REID BRUTON<br><br>Music Preparation By<br>MARK GRAHAM<br>GREGORY JAMROK<br>DAVE HAGE<br><br>Score Recorded At<br>ABBEY ROAD STUDIOS, LONDON<br><br>Abbey Road Recordists<br>JOHN BARRETT<br>STEFANO CIVETTA<br>GEORGE OULTON<br><br>Score Mixed At<br>5 CAT STUDIOS, LOS ANGELES<br><br>Score Production Assistants<br>NATE UNDERKUFFLER<br>SOYA SOO
A release would be awesome! It came to my country but I noticed it too late and the tickets were gone. I hope for next year I can see it live but meanwhile listening/watching to it would be amazing!Such a great show indeed !!!<br><br><br>No idea about a release... :/Yes. You can cover credit depending on how much you wrote. Some composers don't even credit their ghost writers.Is anybody going to see the Game Of Thrones Live Experience???<br>If they do.. Itís going to be amazing!! I saw the show yesterday in Amsterdam, and it was epic!!<br><br>@hybrid: do you know if they are going to release a cd / dvd / blu-ray of the show???HZ. The draft of this theme is "Pirates, Day One, 4:56AM"<br>
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Ramin DjawadiStephen ColemanDaniel KrescoBrian Richards
ComposerOrchestratorMusic Scoring MixerMusic Editor
Fright Night
Label: Varese Sarabande
Length: 50'31
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4601 votes)
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  1. Welcome To Fright Night (1:13)
  2. There's A Lot Of Bad People Out There (1:02)
  3. Jerry's Date (5:11)
  4. A Terrible Vampire Name (2:46)
  5. We Could Rock This Evil Thing Together (3:44)
  6. Is That A Stake? (1:21)
  7. 400 Years Of Survival (3:09)
  8. How To Kill A Vampire (1:42)
  9. Just Hit Me (1:27)
  10. No House, No Invitation (3:44)
  11. That's A Mighty Big Cross (2:48)
  12. Letís Kill Something (1:00)
  13. Go Get the Authorities (1:58)
  14. I Can Hear You Breathe (2:56)
  15. I'm All Out Of Beer (3:49)
  16. A Garlicky Omelet (1:20)
  17. Enough With The Vampires (3:09)
  18. Gotta Light (2:48)
  19. Don't Do Anything I Wouldn't Do (1:12)
  20. Fright Night (4:12)
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Miles reply Replies: 2 || 2011-08-17 15:47:58
It's out on iTunes now! Listening to the samples, some of it sounds as interesting as what we heard before, but some is fairly generic horror scoring--tortured strings and such. Any other first impressions?


kaka2011-08-17 15:59:25
fairly basic horror score with lots of jump scare moments and underscore...The most notable, tempo-friendly parts of this are:
welcome to fright night
how to kill a vampire
No House, No Invitation
Let's Kill Something
I Can Hear You breathe
Gotta Light
Fright Night

HOnestly, had I been abe to listen to the entre album I would have just bought the end track Fright Night (which is pretty much a suite of the theme), because that's really the only one you need on this score, to be honest. Everything else is either jump scare music or a shorter/edited version of this track.



Ds2011-08-26 00:48:18
Like the little voice in "400 years of survival".

test reply Replies: 1 || 2011-08-06 18:17:32
stest


west2011-08-15 23:46:43
best

Dakota reply Replies: 1 || 2011-07-20 01:38:31
Looking forward to this!


kaka2011-08-15 23:13:57
sounds very nice...

Miles reply Replies: 1 || 2011-08-06 10:59:40
Varese Sarabande's website has a sample of Track 20, "Fright Night," up. It sounds interesting--a mixture of electric guitar and vintage horror music instruments. Not sure what the rest of the score will be like, but this certainly shows promise! Here's hoping it delivers!


Dakota2011-08-09 22:47:48
I think it sounds good. I can hear just a little bit of Clash of the Titans in there. I also like the transylvania-like tune, that's pretty cool

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Fright Night soundtrack - Ramin Djawadi 2011