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Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.Maybe you have a download link?Download link?I'm just waiting for Gemini Man, that (i hope) would be fun
I love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cue
Lorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(
Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.
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Additional Music
Hans ZimmerJohn Van TongerenJay RifkinPete Haycock
ComposerAdditional MusicScore RecordistMusician
Thelma & Louise (Score)
Label: Kritzerland
Length: 38'10
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5778 votes)
  1. Going To Mexico (2:13)
  2. JD (3:24)
  3. The Hell With Texas (1:13)
  4. Happy Birthday Lady - Picking Up JD - Oilfields (2:19)
  5. Watching Him Go - Ride Of The FBI (1:27)
  6. Louise's Theme (2:46)
  7. Giving Up - Suck My Dick (3:39)
  8. Getting Out Of State (1:32)
  9. I Got A Knack (2:06)
  10. Charged With Murder (3:02)
  11. Learning From TV (0:46)
  12. Chase - You've Always Been Crazy (7:55)
  13. Thelma & Louise - End Credits (3:58)
  14. Bonus Track: Main Title (Film Version) (2:02)
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Michael Poleschuck reply Replies: 0 || 2017-02-16 10:07:48
I have one question.

On IMDB i have seen that on the drums in this soundtrack was Charlie Morgan (he was in Elton John Band a long time ago).

And all we know that Pete Haycock (a great musician, so sad, that he passed away) played on the guitar (first work with Mr. Zimmer)

On the keyboards & synthesizers - Zimmer himself and John Van Tongeren (who also wrote additional music, for example, arranged End Credits)

So, bass guitar and harmonica are remained. Who played in this? And what the gospel choir on the End Credits?

Magnus Rex reply Replies: 4 || 2017-01-26 04:29:29
This is being re-released by Notefornote Music in a few days time for those who missed it first time around:

notefornotemusic.com/products/thelma-louise-original-mgm-mot ion-picture-score


Anonymous2017-01-26 10:48:27
This is the label's first and only release. The front cover looks very amateurish. How legit is this whole thing?


Poe2017-01-26 19:21:54
Every company has to start somewhere! As for the artwork, it's based around design used in parts of Europe about 15 years ago for the two-disc special edition DVD release.


Anon Dude2017-02-06 23:21:47
Amateurish? Looks much better than some other releases I've seen.


Anonymous2017-02-07 00:37:27
Yes amateurish. The front cover of this release in this page is a lot better

Hybrid Soldier reply Replies: 3 || 2013-11-03 09:05:25
Pete Haycock passed away a few days ago... :(


trent easton navarro2013-11-03 11:54:24
Sad to hear :( Loved his playing on this and K2.


Mike2013-11-03 18:15:15
Requiescat in pace.


Anonymous2013-11-04 07:06:17
Sad -- great musician!

Anonymous reply Replies: 1 || 2013-09-09 07:05:59
Does this omit the Thunderbird suite? I am talking about the cue itself, I know its contents may be dispersed in other tracks here.


Hybrid Soldier2013-09-09 08:50:28
Actually the Thunderbird suite on the original OST is a mix of several cues here BUT it was also rearranged.

They wanted to put it there but it was a bureaucratic nightmare with the right owners of the original release, who didn't help, so they abandoned it... :/

andre swissland reply Replies: 0 || 2011-10-01 10:49:45
please hr.zimmer soundtrack score of black hawk down'

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Please enter number: 1059 

Adrian reply Replies: 5 || 2011-09-22 01:30:41
Wow, this is great! But it's too bad it's not available on bol.com...!


Takehiro2011-09-22 04:15:37
Order it from Screen Archives, they ship worldwide. Its just about sold out, so its the only place you can get it. Or try Elite Soundtracks.


Papapalpatine772011-09-22 04:32:54
Wait, so I can't find this anywhere else? Amazon, eBay, or anywhere else? Is it the complete score, or just the commercial score being re-released?


Takehiro2011-09-22 07:58:00
Its an independent label release, so no, you wont find it on Amazon. People may sell it later on eBay but for now its only available through speciality outlets (like the ones I named). Be quick, Screen Archives still have it.

And its the complete score getting a release, not the commercial album. Its limited to 1200 units worldwide.


Papapalpatine772011-09-22 13:46:23
It's not on there. Like it's not even listed...... =(


Rusty2011-09-23 00:17:29
It's still available on buysoundtrax.com

Ravi Krishna reply Replies: 0 || 2011-09-21 19:13:16
Great to see the long-awaited vault of Zimmerific treasures finally opening up. :)

Hybrid Soldier reply Replies: 0 || 2011-09-21 19:00:47
Woooooot !!! :D

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Thelma & Louise (Score) soundtrack - Hans Zimmer 1991