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Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.
This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinion
So it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.
I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !you can't, it's only an info for the complete scoreAccording To Filmmusicreporter.com, it Is true Lorne Balfe Is Scoring Black Widow.<br><br>Wow this guy Is the Best, this is the first time balfe scoring an MCU since Iron Man(worked as an additional music). I can't believe that Alexandre Desplat, who is a good composer left the film just like I remember Rogue One. Well, Now i Hope that Lorne Balfe makes a great score just like he does always.Comes out on April 3rd. Keep hearing that the music is very Lion King style.
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Trevor MorrisTJ LindgrenTodd HabermanSteven Davis
ComposerAdditional MusicAdditional MusicTechnical Score Advisor
Immortals
Label: Relativity Music Group
Length: 51'03
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5255 votes)
  1. Immortal And Divine (1:30)
  2. War In The Heavens (2:32)
  3. Hyperion's Siren (3:47)
  4. Witness Hell (1:56)
  5. To Mt. Olympus (2:54)
  6. Enter The Oracles (2:30)
  7. Theseus And Phaedra (1:37)
  8. Poseidon's Leap (1:23)
  9. This Is Your Calling (1:31)
  10. Theseus Fight The Minotaur (2:13)
  11. Theseus Fires The Bow (2:16)
  12. My Own Heart (3:03)
  13. Zeus' Punishment (2:27)
  14. Ride To The Gates (1:00)
  15. In War Fathers Bury Their Sons (1:05)
  16. The Gods Chose Well (1:18)
  17. Fight So Your Name Survives (3:07)
  18. Battle In The Tunnel (2:43)
  19. Immortal Combat (3:34)
  20. Do Not Forsake Mankind (4:33)
  21. Apotheosis (1:44)
  22. Sky Fight - End Credits (2:22)
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Warfighter reply Replies: 0 || 2012-05-16 02:52:57
Has anyone heard Morris' Scorpion King 3 score? any info about this one?

Hale reply Replies: 1 || 2011-11-02 10:41:17
This score seems to be a mix between "Angels and Demons"(Choir style), "King Arthur" (Heavy orchestra with dark percussions) but it lacks GOOD themes. We can feel "Tudors" music style in a few tracks.

I think it's a functionnal score which takes its sense only in the movie.


Richard2012-01-12 06:42:07
Excellently put.

I want to remark that it all comes together rather nicely for immortals, the whole being more than the sum of its parts.

For example I feel the ending sky fight and subsequent staff credits is one of the most memorably powerful moments I've experienced in the theater.

Edmund Meinerts reply Replies: 7 || 2011-11-17 23:53:22
Man, this is a really weak score. I thought Trevor Morris would do better on his first solo assignment but he disappointed me. The reason? TEMP TRACKS!

"Hyperion's Siren" = Inception brass chords

Second half of "To Mt. Olympus" = "The Might of Rome" from Gladiator

"Fight So Your Name Survives" = the Holstesque action rhythms from Gladiator

"Do Not Forsake Mankind" = "Journey to the Line" from The Thin Red Line

But worst of all is "Immortal Combat" and "Sky Fight/End Credits", which sound EXACTLY like "160 BPM" from Angels and Demons! What the hell? Why no creativity?

Rest of the score is dull, uninteresting along the lines of the new Conan score. What a flop.


Bondo2011-11-18 00:35:16
It's hardly a flop, it's killing at the box office. And it's not his first solo assignment.


Edmund Meinerts2011-11-18 22:50:20
The score is a flop, not the movie. And I meant first solo blockbuster assignment.


Bondo2011-11-19 03:13:50
Nah, I'm enjoying it. And it worked VERY well in the film itself.


Zantlwisder2011-11-22 08:36:42
You know what? "Immortal Combat" is 160 beats per minute! Exactly the same as "160 BPM" from Angels & Demons.


Ele2011-11-22 10:29:39
@Zantlwisder Incredible find! Awesome! I didn't see that coming. Nice one, Sherlock


Areozz2011-11-22 21:48:07
What are you talking about? this is the page for Immortals, not Sherlock Holmes...


Zantlwisder2011-11-27 01:21:12
2'20''in"Fight So Your Name Survives", the drum beats are the same in "Kraken"from POC2... but the whole score works well in the movie,really

Bar reply Replies: 0 || 2011-11-09 21:07:26
wow! the "Do Not Forsake Mankind " is my favorite...very emotional!

Agntdman reply Replies: 0 || 2011-11-03 06:09:23
Every time I come to the site and see that interview with the film's director on the main page - Tarsem Singh, I keep thinking it's Muammar Gaddafi lol

Miles reply Replies: 0 || 2011-11-02 06:36:41
Mp3 samples on Amazon now! I don't know if it would be best for me to wait until the movie to hear the score or not.

Miles reply Replies: 3 || 2011-10-17 22:36:14
The official site has some samples up now! Any thoughts, first impressions?


Ds2011-10-18 12:48:32
I hear only one little cue... where do you see more samples? Thanks :)


Miles2011-10-19 16:51:52
You have to click on the tabs for synopsis, cast, downloads, etc., to hear the other cues.


Ds2011-10-19 18:23:39
Ok thanks a lot! ... i hope the full soundtrack will be more epic than these cues... These are ambiant cues, with no theme...

NoName reply Replies: 12 || 2011-10-09 21:36:30
Äh Tyler Bates 300 Part II ??? Its not so different !


NoName2011-10-09 21:38:07
A copy from Tyler Bates 300 !


Miles2011-10-10 16:25:41
Actually, there's a small score excerpt on the official site, and it definitely sounds more "Hans Zimmer" than "Tyler Bates."


NoName2011-10-10 22:47:57
Do you hear the music complete ? Do you M.D. in Music ?


Areozz2011-10-11 02:55:12
Do you M.D. in being a jerk? Mmmmm....hmmmmm, yes. Yes, you do.


Blu2011-10-11 11:28:39
No sarcasm intended but I didn't know the term M.D. can be used for anything other than medicine. Can it?


Areozz2011-10-11 14:25:44
I'm too lazy to look it up, but I'm pretty sure you're right, Blu.

This NoName guy thinks he's a know-it-all and thinks this music sounds like Tyler Bates, possibly because Tyler Bates did the music for 300 and because this movie appears to be similar to 300. It is not clear whether he has actually heard the music.

All composers have a unique style and if you've listened to the composers involved in this conversation, you could provide a statement like Miles did. NoName appears to have not a wide range of musical tastes....

*Waits for response from NoName*


Areozz2011-10-11 15:50:34
Ah, I overcame my laziness and looked it up. M.D. does indeed stand for Doctor of Medicine which makes absolutely no sense in the context that NoName used it in. Perhaps a better choice would have been "do you major in music?" to which the response could have been, "you don't have to be a music major to state when one composer's work sounds like another's."


Papapalpatine772011-10-11 18:27:12
Actually, if it sounds anything like 300, it really sounds like Elliot Gildenthal's score to Titus. Bates copied much of the themes from it and there was even a lawsuit. Now on the back of the latest Blu-ray (the digibook), there is an asterisk next to Bates' name. At the bottom it says *based on preexisting compositions not authored by Tyler Bates.


NoName2011-10-11 21:23:38
Sory iam not from America or England, Iam from Germany ind Iam a friend of Ramin Djawadi and Michael Levine. I know many composers RCP, because of my position in Germany. Doctor in German "Doktor" in Duisburg. I can not so good English but i can music and that is not English.

I hear often music before it is published. My specialist areas is Fimmusic, there i teach in munich (Bavaria). Ramin is an old fiend from Duisburg , i visit him often ! Therefor i have hear the new music.

And its really the same.

(Please no questions, idont send everybody the music)

Sorry for my bad english, i have it learn by myself.


Luc2011-10-14 16:34:23
That already was a copy of Elliot Goldenthal's Titus...


Anon2011-10-16 13:56:13
NoName, keep throwing your job title around, honestly no one cares. You can make yourself feel big by saying that meaningless garbage if you like however :) Just know that no one here actually cares. At all.


NoName2011-10-19 17:31:43
Ok !

Ele reply Replies: 0 || 2011-10-13 09:27:28
This will be awesome! We know Trevor can write good epic score (Tudors, Pillars, King Arthur)

Ds reply Replies: 0 || 2011-10-10 22:23:00
Interview with Trevor Morris about "Immortals":

http : // scorenotes .com/interviews . html

Kusi81 reply Replies: 0 || 2011-10-10 15:33:10
great!!! :) When's the start of Preordering that? :)

NoName reply Replies: 0 || 2011-10-09 21:39:31
Todd and Michel it is not related to you!

Hybrid Soldier reply Replies: 3 || 2011-10-09 12:15:54
I. Can't. Wait.


Blu2011-10-09 16:07:31
Awesome! I hope it is loud and epic!


Bondo2011-10-09 18:28:39
Wow, Trevor is doing this?? :D


NoName2011-10-09 21:37:16
I have hear it ! Its so .....

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Immortals soundtrack - Trevor Morris 2011