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Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!For everyone that's heard it, is the Deluxe Edition worth a double dip?
@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.Cuesheet is blank.oh yes please, including Balfe - don´t start yelling, I´m just really curious who did whatFinally! It would be nice to have composers credits
@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)Same here. The cue I want the most is “We Strike First”.
@Edmund<br>I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new. <br><br>Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suitesJust want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.It's a variation of the theme Anthem from the first Top Gun film by Harold Faltermeyer.
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Lorne BalfeAndrew KawczynskiSteve MazzaroStephen Hilton
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Assassin's Creed - Revelations (VG)
Label: UbiSoft Music (Digital Download Only)
Length: 161'28
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6206 votes)
CD1 - SINGLEPLAYER
  1. Assassins Creed Theme (4:43)
    Lorne Balfe
  2. Animus Island (2:52)
    Jesper Kyd
  3. The Road To Masysaf (2:55)
    Lorne Balfe
  4. The Wounded Eagle (2:01)
    Jesper Kyd
  5. The Noose Tightens (1:26)
    Jesper Kyd
  6. Sailing To Constantinople (1:34)
    Lorne Balfe
  7. Master And Mentor (1:45)
    Lorne Balfe
  8. Welcome To Kostantiniyye (3:31)
    Jesper Kyd
  9. The Crossroads Of The World (3:31)
    Jesper Kyd
  10. Sofia Sartor (0:43)
    Lorne Balfe
  11. Son Of Umar (1:23)
    Lorne Balfe
  12. No Mistakes (2:47)
    Jesper Kyd
  13. The Traitor (3:38)
    Jesper Kyd
  14. A Heated Discussion (1:50)
    Lorne Balfe
  15. Ambush (3:08)
    Jesper Kyd
  16. A Familiar Face (1:21)
    Lorne Balfe
  17. Byzantium (3:23)
    Jesper Kyd
  18. Nova Roma (4:02)
    Jesper Kyd
  19. Templar Occupation (3:35)
    Jesper Kyd
  20. Arrocco (2:31)
    Lorne Balfe
  21. On The Attack (4:28)
    Jesper Kyd
  22. Last of The Palaiologi (0:56)
    Lorne Balfe
  23. Yerebatan Cistern (1:53)
    Jesper Kyd
  24. Fight Or Flight (2:47)
    Jesper Kyd
  25. Galata Tower (2:05)
    Jesper Kyd
  26. Die By The Blade (3:05)
    Jesper Kyd
  27. Forum Of Ox (1:57)
    Jesper Kyd
  28. Suleiman's Grief (2:04)
    Lorne Balfe
CD2 - SINGLEPLAYER
  1. Istanbul (3:00)
    Jesper Kyd
  2. We Talk Together (1:15)
    Lorne Balfe
  3. Altair Escapes (1:38)
    Jesper Kyd
  4. Betrayal (1:12)
    Jesper Kyd
  5. The Mentors Return (1:55)
    Lorne Balfe
  6. Rebuilding The Brotherhood (2:00)
    Jesper Kyd
  7. Of Life And Death (1:26)
    Lorne Balfe
  8. Greek Fire (2:07)
    Jesper Kyd
  9. An Unsubtle Approach (0:49)
    Lorne Balfe
  10. The Hidden City (0:33)
    Lorne Balfe
  11. Infiltration (2:09)
    Jesper Kyd
  12. Cappadocia (3:51)
    Jesper Kyd
  13. Street Fight (2:22)
    Jesper Kyd
  14. Mastermind (1:31)
    Lorne Balfe
  15. Notorious (3:10)
    Jesper Kyd
  16. Constantinopolis (3:35)
    Jesper Kyd
  17. Investigation (2:10)
    Jesper Kyd
  18. Everything Changes (3:02)
    Lorne Balfe
  19. You Have Eard Your Rest (1:09)
    Lorne Balfe
  20. Passing The Torch (0:52)
    Lorne Balfe
  21. Crossed Swords (2:02)
    Jesper Kyd
  22. Scheduled For Deletion (1:01)
    Lorne Balfe
  23. Altair And Darim (1:14)
    Lorne Balfe
  24. The Library (2:57)
    Jesper Kyd
  25. The Revelation (2:25)
    Lorne Balfe
  26. Labored And Lost (2:54)
    Lorne Balfe
  27. Reunion (0:57)
    Lorne Balfe
  28. Enough For One Life (2:03)
    Lorne Balfe
CD3 - MULTIPLAYER
  1. Abstergo Industries (2:03)
    Lorne Balfe
  2. Rhodes (0:41)
    Lorne Balfe
  3. The Hunted (2:09)
    Lorne Balfe
  4. Antioch (0:34)
    Lorne Balfe
  5. The Hunter (1:55)
    Lorne Balfe
  6. Kill Streak (0:37)
    Lorne Balfe
  7. On The Run (1:57)
    Lorne Balfe
  8. Constantinople (0:42)
    Lorne Balfe
  9. In The Simulation (2:10)
    Lorne Balfe
  10. Find The Target (2:05)
    Lorne Balfe
  11. Firenze (0:40)
    Lorne Balfe
  12. Welcome To The Fold (1:42)
    Lorne Balfe
  13. Souk (0:35)
    Lorne Balfe
  14. Chase The Target (2:03)
    Lorne Balfe
  15. The Lobby (1:56)
    Lorne Balfe
  16. Venezia (0:46)
    Lorne Balfe
  17. Let The Chase Begin (2:04)
    Lorne Balfe
  18. Sienna (0:36)
    Lorne Balfe
  19. Tracking Templar (2:12)
    Lorne Balfe
  20. Castel Gandolfo (0:41)
    Lorne Balfe
  21. On A Kill Streak (0:46)
    Lorne Balfe
  22. The Pursuit (2:00)
    Lorne Balfe
  23. Assassinate The Target (1:54)
    Lorne Balfe
  24. San Donato (0:44)
    Lorne Balfe
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ALTAIR reply Replies: 0 || 2015-05-31 12:03:29
MY cry Started

Anonymous reply Replies: 1 || 2013-05-31 01:50:08
You can really hear Fischer's theme from Inception in "A Heated Discussion"!


Mike2013-05-31 01:51:03
I also noticed a lot of "Siege" from the MW2 OST in that one.

Radik reply Replies: 0 || 2012-10-14 12:49:36
Beatiful music.. :) BTW already knows when will be release Assassin's Creed 3?.. :)

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Warfighter reply Replies: 2 || 2012-05-14 21:18:21
Great release!

According to filmmusicreporter Lorne Balfe will score Assassin's Creed III

filmmusicreporter.com/2012/04/17/lorne-balfe-to-score-the-fr ozen-ground/


Hybrid Soldier2012-05-14 22:43:18
If you had clicked on the man's filmo here, you'd have known that already ! ;)


Warfighter2012-05-16 02:24:50
@Hybrid sorry...my bad. anyway this should be fun!

T-Mann036 reply Replies: 0 || 2011-11-22 23:20:33
How many soundtracks has Lorne Balfe have been involved? This is one of the best soundtracks ever made since Modern Warfare 2. And Jesper Kyd have done an equally epic job on some of the tracks as well.

tomPoland reply Replies: 4 || 2011-11-20 11:08:16
too long and it's 2 steps back comparing to AC2


Evenstar2011-11-20 11:25:11
It can never be too long.


Vigilant62011-11-21 12:49:08
I have to disagree with you there, In my perspective I believe that the soundtrack for AC Revelations is quite an improvement compared to AC 2. Yes the soundtrack for AC 2 was splendid and I thoroughly enjoyed it, but in saying so I didn't enjoy every single track on the CD, but with Revelations I'm finding that I am enjoying most if not all of the songs, especially the Assassins Creed theme, quite amazing as you get to the end of the song I believe.
Also I feel that there is quite a lot of emotion that is packed into these songs, not as happy and bright as AC 2 but more of a somber and melancholy feeling, not that I am complaining though.


tomPoland2011-11-21 13:09:43
Well, i haven't played ACR yet, so I don't know how this fits the game
I'll verify my statement after seeing end credits:)


Bondo2011-11-21 23:59:38
Fits the game PERFECTLY

Bondo reply Replies: 0 || 2011-11-15 12:35:42
1 hour of Lorne's music is present, and it's great! :D This is the equivalent of HG-W and Steve Jablonsky's Prince of Persia scores

Prott reply Replies: 0 || 2011-11-14 13:05:03
There's an official promo (+making of) video:
http://www.youtube.com/watch?v=xxE5R6uAWKc

It contains a short interview with Lorne Balfe AND a great orchestral variation on the main theme! :)

Mikel Siw (a fan from Spain) reply Replies: 0 || 2011-11-14 12:11:10
WOW!!!!!!!!!! it´s gonna be incredible!!!!!

Toruk reply Replies: 2 || 2011-11-12 06:09:35
Will this be released on CD, or as download-only?


//////2011-11-12 06:18:19
Do we even know when it's going to be released?


Anonymous2011-11-13 20:11:33
it gets released tuesday

RuthlessGravity reply Replies: 0 || 2011-11-12 08:28:34
Wow, a very meaty soundtrack! I can't wait to purchase this sucker.

////// reply Replies: 0 || 2011-11-12 05:35:58
Wow, this looks pretty cool. I'm very interested, even though I've never played Assassin's Creed

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Assassin's Creed - Revelations (VG) soundtrack - Lorne Balfe 2011