NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Marc StreitenfeldSunna Wehrmeijer
ComposerAdditional Music
The Grey
Label: Lakeshore Records
Length: 35'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4236 votes)
  1. Writing The Letter (2:00)
  2. Suicide (1:44)
  3. You Are Gonna Die (3:14)
  4. Walking (1:45)
  5. Eyes Glowing (1:25)
  6. The Morning After (2:57)
  7. Collecting Wallets (1:53)
  8. Wife Memory (1:08)
  9. Life And Death (2:52)
  10. Lagging Behind (1:53)
  11. Running From Wolves (1:46)
  12. Daughter Appears (2:13)
  13. Last Walk (2:33)
  14. Memorial (3:41)
  15. Alpha (2:16)
  16. Into The Fray (1:49)
Create Topic

lexus reply Replies: 1 || 2012-12-26 17:49:39
Expanded Score (14min. longer!)

01. 1M03 Wife Memory (1:10)
02. 1M04 Writing The Letter (2:00)
03. 1M05 Suicide (1:43)
04. 1M07 Death Valley (0:32)
05. 2M08 You Are Gonna Die (3:40)
06. 2M09 Freezing To Death (1:19)
07. 2M11 Get Off Her! (0:41)
08. 2M13 Blood In The Air (0:42)
09. 2M15 Eyes Glowing (1:36)
10. 3M17 The Morning After (3:15)
11. 3M18 Life And Death (2:50)
12. 3M18A Collecting Wallets (1:53)
13. 3M21 Lagging Behind (2:19)
14. 3M22 Running From Wolves (1:44)
15. 4M24 Talking Tough (1:45)
16. 4M25 Omega (0:46)
17. 4M26A Walking (1:55)
18. 4M27 Into The Fray (2:02)
19. 5M30 The Cliff (1:18)
20. 5M31 Jump (1:46)
21. 5M32 Hanging (1:16)
22. 5M33 Daughter Appears (2:31)
23. 5M35 What Do You Do (1:45)
24. 6M42 Last Walk (2:37)
25. 6M43 Memorial (3:49)
26. 6M46 Alpha (2:24)

Total: 49:17


Omega2012-12-27 15:26:47
It's out now !

Ds reply Replies: 10 || 2012-03-22 01:05:18
The awesome end music is missing AND there are tracks that aren't even in the movie... Wtf??


theeaglesfan0052012-03-22 18:04:56
all these tracks are in the movie...

The ending music is in there

15. Alpha
16. Into The Fray


Ds2012-03-23 12:45:04
No. I finally found it. The ending music is "The City Surf" by Jamin Winans, from the "Ink" soundtrack.

I don't think the track "Alpha" appears in the movie...


theeaglesfan0052012-03-23 18:37:05
i'm pretty sure Alpha is in the movie..


Hybrid Soldier2012-03-23 19:48:43
Yes it is, eaglesfan... Ds has just drunk a bit too much lately !


Ds2012-03-23 23:17:54
And where in the movie? I've only seen it one time, but the ending is on youtube, and the ending music is "The City Surf", and not "Alpha".


theeaglesfan0052012-03-24 00:47:26
Alpha & Into The Fray are the ending songs...


Adrian2012-03-25 11:23:30
I think he saw this youtube film:
youtube.com/watch?v=g3gDTC_7IF4&feature=related

Youtube user states that the end could have been better - implies this is an edit. A good one though. The track used here is indeed the City Surf from Ink, amazing track. It's impressive, because Ink was 'just' and indie film.


Ds2012-03-25 11:55:00
The user wrote: "What an ending to a film could of ended a lot better". He speaks about the film & story, not about the music. There are other vids of the ending scene, they all have "The City Surf". When the film is out on dvd i'll try to find where in the movie is "Alpha".


Ds2012-06-08 13:03:28
@eaglesfan, Hybrid & Adrian: finally got the movie, the ending music is definitely "The City Surf".

Is it possible that Alpha is an alternate version?


Mike2012-12-20 07:31:40
To be honest I think Alpha should have been used instead. I like it better.

Seby reply Replies: 2 || 2012-08-26 13:31:32
In the final sequence (min. 01:42:30 to 01.44.40) the track:
15. Alpha (2:16)
Not is corret because the piano not here.

Thanks!


Lambegue2012-08-27 20:16:15
I think the music you are speaking of is "The City Surf" : it's a re-use of a music from the movie Ink. You can find it quite easily on youtube


Seby2012-10-06 18:21:29
Thank you very much!
Nice, a pretty song!

I need the soundtack of the movie: "If Only" (Score)
I need the buy this score!

Have an idea?

Edmund Meinerts reply Replies: 2 || 2012-02-06 02:45:00
If anybody is interested, here is my review of Streitenfeld's music:

http: //www.tracksoun ds.com /reviews/the_grey_marc_streitenfeld.htm

tl;dr - it's an effective score, but not one that makes for a particularly nice album.


Lasse2012-02-10 16:17:51
link doesnt work man :S


Mr. Fate2012-02-10 21:40:14
You should attempt to remove the spaces from the hyperlink first.

Sack reply Replies: 0 || 2012-02-02 03:13:11
I can only say that more than likely the only tracks needed from this score are the final 3...Memorial, Alpha and Into to Fray...The rest pretty much are filler. I dunno. None of those other tracks stood out to me.

Joshua reply Replies: 0 || 2012-01-29 10:01:00
Oh man such a fantastic score! One of Streitenfeld's best to date! Bravo!

Miles reply Replies: 0 || 2012-01-29 07:26:38
Saw the movie on Friday--excellent!

The score was very stark and minimalistic, in keeping with the snowy environs. There was a recurring theme or two, but nothing readily hummable. "You Are Gonna Die" has some very nice strings, and there's a great Trevor Rabin-esque piano motif in "Alpha." Things also get much tenser on tracks like "Eyes Glowing" and "Running From Wolves." Overall, an atmospheric score which effectively underlines the emotions onscreen.

 HANS-ZIMMER.com© 2001-2018 OST 
The Grey soundtrack - Marc Streitenfeld 2012