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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Ramin DjawadiGavin GreenawayStephen ColemanAlan Meyerson
ComposerConductorOrchestratorMusic Scoring Mixer
Safe House
Label: Varese Sarabande
Length: 69'02
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4290 votes)
  1. Safe House (3:16)
  2. A Hundred Lies A Day (3:16)
  3. Get In The Trunk (4:25)
  4. Do I Make You Nervous? (3:08)
  5. I Used To Be Innocent Like You (2:11)
  6. Tobin Frost (2:19)
  7. Off The Grid (3:28)
  8. Do What You Have To Do (4:49)
  9. Don't Kill Innocent People (3:45)
  10. Who Do You Work For? (3:45)
  11. Walk Away (6:04)
  12. People Change (2:17)
  13. Be Better Than Me (4:12)
  14. Langa (6:14)
  15. More Past Than Future (3:19)
  16. 12 Months (3:06)
  17. Truth (3:43)
  18. I'll Take It From Here (5:47)
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Macejko reply Replies: 0 || 2013-08-04 19:15:56
No word if Djawadi is scoring another Espinosa's film, "Child 44"?

Yumbo reply Replies: 1 || 2012-02-14 19:11:06
Amusing comments.

The score was very restrained.

The end credits song was the highlight, but sounded like Sting.


Evenstar2012-02-19 21:41:21
Most of the djawadi scores (specially horror & thriller) are restrained.

Trent Easton Navarro reply Replies: 10 || 2012-01-30 22:15:07
Great, more mindless, boring droning from one of the worst of Zimmer's minions


Areozz2012-01-31 02:13:24
Great, more mindless, boring droning from one of this site's worst posters


Trent Easton Navarro2012-01-31 07:17:35
Thanks for the compliment, my friend :-)


Aggelos2012-02-13 20:02:17
If only I could become one of Zimmer's minions....
Guys please, help me! I want to become a new Trevor Rabin, a new Harry Gregson-Williams, a new Mark Mancina, a new Hans Zimmer, a new Klaus Badelt, a new Nick Glennie-Smith, a new Ramin Djawadi....


What exactly does some need in order to become an apprentice, a follower, a minion, a disciple, a protege, an acolyte,a gillie, an attendant of the afore-mentioned individuals??????????
I implore/beseech you to help me!!!! I am desperate....


Anonymous2012-02-13 21:42:42
"Areozz"
Great, more mindless, boring droning from one of the members of this "Almost Official Zimmer Site" who in the beggining defended the bootleg scores and now is one of the minions who betrayed that position to turn his site in "Almost Official".


Areozz2012-02-13 23:40:14
Oh wow, did you do a whole lot hunting around this website gathering every post I've ever made and then compiling them and putting them into some kind of machine that would give you a result like that?

Congratulations, sir, on commenting on a post I made two weeks ago. Damn, you either have a shit translator or you're trying to tell me something about myself but are making an absolutely atrocious job of it. I first defended bootleg scores? But now I'm a minion who betrayed the site? WHAT DOES IT MEAN??

You think I have control over this site's "Almost Official" status? Well, thank you very much! I would like to believe so, but you are sadly mistaken. At least I have a name, coward! You might as well be anyone, but by establishing a name to myself people can recognize me--oh! Like you must have in order to have gathered the nonsensical [wrong] assumption you've made about me.


Aggelos2012-02-14 13:52:58
If only I could become a mixture of Mark Mancina, Hans Zimmer, Leonidas Leonardi, Rene Leibowitz, Hermann Boessenroth, Ivan Boutnikoff and Fabien Sevitzky.....


Mr. Fate2012-02-14 17:34:14
Aggelos, I don't know that anyone here will be able to help you much. I seem to recall some kind of contact information being posted on one of information or main pages, though.

And to everyone else in this topic: haters gonna hate.


Aggelos2012-02-14 23:05:19
Mr. Fate, I don't wanna contact the folks... What I suggest is that we have to figure out a way to steal their winning attitude.
We need to become the masters of the synthesizers, to usher a new epoch in our personal lives.


Mr. Fate2012-02-17 16:59:09
How curious!! I had just come to that same realization--although maybe for slightly different reasons than the ones you are after.


Aggelos2012-02-19 19:54:27
Mr. Fate, we need to surpass them, we need to destroy them!!!! That's why we need to stay together... They have colossal power/authority. But if we stay together and become more and more as time goes by, we shall be able to "dethrone" them. Every one last of them........

Mr. Charles reply Replies: 4 || 2012-01-29 03:57:26
Ooooooo....I didn't know Ramin Djawadi was doing this! I'm excited =)


Jen's López2012-01-31 18:40:52
I was waiting for Harry Gregson-Williams :(


Mr. Charles2012-02-11 06:43:38
Just saw it, both the film and the score are good. A few twists....


Al bundy2012-02-11 22:14:14
The score get me tired... sry.


Mr. Charles2012-02-14 01:23:37
So far I've only had a chance to listen to "I'll Take it from Here", but it's good

Joshua reply Replies: 0 || 2012-01-31 01:37:02
Sounds good, cant wait!

Adrian reply Replies: 0 || 2012-01-29 19:11:35
On peut trouver les previews ici:
cinemamusica.de/1710/urbaner-heist-thriller-erhaelt-djawadi- rhythmen-first-listen-zu-safe-house

:-)

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Safe House soundtrack - Ramin Djawadi 2012