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Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?
No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)
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John PowellPaul MounseyBeth CaucciVictor Chaga
ComposerAdditional MusicAdditional MusicAdditional Music
Dr. Seuss' The Lorax
Label: 45'49
Length: Varese Sarabande
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5486 votes)
  1. Ted, Audrey And The Trees (2:36)
    John Powell
  2. Granny To The Edge (2:33)
    John Powell
  3. Wasteland (2:17)
    John Powell, Paul Mounsey
  4. Truffula Valley Fantasy (Featuring The Lorax Humming Fish) (5:00)
    John Powell, Paul Mounsey, Victor Chaga
  5. Onceler & Lorax Meet (2:35)
    John Powell
  6. O'Hare Warns Ted (3:21)
    John Powell
  7. The River Bed (4:03)
    John Powell, Beth Caucci
  8. Houseguests (3:12)
    John Powell, Paul Mounsey, Beth Caucci
  9. Valley Exodus (4:54)
    John Powell
  10. The Last Seed (4:54)
    John Powell
  11. Thneedville Chase (5:04)
    John Powell, Paul Mounsey
  12. At The Park (3:12)
    John Powell, Paul Mounsey
  13. Funeral For A Tree (2:10)
    John Powell
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4przr reply Replies: 0 || 2015-10-17 07:50:16
Looks like the sessions are out there! "Thneedville Care Chase" is the film verion of "Thneedville Chase" from the original album. Wonderful score. I hope that someday the complete thing is released (leaked).

jrej3555 reply Replies: 0 || 2012-08-21 13:26:33
For those (very few) who want to the score and the songs chronologically, here's my ordering:

Thneedville
Ted, Audrey and the Trees
Granny to the Edge
Wasteland
Truffula Valley Fantasy
This Is the Place
Once-ler & Lorax Meet
O'Hare Warns Ted
The River Bed
Houseguests
Everybody Needs a Theed
How Bad Can I Be?
Valley Exodus
The Last Seed
Thneedville Chase
At the Park
Let It Grow
Funeral for a Tree
Let It Grow (Celebrate the World)

The rest of the songs on the Interscope Records album are demos that aren't in the movie.

Miles reply Replies: 2 || 2012-02-17 16:14:27
Interscope Records is also releasing an album of songs from the movie. Almost all of the songs were composed by John Powell, so maybe it merits inclusion on this site.

As for this album, I'm looking forward to seeing what Powell came up with for this film. I definitely think that the source material can lend itself to some good music!


jrej35552012-07-06 00:46:38
Yeah, I also wonder why the Interscope Records isn't on this site.


jrej35552012-07-06 00:48:50
Whoops, I meant to say, "Yeah, I also wonder why the Interscope Records ALBUM isn't on this site."

Paul reply Replies: 0 || 2012-05-14 14:27:19
Another one: Is Powell actually composing Hotel Transylvania? While the movie doesn't look very good, it could be an opportunity for a very fun score!

And what's up with IMDb suddenly adding all these crazy credits to John?? (Like Cloudy 2 and Smurfs 2)

Paul reply Replies: 1 || 2012-05-04 16:27:44
Does anybody know if Powell is actually doing that new Pixar movie entitled "The Good Dinosaur"? It's been on his IMDb page for so long that it could be true...


Blu2012-05-04 18:19:45
IMDb had listed Powell as the composer of the Toy Story short film (Hawaiian Vacation) for some time (way after it's release, in fact) until his name was replaced (fairly recently actually) with Mark Mothersbaugh. So it's probably not the best place to get precise information on upcoming composer projects, especially those with release dates set way in the future.

I'd welcome a Pixar/Powell collaboration, nonetheless.

nathan reply Replies: 1 || 2012-03-31 07:59:15
funeral for a tree uses a tune from another song, what is it? its some sort of irish folk sad song I think.


jrej35552012-04-01 01:21:09
The piano tune is from the song "Let it Grow," which is also written by John Powell for the film. (Plus, I'm definitely no expert on Irish folk music, but I thought "Let it Grow" was supposed to be slightly gospel.)

Miles reply Replies: 0 || 2012-02-28 21:44:15
Bought the soundtrack from iTunes today. It's a pretty interesting, and sometimes strange, melange of instruments and styles, but it still has John Powell written all over it. Some of the piano and female vocals are especially lovely! A very fun and engaging score which conveys a lot of diverse moods! My favorite tracks are "Ted, Audrey and the Trees," "Truffula Valley Fantasy," "Valley Exodus," "Thneedville Chase," and "Funeral for a Tree."

jXe reply Replies: 9 || 2012-02-20 01:32:26
Samples anywhere?


Indiana2012-02-22 15:26:40
On colosseum.de, there are some samples.
Enjoy!


jXe2012-02-22 23:13:04
@#$%!!!!!!!!! after hearing the samples, it will get a lot of playing time! Go John!


Paul2012-02-22 23:39:51
I don't know... I'm a Powell fan and all, but something is not clicking with me, at least from the samples...

I'll wait for the full CD to judge it, though.


powellfan2012-02-23 12:50:49
Does his oldness make him weaker?

The theme for Truffula Valley, which i expected to be great just like Jungle Nool's theme, is simply not great at all , too much like Elfman's.

And then for the song, i know he had tried so much, but here is what happens:
-Thneedville song really reminds me of that song from Just Visiting
-The music for the Once Ler's song is simply awful.


Anonymous2012-02-24 07:27:06
I hope John Powell sticks with animation, his compositions shine with them. Live action scores have too much control and are too narrow for a colorful pallet that John Powell needs.


Prott2012-02-24 11:29:37
Anonymous: That's not always the case - he managed to compose great scores for both animation and live action (The Last Stand, Paycheck). .-)


Anonymous2012-02-24 21:40:45
I am not saying he cant do it, and do it well he does..I am just saying, his best work is expressed in his animated films. My opinion of course. :0)


Prott2012-02-25 00:24:59
Ok... :)


Anonymous2012-02-25 13:23:11
score is on itunes now.

Paul reply Replies: 0 || 2012-02-21 22:13:13
Here, but for the song album...

www.amazon.com/Dr-Seuss-Lorax-Original-Picture/dp/B0079W6LMI /ref=sr_1_4?ie=UTF8&qid=1329476058&sr=8-4

Most of the songs are by Powell though.

Paul reply Replies: 0 || 2012-02-10 00:23:27
The mature track titles sound very intriguing and hopefully could contain some great music. I'm really intrigued for Funeral for a Tree, for example...

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Dr. Seuss' The Lorax soundtrack - John Powell 2012