NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Look at the amazing "Score A Film Music Documentary" with Hans, John Powell, Heitor Pereira, Trevor Rabin and many others composers ! https://www.youtube.com/watch?v=9K6RwDM8VFEWell... Waymann and LP are The only ones to refer to Djwadi...<br><br>And yet no one shouted:<br><br>"Amazing!" "Revolutionary!" "I can die tomorrow, my life is complete!"<br><br>Another dropmic from Hybrid !Dudes, the score is 2h10 long, I think it is yet a lot much complete than usual !Too much Lorne Balfe talk on this site. He'll never be as good as Steve, so let's talk about Steve!<br><br><br><br>Relaaaaax, I'm kidding. They're both awesome. The best, aside from Hans.<br><br>Let's discuss this thing though .....When, for the love of God, we will finally see an MV/RC composer working on a James Bond movie. Just imagine the Bond theme, BUT done by Steve Jablonsky! It will be beyond EPIC. I know the Bond producers are very strict when it comes to the scores, but after listening to the Skyfall score, I have a feeling that an MV/RC composer can really do great things with Bond. And by the way, unlike some other Bond fans I love Eric Serra's score for GoldenEye. It's freakin awesome!
@Score God - I'm not entirely sure on how this process works, but since you obviously are, I'm glad you tried to clarify it. With that out of the way - I agree, there's no need to be harsh about it. You can't expect everyone to have a clue about how this works. <br><br>What I really want to see from the complete score is the film version of We Have to Go.Now that was just a low-hanging fruit, Hybrid :P :DThat's pretty funny to hear "blind praise" from you, considering how much you think Ramin reinvented powder after every single note of music he wrote ! ;) lolGoing to the cinema tomorrow (dolby atmos sound) checking the prague live version. Anyone seen it already? Is it exactly the same as the BLuray in terms of content? Buying the bluray in two weeks and went to two live shows (2016 and 2017).Does anyone know what tracks appear in the end credits of the movie (in case there is music, that I think it is). I think the credits open with Every 27 Years (Reprise), but I don't know what's next. <br>Thanks in advance for the help!
I find all of this extremely strange. Just about two years ago people were almost universally hating on Lorne every time he became attached to a new project. And now? Orgasms everywhere. I mean, I liked Lego Batman as much as the next guy, and I adore Beyond: Two Souls. But such a blind praise for Geostorm, of all scores? It is, in my opinion, pretty mediocre and overall forgettable. Could this be a PR campaign for that piece of shit movie nobody wants to see?Im sure there will be a DVD rip at some point before any kind of complete score is leaked...<br><br>but then again, I don't see much that needs to be leaked from this score?Dude, no need to be harsh about it. Not everyone knows how these processes work. It was a reasonable assumption that there might be a specific timeline for leaks. <br><br>With that said, thanks for the info.Maybe. Clever deduction. Wait and see then ;)Oh my god. It's time to put an end to this. There is NO timeline as to when complete scores are leaked. They leak when the person in possession of them feels like leaking them. TF4 was November of 2014 because that's when the files were uploaded to Paramount's guilds/FYC site for academy members to listen to. Same with interstellar. It has absolutely nothing to do with time. I have some scores that haven't leaked yet. And I'm not going to. Why? Because I was asked not to. Not because I feel the time is right. K? Glad we cleared that up.
Does anyone remember around when the TF2 and TF3 complete scores were leaked? I know TF4's was around November 2014, I figured that might give an idea of when TF5's will get out.hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerTom Holkenborg (Junkie XL)Guillaume RousselMax Aruj
ComposerAdditional MusicArrangerArranger
The 84th Academy Awards - Celebrate The Music
Label: Academy Awards (iTunes Exclusive)
Length: 28'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5643 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Celebrate The Oscars (4:48)
    Written by Hans Zimmer
    Stephane Wrembel – Guitar solo
    Sheila E. – Percussion
    Ann Marie Calhoun – Violin
    Martin Tillman – Cello
    Produced by Hans Zimmer

  2. It Don't Mean A Thing If It Ain't Got Pharrell (3:40)
    Written by Pharrell Williams and Hans Zimmer
    Recorded by Mike Larson for i am OTHER entertainment at Circle House Studios, Miami, FL.
    Assisted by Matthew Desremeaux and Gennaro Schiano. Digital Editing and Arrangement by Mike Larson.
    Produced by Pharrell Williams for The Neptunes.

  3. Sunrise On Bleecker Street (2:09)
    Written by Esperanza Spalding and Hans Zimmer
    Esperanza Spalding – double bass and vocal
    J.R. Robinson – Drums
    Satnam Ramgotra – Percussion and Human Beatbox
    Dan Higgins – Soprano Saxophone
    Ann Marie Calhoun – Violin
    George Doering – Guitar
    Randy Kerber – Keyboard
    Arranged by Esperanza Spalding
    Produced by Peter Asher

  4. Giorgio's New Dancing Shoes (4:34)
    Written by Giorgio Moroder and Hans Zimmer
    Arranged by Giorgio Moroder
    Special Thanks: Sheila E. and Junkie XL
    Produced by Giorgio Moroder

  5. D_Generation (3:25)
    Written by Junkie XL and Hans Zimmer
    Arranged and remixed by Junkie XL @ the Computer Hell Cabin Santa Monica
    Produced by Junkie XL

  6. Bump The E. (3:45)
    Written by Sheila E. and Hans Zimmer
    Featuring Sheila E.
    Arranged and remixed by Sheila E.
    All drums and percussion by Sheila E.
    Engineer: Sir Mychael Davison
    Recorded at at Blue 52 Studios, Sherman Oaks, CA
    Production & Studio Manager: Raymond Mckinley
    Assistant: Ia Cheveres
    Managers: Lynn Mabry & Gilbert Davison Avid, Brian Carter
    Thank you to my Lord and Savior Jesus Christ. Hans you and your staff are amazing. It has been an honor to work with you. The biggest hearts ever! God bless
    Produced by Sheila E.

  7. Oscar Sangamam (1:57)
    Written by A.R. Rahman and Hans Zimmer
    Featuring A.R. Rahman on vocal.
    Arranged by A. R. Rahman
    Recorded at Panchathan Hollywood Studios and AM Studios
    Sound Engineers: Deepak Pa, Srinidhi Suresh, Tony Joy and Kevin Doucette
    Vocals, Harpejji and Continuum Fingerboard: A.R. Rahman
    Produced by A. R. Rahman

  8. What A Wonderful World (3:55)
    George David Weiss & Bob Thiele – Range Road Music Inc. & Quartet Music Inc. – George George David Weiss, Assigned to Abilene Music Inc.
    Sung by Esperanza Spalding with the Southern California Children’s Chorus conducted by Carol Aspling
    Additional choir – The KMMusic Conservatory Chamber Choir (recorded at Yashraj Studios, Mumbai, India
    Additional singers - Sally Stevens, Teri Koide, Susie Logan, Donna Medine, Suzanne Waters, Gerald White, Fletcher Sheridan,
    Eric Bradley and Peter Asher
    Arranged by Nick Glennie-Smith
    Produced by Hans Zimmer and Peter Asher

Album Produced by: Peter Asher

Music Supervisor: Bob Badami
Musical Director: Nick Glennie-Smith
Music Production Services: Steven Kofsky
Associate Music Producer: Andrew Zack
Technical Consultant: Chuck Choi
Music Editor: Jessica Weiss
Sound Engineers: Slamm Andrews, Daniel Kresco and Satoshi Noguchi
Album Mixed By: Daniel Kresco
Assistant Engineer: Christian Wenger
Orchestrators: Bruce Fowler and Rick Giovinazzo
Copyist: Booker White
Digital Instrument Design: Mark Wherry
Sample Library Development: Cladius Bruese, Sam Estes and Michael Hobe

Album Mastered by: Pat Sullivan of Bernie Grundman Mastering

Studio: Remote Control Productions, Santa Monica, California
Create Topic

... reply Replies: 0 || 2015-03-30 20:11:17
Martin Tillman is scoring a new movie called A bell for Ursli! I'm very glad that he gets to do some composing of his own these days! He is such a great musician! He plays the cello in most of Zimmer's and HGW's scores if you don't know who he is:P

Luciano reply Replies: 0 || 2014-09-23 20:50:50
Amazing!!! compliments, as usual, great composition.!

Mike reply Replies: 13 || 2013-09-17 01:42:27
I can't quite place why, but Celebrate the Oscars reminds me of John Williams. Great and uplifting track--and starts out with a classic Zimmerish BRAAAAAAM. :)


MacArthur2013-09-17 01:51:58
Oddly enough I just bought it


Mike2013-09-17 01:52:45
Good stuff, isn't it?


MacArthur2013-09-17 01:54:17
The BRAAAAAM! is awesome


Mike2013-09-17 01:55:26
The main melody resembles the heroic Superman theme from Man of Steel (think the beginning of "Flight").


MacArthur2013-09-17 01:58:04
Huh I'm not hearing that.


MacArthur2013-09-17 01:59:49
and i'm not saying that in a bad way


Mike2013-09-17 02:01:01
Listen to 0:48-1:10 in Celebrate the Oscars, then listen to 0:31-1:10 or so in Flight.


Mike2013-09-17 02:01:58
Maybe it's just me.


Mike2013-09-17 02:05:04
Even better idea: listen to that same section of Celebrate the Oscars, then listen to 14:26-15:20 in "Man of Steel (Hans' Original Sketchbook)", and tell me if you notice it there.


MacArthur2013-09-17 02:06:06
Yes now I got you it's a similar chord progression


MacArthur2013-09-17 02:08:36
Different Orchestrations but similar chord progression not exactly the same but similar.


Mike2013-09-17 02:11:24
Both quite good though. I wouldn't have known when this came out to expect something similar for Superman. lol. And speaking of Zimmer superhero music, I find it funny that Zimmer hasn't mentioned his involvement with Spider-Man.


MacArthur2013-09-17 03:07:11
Yeah good point but he also has 4 more movies before that one comes out

Andy P reply Replies: 0 || 2012-03-09 07:09:31
Amazing!!! love all 7 of them!! Thank u hans! keep up your great music

Fil reply Replies: 1 || 2012-02-29 10:54:26
So the Oscars have been broadcasted worldwide, yet this music can be only bought by US citizens.

What's the reason? It's not like there will be any development on German TV/Music market that forces them to withhold sales in Germany for any number of weeks or months. There is NO reason. I really enjoyed and appreciated the music, it even caused goosebumps and tears, yet I cannot pay those f*in $5.99 (or even make that Euros) to further enjoy and appreciate it. Legally! At least, with a CD, I could order it on Amazon US and have it shipped over here or something.

THIS is what forces people all over the world into piracy, because we would LOVE to pay for good stuff, but are just kept away from getting it! REALLY SUCKS! Especially having in mind where Hans Zimmer comes from - he has tons of fans in Germany!!!


Mr. Fate2012-02-29 14:06:41
^^^THIS^^^

Hale reply Replies: 4 || 2012-02-27 12:25:06
*** EDITED BY WEBMASTERS : This topic is about the fact this score is only available on the american itunes store, and prevent other country to download it ****
*** Priere de rédiger en anglais la prochaine fois ***
Alors, là! Bon, désolé, j'écris en français. Trop énervé pour réfléchir anglais ce matin!!

Je me pointe sur l'iTunes tranquillement pour acheter la piste faite par Hans. Que se passe-t-il? "Votre compte ne peut acheter des produits sur l'iStore américain".

Et apr&#232;s, on va dire qu'Internet est rempli de pirates...
Bouh!! Honte &#224; eux!

Cela dit, quelle magnifique piste créée par Zimmer. Un peu répétitive mais épique, glorieuse. Tout ce que j'aime de sa musique (qui d'ailleurs est souvent tr&#232;s sombre, plus technique ces derni&#232;res années).

Cela fait plaisir de retrouver un th&#232;me dans la veine de "Backdraft", "Spirit" et un soupçon de "The Holiday" également.


xxxx2012-02-27 13:02:28
*** english only please ***


xxxx2012-02-27 13:03:29
xxxxx *** do not ask for illegal copy please ***


Hale2012-02-27 13:11:26
*** english only, please ***


JR2012-02-28 11:56:54
I'm a french speaking too, but I want to avoid 3 *XXXX reply :) I completely agree with you Hale, this is a very refreshing-Zimmer sound, it made me so happy when I heard this track yesterday morning! Just Hope "Dark Knight Rises" will not fall too deep into "Dark Knight" or "Inception" sounds, which for me is a disappointing tendency of Zimmer sound these last years...

 HANS-ZIMMER.com© 2001-2017 OST 
The 84th Academy Awards - Celebrate The Music soundtrack - Hans Zimmer 2012