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Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.
@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cuesArtemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.
The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
<br>
<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
<br>
<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional Music
I find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?ANd now apparently another guy is scoring it as well lmaoTechnically he's a little under 50% used so there's no obligation. But he wrote a whole score for it.but if Lorne has written 50% of the score you should have a credit like in Ghost in the shell
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Hans ZimmerTom Holkenborg (Junkie XL)Guillaume RousselMax Aruj
ComposerAdditional MusicArrangerArranger
The 84th Academy Awards - Celebrate The Music
Label: Academy Awards (iTunes Exclusive)
Length: 28'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6583 votes)
  1. Celebrate The Oscars (4:48)
    Written by Hans Zimmer
    Stephane Wrembel – Guitar solo
    Sheila E. – Percussion
    Ann Marie Calhoun – Violin
    Martin Tillman – Cello
    Produced by Hans Zimmer

  2. It Don't Mean A Thing If It Ain't Got Pharrell (3:40)
    Written by Pharrell Williams and Hans Zimmer
    Recorded by Mike Larson for i am OTHER entertainment at Circle House Studios, Miami, FL.
    Assisted by Matthew Desremeaux and Gennaro Schiano. Digital Editing and Arrangement by Mike Larson.
    Produced by Pharrell Williams for The Neptunes.

  3. Sunrise On Bleecker Street (2:09)
    Written by Esperanza Spalding and Hans Zimmer
    Esperanza Spalding – double bass and vocal
    J.R. Robinson – Drums
    Satnam Ramgotra – Percussion and Human Beatbox
    Dan Higgins – Soprano Saxophone
    Ann Marie Calhoun – Violin
    George Doering – Guitar
    Randy Kerber – Keyboard
    Arranged by Esperanza Spalding
    Produced by Peter Asher

  4. Giorgio's New Dancing Shoes (4:34)
    Written by Giorgio Moroder and Hans Zimmer
    Arranged by Giorgio Moroder
    Special Thanks: Sheila E. and Junkie XL
    Produced by Giorgio Moroder

  5. D_Generation (3:25)
    Written by Junkie XL and Hans Zimmer
    Arranged and remixed by Junkie XL @ the Computer Hell Cabin Santa Monica
    Produced by Junkie XL

  6. Bump The E. (3:45)
    Written by Sheila E. and Hans Zimmer
    Featuring Sheila E.
    Arranged and remixed by Sheila E.
    All drums and percussion by Sheila E.
    Engineer: Sir Mychael Davison
    Recorded at at Blue 52 Studios, Sherman Oaks, CA
    Production & Studio Manager: Raymond Mckinley
    Assistant: Ia Cheveres
    Managers: Lynn Mabry & Gilbert Davison Avid, Brian Carter
    Thank you to my Lord and Savior Jesus Christ. Hans you and your staff are amazing. It has been an honor to work with you. The biggest hearts ever! God bless
    Produced by Sheila E.

  7. Oscar Sangamam (1:57)
    Written by A.R. Rahman and Hans Zimmer
    Featuring A.R. Rahman on vocal.
    Arranged by A. R. Rahman
    Recorded at Panchathan Hollywood Studios and AM Studios
    Sound Engineers: Deepak Pa, Srinidhi Suresh, Tony Joy and Kevin Doucette
    Vocals, Harpejji and Continuum Fingerboard: A.R. Rahman
    Produced by A. R. Rahman

  8. What A Wonderful World (3:55)
    George David Weiss & Bob Thiele – Range Road Music Inc. & Quartet Music Inc. – George George David Weiss, Assigned to Abilene Music Inc.
    Sung by Esperanza Spalding with the Southern California Children’s Chorus conducted by Carol Aspling
    Additional choir – The KMMusic Conservatory Chamber Choir (recorded at Yashraj Studios, Mumbai, India
    Additional singers - Sally Stevens, Teri Koide, Susie Logan, Donna Medine, Suzanne Waters, Gerald White, Fletcher Sheridan,
    Eric Bradley and Peter Asher
    Arranged by Nick Glennie-Smith
    Produced by Hans Zimmer and Peter Asher

Album Produced by: Peter Asher

Music Supervisor: Bob Badami
Musical Director: Nick Glennie-Smith
Music Production Services: Steven Kofsky
Associate Music Producer: Andrew Zack
Technical Consultant: Chuck Choi
Music Editor: Jessica Weiss
Sound Engineers: Slamm Andrews, Daniel Kresco and Satoshi Noguchi
Album Mixed By: Daniel Kresco
Assistant Engineer: Christian Wenger
Orchestrators: Bruce Fowler and Rick Giovinazzo
Copyist: Booker White
Digital Instrument Design: Mark Wherry
Sample Library Development: Cladius Bruese, Sam Estes and Michael Hobe

Album Mastered by: Pat Sullivan of Bernie Grundman Mastering

Studio: Remote Control Productions, Santa Monica, California
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... reply Replies: 0 || 2015-03-30 20:11:17
Martin Tillman is scoring a new movie called A bell for Ursli! I'm very glad that he gets to do some composing of his own these days! He is such a great musician! He plays the cello in most of Zimmer's and HGW's scores if you don't know who he is:P

Luciano reply Replies: 0 || 2014-09-23 20:50:50
Amazing!!! compliments, as usual, great composition.!

Mike reply Replies: 13 || 2013-09-17 01:42:27
I can't quite place why, but Celebrate the Oscars reminds me of John Williams. Great and uplifting track--and starts out with a classic Zimmerish BRAAAAAAM. :)


MacArthur2013-09-17 01:51:58
Oddly enough I just bought it


Mike2013-09-17 01:52:45
Good stuff, isn't it?


MacArthur2013-09-17 01:54:17
The BRAAAAAM! is awesome


Mike2013-09-17 01:55:26
The main melody resembles the heroic Superman theme from Man of Steel (think the beginning of "Flight").


MacArthur2013-09-17 01:58:04
Huh I'm not hearing that.


MacArthur2013-09-17 01:59:49
and i'm not saying that in a bad way


Mike2013-09-17 02:01:01
Listen to 0:48-1:10 in Celebrate the Oscars, then listen to 0:31-1:10 or so in Flight.


Mike2013-09-17 02:01:58
Maybe it's just me.


Mike2013-09-17 02:05:04
Even better idea: listen to that same section of Celebrate the Oscars, then listen to 14:26-15:20 in "Man of Steel (Hans' Original Sketchbook)", and tell me if you notice it there.


MacArthur2013-09-17 02:06:06
Yes now I got you it's a similar chord progression


MacArthur2013-09-17 02:08:36
Different Orchestrations but similar chord progression not exactly the same but similar.


Mike2013-09-17 02:11:24
Both quite good though. I wouldn't have known when this came out to expect something similar for Superman. lol. And speaking of Zimmer superhero music, I find it funny that Zimmer hasn't mentioned his involvement with Spider-Man.


MacArthur2013-09-17 03:07:11
Yeah good point but he also has 4 more movies before that one comes out

Andy P reply Replies: 0 || 2012-03-09 07:09:31
Amazing!!! love all 7 of them!! Thank u hans! keep up your great music

Fil reply Replies: 1 || 2012-02-29 10:54:26
So the Oscars have been broadcasted worldwide, yet this music can be only bought by US citizens.

What's the reason? It's not like there will be any development on German TV/Music market that forces them to withhold sales in Germany for any number of weeks or months. There is NO reason. I really enjoyed and appreciated the music, it even caused goosebumps and tears, yet I cannot pay those f*in $5.99 (or even make that Euros) to further enjoy and appreciate it. Legally! At least, with a CD, I could order it on Amazon US and have it shipped over here or something.

THIS is what forces people all over the world into piracy, because we would LOVE to pay for good stuff, but are just kept away from getting it! REALLY SUCKS! Especially having in mind where Hans Zimmer comes from - he has tons of fans in Germany!!!


Mr. Fate2012-02-29 14:06:41
^^^THIS^^^

Hale reply Replies: 4 || 2012-02-27 12:25:06
*** EDITED BY WEBMASTERS : This topic is about the fact this score is only available on the american itunes store, and prevent other country to download it ****
*** Priere de rédiger en anglais la prochaine fois ***
Alors, là! Bon, désolé, j'écris en français. Trop énervé pour réfléchir anglais ce matin!!

Je me pointe sur l'iTunes tranquillement pour acheter la piste faite par Hans. Que se passe-t-il? "Votre compte ne peut acheter des produits sur l'iStore américain".

Et apr&#232;s, on va dire qu'Internet est rempli de pirates...
Bouh!! Honte &#224; eux!

Cela dit, quelle magnifique piste créée par Zimmer. Un peu répétitive mais épique, glorieuse. Tout ce que j'aime de sa musique (qui d'ailleurs est souvent tr&#232;s sombre, plus technique ces derni&#232;res années).

Cela fait plaisir de retrouver un th&#232;me dans la veine de "Backdraft", "Spirit" et un soupçon de "The Holiday" également.


xxxx2012-02-27 13:02:28
*** english only please ***


xxxx2012-02-27 13:03:29
xxxxx *** do not ask for illegal copy please ***


Hale2012-02-27 13:11:26
*** english only, please ***


JR2012-02-28 11:56:54
I'm a french speaking too, but I want to avoid 3 *XXXX reply :) I completely agree with you Hale, this is a very refreshing-Zimmer sound, it made me so happy when I heard this track yesterday morning! Just Hope "Dark Knight Rises" will not fall too deep into "Dark Knight" or "Inception" sounds, which for me is a disappointing tendency of Zimmer sound these last years...

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The 84th Academy Awards - Celebrate The Music soundtrack - Hans Zimmer 2012