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donít worry about it @Eobard <br>With the timing, I wouldíve thought the same if I didnít already know about the brass library :)Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyderís cut and JXLís score to be released, but setting up expectations about the score when itís clear that Tomís post has nothing to do it is just kinda unnecessary.Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?
In a year, like Enos saysIs there a page for the complete score of this film? Thanks."LOL" Relax, Ahmad. <br><br>People are working really hard to release the movie and with it will come Junkie's score too.<br><br>LOL! The only thing thatís coming is his brass library which he has been working on for quite some time.Even Snyder himself just tweeted it.<br><br>I bet the score of this version would be way better because Junkie/Zimmer worked on Batman, Man Of Steel and the Wonder Woman theme<br><br>What Elfman did was terrible butchering and ignoring all the themes and tonality of all the previous hero scores.
Gal and Ben also announced their support for the Snyder Cut!Something is coming, Junkie XL aka Tom just posted this<br>https://twitter.com/Junkie_XL/status/1196111682398867456<br>#ReleaseTheSnyderCutI want that film version of John's theme. heard in the arcade scene and airport scene at the end of the film.Nope. They were recreated using film stems.I found a version of this soundtrack online that contained several alternate versions of "No Time For Caution", as well as two additional suites, supposedly titled "Endurance Suite 1" and "Endurance Suite 2". I've listened to both and they both seem legit, but are they a part of this complete score?
truly amazing score! zanelli shows here that he mastered the DNA of the pirates music. would love to see him talk about this series, what makes its music so unique & recognizable, etc.<br><br>i think what's happening is that there are far too many characters, each with their own themes, to focus & develop any one in particular. salazar is the exception, in both the movie and the music. his intriguing character is the reason i watched the movie. and his theme kept coming into my head months after the movie.<br><br>but yea there are too many stories being unpacked onto the viewer in just a few hours in the latest pirates. but zanelli did a great job all the same.Balfe is the best composer since Powell from the Zimmer training<br>After hearing what Lorne Balfe did for Mission Impossible it would be great to hear what he would do with the James Bond theme.<br>Ok.But still it would be awesome if Djawadi is composing The EternalsWell, unless you have a source, or can point to a credible publication reporting Romer is not scoring it, I think it is safe to assume (for now) that the composer announced and still listed on the official website as the composer for the film is in-fact the composer for the film..<br><br>He wouldn't be my personal choice for the job, but I am not going to ignorantly pretend that he isn't currently the hired composer.
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Matthew Margeson
Co-Composer
Transformers - Prime (TV Series)
Label: Lakeshore Records
Length: 72'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4758 votes)
  1. Transformers Prime (3:22)
  2. Optimus Prime Returns (2:07)
  3. One Shall Rise (2:43)
  4. Dreadwing (1:41)
  5. In Defense Of Humanity (2:26)
  6. We Have Returned (4:42)
  7. Relentless Pursuit (4:36)
  8. This Is Your Home Now (5:02)
  9. Autobot Stratagum (2:38)
  10. Battle In The Energon Mine (3:12)
  11. Proximity Sensors (2:17)
  12. Cutting It A Bit Close (1:28)
  13. The Cons Are Back (4:46)
  14. RC On The Move (2:02)
  15. Always Welcome (2:11)
  16. Arachnid (4:10)
  17. The Space Bridge (1:29)
  18. Dogfight (4:52)
  19. Bumblebee (1:37)
  20. Next Day After School (1:12)
  21. Cybertron (1:31)
  22. Megatron On The Move (2:44)
  23. The Construct (2:16)
  24. Prime Finale (4:16)
  25. Transformers Prime End Title (3:05)
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Edmund Meinerts reply Replies: 7 || 2013-11-02 17:19:11
Just wondering out of curiosity if the credits for these Tyler scores that use additional guys from RCP will ever be known. Like Margeson on this one and Battle: LA, or Todd Haberman on Rambo. Any clues, Hybrid?


Hybrid Soldier2013-11-02 18:32:02
No because Tyler rarely gives royalties...

A couple cues from Rambo (The Compound if my memory doesn't suck) are credited Haberman.

Matt did a LOT of the action stuff on Battle LA & Expendables 1.


Edmund Meinerts2013-11-02 18:37:33
He doesn't give royalties? Is that even legal? It would certainly explain how he's able to do so many scores in a year...sheesh.

Not surprised to hear about Margeson; Skyline sounds so much like a Tyler score it isn't even funny. :p


Hybrid Soldier2013-11-02 19:07:23
Of course it's legal...

I mean, all the credits I get are basically royalties sheets (cuesheet).

The thing is around RCP it's common to have detailed things, but they are not "forced" to do so. It's just the local culture. And it's not shared all around the non RCP guys.

I just checked Tyler's Iron Man 3 cuesheet and of course he's solo credited there. No money for Halli Cauthery, Stu Thomas, Tony Morales, Sarah Schachner or R. Lydecker... Of course they get paid (contract) when they work with him, but they won't get any other money in the future. That's the way it is...


Frank2013-11-03 02:13:44
Speaking of Tyler, am I the only one who found that the main theme of Thor The Dark Word is pretty similar to the opening title of Contender?


Mike2014-05-02 19:08:30
I did as well, Frank. That was my first thought upon hearing it.


Edmund Meinerts2014-05-02 19:15:55
The theme from Thor 2 is so derivative it's not even funny. Besides The Contender it also reminds me of Tyler's own Children of Dune...and it's based on a four-chord progression that he has used in practically every score he's ever done.


Knight2019-10-29 18:55:26
@Hybrid do you know specifically what cues Matt worked on for Battle: LA?

. reply Replies: 1 || 2012-03-31 21:22:25
matthew margeson is a additional composer! no co-composer! boa what a bad site.

all hate remote control


Warfighter2012-05-16 03:11:24
Very constructive post...
Maybe "All hail Megatron" for you? :D

Adam Krysinski (Soundtracks.pl) reply Replies: 3 || 2012-03-07 09:43:14
music performed by: The Slovak National Symphony Orchestra
music recorded at: Slovak Radio Concert Hall & Brian Tyler Studios
additional music: Matthew Margeson
music conducted by: Allan Wilson
music orchestrated by: Robert Elhai, Dana Niu, Pakk Hui & Brad Warnaar
scoring mixer: Jeff Biggers
musical score arrangements: Bob Lydecker
music preparation: Eric Stonerook
recording engineer: Peter Fuchs
music contractor: Paul Talkington
score coordinators: Bob Lydecker & Matthew Llewellyn


Hybrid Soldier2012-03-07 13:51:27
Actually Brian scored the first 5 episodes with help by Matt, and Matt scored the last 5 on his own... :)


Mr. Charles2012-03-07 19:12:19
So then are there credits available for who did each track Hybrid? Or is it too early?


Mr. Fate2012-03-07 21:18:47
Remember, you can find the credits just as easily as Hybrid. He gets them from ASCAP or some other site that has a similar function...At least, that's what I remember him saying elsewhere. I wouldn't think Hybrid has access to much more of that sort of info than any one of us does.

T-Mann036 reply Replies: 0 || 2012-03-07 01:18:23
It's about freakin' time!!!!

Mr. Charles reply Replies: 0 || 2012-03-03 22:44:38
FINALLY!!!!

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Transformers - Prime (TV Series) soundtrack 2010