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Will the Song "No Time to Die" from Billie Eilish on the CD release of this Album?If you care about Ben's work in horror, you gonna like this (the strings and themes sounds mostly like A Cure for Wellness), and lots of abrasive electronics.<br><br>If you don't care, that's other story.It is good, very good.<br><br>But still no manage to top his work in HTTYD, but, really impressive.Soo, there is a new trailer for the Third season. I'm very exited.<br>The second half of the trailer sounds like Djawadi did it.<br><br>Do we know if he's doing the 3rd season and will there be a release for the score. If so, is it again on the night after the last eoisode aired??Nice!
www.youtube.com/watch?v= uzLk1Ar4DHw@Hybrid<br><br>I did manage to manage to listen to the Gelukkige score he did, it’s an interesting mix of horror music, emotional piano stuff, and some upbeat pop elements that reminded me of Megamind lol.<br><br>Btw, was his concert music for the “Battle of Peace” show ever released? It’s a pretty badass mix of 300, Mad Max, and some epic choral portions.Yeah,pretty goodHave you guys ever listened to anything Tom did in Nederland before saying it's "different" ? :PFrom what I've seen the score sounds so different because Antonio heavily worked on it (as almost every track is on his soundcloud, or was at one point).
Tracklist:<br><br>1. Cobolt (1:42)<br>2. Escape (4:28)<br>3. He’s Gone (3:37)<br>4. This Is What He Does (2:19)<br>5. We’ve Got That In Common (1:22)<br>6. Make It Rain (2:23)<br>7. Attack (2:46)<br>8. Why Me (3:00)<br>9. The Suit (2:16)<br>10. Asylum (3:31)<br>11. He’s Behind You (4:42)<br>12. House Fight (5:35)<br>13. It’s All a Lie (5:27)<br>14. Surprise (1:33)<br>15. Denouement (4:58)Up in Itunes NZ<br><br>https:// music.apple.com/nz/album/the-call-of-the-wild-original -motion-picture-soundtrack/1498520127<br><br>Sounds pretty, pretty goodUp in Itune NZ<br><br>https:/ /music.apple.com/nz/album/the-invisible-man-original-motion-  picture-soundtrack/1498868649oh yes!!! :-)Yeah, it is good.<br><br>Score comes this Friday, also vinyl 4th March
Actually, I prefer BB2 more than Pearl Harbor, thanks!<br><br>There is a quite of the trademark style of Tom in this, his percussion, synths and brassBay should work with Jerry Bruckheimer again. Except Bad Boys 2 (which was way too long) they made really entertaining films together.@Mark<br>You composed this?  It's pretty damn solid work, man.<br><br>Not sure if I hear a whole lot of 90's Zimmer in there, at least not until the last couple minutes.  If anything it gives me modern Lorne Balfe vibes.  But it's not a bad execution of that sound.  Far from it.<br><br>Could just be me.  I'm curious how the more attuned ears around here feel about it.Not bothering with any more of your bullshit.  This already gets down to the crux of the issue.<br><br>"Look at your first comment here, pal. Look at it good! Snarky, dismissive, almost trollish, and with a clear intention to provoke people."<br><br>You chose to take a comment whose only direct provocation was at Bay himself, as a direct insult to YOU.<br><br>Despite the fact that Bay and his work were the only things mentioned, despite the fact that those were the only things being dissed, you chose to take it as an attack against YOU.  <br><br>And when I elaborated on my full opinion, and even capped it off with a "you do you" olive branch, you chose to take it as me "unleashing my true self."<br><br>That speaks volumes about your mindset.<br><br>Y'know, we could keep talking and going in circles like this.  <br><br>We could talk about how you keep staking the worth of Bay as filmmaker on how much money he's made (and how much less money action films I considered better made) and then turning around and claiming "B-b-but I didn't say box office was a sign of quality!"  <br><br>We could talk about how 300 wasn't trying to start a franchise and how you keep pulling that uncited lie out of your ass to write off its merits under the very faint guise of "objectivity."<br><br>But that'd all be beside the point.<br><br>That point being, how people can only shit on a director according to your arbitrary standards, and how your inherent obsession with "disproving" them or "giving them what they deserve" or whatever self-serious crap you've concocted inside your head is dogmatic fanboyism at BEST.<br><br>Nice day indeed.
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Matthew Margeson
Co-Composer
Transformers - Prime (TV Series)
Label: Lakeshore Records
Length: 72'26
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4861 votes)
  1. Transformers Prime (3:22)
  2. Optimus Prime Returns (2:07)
  3. One Shall Rise (2:43)
  4. Dreadwing (1:41)
  5. In Defense Of Humanity (2:26)
  6. We Have Returned (4:42)
  7. Relentless Pursuit (4:36)
  8. This Is Your Home Now (5:02)
  9. Autobot Stratagum (2:38)
  10. Battle In The Energon Mine (3:12)
  11. Proximity Sensors (2:17)
  12. Cutting It A Bit Close (1:28)
  13. The Cons Are Back (4:46)
  14. RC On The Move (2:02)
  15. Always Welcome (2:11)
  16. Arachnid (4:10)
  17. The Space Bridge (1:29)
  18. Dogfight (4:52)
  19. Bumblebee (1:37)
  20. Next Day After School (1:12)
  21. Cybertron (1:31)
  22. Megatron On The Move (2:44)
  23. The Construct (2:16)
  24. Prime Finale (4:16)
  25. Transformers Prime End Title (3:05)
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Edmund Meinerts reply Replies: 7 || 2013-11-02 17:19:11
Just wondering out of curiosity if the credits for these Tyler scores that use additional guys from RCP will ever be known. Like Margeson on this one and Battle: LA, or Todd Haberman on Rambo. Any clues, Hybrid?


Hybrid Soldier2013-11-02 18:32:02
No because Tyler rarely gives royalties...

A couple cues from Rambo (The Compound if my memory doesn't suck) are credited Haberman.

Matt did a LOT of the action stuff on Battle LA & Expendables 1.


Edmund Meinerts2013-11-02 18:37:33
He doesn't give royalties? Is that even legal? It would certainly explain how he's able to do so many scores in a year...sheesh.

Not surprised to hear about Margeson; Skyline sounds so much like a Tyler score it isn't even funny. :p


Hybrid Soldier2013-11-02 19:07:23
Of course it's legal...

I mean, all the credits I get are basically royalties sheets (cuesheet).

The thing is around RCP it's common to have detailed things, but they are not "forced" to do so. It's just the local culture. And it's not shared all around the non RCP guys.

I just checked Tyler's Iron Man 3 cuesheet and of course he's solo credited there. No money for Halli Cauthery, Stu Thomas, Tony Morales, Sarah Schachner or R. Lydecker... Of course they get paid (contract) when they work with him, but they won't get any other money in the future. That's the way it is...


Frank2013-11-03 02:13:44
Speaking of Tyler, am I the only one who found that the main theme of Thor The Dark Word is pretty similar to the opening title of Contender?


Mike2014-05-02 19:08:30
I did as well, Frank. That was my first thought upon hearing it.


Edmund Meinerts2014-05-02 19:15:55
The theme from Thor 2 is so derivative it's not even funny. Besides The Contender it also reminds me of Tyler's own Children of Dune...and it's based on a four-chord progression that he has used in practically every score he's ever done.


Knight2019-10-29 18:55:26
@Hybrid do you know specifically what cues Matt worked on for Battle: LA?

. reply Replies: 1 || 2012-03-31 21:22:25
matthew margeson is a additional composer! no co-composer! boa what a bad site.

all hate remote control


Warfighter2012-05-16 03:11:24
Very constructive post...
Maybe "All hail Megatron" for you? :D

Adam Krysinski (Soundtracks.pl) reply Replies: 3 || 2012-03-07 09:43:14
music performed by: The Slovak National Symphony Orchestra
music recorded at: Slovak Radio Concert Hall & Brian Tyler Studios
additional music: Matthew Margeson
music conducted by: Allan Wilson
music orchestrated by: Robert Elhai, Dana Niu, Pakk Hui & Brad Warnaar
scoring mixer: Jeff Biggers
musical score arrangements: Bob Lydecker
music preparation: Eric Stonerook
recording engineer: Peter Fuchs
music contractor: Paul Talkington
score coordinators: Bob Lydecker & Matthew Llewellyn


Hybrid Soldier2012-03-07 13:51:27
Actually Brian scored the first 5 episodes with help by Matt, and Matt scored the last 5 on his own... :)


Mr. Charles2012-03-07 19:12:19
So then are there credits available for who did each track Hybrid? Or is it too early?


Mr. Fate2012-03-07 21:18:47
Remember, you can find the credits just as easily as Hybrid. He gets them from ASCAP or some other site that has a similar function...At least, that's what I remember him saying elsewhere. I wouldn't think Hybrid has access to much more of that sort of info than any one of us does.

T-Mann036 reply Replies: 0 || 2012-03-07 01:18:23
It's about freakin' time!!!!

Mr. Charles reply Replies: 0 || 2012-03-03 22:44:38
FINALLY!!!!

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Transformers - Prime (TV Series) soundtrack 2010