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Guys are you serious ? Iím currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.
Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThatís a cool choice, Iím hoping for something more like ďItĒ and less like ďLightís OutĒ.Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the jobPowell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isnít fit for the likes of DC as of now.
I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, Iím interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.Bring on the remixes!LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!
Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film musicFantastic score by Balfe.Best action score writer to come from RCP since Powell for sure .It hits all the same notes you would expect out of a feel good sports movie, but the performances and real life story really add a lot to it, as does Rabinís score.<br>=======================<br><br><br>Well said! <br><br>Agreed.
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Additional Music - Conductor - Orchestrator
Hans ZimmerShirley WalkerFiachra TrenchJohn Powell
ComposerAdditional MusicAdditional MusicMusic Programmer
White Fang
Label: Intrada
Length: 119'13
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7256 votes)
CD1 - MUSIC BY BASIL POLEDOURIS
  1. Main Title & Opening Credits (3:32)
  2. Golden Staircase (2:03)
  3. The Place (2:34)
  4. Death Of Kiche (2:08)
  5. Death Of Kiche (Revised) (1:14)
  6. Wolf Dance (6:48)
  7. Wolf Dance (Revised) (1:55)
  8. Slow Motion Wolves (1:15)
  9. Puppy Things (2:31)
  10. Fang On Sled (0:32)
  11. The River (1:42)
  12. The Bear Attack (3:14)
  13. The Cabin (2:14)
  14. The Cabin (Revised) (0:24)
  15. Mining Montage (0:47)
  16. Pit Fight (1:36)
  17. Jack Bit (2:51)
  18. Bonding (2:11)
  19. Just Friends (1:07)
  20. Gold Test (1:15)
  21. Fang's Revenge (1:10)
  22. Jack And White Fang (1:04)
  23. Jack Forces Fang Away (1:57)
  24. The Return (3:06)
  25. End Credits (3:51)
  26. Saloon Source (1:24)
  27. Saloon Source (Alternate) (1:19)
  28. Saloon Source #2 (1:37)
  29. Saloon Source #2 (Alternate) (1:32)
  30. Sweet Betsy From Pike (1:36)
CD2 - MUSIC BY HANS ZIMMER
  1. Opening Credits - Main Title (4:18)
  2. The Staircase (2:26)
  3. The Trek Continues (1:51)
  4. Black Wolf (8:31)
  5. Full Moon Wolf Attack (1:20)
  6. Kiche's Demise (9:40)
  7. Seasons Pass (4:23)
  8. The Bear Attack (2:38)
  9. The Mine (7:34)
  10. Fang With Jack (3:20)
  11. Vengeance Fulfilled (2:51)
  12. Home Again (8:16)
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David reply Replies: 2 || 2019-09-16 01:46:17
Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues please


Hybrid Soldier2019-09-16 01:55:03
The Hans cues used are :

1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)
1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)
2M2 JACK SEES WOLVES
2M3 BLACK WOLF
2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)
3M1 THIN ICE
3M2 SKUNKER'S DEATH
3M3 FULL MOON WOLF ATTACK
3M3A MORNING WOLF ATTACK
6M4 THE BEAR
6M4A THE BEAR ATTACK
7M3 IN THE STABLE
7M5 WHITE FANG FIGHTS SATAN
8M1 FIGHT MONTAGE (FIRST HALF USED)
8M3 PIT FIGHT (FINAL 20 SEC USED)

All the rest, by definition, is Basil's score...


David2019-09-16 02:03:30
Cool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? Itís been a very very long time since I have seen the film.

Michael Poleschuck reply Replies: 0 || 2017-02-16 10:13:13
Wow! How did John Powell involved in this project? And did he something significant here in synthesizers programming?

Ds reply Replies: 10 || 2016-04-28 23:02:26
I'm listening to that score for the first time, have to say I'm impressed. I didn't realize how quick Zimmer established himself in Hollywood (although I was just born, maybe it explains why).

Barely 3 years after "Rain Man" he was already doing big movie scores like this one or Backdraft the same year. As well as two scores for Ridley Scott, and one for his brother Tony. I can't think of a single composer who managed to climb at the top so quickly.


Hybrid Soldier2016-04-28 23:18:04
Wow first time ? :)

There's some POTC 3 & Spirit lost in this !


Edmund Meinerts2016-04-28 23:18:34
I can: Junkie XL. Make of that what you will... :|

This is an okay score but I don't find it to be as engaging or catchy or involving as other Zimmer scores from around the same period, like Days of Thunder or K2 (let alone Backdraft or the awesome A League of Their Own).


Hybrid Soldier2016-04-28 23:21:57
HGW climbed quite fast too ! ;)

Oh btw speaking of K2, I want to set something straight. HZ's score for that one was done in 1992. The film originally came out in 1991 with the first score and it was decided to rescore it for Europe (and not the other way around). So Hans did it with Nick, who only joined Media Ventures in 1992 (and his first work was on Toys).


Edmund Meinerts2016-04-28 23:32:21
There's quite a few, really. I mean, David Arnold totally came out of nowhere in the mid-90s (and has since returned to nowhere, sadly). Danny Elfman's rise around the same time as Zimmer's was just as meteoric.

I'm not actually so sure about HGW, for that matter. He didn't get any really big assignments on his own until arguably Spy Game in 2001; he did a lot of collaborative work before then but usually played second fiddle to someone else (Rabin or Powell or Hans himself). Mark Mancina might be a better example for MV, coming out of pretty much nowhere to do a huge action movie like Speed. Or even Powell himself: Face/Off is a hell of a big movie to debut on!


Joshua2016-04-28 23:55:46
So what is the story with this score. Was Hans brought in to save the day here? Did they leave Basils name because of his main theme?


Ds2016-04-29 00:03:11
I guess the MV formula worked really well for those guys... Powell, Mancina, HGW, what a dream team! But in Zimmer's case I find it even more impressive, because he started the whole thing himself, without this kind of studio to get him visibility (as far as I know, at least).

As for Junkie XL... for reasons you probably know, I think he's a totally different story (and with much less merits).

Next ones I've got to discover: K2 and A League of their own. As you probably guessed, I'm back in full fanboy-mode, I'm tired of waiting for new HZ releases and for the final concert, so I'm digging into the past! :-p


Edmund Meinerts2016-04-29 00:07:54
As I understand it, the filmmakers pushed hard to get a more contemporary sound to the score, and while Basil Poledouris is no slouch at that kind of thing (just listen to his Wind score, which is amazing), I guess they ultimately ended up "soft rejecting" what he wrote and got Zimmer to come in and stop the gaps. I've never seen the movie, but from what I've read, it uses portions of both scores; mostly Poledouris for the themes and Zimmer for the action music.

It certainly sounds like a weird situation!

(Oh, and by the way, the sequel score for White Fang 2: Myth of the White Wolf, an early-career effort by John Debney, is really good! Better than either the Poledouris or the Zimmer.)


Edmund Meinerts2016-04-29 00:12:37
Even Zimmer kind of got his start off the back of Stanley Meyers, admittedly. It's how he nabbed all those little British drama movies in the late 80s like My Beautiful Launderette and The Fruit Machine. But yeah, Junkie XL is a totally different story.

Dude, A League of Their Own will blow your mind. It's like absolutely nothing else in Zimmer's career - okay, the dramatic material and themes sound like him, but the game music is this crazy, complex, energetic big-band jazz stuff which is just so much fun to listen to. Think The Incredibles on steroids. It's my favorite early Zimmer score!


Ds2016-04-29 00:23:00
Haha Edmund you make me really curious! Just managed to get my hand on A League of their own, I'll let you know what I think!

As for K2, I can't find it anywhere. It's not on iTunes (in Europe at least), it's not for download on amazon, nowhere at all. If you have a tip, please let me know :-)


Ds2016-04-29 17:34:48
Edmund, I really love that soundtrack! Very reminiscent of some of my favorite parts from Madagascar 3, actually!!

Niki reply Replies: 1 || 2012-05-21 22:02:13
Wow...Zimmer wrote this score in only 16 days!


T-Mann0362012-05-22 06:23:03
Hans have really broken the record for writing the film score.

Trent Easton Navarro reply Replies: 0 || 2012-04-22 08:25:09
Ah yes, from the days when Zimmer still wrote good scores. Really excellent stuff! Reminded why I used to love Zimmer's stuff

fabien reply Replies: 2 || 2012-03-20 17:23:38
listen at store.intrada.com/s.nl/it.A/id.7430/.f


Aggelos2012-03-28 08:46:41
Shit da White Fang!?....Shit da White Fang!?....Shit da White Fang!?.... Shit da White Fang!?....


Aggelos2012-03-28 11:32:25
Fabien@, are aware of the Fabien Sevitzky orchestral transcriptions? He has orchestrated quite a lot of works to be candour...

Kusi reply Replies: 0 || 2012-03-27 11:44:15
A classic Zimmer-score! Got it today and listened already twice to it :) Highly recommended!

Mr. Charles reply Replies: 0 || 2012-03-20 23:50:08
Holy shit! I remember this movie from when I was a kid! I didn't know Basil Poledouris and Hans Zimmer did it! I am highly anticipating this =)

Anonymous reply Replies: 0 || 2012-03-20 20:19:19
Holy sh...!!!!! this is awesome

Prott reply Replies: 0 || 2012-03-20 18:58:37
Wow, great!

Per reply Replies: 0 || 2012-03-20 17:10:33
Available now ! :)

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White Fang soundtrack - Hans Zimmer 1991