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Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
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Hans ZimmerGuillaume RousselNick Glennie-SmithAtli Örvarsson
ComposerAdditional MusicAdditional MusicAdditional Arrangements
How Do You Know (Complete Score)
Label: Unofficial Release
Length: 57'41
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4363 votes)
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  1. Opening (2:37)
    Hans Zimmer
  2. Virginia (0:37)
    Hans Zimmer, Guillaume Roussel
  3. Morning After (0:34)
    Hans Zimmer, Guillaume Roussel
  4. Assembly Line (0:30)
    Hans Zimmer, Guillaume Roussel
  5. Red Dress (0:50)
    Hans Zimmer, Guillaume Roussel
  6. Subpoena (0:27)
    Hans Zimmer, Guillaume Roussel
  7. None Athlete - Meet Matty (1:23)
    Hans Zimmer, Guillaume Roussel
  8. Meet Charles (0:42)
    Hans Zimmer
  9. Annie Punch (0:47)
    Hans Zimmer, Nick Glennie-Smith
  10. Ron's Advice (2:12)
    Hans Zimmer, Guillaume Roussel
  11. Annie Phone Call (0:55)
    Hans Zimmer, Guillaume Roussel
  12. George Makes Date With Lisa (0:28)
    Hans Zimmer, Guillaume Roussel
  13. Bad News (2:12)
    Hans Zimmer, Atli Örvarsson
  14. Lisa Goes To Date (0:31)
    Hans Zimmer, Guillaume Roussel
  15. 1st Date (1:48)
    Hans Zimmer, Guillaume Roussel
  16. Insensitivity (0:32)
    Hans Zimmer, Guillaume Roussel
  17. Lawyer Visit (1:08)
    Hans Zimmer, Guillaume Roussel
  18. Psychiatrist (0:26)
    Hans Zimmer, Guillaume Roussel
  19. I Got Cut (1:08)
    Hans Zimmer
  20. Matty & Lisa Lovemaking (Part 1) (0:47)
    Hans Zimmer, Nick Glennie-Smith
  21. Matty & Lisa Lovemaking (Part 2) (1:00)
    Hans Zimmer, Nick Glennie-Smith
  22. Crazy Idea (0:15)
    Hans Zimmer
  23. Lisa Moves In (1:08)
    Hans Zimmer, Guillaume Roussel
  24. Head Bang (0:27)
    Hans Zimmer
  25. Lisa Moves Out (2:07)
    Hans Zimmer, Guillaume Roussel
  26. Lisa Goes To George's (0:33)
    Hans Zimmer, Guillaume Roussel
  27. Guinness (0:34)
    Hans Zimmer, Guillaume Roussel
  28. These Can't Be Moves (0:30)
    Hans Zimmer, Guillaume Roussel
  29. Couch Revelation (0:56)
    Hans Zimmer, Guillaume Roussel
  30. Temporary Amnesia (0:41)
    Hans Zimmer, Guillaume Roussel
  31. Rooftop Advice (1:47)
    Hans Zimmer
  32. Did You Do It? (1:23)
    Hans Zimmer, Guillaume Roussel
  33. Monogamy (0:25)
    Hans Zimmer, Nick Glennie-Smith
  34. Dad, What Are We Gonna Do? (2:23)
    Hans Zimmer, Guillaume Roussel
  35. Lisa Rides The Train (0:37)
    Hans Zimmer, Nick Glennie-Smith
  36. Upstairs, Downstairs (0:56)
    Hans Zimmer, Guillaume Roussel
  37. Hospital (1:14)
    Hans Zimmer, Guillaume Roussel
  38. Bus (0:47)
    Hans Zimmer, Guillaume Roussel
  39. Clarity (2:23)
    Hans Zimmer, Guillaume Roussel
  40. Possible Scenarios (0:27)
    Hans Zimmer, Nick Glennie-Smith
  41. Playdoh (2:49)
    Hans Zimmer, Nick Glennie-Smith
  42. Goodbye Matty (1:21)
    Hans Zimmer, Nick Glennie-Smith
  43. End (1:04)
    Hans Zimmer, Guillaume Roussel
  44. EYG Suite (2:20)
    Hans Zimmer, Guillaume Roussel
  45. Assembly Line (Alternate) (0:31)
    Hans Zimmer, Guillaume Roussel
  46. Red Dress (Alternate I) (0:22)
    Hans Zimmer, Guillaume Roussel
  47. Red Dress (Alternate II) (1:17)
    Hans Zimmer, Guillaume Roussel
  48. None Athlete - Meet Matty (Alternate) (0:36)
    Hans Zimmer, Guillaume Roussel
  49. Bad News (Alternate) (1:24)
    Hans Zimmer, Atli Örvarsson
  50. 1st Date (Alternate) (1:48)
    Hans Zimmer, Guillaume Roussel
  51. Insensitivity (Alternate) (0:32)
    Hans Zimmer, Guillaume Roussel
  52. Playdoh (Alternate) (2:48)
    Hans Zimmer, Nick Glennie-Smith
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Michael reply Replies: 0 || 2017-08-04 11:20:17
Hey Hybrid,I just wondered what's Hans Opinion on this score and did he enjoy working on it?Just wondering that's all

Hal reply Replies: 0 || 2017-07-19 16:19:29
Hybrid, could you confirm if the leaked how do you know score is the demos or the recorded final score?

shilo reply Replies: 0 || 2014-03-18 21:29:14
i love this music !!! if someone know where to download or to buy this let me know ...

Erica reply Replies: 0 || 2013-12-03 09:10:40
wonderful wonderful music!! I want to buy it!!!

Anonymous reply Replies: 0 || 2012-04-19 20:19:53
awesome!!!!!!!!!!

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How Do You Know (Complete Score) soundtrack - Hans Zimmer 2010