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You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.
I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!
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Hans Zimmer
Composer
Aurora
Label: WaterTower Music
Length: 8'36
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8431 votes)
  1. Aurora (8:36)
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Philip Cunningham reply Replies: 4 || 2017-12-15 19:41:06
One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip


Cyberpunk882017-12-18 00:22:32
I tried recreating the version he plays live, hopefully the quality is better even though it's youtube..

/watch?v=1l-tYuYtqvA


Anonymous2017-12-18 19:09:44
Wow beautiful work, Cyberpunk88! Wish there was a lossless version available to download. It sounded awesome!


Cyberpunk882017-12-20 03:47:17
Thanks, I do have the lossless file (although not completely lossless since Aurora was lossy). But i'm not sure if i'm allowed to put a download link here..


tomas2018-12-20 13:48:11
Cyberpunk88 is it possible for you to send the "lossless" file?

Amy reply Replies: 0 || 2017-10-23 21:19:23
Re: Music Permissions in Educational Setting

Dear Sir:

I am a senior majoring in Dance, and am creating an original choreographic work for presentation in our Fall, 2017 Senior Project Concert.

I understand that you are the owner of the copyright for the musical composition Aurora and I would like to use the song in my work. I would like to use a section of the song as an accompaniment to a section of my choreographed work.

The Senior Project Concert will be performed at Montclair State University’s Studio Theater, a 100-seat house, in December 2017. The proceeds from all ticket sales to this event go directly towards the Dance Department’s budget for paying musicians to accompany dance classes throughout the school year. Neither myself nor any other participant in this concert receives any compensation for our work in the show.

Additionally, as a student choreographer I have an extremely limited budget for the creation and production of my work. I hope that you will allow me to use this music at no charge. If this is not possible, please let me know the fee required for this type of use.

Your signature below, under “confirmed by,” or electronic approval response will indicate that you agree to permit this use without payment of a fee. Please let me know if you have any questions concerning this license. Also, could you please let me know as soon as possible if this song cannot be licensed for this use, so that I may change my plans for my work accordingly. You can reach me at the contact information listed below.

I appreciate your help in this matter, and I look forward to hearing from you soon.

Sincerely,

Amy


Confirmed by:



_____________________________________________
Name of Music Publisher or Copyright Holder

Ilheranson reply Replies: 0 || 2017-08-31 19:59:55
This is a beautiful piece that is Tragically unobtainable!
I don't like piracy, but that's the only option left.
Please put it back up on iTunes!

TreC reply Replies: 0 || 2017-06-29 00:56:19
Why can't I buy this anywhere?
Want to download it to ITunes so I can play it without the need to connect to the internet but can't. Please put back on ITunes or have a "Buy song" and Download option on your website.

Have tried everywhere for months now.

Samuel reply Replies: 0 || 2017-02-21 17:45:26
Wow this is an absolute magical peice! Just jaw dropping!

MOUGENEL Yannick reply Replies: 0 || 2016-11-24 15:04:21
qu'elle magnifique musique quel sérénité un grand merci pour cette beauté...

MacArthur reply Replies: 3 || 2013-08-08 20:33:31
Where can you get this song. it was on iTunes now its not


MacArthur2013-09-02 19:46:31
Where can you get this song. it was on iTunes now its not


al bundy2013-09-02 21:00:01
Google it


Anonymous2014-11-05 22:27:07
It was taken off Itunes

Hybrid Soldier reply Replies: 13 || 2012-07-27 19:44:16
Beautiful gesture by HZ & great track, choral reprise of TDKR themes.


tobi2012-07-27 19:50:04
hybrid where can we find this choral piece, and i just saw tdkr and what a great story and music alike.


Hybrid Soldier2012-07-27 19:51:51
Just click on "See details..." on this page and you'll know !


tobi2012-07-27 19:55:53
thanks


Mr. Charles2012-07-27 20:02:27
See, this is one of the reasons why HZ is my favorite composer. You don't see John Williams doing stuff like this.


Anonymous2012-07-27 20:32:22
itunes? :/


Uga22012-07-27 21:10:59
What Mr Charles said^


tobi2012-07-27 22:14:13
@Mr. Charles

I hope the day never comes when john williams has to do something like because that would mean that allot of innocent people have to day.

+ why do you have downgrade another composer like this using this situation

I am great admirer of zimmers music and not that big of fan of williams but to say this is why you like zimmer is just plainly FUCKED UP. Sorry mods for the language


Hybrid Soldier2012-07-27 22:41:36
Yeah I agree with tobi here, no reason to be harsh. Plus, what do you know about what other composers do or do not in their private life ? Maybe they are doing things we don't even know about.

But the point here is that what HZ was über cool ! :)


Mr. Charles2012-07-28 00:02:35
Whoa, whoa, whoa. You guys are totally misinterpreting what I mean. Don't get me wrong, I love John Williams. But I see and hear people trash talk HZ all too often. What I'm saying is it's nice to see him doing this. Very humble and generous.

I never said that I'm glad this horrible event happened, I wish to God it hadn't. I said "this is ONE OF THE REASONS that HZ is my favorite composer". It goes to show what kind of a man he is. In no way does that mean I'm glad this happened or that it would ever happen. I don't understand where you guys are getting that from...

And Hybrid, you're right - I have no idea what other composers are doing in their private lives. Why you mentioned a composer's private life is beyond me, because this is not HZ's private life here. He is publicly making this music available to everyone, and I think it's great that 100% of the proceeds go to all the victims of Aurora.

Again, I did not say this is why I like HZ. It's just one more thing to add to the lost of why he's my favorite. No reason to get angry or upright, people. I'm just a beloved fan expressing how I feel


ToddL2012-07-30 04:41:57
This is a profound achievement aimed at honoring the victims and all affected by a tragedy that shocked a nation. Hans has once again poured out his sensibilities, this time not into fiction, yet over factual and shocking circumstances. Anyone that overlooks the straightforward and heartfelt sorrow and gratitude of this beautiful effort is simply stupid....sorry. I appreciate him and his spirit more as a human being and artist than ever before.


ananymous2012-07-30 11:38:29
@ Mr. Charles

for example: Elegy for Cello and Orchestra


Lambegue2012-08-05 16:25:48
Well, I was rather unhappy with TDKR score (even if I haven't listened yet to the suites and to the digital exclusive material), but THIS is impressive...And yes, it's another proof that, beyond the composer, Zimmer is a great man.
It does not change anything to the quality of the music, but still...Nice to know.


Anonymous2014-11-05 22:26:42
It is sad. You can't find it on Itunes anymore

Athena reply Replies: 4 || 2013-12-20 13:25:47
Are there any other songs that sound like this?


Macejko2013-12-20 15:20:19
This is probably the best question I have ever read. Aren't you related to MacArthur, by any chance?


MacArthur2013-12-20 16:23:47
No that is not me. you'd know ;)


Rob2014-10-24 22:56:36
Look up "Lux Aeterna" by György Ligeti


Zimson 2014-10-31 23:39:50
Yeah, various songs by various artists. Look it up.

Daniel reply Replies: 0 || 2014-10-31 17:36:11
Beautiful sound. I hear there soundtrack from Dark knight rises name THE END i love.

Zolt reply Replies: 0 || 2014-03-21 04:09:45
Anyone know where this song can be purchased? It doesn't appear to be on iTunes anymore, and the moontoast site isn't working. thanks in advance!

Anonymous reply Replies: 0 || 2014-01-07 23:56:00
So if Zimmer did this by himself and the first half is the "Slow Knife" cue from TDKR in choral form, does that mean he did the slow knife cue on his own? I doubt he would use it here if it were someone else's arrangement. Beautiful piece and beautiful gesture, as an aside, though I'm sorry it ever had to be written... :/

Mike reply Replies: 0 || 2012-12-08 09:39:51
The vocal rendition of "A Dark Knight" is really beautiful.

Andrew LaMorte reply Replies: 0 || 2012-07-29 21:56:33
To Mr. Zimmer-
Is the score available for performance of this piece by a local choir (Musicians of St. Clare) in Colorado?
Please - someone, tell me how to direct this question to the composer. We'd like to perform the piece at our Fall, 2012, concert in memory of the victims and for the community. Thank you!

Andrew LaMorte reply Replies: 0 || 2012-07-29 21:56:18
To Mr. Zimmer-
Is the score available for performance of this piece by a local choir (Musicians of St. Clare) in Colorado?
Please - someone, tell me how to direct this question to the composer. We'd like to perform the piece at our Fall, 2012, concert in memory of the victims and for the community. Thank you!

john reply Replies: 0 || 2012-07-29 21:49:21
Hans Zimmer this is just a lovelly piece of music words cant describe the emotion and feelings which have gone into this so much sadness and loss of life happened on this day and you have composed what i would say as a heart touching track breathtaking

john reply Replies: 0 || 2012-07-29 21:48:45
Hans Zimmer this is just a lovelly piece of music words cant describe the emotion and feelings which have gone into this so much sadness and loss of life happened on this day and you have composed what i would say as a heart touching track breathtaking

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Jimmer reply Replies: 9 || 2012-07-28 01:25:30
Whoa, this track is simply amazing. I loved every second of this 8-minute cue. Simply stunning and incredible arrangement and what power when you think of what this track was written for and commemorates. Thank you HZ for this awesome gesture of generosity and kindness.


JordiVcecilia2012-07-28 02:20:37
it's so appropiate...and it's simply breathtaking piece of music.


NUts2012-07-28 05:52:48
Umm...No offense but...This track is the Bane theme and the Dark Knight theme in choral form...We already have this on the OST "RISE" and to be honest, although I appreciate more Batman-related music, I don't see why this composition has to be related to the movie, and why it's not some original piece that has no relation to ANY film....

Nice piece, but I just found that a bit off, considering the circumstances...


Mr. Charles2012-07-28 06:19:51
It has TDKR themes in it because the incident that happened was directly related to TDKR. It would be kind of random if HZ just out of the blue composed a piece dedicated to all of these people. Actually, it would be random if any composer did that. But that is beyond the point. The point is that HZ generously and humbly made this piece specifically for the victims of the Aurora shootings.


ananymous2012-07-28 10:04:42
The man knows no limits ...


Nuts2012-07-28 15:39:35
Sorry but i still disagree. Nice piece of music, but it doesn't HAVE to be the music from the movie. Zimmer writing a piece with its own signifcant identity (apart from the movie) is more appropriate because the shooting is about the PEOPLE DYING, NOT THE MOVIE.

When I listen to this piece it reminds me of Talia/Bane (their theme is used) and the Dark Knight ending....This doesn't remind me of the Aurora incident at all.

I understand where he was going with this, but really, I don't need the shooting to be directly related to the Batman movie. That was the killer's choice - who says we should give him that title designation? Im sure that's what he wants. This is why you see many news stations calling it the Aurora Movie Massacre and taking away the Batman element. Because its NOT about the movie. It's about going to the movies itself.

Like I said my opinion...Its just somber Batman music, to me. I donated. I thank Zimmer for it, just as I thank him for "RISE" and "THE END" off the OST...


Anonymous2012-07-28 19:23:25
"This doesn't remind me of the Aurora incident at all."

Yes because we all want to be reminded of it, lmao. What a dumb thing to say.


nuts2012-07-29 03:09:49
Actually Anon what you just said was pretty stupid.

I dont need music for Batman serving to remind me of the tragedy.

Something else - a different piece of music - defintely.


This is about a guy shooting innocent people in a movie theater. It's not about the Batman movie.

This guy probably WANTS that connection to be cemented in the public, but I refuse that.


nuts2012-07-29 05:25:24
Like it or not, the incident is forever linked with the tragedy.


NUts2012-07-29 19:38:27
Its only linked to Batman if you WANT it to be linked...i refuse to let this guy Holmes make himself remembered through this movie.

alexander reply Replies: 0 || 2012-07-29 15:51:03
simply just bone chilling total respect to Hans Zimmer and BRAVO TO HIM for doing this it totally Honors him may the victims R.I.P

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Aurora soundtrack - Hans Zimmer 2012