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Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.
I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 things
Sure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about itTrue, but he didn’t really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasn’t really a Disney tentpole release. Maleficent isn’t a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think he’ll do an awesome job with.@Mephariel - you’re right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, I’d much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.
Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think Göransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad I’m not the only one who’s more excited for those compared to cold and dark Nolan/Zimmer scores. I’m kinda over those to be honest.And if I’m completely honest, I’m more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.
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Ramin DjawadiBobby TahouriBryce JacobsBrandon Campbell
ComposerAdditional MusicAdditional MusicAdditional Music
Medal Of Honor - Warfighter (VG)
Label: E.A.R.S. (Digital Download Only)
Length: 65'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6714 votes)
  1. For Rabbit (2:50)
  2. Deploy (2:38)
  3. NOC Out (4:07)
    Mike Shinoda, Ramin Djawadi, Brandon Campbell
  4. Lena's Theme (3:25)
  5. Kit Up (3:28)
  6. Restless Natives (3:21)
  7. Blackbird On A Wire (3:20)
  8. Bridge The Gap (2:10)
  9. Saa'iq (4:32)
    Mike Shinoda, Ramin Djawadi
  10. The Raid (2:17)
  11. Force Multiplier (2:53)
  12. Old Friend, New Foe (3:03)
  13. Victory At Sea (3:05)
  14. Resolve (2:43)
    Ramin Djawadi, Brandon Campbell
  15. Green Light (4:35)
  16. H.A.H.O. (2:44)
  17. Medal Run (2:15)
  18. For Mother (3:05)
  19. Buzz In The Air (2:10)
  20. Lena's Dream (2:26)
  21. With Honors (4:26)
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Mike (OTM) reply Replies: 0 || 2018-01-25 18:17:25
This is a pretty great (and underrated?) score, really. It expands on the themes from the first game and makes them more cohesive; the instrumentation feels stronger all around; and tracks like "Lena's Theme," "For Rabbit," "Blackbird on a Wire," and "With Honors" are all genuinely moving without feeling overdramatic or manipulative. I'm as big a fan of the Michael Giacchino MOH scores as you'll find, but Ramin Djawadi certainly did the franchise justice with this one.

Anonymous reply Replies: 1 || 2014-05-15 01:01:10
the final track together with the final scene of the game really was somethin' else. :'(


Mike2014-05-15 01:02:52
I'm with you on that one.

Warfighter reply Replies: 1 || 2013-04-16 03:24:52
Extreme music publish a new album "Middle East Drama" featuring work from Ramin Djawadi. Medal of Honor & MoH: Warfighter style! If you like this one; check this out!


Macejko2013-04-16 09:26:03
It's not "Medal of Honor style", it IS Medal of Honor.

Mike reply Replies: 0 || 2013-02-05 08:27:35
For Rabbit, Lena's Theme, and Lena's Dream are beautiful. :')

tomPoland reply Replies: 2 || 2012-11-06 09:27:27
I really hoped I will hear Beltrami s-f score once again.
But maybe RD will do something more than RCP usual action-score score.


Macejko2012-11-06 10:52:31
Beltrami is dull, boring and uninteresting. Glad that Guillermo came to his senses.


Edmund Meinerts2012-12-06 15:32:06
@Macejko Always makes your argument seem more convincing when you use three words that all mean the same thing. And when it comes to orchestral innovation, Beltrami could sweep the floor with Djawadi any day of the week. ;)

:) reply Replies: 0 || 2012-11-09 16:22:05
Does anyone know why when you go to buy the digital copy from amazon.com by clicking on the link "best price $5.99" on this page it gives a shipping and handling charge? Thanks!

Pacific Rim reply Replies: 2 || 2012-10-22 22:54:09
Djawadi is recording Pacific Rim at Eastwood scoring stage this week!


Macejko2012-10-22 23:34:53
God, wish I could see it... Why is there no behind the scenes material of Ramin creating his masterpieces whatsoever? I've never seen anything.


Tim2012-11-05 20:46:55
Really? Wow, I thought Guillermo del Toro collaborates with his regular composer Marco Beltrami

Evenstar reply Replies: 2 || 2012-11-04 18:17:37
MoH Warfighter Credits from the end credits of the game:

Music by Ramin Djawadi
Additional Music by Mike Shinoda
Additional Arrangements: Brandon Campbell, Bryce Jacobs, Bobby Tahouri
Scoring Engineer: Steve Kaplan
Assistant Engineer: Milton Gutierrez
Conducted by Ramin Djawadi
Orchestrator: Stephen Coleman
Additional Orchestrations: Tony Blondal
Orchestra Contractor: Peter Rotter
Music Preparation: Brooker White
Technical Score Advisor: Catherine Wilson
Recorded at The Bridge, Glendale CA and Remote Control Productions, Santa Monica CA
Soloists: Charlie Bisharat, Chris Bleth, George Doering, Pedro Eustache, Satnam Ramgotra, Cameron Stone, Steve Erdody
Violins: Bruce Dukov (CM), Charlie Bisharat, Julie Gigante, Natalie Leggett, Phillip Levy, Serena McKinney, Sara Parkins, Radu Pieptea, Katia Popov, Lisa Sutton, Irina Voloshina
Celli: Steve Erdody, Giovanna Clayton, Erika Duke-Kirkpatrick, Trevor Handy, Dennis Karmazyn, Armen Ksajikian, Cameron Stone, Xiaodan Zheng

"Castle of Glass"
performed by Linkin Park


Evenstar2012-11-04 18:18:12
Yes, Ramin Djawadi actually conducted here! :)


Macejko2012-11-04 18:43:38
Wow, the list of Ramin's already amazing skills just expanded. Great job!

Mike reply Replies: 0 || 2012-10-25 20:14:11
This whole album is amazing.

OKKU reply Replies: 0 || 2012-10-25 20:08:52
Any good music,no!

Macejko reply Replies: 2 || 2012-09-27 20:44:59
Really good one. Ramin can't make a bad soundtrack.


Adriaan2012-09-28 00:41:00
Well put, let's hope for more MoH games in the future as well, it'll another game with good music!


fabien2012-10-08 14:34:05
Hell yes !

Fantastic use of the guitars again !
Epic score, wonderful themes !

Hybrid Soldier reply Replies: 7 || 2012-09-11 20:22:36
Coming soon ! :)


Adriaan2012-09-13 13:41:29
Another big like!
I can't wait!


Adriaan2012-09-18 01:03:28
Here are some samples for those who are interested:
amazon.co.uk/Medal-of-Honor-Warfighter/dp/B0098YYHJY/ref=sr_ 1_8?ie=UTF8&qid=1347922856&sr=8-8


Drunkenmunkey2012-09-21 04:43:10
Love it! Can't wait for the full release!


Hybrid Soldier2012-09-25 14:03:45
On this very page you have a little "See details..." you can click on...

Then, you just... click on ! Tadaaaaa


Jimmer2012-09-26 13:55:14
Thanks Hybrid. Totally overlooked that. Lol.


Al bundy2012-09-26 20:47:29
Imo it's better than previous MOH score. Well done Djawadi.


cody2012-09-27 16:54:05
Mike Shinoda & Ramin Djawadi did an awesome job on this score!!!!!

Jimmer reply Replies: 0 || 2012-09-25 14:00:43
When does this get released?

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Medal Of Honor - Warfighter (VG) soundtrack - Ramin Djawadi 2012