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Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons (Expanded Score)
Label: Unofficial Release
Length: 141'32
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5716 votes)
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  1. Logos (1:12)
    Hans Zimmer, Lorne Balfe
  2. Smashing The Ring (3:06)
    Hans Zimmer, Atli Örvarsson, Mel Wesson
  3. CERN (6:41)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  4. Illuminati (1:04)
    Hans Zimmer, Lorne Balfe
  5. Hunt Them Down & Kill Them (2:23)
    Hans Zimmer, Lorne Balfe
  6. Sistine Chapel (1:13)
    Hans Zimmer, Lorne Balfe
  7. A Certain Zealotry (1:50)
    Hans Zimmer, Mel Wesson
  8. God Particle (5:33)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  9. Access Granted (2:02)
    Hans Zimmer, Lorne Balfe
  10. Follow The Path (2:53)
    Hans Zimmer, Atli Örvarsson
  11. Seal The Doors (1:37)
    Hans Zimmer, Atli Örvarsson
  12. Mr. Grey Taunts The Cardinals (1:44)
    Hans Zimmer, Mel Wesson
  13. No Time (4:09)
    Hans Zimmer, Lorne Balfe
  14. Cock Block (1:20)
    Hans Zimmer, Lorne Balfe
  15. Pantheon (3:08)
    Hans Zimmer, Geoff Zanelli
  16. Wrong (1:22)
    Hans Zimmer, Lorne Balfe
  17. Earth (3:19)
    Hans Zimmer, Mel Wesson
  18. Black Smoke A (2:04)
    Hans Zimmer, Lorne Balfe
  19. Air (7:55)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  20. Black Smoke B (5:38)
    Hans Zimmer, Geoff Zanelli
  21. Hypoxia (5:11)
    Hans Zimmer, Atli Örvarsson, Mel Wesson
  22. Black Tongue A (2:35)
    Hans Zimmer, Lorne Balfe
  23. Fire (3:44)
    Hans Zimmer
  24. Strauss Eligible (1:37)
    Hans Zimmer, Geoff Zanelli
  25. Langdon Rescued (2:02)
    Hans Zimmer, Geoff Zanelli
  26. Cross Rome (2:01)
    Hans Zimmer, Lorne Balfe
  27. Water (5:35)
    Hans Zimmer, Atli Örvarsson
  28. Castle Opus (0:34)
    Hans Zimmer, Lorne Balfe
  29. Castle Sant Angelo (8:27)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  30. Save Camerlengo (4:23)
    Hans Zimmer, Lorne Balfe
  31. Necropolis (1:34)
    Hans Zimmer, Lorne Balfe
  32. God Save Us (8:50)
    Hans Zimmer
  33. Election By Adoration (1:57)
    Hans Zimmer, Lorne Balfe
  34. Bad Camerlengo (2:17)
    Hans Zimmer, Lorne Balfe
  35. Immolation (3:40)
    Hans Zimmer, Lorne Balfe
  36. Science & Religon (2:14)
    Hans Zimmer, Nick Glennie-Smith
  37. Lux Aeterna (0:57)
    Atli Örvarsson
  38. Main Title (2:19)
    Hans Zimmer, Lorne Balfe
  39. 160 BPM (6:43)
    Hans Zimmer
  40. Camerlengo Suite (11:39)
    Hans Zimmer
  41. Follow The Path (Alternate) (1:29)
    Hans Zimmer, Atli Örvarsson
  42. Castle Opus (Alternate) (0:35)
    Hans Zimmer, Lorne Balfe
  43. Trailer Music (1:09)
    Hans Zimmer, Lorne Balfe
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Mandarin reply Replies: 0 || 2017-09-27 19:45:37
They should have added "Black Smoke Suite" from the ost here

Arian reply Replies: 0 || 2017-01-30 06:54:49
Where Can I download this? :(

Daniel reply Replies: 3 || 2015-06-06 15:50:59
Did anyone notice, in 160 BMP at 4:27 is in Sherlock Holmes 2 train scene?


Anonymous2015-06-06 19:46:31
mmm...
same drum samples? definitely.
same melody? nope.


NM2015-06-06 20:52:34
Different rhythm surely? lol


bro2015-06-06 23:30:40
It's the same kind of percussion and the same kind of hits, that's it

RealFfingMusic reply Replies: 2 || 2014-09-17 06:30:44
Hybrid's missing "End_Credits" (5:51). But it's the easiest to obtain, and is just a rearranged 160 BPM Suite.


Hybrid Soldier2014-09-17 08:40:41
It's not rearranged, it's just edited by some music editor... In other words, it's redundant with the suite...


bro2014-09-17 16:04:32
Hybrid can you ask Hans if he's going to score Inferno?

Zealotry reply Replies: 1 || 2014-09-15 22:48:50
I can't see a download or purchase link...
Where can I get this score version?


RealFfingMusic2014-09-17 06:24:27
There's a secret organisation that tells you where to find these things - complete scores, recordings sessions, etc. Not many people know about it, so don't tell anyone. It's called . . . Google.

Shh!

bro reply Replies: 3 || 2014-08-28 03:53:31
Hybrid -- here we go again! New sequel was announced today!

deadline(dot)com/2014/08/sony-pictures-locks-tom-hanks-ron-h oward-for-april-inferno-start-825270/


Hans being a good friend of Ron Howard, should be the one on this project, and this actually brought a smile to my face!


isildur2014-08-28 18:06:28
I really hope Hans scores this too. Ron and Hans combo always gave absolutely awesome scores.


Lambegue2014-08-28 18:06:35
I love the scores for "Da Vinci Code" and "Angels and Demons", so I'm very happy to learn this too ! (the movies, on the contrary, are very average...)


bro2014-08-28 21:10:19
I honestly don't think ron howard would have announced this without hans saying its okay so it should be pretty much confirmed

Jimmy reply Replies: 4 || 2013-07-09 04:46:01
5:24-7:41 in the Cameriengo suite is BEAUTIFUL!!!!!!! Wow!


Mike2013-07-09 07:01:31
Indeed it is. God Save Us, which uses the same theme, is also a beautiful cue. And it was done by Zimmer alone, which makes it even better!


Blu2013-07-09 09:29:16
The way the two above-mentioned cues are edited together to form the OST track counterpart is even more impressive!


Mike2013-07-09 21:33:20
And indeed, you can tell this is a beautiful piece, because the Filmtracks guy referred to it as such and gave the score 4 stars.


score_trader2013-09-03 04:01:34
Posted some new stuff from this, you know where.

Jimmer reply Replies: 1 || 2013-05-25 13:11:13
Hybrid, can you tell me which tracks feature Joshua Bell as solo violin?


Edmund Meinerts2013-05-25 15:28:33
Oh, come on. Just listen to the score, and if you hear a solo violin, that's Joshua Bell. If you really need pointers, start with the cue "503", which is also the end titles. It's basically a remix of "Chevaliers de Sangreal" at a slightly faster pace and with Bell over the top.

Poe reply Replies: 4 || 2012-10-06 21:11:20
Where would Black Tongue A go in this score? It has been some time since I saw the movie.


Bioscope2012-10-07 06:30:44
I think it is when the body of the dead Pope is examined in his casket and his black tongue suggests foul play regarding chronic medicine or something...


Poe2012-10-08 01:08:35
I know where its from, I just wondered where it would go in this tracklist :)


Poe2012-10-10 06:46:32
Does anyone know, please?


Joe2013-02-11 22:49:27
This is in proper film order. Track 22, unless you mean Black Tongue B, which is right after, but is absent here.

Mikel SiW (a fan from Spain) reply Replies: 0 || 2012-10-06 16:33:48
a miracle of edition... WOW !!!

Felix reply Replies: 0 || 2012-10-06 00:28:38
And now i would Luke ti have the complete score Form The Da Vinci Code

Kusi reply Replies: 0 || 2012-10-05 21:58:39
I waited years for this :) This score really deserves an expansion. Now I'm
waiting for the very last cue on this: black tongue b :D

Hybrid Soldier reply Replies: 9 || 2012-10-04 12:50:12
Before you all ask... :P

Haven't had time to put a cover though, but you have all the credits... ;)


T-Mann0362012-10-04 14:26:46
I have absolutely no question at all. Thank you for sharing this, Soldier man! *salute*


mr visitor2012-10-04 15:28:22
Cool, thanks!


5284912012-10-04 16:42:22
Wait a minute!!! they are not going to release this? Just asking...


Mr. Fate2012-10-04 16:46:48
No, they are not going to release this, but that doesn't mean you can't find it somewhere on the Internet already. What convenient timing, Hybrid--and with all the credits for each cue!


Hybrid Soldier2012-10-04 16:54:10
Well, I simply saw it online so... time was up !

BTW I put expanded, not complete cause a cue's missing, Black Tongue B (HZ/LB)...


David2012-10-04 18:27:24
You gotta love how every time something is leaked, they make a page for it here.

I wonder if I go and post the tracklist for The Dark Knight Rises, they'll make it?


Mr. Fate2012-10-04 18:58:09
No, David, I am afraid that is not how it works. You can make up as many bullshit track lists as you want, but that is not going to cause the music to materialize.

Even posting legitimate track list does not simply mean the score will be leaked. The lists for the Transformers sequels were posted several weeks before that music turned up. Some scores that have had track lists posted around still have yet to see the light of day.


David2012-10-04 19:09:52
And what makes you think what I'm about to post is actually fake? I'll bet the rest of my fellow elitists can confirm its legitimacy

And Transformers 2 was posted back in April. I remember specifically because it was the week after my Grandmother died

So...let's see what happens when I post it. Give me time to type it up as I don't have it saved anywhere. I can say there are 54 tracks


Agent Smith2012-10-04 19:43:26
my goodness, you have problems. why can't we just enjoy this beauty?! I'm smiling all the day today, as I'm hearing so many new cues from the movie, which are so beautiful and making me enjoy the score now so much.

why argueing all the time, enjoy it man...

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Angels & Demons (Expanded Score) soundtrack - Hans Zimmer 2009