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Shame like every other Jablonsky release, the recording sessions have no credits whatsoever.Accurate?<br><br>01. 1m01 Opening – Meet Mickey (2:29)<br>02. 1m01s The Hills Of California (2:35)<br>03. 1m02 Save the Blonde (3:13)<br>04. 1m03 Bathtub Oath (0:52)<br>05. 1m04 Fire – You’re Talking To God (1:39)<br>06. 1m05s No Baby, Nobody But You (2:48)<br>07. 1m06s Mr Five By Five (3:13)<br>08. 1m07s Perdido (3:20)<br>09. 1m08s Early Autumn (3:30)<br>10. 2m09 War for the Soul of LA (1:22)<br>11. 2m11 Going After Mickey (0:56)<br>12. 2m12s Mr. Fool (2:57)<br>13. 2m13s Chicken Shack Boogie (Part 2) (2:56)<br>14. 2m13s Jelly Wiggle Boogie (Part 3) (2:29)<br>15. 2m13s Kiss Kiss (Part 1) (2:16)<br>16. 2m14 Choosing The Squad (2:47)<br>17. 2m18 Cohen Threatens Reporter (0:22)<br>18. 2m19s Amado Mio (2:38)<br>19. 2m20 Cohen and Dragna (1:35)<br>20. 2m21 When Do We Start (1:01)<br>21. 2m21a When Do We Start (0:29)<br>22. 2m22s Bull Fiddle Boogie (2:37)<br>23. 2m23 Crashing the Casino (1:13)<br>24. 2m25s So Tired (2:58)<br>25. 3m26 Pete Killed (3:53)<br>26. 3m28 Burbank Jail Breakout (2:29)<br>27. 3m29 Dragna Killed (0:54)<br>28. 3m30 Planting the Wire (2:15)<br>29. 3m32 Car Chase (3:20)<br>30. 4m33 You Know the Drill (1:05)<br>31. 4m35s A Little Bird Told Me (2:40)<br>32. 4m37s Route 66 (2:36)<br>33. 4m38s Big Jay’s Hop (2:55)<br>34. 4m39s Blow Blow Blow (2:06)<br>35. 4m41 Don’t Go (1:31)<br>36. 4m41a Boxing Video (0:55)<br>37. 4m42 Identifying the Wire (0:59)<br>38. 4m43 Chica Boom Chic Score Insert (Part 2) (0:37)<br>39. 4m43a Everybody Out (0:25)<br>40. 4m43s Chica Chica Boom Chic (Part 1) (3:01)<br>41. 4m44 Boogie In the Front (2:33)<br>42. 4m44a Cohen Beats the Cop (0:34)<br>43. 4m46 Coordinating The Response (2:21)<br>44. 4m46a I Need You On the Wire Tonight (0:34)<br>45. 4m47 Cliftons (1:10)<br>46. 4m48s Apricot Flowers Blossoming (Part 1) (2:52)<br>47. 4m48s The Evening Primrose (Part 2) (3:20)<br>48. 5m49 Keeler Killed (0:42)<br>49. 5m49a Chinatown (4:23)<br>50. 5m49b Drive By – Grace – Jack’s Escape – Keeler’s Dead (3:05)<br>51. 5m50 Connie Lives (1:56)<br>52. 5m51 Train Station Goodbye (1:34)<br>53. 5m52 Grace Is Alive (1:07)<br>54. 5m53 Let’s Finish It (1:41)<br>55. 6m55 Ole Buttermilk Sky (2:17)<br>56. 6m57 Serving the Warrant (7:36)<br>57. 6m58 Fist Fight – The End (4:13)<br>58. 6m59 Bless You (For the Good That’s In You) (2:55)<br>59. 6m61 End Credit Score Suite (5:22)Where can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.
I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>You fools, the tracklist was but a scam. The tracks simply wanted to EAT you.
Yeah, while this does have a great deal more substance than most of the work Hans has done the past few years, I struggle to say it's a genuinely *good* score.<br><br>I mean, within the first minute I'm reminded of Dunkirk, then we get a pretty standard Zimmer/Balfe buildup we've heard a million times since Inception... and it doesn't get hugely better from there.<br><br>I will definitely give Zimmer credit for the unique and genuinely creative use of female choir in some of the cues, though.Not to disagree for its own sake, but I think Powell has been up there with the greatest film composers since the first HTTYD score. I just wish he'd take on more projects.Yeah, Jesus. This is a prime example of why I'm tempted to think John Powell is more talented than even Williams (yes, I went there).There's so, so many great themes in the HTTYD scores. And he almost never lets a moment go by where he isn't stating or restating or developing one or more of them (although honestly that's true of a ton of Powell's scores and not an exclusive feature of HTTYD). You can never get bored listening to these, there's always something interesting around the next corner.I got confirmation HGW only wrote Haitian House Shootout (with the help of Mel Wesson). The same ideas were edited into the shorter cue Zoepound, so I'd say you can add this one to his credits.<br><br>Credits on IMDB mentions Paul Linford on the Main Titles.<br><br>Trevor Morris helped Jablonsky on the Ferrari Causeway Chase.<br>Jablonsky worked, for sure, on the Hallway and Helicopter Inserts.<br><br>100% sure Rabin worked on Tapia, Tapia Pissed Off, The Stuff, Wiretap Results, Ocean, Dead Bodies #2, Heart to Heart, Breaking Into Mortuary, Syd's Cover Is Blown, Tapia Has Syd (without Inserts), Prep for Tapia Sneak, Cuba Chase, Guantanamo (those tracks are on the Rabin only-bootleg).
Hoping for the Rocketman score to get a release. Loved the score in the movie. Any updates on this ?Additionally, for anyone interested, I've managed to come up with a final list of themes from the series that I believe to be mostly accurate.<br><br>HTTYD 1: Hiccup & Toothless, The Friendship ostinato, Viking Theme, Viking "B" Theme, Dragons, Berk, The Dragon Tamer (Hiccup's unique qualities), Vikings & Dragons, Astrid<br><br>HTTYD 2: Loss, Exploration/Hiccup's Maturance, Drago, Hiccup & Valka, The Alpha, Stoick & Valka, The Chief<br><br>HTTYD 3: The Furies ostinato, Love, The Dragon Liberators, Moving On, The Hidden World, Toothless & The Light Fury, Grimmel, Dragon Trappers<br><br>A list more impressive than Star Wars, and with almost every new theme returning for the next film, while keeping most of the base themes. A masterful achievement by John Powell and his crew, as others have said!Just finished watching the movie, and while it's not much more than fine, it's sure as hell better than every other Star Wars movie that's come out since The Force Awakens (minus the ugly fucking visuals). <br><br>However the score is absolutely amazing. Powell's adaptation and development of the new Han Solo theme from Williams is flawless, the callbacks to other themes from the series are mostly appropriate (and good on him for not using the Force theme once!) and Powell's original material is fresh and exciting in a way that even Williams himself hasn't been able to pull off with the new films. <br><br>Powell might very well be up there with the greatest film composers if he continues to produce work like this from now on (which from HTTYD 3 seems very possible!)Some of the synth work throughout is definitely like Spirit. The first couple minutes of Coda are one example.It's only suggestions based on about few dozen listened scores of those composers.<br>By the way known that HGW was part of it.
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Composer - Musician : Synthesizer
Hans ZimmerLorne BalfeAtli ÖrvarssonGeoff Zanelli
ComposerAdditional MusicAdditional MusicAdditional Music
Angels & Demons (Complete Score)
Label: Unofficial Release
Length: 142'17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6331 votes)
  1. Logos (1:12)
    Hans Zimmer, Lorne Balfe
  2. Smashing The Ring (3:06)
    Hans Zimmer, Atli Örvarsson, Mel Wesson
  3. CERN (6:41)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  4. Illuminati (1:04)
    Hans Zimmer, Lorne Balfe
  5. Hunt Them Down & Kill Them (2:23)
    Hans Zimmer, Lorne Balfe
  6. Sistine Chapel (1:13)
    Hans Zimmer, Lorne Balfe
  7. A Certain Zealotry (1:50)
    Hans Zimmer, Mel Wesson
  8. God Particle (5:33)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  9. Access Granted (2:02)
    Hans Zimmer, Lorne Balfe
  10. Follow The Path (2:53)
    Hans Zimmer, Atli Örvarsson
  11. Seal The Doors (1:37)
    Hans Zimmer, Atli Örvarsson
  12. Mr. Grey Taunts The Cardinals (1:44)
    Hans Zimmer, Mel Wesson
  13. No Time (4:09)
    Hans Zimmer, Lorne Balfe
  14. Cock Block (1:20)
    Hans Zimmer, Lorne Balfe
  15. Pantheon (3:08)
    Hans Zimmer, Geoff Zanelli
  16. Wrong (1:22)
    Hans Zimmer, Lorne Balfe
  17. Earth (3:19)
    Hans Zimmer, Mel Wesson
  18. Black Smoke A (2:04)
    Hans Zimmer, Lorne Balfe
  19. Air (7:55)
    Hans Zimmer, Lorne Balfe, Atli Örvarsson, Mel Wesson
  20. Black Smoke B (5:38)
    Hans Zimmer, Geoff Zanelli
  21. Hypoxia (5:11)
    Hans Zimmer, Atli Örvarsson, Mel Wesson
  22. Black Tongue A (2:35)
    Hans Zimmer, Lorne Balfe
  23. Black Tongue B (1:33)
    Hans Zimmer, Lorne Balfe
  24. Fire (3:44)
    Hans Zimmer
  25. Strauss Eligible (1:37)
    Hans Zimmer, Geoff Zanelli
  26. Langdon Rescued (2:02)
    Hans Zimmer, Geoff Zanelli
  27. Cross Rome (2:01)
    Hans Zimmer, Lorne Balfe
  28. Water (5:35)
    Hans Zimmer, Atli Örvarsson
  29. Castle Opus (0:34)
    Hans Zimmer, Lorne Balfe
  30. Castle Sant Angelo (8:27)
    Hans Zimmer, Lorne Balfe, Mel Wesson
  31. Save Camerlengo (4:23)
    Hans Zimmer, Lorne Balfe
  32. Necropolis (1:34)
    Hans Zimmer, Lorne Balfe
  33. God Save Us (8:50)
    Hans Zimmer
  34. Election By Adoration (1:57)
    Hans Zimmer, Lorne Balfe
  35. Bad Camerlengo (2:17)
    Hans Zimmer, Lorne Balfe
  36. Immolation (3:40)
    Hans Zimmer, Lorne Balfe
  37. Science & Religon (2:14)
    Hans Zimmer, Nick Glennie-Smith
  38. Lux Aeterna (0:57)
    Atli Örvarsson
  39. Main Title (2:19)
    Hans Zimmer, Lorne Balfe
  40. 160 BPM (6:43)
    Hans Zimmer
  41. Camerlengo Suite (11:39)
    Hans Zimmer
  42. Follow The Path (Alternate) (1:29)
    Hans Zimmer, Atli Örvarsson
  43. Castle Opus (Alternate) (0:35)
    Hans Zimmer, Lorne Balfe
  44. Trailer Music (1:09)
    Hans Zimmer, Lorne Balfe
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John G reply Replies: 1 || 2019-01-20 18:45:30
Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?


David2019-01-20 19:59:31
Science & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!

Strauss reply Replies: 0 || 2018-05-11 09:13:06
Some cue titles not listed on this version:

* Seal the Door/Extra Omeletes [the film dialogue is actually "extra omnes" so the cue title is an in-joke]
* Sinner [possible the second part of "25. Langdon Rescued"]
* E Mia La Piazza [perhaps another in-joke but not sure of it's placement]

Mandarin reply Replies: 0 || 2017-09-27 19:45:37
They should have added "Black Smoke Suite" from the ost here

Arian reply Replies: 0 || 2017-01-30 06:54:49
Where Can I download this? :(

Daniel reply Replies: 3 || 2015-06-06 15:50:59
Did anyone notice, in 160 BMP at 4:27 is in Sherlock Holmes 2 train scene?


Anonymous2015-06-06 19:46:31
mmm...
same drum samples? definitely.
same melody? nope.


NM2015-06-06 20:52:34
Different rhythm surely? lol


bro2015-06-06 23:30:40
It's the same kind of percussion and the same kind of hits, that's it

RealFfingMusic reply Replies: 2 || 2014-09-17 06:30:44
Hybrid's missing "End_Credits" (5:51). But it's the easiest to obtain, and is just a rearranged 160 BPM Suite.


Hybrid Soldier2014-09-17 08:40:41
It's not rearranged, it's just edited by some music editor... In other words, it's redundant with the suite...


bro2014-09-17 16:04:32
Hybrid can you ask Hans if he's going to score Inferno?

Zealotry reply Replies: 1 || 2014-09-15 22:48:50
I can't see a download or purchase link...
Where can I get this score version?


RealFfingMusic2014-09-17 06:24:27
There's a secret organisation that tells you where to find these things - complete scores, recordings sessions, etc. Not many people know about it, so don't tell anyone. It's called . . . Google.

Shh!

bro reply Replies: 3 || 2014-08-28 03:53:31
Hybrid -- here we go again! New sequel was announced today!

deadline(dot)com/2014/08/sony-pictures-locks-tom-hanks-ron-h oward-for-april-inferno-start-825270/


Hans being a good friend of Ron Howard, should be the one on this project, and this actually brought a smile to my face!


isildur2014-08-28 18:06:28
I really hope Hans scores this too. Ron and Hans combo always gave absolutely awesome scores.


Lambegue2014-08-28 18:06:35
I love the scores for "Da Vinci Code" and "Angels and Demons", so I'm very happy to learn this too ! (the movies, on the contrary, are very average...)


bro2014-08-28 21:10:19
I honestly don't think ron howard would have announced this without hans saying its okay so it should be pretty much confirmed

Jimmy reply Replies: 4 || 2013-07-09 04:46:01
5:24-7:41 in the Cameriengo suite is BEAUTIFUL!!!!!!! Wow!


Mike2013-07-09 07:01:31
Indeed it is. God Save Us, which uses the same theme, is also a beautiful cue. And it was done by Zimmer alone, which makes it even better!


Blu2013-07-09 09:29:16
The way the two above-mentioned cues are edited together to form the OST track counterpart is even more impressive!


Mike2013-07-09 21:33:20
And indeed, you can tell this is a beautiful piece, because the Filmtracks guy referred to it as such and gave the score 4 stars.


score_trader2013-09-03 04:01:34
Posted some new stuff from this, you know where.

Jimmer reply Replies: 1 || 2013-05-25 13:11:13
Hybrid, can you tell me which tracks feature Joshua Bell as solo violin?


Edmund Meinerts2013-05-25 15:28:33
Oh, come on. Just listen to the score, and if you hear a solo violin, that's Joshua Bell. If you really need pointers, start with the cue "503", which is also the end titles. It's basically a remix of "Chevaliers de Sangreal" at a slightly faster pace and with Bell over the top.

Poe reply Replies: 4 || 2012-10-06 21:11:20
Where would Black Tongue A go in this score? It has been some time since I saw the movie.


Bioscope2012-10-07 06:30:44
I think it is when the body of the dead Pope is examined in his casket and his black tongue suggests foul play regarding chronic medicine or something...


Poe2012-10-08 01:08:35
I know where its from, I just wondered where it would go in this tracklist :)


Poe2012-10-10 06:46:32
Does anyone know, please?


Joe2013-02-11 22:49:27
This is in proper film order. Track 22, unless you mean Black Tongue B, which is right after, but is absent here.

Mikel SiW (a fan from Spain) reply Replies: 0 || 2012-10-06 16:33:48
a miracle of edition... WOW !!!

Felix reply Replies: 0 || 2012-10-06 00:28:38
And now i would Luke ti have the complete score Form The Da Vinci Code

Kusi reply Replies: 0 || 2012-10-05 21:58:39
I waited years for this :) This score really deserves an expansion. Now I'm
waiting for the very last cue on this: black tongue b :D

Hybrid Soldier reply Replies: 9 || 2012-10-04 12:50:12
Before you all ask... :P

Haven't had time to put a cover though, but you have all the credits... ;)


T-Mann0362012-10-04 14:26:46
I have absolutely no question at all. Thank you for sharing this, Soldier man! *salute*


mr visitor2012-10-04 15:28:22
Cool, thanks!


5284912012-10-04 16:42:22
Wait a minute!!! they are not going to release this? Just asking...


Mr. Fate2012-10-04 16:46:48
No, they are not going to release this, but that doesn't mean you can't find it somewhere on the Internet already. What convenient timing, Hybrid--and with all the credits for each cue!


Hybrid Soldier2012-10-04 16:54:10
Well, I simply saw it online so... time was up !

BTW I put expanded, not complete cause a cue's missing, Black Tongue B (HZ/LB)...


David2012-10-04 18:27:24
You gotta love how every time something is leaked, they make a page for it here.

I wonder if I go and post the tracklist for The Dark Knight Rises, they'll make it?


Mr. Fate2012-10-04 18:58:09
No, David, I am afraid that is not how it works. You can make up as many bullshit track lists as you want, but that is not going to cause the music to materialize.

Even posting legitimate track list does not simply mean the score will be leaked. The lists for the Transformers sequels were posted several weeks before that music turned up. Some scores that have had track lists posted around still have yet to see the light of day.


David2012-10-04 19:09:52
And what makes you think what I'm about to post is actually fake? I'll bet the rest of my fellow elitists can confirm its legitimacy

And Transformers 2 was posted back in April. I remember specifically because it was the week after my Grandmother died

So...let's see what happens when I post it. Give me time to type it up as I don't have it saved anywhere. I can say there are 54 tracks


Agent Smith2012-10-04 19:43:26
my goodness, you have problems. why can't we just enjoy this beauty?! I'm smiling all the day today, as I'm hearing so many new cues from the movie, which are so beautiful and making me enjoy the score now so much.

why argueing all the time, enjoy it man...

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Angels & Demons (Complete Score) soundtrack - Hans Zimmer 2009