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Shame like every other Jablonsky release, the recording sessions have no credits whatsoever.Accurate?<br><br>01. 1m01 Opening – Meet Mickey (2:29)<br>02. 1m01s The Hills Of California (2:35)<br>03. 1m02 Save the Blonde (3:13)<br>04. 1m03 Bathtub Oath (0:52)<br>05. 1m04 Fire – You’re Talking To God (1:39)<br>06. 1m05s No Baby, Nobody But You (2:48)<br>07. 1m06s Mr Five By Five (3:13)<br>08. 1m07s Perdido (3:20)<br>09. 1m08s Early Autumn (3:30)<br>10. 2m09 War for the Soul of LA (1:22)<br>11. 2m11 Going After Mickey (0:56)<br>12. 2m12s Mr. Fool (2:57)<br>13. 2m13s Chicken Shack Boogie (Part 2) (2:56)<br>14. 2m13s Jelly Wiggle Boogie (Part 3) (2:29)<br>15. 2m13s Kiss Kiss (Part 1) (2:16)<br>16. 2m14 Choosing The Squad (2:47)<br>17. 2m18 Cohen Threatens Reporter (0:22)<br>18. 2m19s Amado Mio (2:38)<br>19. 2m20 Cohen and Dragna (1:35)<br>20. 2m21 When Do We Start (1:01)<br>21. 2m21a When Do We Start (0:29)<br>22. 2m22s Bull Fiddle Boogie (2:37)<br>23. 2m23 Crashing the Casino (1:13)<br>24. 2m25s So Tired (2:58)<br>25. 3m26 Pete Killed (3:53)<br>26. 3m28 Burbank Jail Breakout (2:29)<br>27. 3m29 Dragna Killed (0:54)<br>28. 3m30 Planting the Wire (2:15)<br>29. 3m32 Car Chase (3:20)<br>30. 4m33 You Know the Drill (1:05)<br>31. 4m35s A Little Bird Told Me (2:40)<br>32. 4m37s Route 66 (2:36)<br>33. 4m38s Big Jay’s Hop (2:55)<br>34. 4m39s Blow Blow Blow (2:06)<br>35. 4m41 Don’t Go (1:31)<br>36. 4m41a Boxing Video (0:55)<br>37. 4m42 Identifying the Wire (0:59)<br>38. 4m43 Chica Boom Chic Score Insert (Part 2) (0:37)<br>39. 4m43a Everybody Out (0:25)<br>40. 4m43s Chica Chica Boom Chic (Part 1) (3:01)<br>41. 4m44 Boogie In the Front (2:33)<br>42. 4m44a Cohen Beats the Cop (0:34)<br>43. 4m46 Coordinating The Response (2:21)<br>44. 4m46a I Need You On the Wire Tonight (0:34)<br>45. 4m47 Cliftons (1:10)<br>46. 4m48s Apricot Flowers Blossoming (Part 1) (2:52)<br>47. 4m48s The Evening Primrose (Part 2) (3:20)<br>48. 5m49 Keeler Killed (0:42)<br>49. 5m49a Chinatown (4:23)<br>50. 5m49b Drive By – Grace – Jack’s Escape – Keeler’s Dead (3:05)<br>51. 5m50 Connie Lives (1:56)<br>52. 5m51 Train Station Goodbye (1:34)<br>53. 5m52 Grace Is Alive (1:07)<br>54. 5m53 Let’s Finish It (1:41)<br>55. 6m55 Ole Buttermilk Sky (2:17)<br>56. 6m57 Serving the Warrant (7:36)<br>57. 6m58 Fist Fight – The End (4:13)<br>58. 6m59 Bless You (For the Good That’s In You) (2:55)<br>59. 6m61 End Credit Score Suite (5:22)Where can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.
I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>You fools, the tracklist was but a scam. The tracks simply wanted to EAT you.
Yeah, while this does have a great deal more substance than most of the work Hans has done the past few years, I struggle to say it's a genuinely *good* score.<br><br>I mean, within the first minute I'm reminded of Dunkirk, then we get a pretty standard Zimmer/Balfe buildup we've heard a million times since Inception... and it doesn't get hugely better from there.<br><br>I will definitely give Zimmer credit for the unique and genuinely creative use of female choir in some of the cues, though.Not to disagree for its own sake, but I think Powell has been up there with the greatest film composers since the first HTTYD score. I just wish he'd take on more projects.Yeah, Jesus. This is a prime example of why I'm tempted to think John Powell is more talented than even Williams (yes, I went there).There's so, so many great themes in the HTTYD scores. And he almost never lets a moment go by where he isn't stating or restating or developing one or more of them (although honestly that's true of a ton of Powell's scores and not an exclusive feature of HTTYD). You can never get bored listening to these, there's always something interesting around the next corner.I got confirmation HGW only wrote Haitian House Shootout (with the help of Mel Wesson). The same ideas were edited into the shorter cue Zoepound, so I'd say you can add this one to his credits.<br><br>Credits on IMDB mentions Paul Linford on the Main Titles.<br><br>Trevor Morris helped Jablonsky on the Ferrari Causeway Chase.<br>Jablonsky worked, for sure, on the Hallway and Helicopter Inserts.<br><br>100% sure Rabin worked on Tapia, Tapia Pissed Off, The Stuff, Wiretap Results, Ocean, Dead Bodies #2, Heart to Heart, Breaking Into Mortuary, Syd's Cover Is Blown, Tapia Has Syd (without Inserts), Prep for Tapia Sneak, Cuba Chase, Guantanamo (those tracks are on the Rabin only-bootleg).
Hoping for the Rocketman score to get a release. Loved the score in the movie. Any updates on this ?Additionally, for anyone interested, I've managed to come up with a final list of themes from the series that I believe to be mostly accurate.<br><br>HTTYD 1: Hiccup & Toothless, The Friendship ostinato, Viking Theme, Viking "B" Theme, Dragons, Berk, The Dragon Tamer (Hiccup's unique qualities), Vikings & Dragons, Astrid<br><br>HTTYD 2: Loss, Exploration/Hiccup's Maturance, Drago, Hiccup & Valka, The Alpha, Stoick & Valka, The Chief<br><br>HTTYD 3: The Furies ostinato, Love, The Dragon Liberators, Moving On, The Hidden World, Toothless & The Light Fury, Grimmel, Dragon Trappers<br><br>A list more impressive than Star Wars, and with almost every new theme returning for the next film, while keeping most of the base themes. A masterful achievement by John Powell and his crew, as others have said!Just finished watching the movie, and while it's not much more than fine, it's sure as hell better than every other Star Wars movie that's come out since The Force Awakens (minus the ugly fucking visuals). <br><br>However the score is absolutely amazing. Powell's adaptation and development of the new Han Solo theme from Williams is flawless, the callbacks to other themes from the series are mostly appropriate (and good on him for not using the Force theme once!) and Powell's original material is fresh and exciting in a way that even Williams himself hasn't been able to pull off with the new films. <br><br>Powell might very well be up there with the greatest film composers if he continues to produce work like this from now on (which from HTTYD 3 seems very possible!)Some of the synth work throughout is definitely like Spirit. The first couple minutes of Coda are one example.It's only suggestions based on about few dozen listened scores of those composers.<br>By the way known that HGW was part of it.
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Steve JablonskyMatthew MargesonJacob SheaNathan Whitehead
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Gangster Squad
Label: Varese Sarabande
Length: 56'03
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5575 votes)
  1. His Name Is Mickey Cohen (2:28)
  2. Welcome To Los Angeles (3:13)
  3. He Can't Have You (1:40)
  4. War For The Soul Of LA (2:49)
  5. There Goes Our Ride (1:15)
  6. You Can't Shoot Me (3:52)
  7. Always Knew I'd Die In Burbank (2:29)
  8. You're Talking To God (0:51)
  9. The Bug (2:18)
  10. Hot Potato With A Grenade (3:19)
  11. You Know The Drill (1:07)
  12. I Was Just Hopin' To Take You To Bed (1:31)
  13. Kill 'Em All (1:59)
  14. Chinatown (4:29)
  15. Keeler (2:18)
  16. Connie Lives (1:54)
  17. Let's Finish It (2:26)
  18. Union Station (1:35)
  19. Light 'Em Up (7:28)
  20. The City Of Angels (4:04)
  21. Gangster Squad (2:58)
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Anonymous reply Replies: 1 || 2019-06-15 16:22:03
Accurate?

01. 1m01 Opening – Meet Mickey (2:29)
02. 1m01s The Hills Of California (2:35)
03. 1m02 Save the Blonde (3:13)
04. 1m03 Bathtub Oath (0:52)
05. 1m04 Fire – You’re Talking To God (1:39)
06. 1m05s No Baby, Nobody But You (2:48)
07. 1m06s Mr Five By Five (3:13)
08. 1m07s Perdido (3:20)
09. 1m08s Early Autumn (3:30)
10. 2m09 War for the Soul of LA (1:22)
11. 2m11 Going After Mickey (0:56)
12. 2m12s Mr. Fool (2:57)
13. 2m13s Chicken Shack Boogie (Part 2) (2:56)
14. 2m13s Jelly Wiggle Boogie (Part 3) (2:29)
15. 2m13s Kiss Kiss (Part 1) (2:16)
16. 2m14 Choosing The Squad (2:47)
17. 2m18 Cohen Threatens Reporter (0:22)
18. 2m19s Amado Mio (2:38)
19. 2m20 Cohen and Dragna (1:35)
20. 2m21 When Do We Start (1:01)
21. 2m21a When Do We Start (0:29)
22. 2m22s Bull Fiddle Boogie (2:37)
23. 2m23 Crashing the Casino (1:13)
24. 2m25s So Tired (2:58)
25. 3m26 Pete Killed (3:53)
26. 3m28 Burbank Jail Breakout (2:29)
27. 3m29 Dragna Killed (0:54)
28. 3m30 Planting the Wire (2:15)
29. 3m32 Car Chase (3:20)
30. 4m33 You Know the Drill (1:05)
31. 4m35s A Little Bird Told Me (2:40)
32. 4m37s Route 66 (2:36)
33. 4m38s Big Jay’s Hop (2:55)
34. 4m39s Blow Blow Blow (2:06)
35. 4m41 Don’t Go (1:31)
36. 4m41a Boxing Video (0:55)
37. 4m42 Identifying the Wire (0:59)
38. 4m43 Chica Boom Chic Score Insert (Part 2) (0:37)
39. 4m43a Everybody Out (0:25)
40. 4m43s Chica Chica Boom Chic (Part 1) (3:01)
41. 4m44 Boogie In the Front (2:33)
42. 4m44a Cohen Beats the Cop (0:34)
43. 4m46 Coordinating The Response (2:21)
44. 4m46a I Need You On the Wire Tonight (0:34)
45. 4m47 Cliftons (1:10)
46. 4m48s Apricot Flowers Blossoming (Part 1) (2:52)
47. 4m48s The Evening Primrose (Part 2) (3:20)
48. 5m49 Keeler Killed (0:42)
49. 5m49a Chinatown (4:23)
50. 5m49b Drive By – Grace – Jack’s Escape – Keeler’s Dead (3:05)
51. 5m50 Connie Lives (1:56)
52. 5m51 Train Station Goodbye (1:34)
53. 5m52 Grace Is Alive (1:07)
54. 5m53 Let’s Finish It (1:41)
55. 6m55 Ole Buttermilk Sky (2:17)
56. 6m57 Serving the Warrant (7:36)
57. 6m58 Fist Fight – The End (4:13)
58. 6m59 Bless You (For the Good That’s In You) (2:55)
59. 6m61 End Credit Score Suite (5:22)


superultramegaa2019-06-15 16:55:02
Shame like every other Jablonsky release, the recording sessions have no credits whatsoever.

Hybrid Soldier reply Replies: 6 || 2013-01-12 09:55:07
There's a lot of Desperate Housewives, Texas Chainsaw and... Antz in it !


Mr. Charles2013-01-13 00:02:45
I can also hear "Whitwicky" from Transformers. But I liked the score in the film, I made it my goal to pay attention to it


Johnson2013-01-13 04:24:50
Actually, if you pay close attention, Jablonsky also seems to be channeling Thomas Newman...Big Time...

This reminds me of Road to Perdition...


Evenstar2013-01-13 09:24:42
Still an amazing score.


Ds2013-01-13 12:39:31
What track is playing just after the shooting in the street, when Ryan Gosling walks in the direction of Mickey Cohen in slow motion?


Ds2013-01-13 15:10:21
(i found it, it's You Can't Shoot Me)


Edmund Meinerts2013-02-15 22:42:31
I was wondering how the heck a score like this could sound like Antz, but it's definitely there in "Welcome to Los Angeles" and "Hot Potato with a Grenade". Bum-badum-bum bum-badum-bum etc...cool! The Thomas Newman/Road to Perdition twist is a neat touch, though considering Jablonsky hasn't exactly been adverse to throwing bits of Newman into his scores here and there in the past, I guess I shouldn't be surprised. You can definitely trace the influences but I think it's cool that it goes beyond just being a stock modern thriller score. Not a patch on Steamboy, Your Highness or the original Transformers (which is the big Jablonsky triumvirate of awesomeness for me), but it goes a long way towards letting me forgive him for Battleship.

Mr. Fate reply Replies: 6 || 2013-01-14 04:19:43
So...let me get this straight. From what I'm reading here, it seems like this score is pretty awesome what with traces of these past scores being heard in it: Battleship, Sherlock Holmes, Desperate Housewives, Texas Chainsaw Massacre, Antz, Road to Perdition, Inception, Transformers and The Untouchables.

I don't think I've ever seen a single score compared to that many other scores. Is that good? Is it bad? I have no idea, but will this list grow longer?


f..k y..o2013-01-14 07:09:14
Shut Up!


Ray2013-01-14 08:45:04
Mr. Fate, I would necessarily say its bad, but it's definitely not Jablonsky's best work either. Though, I do have to say I thoroughly enjoyed it, and it absolutely has similarities to all the aforementioned scores.

Oh, and this so called "f..k y..o"... Really? I think you added an extra dot to the word you.


MrZimmerFan (Fan from Spain)2013-01-14 11:28:19
I don't think is a bad score, is a very entertaing score, reminiescenes? in every work of RC.


f..k y..o2013-01-14 16:03:18
my name! frank yam...o


ToddL2013-01-19 03:50:10
I really like the score -- going to see the movie this weekend. I hear a lot of older H-GW influences in the slow pieces. I listened to Replacement Killers, Light It Up and Liar earlier....wonderful. Just a mention....Not to take anything away from Jablonsky. He is one of my favs -- fantastic composer who can write an unforgettable theme.


ToddL2013-01-19 03:50:10
I really like the score -- going to see the movie this weekend. I hear a lot of older H-GW influences in the slow pieces. I listened to Replacement Killers, Light It Up and Liar earlier....wonderful. Just a mention....Not to take anything away from Jablonsky. He is one of my favs -- fantastic composer who can write an unforgettable theme.

T-Mann036 reply Replies: 2 || 2013-01-13 20:58:04
I've been listening to this soundtrack completely earlier today. I was completely speechless listening to Steve's composed work. Even for a gangster picture, it reminds me of a combination of the Transformers trilogy, Inception, with a touch of The Untouchables. Just like the Battleship complete film score and Transformers: Revenge of the Fallen complete score, the Gangster Squad film score is truly one Jablonsky's best scores ever made.

Overall: 4.5 out of 5


Edmund Meinerts2013-01-13 22:25:58
The fact that you picked Revenge of the Fallen and Battleship as Jablonsky's two best doesn't exactly give me hope for this. You really want to hear Steve at his best, go listen to Steamboy (!!!!!!) and Your Highness, or the original Transformers, or his additional music for Tears of the Sun and Pearl Harbor. Hell, even Dark of the Moon was better than Revenge of the Fallen (and before you ask, yes, I've heard them all as completes).


T-Mann0362013-01-13 22:42:29
I can't object your comment, Edmund.

abc reply Replies: 0 || 2013-01-12 09:43:16
Great Score!!! I love it

Ds reply Replies: 0 || 2013-01-09 17:26:51
I'm just back from the movie, it was very cool. Jablonsky's work was also very cool. Pretty dark, it has the funny side of Sherlock Holmes and the loudness of Battleship (but without its noisy electronics :) )

T-Mann036 reply Replies: 0 || 2013-01-09 04:53:38
5/5 Out in the new year we have the hard hitting score from Steve Jablonsky and for Varese Sarabande... Well done!
-Jeremy [Retro-Z]

Miles reply Replies: 6 || 2013-01-07 18:17:15
It sounds OK to me for the most part. Nice jazzy rhythm on "Welcome To Los Angeles," "War For The Soul," "Hot Potato with a Grenade," and "Gangster Squad" (which also has a very noirish oboe accompaniment). "He Can't Have You," "I Was Just Hopin' To Take You To Bed," and "Union Station" are nice breaks in the action for piano, and there's some nice string work (seems to be Jablonsky's strength). However, several tracks (notably "You Can't Shoot Me," "You're Talking To God," "Kill 'Em All," and "The City Of Angels") seem to have more of the "Zimmeresque" unsubtle contemporary style than seems appropriate. I'll have to wait for the full soundtrack before I pass judgment, but my impression is that it's a significant step up from the droning, dissonant mess that was Battleship, but a lighter touch would have been better in some spots.


Mr. Charles2013-01-07 21:05:50
Is this "droning, dissonant mess that was Battleship" the OST or sessions? I still haven't had a chance to listen to the sessions yet.

And does anyone know when this is out? Hopefully tomorrow in the US. cause that's usually when a film's score is released - the Tuesday before the film opens, which is Friday


Anonymous2013-01-07 21:21:45
Charles, the VS website will have all the details.


ToddL2013-01-07 22:00:59
On a different, yet somewhat related note, did anyone else read that Cutting Edge Group is going to purchase Varese Sarabande and increase soundtrack product by a good measure?


Mr. Charles2013-01-07 22:08:02
@Anonymous,

I was having a brain fart. I normally would have thought of that. Thanks.

@ToddL,

No, I didn't hear about that!! That's fantastic news!!


Macejko2013-01-07 22:25:53
This might be a good time to ask (and I'm sorry if this is a dumb question, and it probably is) - who is in charge of deciding whether a film score gets a release? Is it a movie studio, a record label, or a composer?


Ds2013-01-09 00:46:04
It's on iTunes US!

Frau Blucher reply Replies: 1 || 2013-01-06 02:50:37
Hybrid, I have 2 questions for you:

1.) When is this score being released, and when can we hear some god samples?

2.) Is the instrumental music heard in the beginning of the Pain & Gain trailer part of the score?

Thanks very much!


Mike2013-01-06 03:37:20
I can answer one thing. The release date is the 8th, so three more days (click "See Details").

jj reply Replies: 0 || 2013-01-05 10:52:17
Do yall no when clips are going to come out on YouTube?

Andy reply Replies: 6 || 2012-12-17 20:05:39
Sampler^^
colosseum.de/product_info.php/info/p2608_Gangster-Squad--Ste ve-Jablonsky-.html


MrZimmerFan (Fan from Spain)2012-12-17 21:01:13
Sounds very good


Evenstar2012-12-17 21:05:25
sounds cool


Yruama2012-12-17 21:13:26
It sounds good but a memorable theme is really missing as Jablonsky knows how to make them.

Extracts remind me moreover a lot Battleship crossed by moment with Desperate Housewives.



MrZimmerFan (Fan from Spain)2012-12-17 21:25:16
Battleship cross with Desperate Housewives? xD, for me sounds like Jerry Goldsmith crossed Hans Zimmer xD


Trent Easton Navarro2012-12-18 16:37:02
I'll wait till I've heard the whole score before I give my final judgement, but boy does this sound horribly bland and predictable. This could have come from any modern day thriller. This doesn't sound like a period set gangster film at all!


Gorast2012-12-21 00:09:58
War for the soul and welcome to los angeles seem to be the only really interesting tracks, everything else I could deal without. bleh. nothing to exciting

T-Mann036 reply Replies: 0 || 2012-12-19 03:51:28
I'm looking forward to Steve's most epic work in Gangster Squad.

Conrad Fischer reply Replies: 2 || 2012-12-07 11:00:33
Does anyone know if Jablonsky is doing the film ''Lone Survivor''

IMDb has had him listed as doing it for a few months but I saw an interview with Director Peter Berg where said he was ''In Talks'' with the instrumental rock band Explosions in the Sky to do the music for the film.

I know IMDb is not the most reliable source so I thought I would ask here as the people who run this site often have insider info.


Edmund Meinerts2012-12-07 11:31:39
I hope the bit about the rock band isn't true. I'd rather new Jablonsky scores sound more like Your Highness/Steamboy/Transformers 1 than Battleship, thanks... ;)


Trent Easton Navarro2012-12-07 14:38:45
@Edmund - Explosions in the Sky wrote a pretty good score for Peter Berg's Friday Night Lights. Not all rock bands deliver Trent Reznor style droning ;)

Hybrid Soldier reply Replies: 19 || 2012-11-20 20:18:57
This will be interesting... :)


MrZimmerFan (Fan from Spain)2012-11-20 21:09:08
The wait is goint to be longer... :(


Mr. Charles2012-11-20 23:07:10
YES!!!!! Oh man, I absolutely cannot wait for this!!

If it weren't for that jackhole lunatic who shot up the theatre in Aurora, this would have opened last month


Trent Easton Navarro2012-11-21 20:37:49
I'll approach this one with extreme caution. I think Carter Burwell was a much better choice to score a period set gangster drama and it's a real shame he got replaced.


Hybrid Soldier2012-11-22 09:18:59
So you don't know what Burwell would have done, and you don't know what Jab has come up with, but it SURELY was better with Burwell ?

I'm impressed !


Ds2012-11-22 11:09:25
Just look at director Ruben Fleischer's other movies, i can't imagine this man doing an old-school movie. I'm pretty sure he wanted a modern approach to it.


Kusi2012-11-22 14:55:41
calm down Hybrid! Personally I'm loving Burwell's THE JACKAL - one of his best :) Maybe it had to be a good choice, but I'm waiting for Steve's music and let me surprise.


MrZimmerFan (Fan from Spain)2012-11-22 16:05:43
Well, i'm not a big fan of Burwell, but he is a good composer, but Steve Jablonsky is gonna a blow up with this score


Trent Easton Navarro2012-11-22 17:43:26
@Hybrid

I'm a big fan of Carter Burwell and him scoring a period set crime flick really got me excited.

But Jablonsky is probably the only real talented composer of the current RC composers. So I'm curious what the result will be, but I'll always wonder what Burwell would have done


Mr. Charles2012-11-22 19:11:08
@Trent

Is Zimmer no longer working at RCP? Is he not talented? He may be the head of RCP, but it still counts. Also, John Powell and Harry Gregson-Williams aren't talented? (Not sure about HGW stick being here, but if he is then I count him as talented)


Ds2012-11-22 20:23:19
Lorne Balfe is also über great!


Trent Easton Navarro2012-11-23 15:41:45
@Mr Charles

Hans himself sure is talented. It just seems he just doesn't use his talents anymore these days (in my opinion that is). He seems to rely more and more on additional composers. Even for the 5 minute Simpsons short he used half a dozen additional composers!

As for Powell and HG-W. Yes, they are indeed also really talented (probably the two most talented composers to have come out of Zimmer's stable), but they are old school (from the days when Zimmer's studio was still called Media Ventures).


Hybrid Soldier2012-11-23 17:10:47
Yeah the 70 minutes of suites written for TDKR really show his big laziness !


ToddL2012-11-23 17:42:45
Looks like the release date is 1/8...


Joshua 2012-11-24 05:27:32
Go to the films official website and you'll hear some music from Jablonskys score.


Trent Easton Navarro2012-11-24 10:40:49
@Hybrid If those 70 minutes are uninspired and rehashes from the previous two installments, than yes.

And even you gotta admit that it's ridiculous that "The Longest Daycare" needed six or so composers.

I listened to Black Rain and White Fang the other day again, I really miss that Hans. Here's hoping that Hans shows up for the Man of Steel.


MrZimmerFan (Fan from Spain)2012-11-24 11:37:49
The Hans of Black Rain is so awesome :)


Hybrid Soldier2012-11-24 13:11:22
Where did you get that story about Simpsons ?

It's not even right, Jim Dooley scored it with HZ's themes.


Trent Easton Navarro2012-11-24 13:39:05
At the end credits. First it says "music by Hans Zimmer" and after that there is the infamous "additional music by" which listed at least four composers


Trent Easton Navarro2012-11-24 13:46:32
Seems like my memory is playing tricks on me. Watched it again on youtube and it indeed only lists Dooley as additional composer. Could have sworn when I saw it before Ice Age 4, there was a whole list of additional composers.

I stand corrected :)

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