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Good morning, grandma.Yeah, these are great news, love his work to A Thiefs EndThis is great news :)My good friend David made it !I mean the cover art, of course.
I have a question. Wherefrom is the soudntrack art here on this website?2 tracks added !I don't think it's necessary to create any new big themes. Game of Thrones already has a lot of themes and I don't expect from season 7 to bring something new to the score table because this season is all about characters and storylines coming together. The themes Djawadi established throughout six seasons will pay off in this season and the next in new variations of them and intertwine with each other. <br><br>These new variations of previous theme's are well done. They could have just used the old tracks but instead Ramin Djawadi gives us new variations of the theme's we all love.I see ^_^ and do you know from what movie it comes? And is it Hans' music?According to filmmusicreporter, Powel will be scoring next Hans Solo film :O
Less episodes so I'm thinking less material to choose from. By that logic maybe we'll get a hefty release!Ah yeah, i forgot about those twos.<br><br>Yeah, give us a big soundtrack like s6 :)It has nothing to do with Inception.Anyone knows anything about this beautiful bonus track: https://www.youtube.com/watch?v=ivveLyjC9RQ&ab_channel=super flybrain<br><br>It was on an ultra-complete score and i wonder why it isn't that famous because... well did you listed it? Also is it a suite or an unused cue ?<br><br>If anyone knows :)I don't think there are many new themes. But there is a lot of new action/battle music.<br>For example:<br>Greyjoy Battle<br>Loot Train Battle<br><br>I hope these battles are on the soundtrack. Also I hooe we get another big soumdtrack like season 6. Not the soumdtrack of 50 minutes from season 2 - 5.
2 of 5??? this deserve a 10!!!Am I the only one whos been a bit of disappointed of the lack of new music in this season ? We've had new variation of old themes but the only new theme I've noticed is the Dany/Jon one thats been there a couple of times.. Have I missed one ? :)Sorry if this has been answered before, but does anyone know who composed the trailers 3 song ?Could be, they do sound with Hot Rod about.<br><br>It owuld've played before in the Chicago bit or going after Cade, so probably just for that bit of the tomb.<br><br>The new theme I say it belongs to teh Ancient Knights and the whole Witwicanns theme, the order that Edmund belongs too.<br><br>Vivian plays very minimally, before getting kidnapped, and Out of Tomorrows plays when Cade and Izabella are fixing Bee with the new voice box. The only Tracks not played in the film are Purity of Heart and like 80% of Seglass Ni Tonday.Next tuesday they will release Henry Jackman's new soundtrack for Uncharted: The Lost Legacy <br><br>1.	The Insurgency	<br>2.	Infiltration	<br>3.	Chloe Frazer	<br>4.	The Western Ghats	<br>5.	Shift Change	<br>6.	The Great Battle	<br>7.	Gatekeeper	<br>8.	Ambushed	<br>9.	The Tusk of Ganesh	<br>10.	Catacombs	<br>11.	This Tiger's Got Claws	<br>12.	Confrontation	<br>13.	The Shiva Caves	<br>14.	Revelations	<br>15.	A Familiar Foe	<br>16.	Chamber of the Kings	<br>17.	Partners	<br>18.	End of the Line	<br>19.	The Lost Legacy
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Hans ZimmerGeoff ZanelliLorne BalfeHenry Jackman
ComposerAdditional MusicAdditional MusicAdditional Music
Pirates Of The Caribbean - At World's End (Expanded Score)
Label: Unofficial Release
Length: 237'41
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7913 votes)
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  1. Opening - Gallows (1:32)
    Hans Zimmer, Gore Verbinski (Lyrics: Ted Elliott, Terry Rossio)
  2. Arrive In Singapore (2:17)
    Hans Zimmer
  3. Mission Impossible (Part 1) (0:25)
    Hans Zimmer, Tom Gire, John Sponsler
  4. Mission Impossible (Part 2) (1:00)
    Hans Zimmer, Geoff Zanelli, Tom Gire, John Sponsler (Klaus Badelt)
  5. Entering The Bath House (2:52)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli (Klaus Badelt)
  6. Steam Room (0:41)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  7. Sao Feng Negotiation (5:08)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  8. Battle With The Brits (2:17)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  9. Battle Continues - Will Makes Deal (1:34)
    Hans Zimmer, Tom Gire, John Sponsler
  10. Crew Embarks (1:46)
    Hans Zimmer, Henry Jackman, Atli Örvarsson
  11. Trying To Get Lost (5:05)
    Hans Zimmer
  12. Davy's Tear (3:56)
    Hans Zimmer, Lorne Balfe
  13. Over The Edge (2:14)
    Hans Zimmer, Geoff Zanelli, Henry Jackman
  14. Multiple Jacks (7:29)
    Hans Zimmer, Atli Örvarsson
  15. Crew Arrives (Part 1) - Crabs (0:21)
    Atli Örvarsson
  16. Crew Arrives (Part 2) - Davy Jones Locker (1:18)
    Hans Zimmer, Atli Örvarsson
  17. Rescue Jack (2:12)
    Hans Zimmer, Atli Örvarsson
  18. Who's Captain? - Below Deck (2:07)
    Hans Zimmer, Lorne Balfe
  19. I See Dead People In Boats (4:20)
    Hans Zimmer, Lorne Balfe
  20. Dreadlock Jack (1:59)
    Hans Zimmer, Atli Örvarsson, Henry Jackman
  21. The Green Flash (3:50)
    Hans Zimmer, Henry Jackman
  22. Pull Your Guns (0:45)
    Hans Zimmer, Lorne Balfe
  23. Jiggy Kraken (3:58)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli (Blake Neely)
  24. Jack & Beckett (8:33)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  25. Elizabeth Is Calypso (2:00)
    Hans Zimmer, Geoff Zanelli
  26. Sao Feng's Death (1:35)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  27. Chinese Captured By Brits (0:40)
    Hans Zimmer, Lorne Balfe
  28. Bootstraps - Elizabeth Locker (2:25)
    Hans Zimmer, Henry Jackman
  29. Jack Catches Will (Part 1) (1:00)
    Hans Zimmer, Lorne Balfe
  30. Escape - Norrington Dies (4:14)
    Hans Zimmer, Atli Örvarsson (Blake Neely)
  31. Mrs. Fish (1:18)
    Hans Zimmer, Geoff Zanelli
  32. Will & Beckett (1:28)
    Hans Zimmer, Geoff Zanelli
  33. Shipwreck Cove (0:53)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  34. Brethren Court Begins (1:21)
    Hans Zimmer, Gore Verbinski, Lorne Balfe
  35. Barbossa Lobbies (1:04)
    Hans Zimmer, Lorne Balfe
  36. Davy Jones Visits Tia Dalma (3:48)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  37. Jack Lobbies (1:17)
    Hans Zimmer, Atli Örvarsson
  38. Teague & The Code (1:36)
    Hans Zimmer, Gore Verbinski, Atli Örvarsson
  39. Elizabeth Declares War - How's Mum? (1:19)
    Hans Zimmer, Lorne Balfe
  40. Parlay (2:13)
    Hans Zimmer
  41. Exchange Jack For Will (2:08)
    Hans Zimmer, Lorne Balfe
  42. Multiple Jacks In Brig (Part 1) (0:22)
    Hans Zimmer, Atli Örvarsson
  43. Multiple Jacks In Brig (Part 2) (0:44)
    Hans Zimmer, Atli Örvarsson
  44. Calypso On Deck (0:48)
    Hans Zimmer, Geoff Zanelli (Klaus Badelt)
  45. Releasing Calypso (4:41)
    Hans Zimmer, Geoff Zanelli
  46. Hoist The Colours Declaration (2:08)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  47. Maelstrom (Part 1A) (5:26)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Tom Gire, John Sponsler
  48. Maelstrom (Part 1B) (1:22)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  49. Maelstrom (Part 2) (1:27)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler
  50. The Wedding (3:11)
    Hans Zimmer, Gore Verbinski, Henry Jackman (Klaus Badelt)
  51. Getting The Chest (5:04)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  52. Davy's Death (2:50)
    Hans Zimmer, Geoff Zanelli, Henry Jackman (Klaus Badelt)
  53. Liftoff (2:22)
    Hans Zimmer, Geoff Zanelli
  54. Beckett's Death (5:05)
    Hans Zimmer, Atli Örvarsson (Klaus Badelt)
  55. Celebration (1:44)
    Hans Zimmer, Tom Gire, John Sponsler
  56. Will & Bootstrap (2:28)
    Hans Zimmer, Lorne Balfe
  57. Tender Times (2:40)
    Hans Zimmer, Henry Jackman
  58. Black Pearl Is Missing (1:17)
    Hans Zimmer, Henry Jackman
  59. Jack Sets Sail (1:28)
    Hans Zimmer, Lorne Balfe
  60. End Titles (1:12)
    Hans Zimmer, Geoff Zanelli
  61. End Credits (Green Flash) (2:15)
    Hans Zimmer, Henry Jackman
  62. End Credits (Hoist The Colours) (5:32)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  63. Waiting For Will (0:52)
    Hans Zimmer, Henry Jackman
  64. New Love Suite (11:45)
    Hans Zimmer, Henry Jackman
  65. Beckett Theme (Original Demo) (6:52)
    Hans Zimmer, Lorne Balfe
  66. The Pirate Lord Of Singapore (Album Suite) (5:58)
  67. Lord Cutler Beckett (Album Suite) (8:48)
  68. Marry Me (Album Suite) (11:37)
    Hans Zimmer, Henry Jackman
  69. Just Good Business (Album Suite) (5:56)
    Hans Zimmer, Lorne Balfe
  70. Hoist The Colours Suite (Album Suite) (5:44)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  71. Jack & Beckett (Alternate) (6:18)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  72. Sao Feng's Death (Alternate) (1:35)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  73. Shipwreck Cove (Alternate I) (0:54)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  74. Shipwreck Cove (Alternate II) (0:53)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  75. Parlay (Alternate) (2:12)
    Hans Zimmer
  76. Hoist The Colours Declaration (Alternate) (2:08)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  77. Maelstrom (Part 1B) (Alternate) (1:20)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  78. The Wedding (Alternate) (3:10)
    Hans Zimmer, Gore Verbinski, Henry Jackman (Klaus Badelt)
  79. Getting The Chest (Alternate) (5:14)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  80. Beckett's Death (Alternate) (5:04)
    Hans Zimmer, Atli Örvarsson (Klaus Badelt)
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Mike (OTM) reply Replies: 0 || 2017-05-31 18:19:17
Beckett's Death really is Hans Zimmer at his finest. Beautiful "dramatization" of the Beckett theme. Thoroughly powerful.

Kingfannypack reply Replies: 0 || 2017-03-17 03:18:15
Hey everybody,

Where could I find out about special soundtrack editions by Zimmer in the future? (Like the Interstellar Illuminated Edition or Man of Steel Red Steel album) before they sell out in the future? For example if Hans released a special score for Dunkirk, where do I find announcements specifically for this sort of thing?

Hybrid Soldier reply Replies: 11 || 2016-10-24 22:59:26
I found back the lengthy interviews Henry, Atli & Geoff gave about the POTC 3 process from 2007... Unfortunately everything is in French lol... :/


thejok3rrules2016-10-24 23:45:53
Were could I find it?


thejok3rrules2016-10-24 23:46:36
Where*


Anonymous2016-10-25 02:45:54
Maybe Maxpotcats (above us) can listen to it and translate it for us since he's French lol


Mike2016-10-25 03:44:20
Can you translate them, Hybrid? :)


Stevan2016-10-25 08:48:04
If I recall correctly hybrid is French....


Vivien2016-10-25 08:57:47
Where can I found this ? I'm French so it's not a problem lol


Max Potcats (the french guy)2016-10-25 10:35:31
hey guys
if you want I can try to translate the interviews for you, just send me the link ;)


Hybrid Soldier2016-10-25 18:50:08
No translating an English ITW into French and translate it back to English is the worst on this planet, trust me, I'll just try to find the guy who did them and see if I can get the original versions... :)


hats2016-10-27 21:41:06
The interview confirms what we knew already, all the material that breaks out of standard Zimmer/RC patterns with fun, complex orchestrations, key and tempo variation, woodwinds and interesting counterpoint is classically trained Jackman. Hats off to him!


Edmund Meinerts2016-10-27 22:33:22
But I can think of plenty of tracks from AWE that do all of those things - "Maelstrom Part 1", "Trying to Get Lost", "Beckett's Death", most of the suites - and which Jackman was not involved with. I don't think it's fair to ascribe all the quality orchestral writing to him alone. Much of it, sure (he'll have a place in my heart for his involvement with "Marry Me" and by extension "Up is Down" forever, that piece is extremely special to me). But to say all of it does a disservice to the great work that EVERYBODY did on this score.


Anonymous2017-01-01 00:28:46
Did you ever get the English versions, Hybrid? ;)

Umi reply Replies: 2 || 2016-12-25 22:22:33
Good day! Is it possible to purchase just the track 64 somehow? I need just this track (on physical medium) and I would pay for the CD with only this track. I'm sorry if my question is not allowed here.


Macejko2016-12-25 23:20:19
Sure, pal, I can burn it down for ya! That'd be $39.99, what's your address?


Anonymous2016-12-27 13:28:43
New Love Theme is basically "Mary ME" suite, it's already in the OST treasures collection CD.

Max Potcats reply Replies: 0 || 2016-10-25 00:32:51
Does anyone know what is -64 "New Love Suite"?
I know that Zimmer speaks about in the DVD bonus, and I think that is a very different version of "Marry Me". (sorry for the translation i am french)

Daniel reply Replies: 0 || 2016-05-27 07:53:48
What is the source of these samples? Are they just from the recording sessions, or were they offered by the composers themselves? Also, what exactly is the nature of this site? Is it just a fan site, or is there some input by the Remote Control Productions crew?

Mike reply Replies: 7 || 2014-11-29 22:56:36
Is Geoff Zanelli still set to do POTC5? Or was the announcement from a while back put out too fast, and things have changed?


Hybrid Soldier2014-11-29 23:01:10
It's way to soon, the film in 2017... Nothing official yet, but no bad news either... I'm sure it'll be the case ! ;)


Ds2016-01-11 22:56:12
Lol, imagine some guy like Christophe Beck gets hired for PotC 5. I would get really, really mad.


Hybrid Soldier2016-01-11 22:57:21
Don't worry... lol


Edmund Meinerts2016-01-12 08:33:20
Better Christophe Beck than another On Stranger Tides, IMO.


Ds2016-01-12 09:34:54
Disagree, I still prefer On Stranger Tides over 99% of Beck's scores. The whole thing was a mess but there were some really good cues.


Edmund Meinerts2016-01-12 10:23:06
Have you heard Ant-Man or his Percy Jackson score? Beck does good work, when he's allowed to...it's just that most of his assignments don't allow him to (either because it's a shitty comedy or if he gets a difficult director like Doug Liman).


Ds2016-01-12 11:36:53
I found Ant Man to be serviceable. It's fine on picture and gives a nice atmosphere to the movie (even if I couldn't help missing Steven Price & Edgar Wright during the whole thing), but I'd never buy the album or listen to it separately. I didn't say Beck was bad, I simply think his music is just "okay", I've never heard anything really outstanding.

Prdmaster reply Replies: 1 || 2015-06-26 17:54:51
Gentlemen,can you please tell me where I can get this complete soundtrack? Or at least some songs that were not part of the official piece...I would be really glad for ,,Black pearl is missing" especially,thank you :)


isildur2015-06-26 19:29:53
Well, there is always google ;) And the forum that shall not be named.

Felix reply Replies: 2 || 2015-04-03 22:17:16
Hey Hybrid, are Track 64 & 68 the same?!


Hybrid Soldier2015-04-03 22:23:00
If they were why would I put it there ? -_-

No, the first is the original recorded suite (it's basically the same with a slightly different orchestration). For the POTC trilogy boxset all the suites were rerecorded...


STFU2015-04-04 05:17:18
OH wow, another ultra special exclusive Hybrid-Soldier-only track. Way to go.

Hybrid Soldier reply Replies: 2 || 2015-01-06 23:24:45
Updated the list above with some more credits found Atli & Lorne ! Now there's "almost" all... lol


Hybrid Soldier2015-01-15 23:57:17
And a couple more for Jackman (Black Pearl Is Missing, Waiting For Will...). Getting close ! :P


Mike2015-02-19 17:27:05
So now we're just missing credits for the Lord Cutler Beckett and Pirate Lord of Singapore suites?

Mike reply Replies: 0 || 2015-02-19 17:23:52
Geoff Zanelli's Calypso theme as it appears in cues like Jack & Beckett is so hauntingly beautiful... :)

Mark reply Replies: 2 || 2014-11-30 01:02:09
I'm still kind of new to this site so I don't understand what these expanded releases are? Are these available to purchase or are they just being posted to show what was actually in the movie? Thank you.


Lambegue2014-11-30 05:43:39
Most of the time, they are unofficial releases : that is to say that they are available in some form, but normally can't be purchased officially (even if, in truth, you can nearly always do it on the "second-hand market"). To know if this is an official release or not, just look at the label indicated on the pages for each album.

Moreover, it's not always "what was actually in the movie". "Expanded" doesn't mean "Complete", plus you must consider that Zimmer always write suites that don't appear in the movie in their original form (even if they are greatly used to write to the image). Finally, an expanded edition can countain some rejected and alternate cues.


Mark2014-11-30 19:32:46
Lambeque, thank you for that explaination. I appreciate it.

Poisonheadcrab reply Replies: 4 || 2014-10-06 08:17:16
Just out of curiosity. Are the treasure collection suites, Pirate Lord of Singapore, Heart of Davy Jones, Marry Me, and Cutler Beckett edited versions of much larger suites that still remain below the surface? I'm curious because I know the tracks Day One & Just Good Business are abridged edits of demos, and the hoist the colors suite seems to be as well. I've also noticed that the Singapore track on the regular album contains cues that were not used in the film and absent from the sessions release. Did Hans Zimmer have even more ideas for these themes that we still have yet to hear? or am I just looking too far into this?


LCB2014-10-06 16:02:19
Singapore contains a short intro from The Pirate Lord of Singapore (parts of this are into Arrival in Singapore), extracts from Battle with the Brits, Elizabeth Is Calypso and Crew Arrives (Part 2) - Davy Jones Locker.


Poisonheadcrab2014-10-07 22:36:55
The album track does contain pieces of film music from various scenes but the very beginning (before the battle sequence) contains different cues than the film and the orchestration is slightly different than the treasure collection suite.


Hybrid Soldier2014-10-07 22:39:04
Because it's probably from the original Singapore suite, not the Treasure version...


Poisonheadcrab2014-10-08 01:35:03
That's what I figured, either that or some alternate. However I'd like to jump back to my initial question. Are all of other treasure suites based on a bigger and more epic demo? or are they subtle changes like different orchestration and omitted micro edits? Like some sections in the Beckett demo.

klp reply Replies: 3 || 2014-10-07 09:42:42
Hybrid, not to be annoying or anything like that but I was just wondering if you maybe could upload the New Love Suite and Beckett Theme (Original Demo) sometime in the future:)


Mike2014-10-07 15:57:34
Well the New Love Theme is the "Marry Me" suite, which can be found very easily, and the "Beckett Theme (Original Demo)" is on Lorne Balfe's website. ;)


Hybrid Soldier2014-10-07 16:45:01
Actually it's not... Well yeah it's the same music but for the "Pirates Treasure Collection" all was rerecorded and slightly reorchestrated...


Mike2014-10-07 22:07:21
So basically it was the same situation as "Beckett Theme (Original Demo)" vs. "Just Good Business"?

Mike reply Replies: 1 || 2014-05-06 00:08:36
Perhaps the one thing that could have made the use of the themes in this score even more impressive would have been if they used the Kraken theme in some way when it showed the dead Kraken.


Edmund Meinerts2014-05-06 00:34:57
You know, that's a good point. A rare oversight in an otherwise thematically watertight score.

Hybrid Soldier reply Replies: 6 || 2014-05-03 19:22:53
I finally added the "who did what" here (not on the cues I had no documention on)... Plus I added the true cuesheet titles...

Gonna change that cover soon too, cause I just don't like it lol...


Edmund Meinerts2014-05-03 20:00:28
Can I assume that all of the cues with Verbinski on them say that only because he cowrote the Hoist the Colors theme? I tend to not include him on my own listings for that...


Hybrid Soldier2014-05-03 20:02:03
Yeah same as Geoff on many cues containing Tia Dalma/Calypso's theme...


Anonymous2014-05-03 21:42:22
I KNEW THE "I See Dead People In Boats" cue was just Zimmer!


Mike2014-05-03 21:46:21
That's actually smart, adding credit that are known, even if some have to be left blank.


Hybrid Soldier2014-05-03 22:03:25
Yeah I might generalize that... :)


Edmund Meinerts2014-05-03 23:19:28
I'd certainly be very glad to see credits go up for stuff we haven't previously known about, even if it's incomplete like this. :)

RealFfingMusic reply Replies: 0 || 2014-04-18 05:48:46
This has probably been said before. But I saw the film yesterday again, and here's my (probably repeated) question:

When Elizabeth arrived at Singapore, she was singing Hoist the Colours, which was finished by the "Remove, Please" guy.

The lyrics are different, so why isn't it on this score?

Anonymous reply Replies: 8 || 2014-04-17 16:36:28
Hans' discography on Wikipedia lists Pirates 5....but this is just Wikipedia being stupid, right? Hans hasn't been confirmed for the project? I know Hybrid said Hans wasn't interested after POTC4.....


Lambegue2014-04-17 17:40:26
As far as I know, there is no official announcement concerning the soundtrack of Pirates 5...So yes, this information is nothing real for the moment :)


Hybrid Soldier2014-04-17 17:42:27
A year ago Hans told me he already said "no" to Disney...

But who knows, after all this time... lol


Macejko2014-04-17 17:52:15
Maybe that's why the movie isn't even greenlit yet... :)


Mike2014-04-17 19:20:03
I still think it would be great if Hans could make an awesome score for POTC5, thus redeeming himself, and allow us to forget On Unfortunate Tides, but I understand if he doesn't want to do it.


Anonymous2014-04-17 19:25:26
redeem himself? come now. he was always going to do something great for pirates 4. it was the film makers who didn't want it.

Unless Verbinski returns to the Pirates franchise I am not expecting the inspired Hans to chime in either.


Mike2014-04-17 19:38:56
"It was the film makers who didn't want it."

Speaking of that, do we know WHY they didn't? It seems kinda weird to throw out new ideas for no reason...


Lambegue2014-04-17 19:59:28
"It was the film makers who didn't want it."
The film makers and the producers, mainly Disney...

"Speaking of that, do we know WHY they didn't? It seems kinda weird to throw out new ideas for no reason..."
I suppose they considered that because old ideas worked before, and were well known and appreciated by the public, it was a good thing to use them again and again...Maybe they considered that people would not realise how innapropriate these temptracks were, or maybe even them did not understand it...


Brent2014-04-18 02:00:40
I certainly hope he returns, but who knows at this point. Disney is perhaps the most creatively "protective" studio out there, meaning they want to milk what worked in the past until there's nothing creative left (this coming from a Disney lover).

billz reply Replies: 9 || 2013-10-21 17:32:35
trying to get lost is amazing beyond words...


Anonymous2013-10-21 17:43:07
Beckett's Death is also really powerful!


Mike2013-10-21 17:48:48
I really like the mix of the Beckett and Singapore themes in the last 20 seconds of "Arrive in Singapore".


Edmund Meinerts2013-10-21 17:49:56
Are we playing this game again? It would be faster to list the cues that aren't amazing. Umm...There are a few boring stretches in Multiple Jacks...Davy Jones Visits Tia Dalma is mostly rehash of stuff from DMC that wasn't so great to begin with...uh...Some shorter tracks are a bit pointless...

I give up. I can't say bad things about this score with a straight face. :D


Mike2013-10-21 17:53:45
The latter half of "Parlay" isn't the best, and indeed, Multiple Jacks is rather boring. I'm also not a huge fan of Hoist the Colors as a song.


Anonymous2013-10-21 17:55:48
I hope the Pirates 5 score redeems the awful Stranger Tides score. Stranger tides is an apt title, though--usually POTC music is good!


Mike2013-10-21 17:57:14
I hope there doesn't need to be a POTC5 score... xD


Aragorn2013-10-21 17:59:06
The mermaid theme in Tides was noteworthy. It's just a shame all the music couldn't have been.


MacArthur2013-10-21 19:01:52
You know Mike it has been announced that there is going to be a POTC5.


Mike2013-10-21 21:04:32
I know, but they can still decide to cancel it before it's too late.

Anonymous reply Replies: 21 || 2013-10-08 19:48:42
Gosh Jack and Beckett is awesome. The way it plays the tune of the Jack Sparrow theme in the style of the Beckett theme beginning at 5:16 is incredible


Edmund Meinerts2013-10-08 20:32:14
That's the kind of subtle thematic touch that makes At World's End so great. It's full of little moments like that. Such a great, great score.


MacArthur2013-10-08 23:15:24
Agreed Great score one of my fav's


Areozz2013-10-09 01:53:32
I've been listening to that cue for nearly as long as the film has been around (slightly exaggerated, but this is quite possibly my favorite score), and I've never been able to make that connection. I can pick apart just about all the rest of the music from all films, but every time I get to that bit I think, "This must be a one-time appearance of a variation of Beckett's theme."

Now it FINALLY clicked! Thank you Anonymous stranger! And thank you to all the composers that wrote this score, too, for still amazing me 6 years later!!!


Mike2013-10-09 15:54:16
Indeed, that section is great stuff. I also find the statement of the Calypso theme beginning at 3:29 to be haunting in a beautiful sort of way.


Anonymous2013-10-09 15:59:13
You're welcome, Areozz. Glad I could help. ;) I really like the POTC1 reprisal at the end of the cue.


Mike2013-10-09 17:19:39
Speaking of this cue, Hybrid Soldier, do you know who wrote "Lord Cutler Beckett" (the suite)? I always assumed it was Zimmer, but I'm not entirely sure, because it looks like Lorne handled the "Original Demo/Just Good Business" Beckett suite, so it's possible he did "Lord Cutler Beckett", too.


Kusi2013-10-09 19:04:36
I think it's by Lorne Balfe. On his official page you can listen to a demo of this suite :)


Mike2013-10-09 19:21:29
I know Lorne Balfe did "Just Good Business", but the "Lord Cutler Beckett" suite on the album is a different one.


Hybrid Soldier2013-10-09 19:31:31
As for the "Unreleased" fourth CD =>

"Hoist The Colours Suite" is HZ / Verbinski / Glennie-Smith

"Marry Me" is HZ / Jackman

"Just Good Business" is HZ / Balfe

Don't know about the others, Pirate Lord is probably HZ only.


Mike2013-10-09 21:09:18
Well, I learned something new today: I always though the suites (except "Just Good Business") were Hans alone. Do you know which parts of Marry Me were done by Jackman, or is that too specific?


Hybrid Soldier2013-10-09 21:27:23
We are talking POTC. The genesis of this saga is clear => "alone" does not apply in that world... :P


Mike2013-10-09 22:29:44
"All hands on deck," to borrow Geoff Zanelli's pun.


Anonymous2013-10-14 15:13:05
Lord Cutler Beckett sounds a lot like HZ's own writing style. There is also a strong Peacemaker vibe to it from the 7:03 mark onwards.

Pirate Lord may be Jackman's. It sounds very much like all the Asian stuff he did for Kung Fu Panda and GI Joe 2.


Mike2013-10-14 16:30:13
Indeed, Anonymous. Actually, as much as I'm thankful for Hybrid's answer, the one suite he did not address was Lord Cutler Beckett! :P


Edmund Meinerts2013-10-14 16:42:07
"Marry Me" is my favorite cue of pretty much all time...never knew Jackman had a hand in it! That's a little weird to me...^^ Though I guess I should have known considering the second half is basically an extended version of "Up is Down". I'm guessing that everything up to roughly the 7-minute mark, i.e. the dramatic variations on the love theme(s), is HZ alone, and from then onwards, i.e. the "Up is Down" portion, is HZ/Jackman.

Did Verbinski really help compose the "Hoist the Colors Suite" or is he just credited there because he helped write the theme? I guess I'm not really surprised about NGS' involvement, nor am I about Balfe's in "Just Good Business" (in fact, I knew that one already for some reason).

About the others..."Lord Cutler Beckett" could easily be HZ alone as it indeed bears a lot of resemblance to The Peacemaker. As for "Pirate Lord of Singapore", I always suspected that Geoff Zanelli had a hand in that one, as he did a lot of the Singapore sequence. But I'm just as willing to believe it's HZ alone, as it reminds me a lot of The Last Samurai and even Beyond Rangoon in parts.

Yay for people talking about At World's End. :D


Edmund Meinerts2013-10-14 16:50:42
And the one everyone forgets about for some reason, "The Heart of Davy Jones"...well, it's basically just a (gorgeous) variation of the Davy Jones theme, so I'm guessing Hans alone on that one.


Mike2013-10-14 17:47:07
Well, *I* didn't mention The Heart of Davy Jones--lovely though it is--because it's Dead Man's Chest material. ;)


Anonymous2013-10-14 21:12:46
Lord Cutler Beckett, whether that suite was composed by Zimmer and Balfe or just Zimmer, is awesome! It's the perfect mixture of refined and ruthless, just like Beckett himself.


Mike2013-10-14 21:16:43
Indeed, Anonymous. I wonder why Beckett got two suites. I mean, they're great, both of them, so I'm not complaining, but I wonder what transpired that made it so.


Edmund Meinerts2013-10-15 00:27:04
I always was under the impression that "Just Good Business" was less a suite and more an early version of the music for the first part of the maelstrom battle (you can hear very small parts of it leak through in the actual "Maelstrom Pt. 1" cue, such as at 2:00). Don't remember where I heard that though. In the end they went for a more thematically diverse track which I think is slightly better as a CUE...but they're both excellent. :)


Mike2013-10-15 00:47:39
That strikes me as unlikely. It's titled here (in its longer form) as "Beckett Theme (Original Demo)". That doesn't seem like a cue to me. It seems like it's a suite.

MacArthur reply Replies: 0 || 2013-10-09 22:01:36
One of Zimmer's great scores

Anonymous reply Replies: 2 || 2013-09-04 21:19:33
"I remember showing up one day, I think it was our first scoring session, and I walk in and Hans has got the orchestra going and I kinda am watchin' the cue and I'm like, 'Wow, great cue--wow, this is already like a 3 minute cue, I mean, gosh...Wait a minute, there's no picture running...Wait a minute, this is like FIVE minutes. This is like seven minutes! What's this guy doing???' So finally the cue ends after 9 minutes, no picture, running nothing--okay, 12 minutes--and I walk over to him and I go, 'Dude, where's the picture????' He goes, 'No, we're not doing it to picture today'. I said, 'Well what are you doing????' He said, 'I'm warming up the orchestra. We're recording these things in suites, so that when I bring them back to do each cue individually, they'll be masters at it."

Given the 12 minute length, I can only assume it was "Marry Me". "Great cue" indeed!


Russel2013-09-04 22:03:59
How could you assume? Wouldn't you remember what it sounded like if you were there..?


Mike2013-09-05 01:35:16
He wasn't there. He was quoting an interview.

Anonymous reply Replies: 2 || 2013-03-22 20:07:22
Someone mentioned King Arthur below...Well listen to 1:50-1:58 in Davy's Death and tell me THAT doesn't sound like King Arthur.


Areozz2013-03-22 20:18:53
It does. It isn't rocket science. New things sound like other old things because they use the old things as temp tracks. People like it, so then they rework it a little bit. It's a surprisingly common thing and sometimes it happens across composers.


Leo2013-07-28 12:24:24
ESPECIALLY at 2:13 to 2:22.

Mike reply Replies: 5 || 2013-05-28 07:58:46
Oh man, "Trying to Get Lost" just blows me away whenever I hear it. Zimmer truly outdid himself with that cue! One of the best he's done.


Lucius2013-05-28 08:16:36
It also proves to me that while there will always be people who say Zimmer is "lazy" for having so many composers work on his scores, or that he's "lost it", he truly hasn't and still knows how to make an amazing piece of music. If Hybrid is correct, after all, then "Trying to Get Lose" (arguably one of the best cues of the film) is Hans alone, no additional arrangers or anything. :)

And I agree, it's an astounding piece.


Lucius2013-05-28 08:17:19
Aghhh, Lost*


James2013-05-28 09:03:34
I could go on and on about the things I love about this score. The love theme, the Beckett theme, the Calypso theme, the Hoist the Colors theme, the way they're all expertly mixed together in the Maelstrom scenes, the lack of "use old cues again and again"... I sound like almost everyone else on this page, but this is one of Zimmer/RCP's best if you ask me.


Mike2013-05-28 09:08:09
Eh, who cares if we sound like everyone else: it's one of RCP's finest for sure! I like scores that feel like a lot of effort was put into them, which is why POTC3 and The Last Samurai are among my favorites. I don't even listen to them much compared to others, but you can just tell that those who worked on them really wanted to make a good score.


score_trader2013-06-02 23:00:39
I find that The Heart of Davy Jones' cues are some of the best as well.

Anonymous reply Replies: 1 || 2013-06-02 03:33:28
Why are "Just Good Business" and Lorne's Beckett theme listed separately? It seems like Just Good Business is just a shortened version of Lorne's suite.


Hybrid Soldier2013-06-02 09:43:42
It is, but it's orchestrated & recorded, while Lorne's is synth.

Edmund Meinerts reply Replies: 14 || 2013-05-13 11:32:53
God DAMN Maelstrom Pt. 1 is an awesome action cue. I really think Zimmer and co managed to reach an almost John Williams-like level of thematic complexity with this score, and it's the unsurpassed jewel in RCP's crown for me. :D


cheesy2013-05-13 13:34:11
I may get a lot of heat for this but I guess I've personally never really seen what everyone else sees in this score. It's great music, but RCP has churned out far more memorable. Aside from the love theme and Calypso theme, not a lot in AWE really resonates with me as much as others. Especially not the action music.


Hybrid Soldier2013-05-13 13:53:49
Despite some big stuff in this one, I still consider POTC 2 to be superior... :)


Edmund Meinerts2013-05-13 14:07:46
Not even Beckett's stuff, Cheesy? Or the new arrangements of Davy Jones' theme? Or Hoist the Colors?


Anonymous2013-05-13 14:12:24
I think this is the best action stuff (together with King Arthur) that RCP has ever written. Esp the theme blending of all previous scores is great. Great stuff.

But it is all a matter of taste. I don't inception very memorable. yet everyone is drooling over that score.


Bioscope2013-05-13 14:43:34
This score was written as if it was RCP's last night on Earth, and that's how all RCP commisioned scores should be written if you want the quality material that this scored offered.


Richard2013-05-13 22:04:34
Gotta agree with Hybrid Soldier. Sure, this film had some fantastic score, and the maelstrom score was probably in the top 5 action movie scores of all time.. but Dead Man's Chest was just more powerful.

Another thing about the Maelstrom score - In my mind, score-wise, you have the first 2 POTC movies, then everything in At World's End except for the Maelstrom as 3 wholes. Then, you have the Maelstrom.. which blends ALL of those scores together ( Literally, only a few themes didn't make it in there. The only one I can think of is The Kraken's theme and a few minor cues from the other movies - And it's good they didn't reuse the Kraken's theme, it fit the Kraken and the Kraken only. ) It was literally a maelstrom of music.

I don't think Inception or King Arthur's scores come even close to this. It's not even a comparison for me.


Hybrid Soldier2013-05-13 22:14:29
About Kraken's theme, with Disney's madness, I'm surprised we didn't hear it in POTC 4 haha...


Mike2013-05-13 22:42:22
"I'm surprised we didn't hear it in POTC 4..." XD My thought exactly.

Not that I'm trying to argue - I just feel like giving my thought on #2 vs. #3. To me, Dead Man's Chest felt like POTC 1 with the Jack/Davy Jones/Kraken themes attached. A good score, no doubt, but it didn't feel much different than the first movie.

For example, in the wedding/Beckett scene, the first piece of music we heard was the exact same piece as is found in the album track "To the Pirates Cave!" (from POTC1). Then, aside from Beckett's theme being played over it, the music when he appears was used exactly like that in POTC1 as well.

As another example, there's the music when Will is asking people about Jack. That music was used pretty much verbatim in POTC1 around the scene when Jack and Will commandeer the ship.

And as a final example, parts of the Jack/Will/Norrington sword-fight were exactly the same as Will and Jack's fight in the first movie.

With POTC3, on the other hand, there were a ton of new themes and repetition of old material only happened occasionally.

Either way...I'm sure we can all agree that they're both good scores.


Hybrid Soldier2013-05-13 22:44:08
Yeah of course I've listened this saga (yeah... 4 included) countless times ! It's just one veeeeeeeeery long score... :)


Ds2013-05-13 23:55:02
"This score was written as if it was RCP's last night on Earth"

Thanks Bioscope for this wonderful quote. It reflects exactly how magic this score actually is. This may be a sequel, this is still one of the most original and fresh score i've ever heard. I hope Hans is proud of this one, because this is pure art.

The movie's last hour is a dream for the ears: Parlay, Calypso's transformation, Hoist the Colours, the Maelstrom, Beckett's epic death and then the wonderful, unforgettable love theme. 6 years later it still gives me goosebump as if it was the first time. Thank you Hans.


Hybrid Soldier2013-05-13 23:59:45
Last night on Earth I'm not sure. It's just... you basically have a wonderful team on it ! Lorne, Jackman, Atli, NGS, MagicBox and of course Geoff with HZ. Can't beat that, it tops the POTC 1 or The Rock team... :)


Edmund Meinerts2013-05-14 01:49:25
Nice one, Hybrid. I've said it before and I'll say it again: At World's End is the ultimate example of an amazing team coming together in exactly the right way.

Maybe one of the reasons why Angels and Demons is my favorite Zimmer score of the last few years is because it's largely the same team: Hans, Atli, Geoff, Lorne and NGS.


Mike2013-05-14 02:01:46
Angels & Demons is, indeed, a good score.


Anonymous2013-05-28 08:41:31
I just wish this could've been the last POTC score! I've never heard an equal trilogy-capper of a score besides maybe John Williams' score to Revenge of the Sith. :)

Anonymous reply Replies: 15 || 2013-05-25 21:12:31
The Marry Me suite is one of the most beautiful things I've ever heard. :)


Mike2013-05-25 21:19:22
Amen to that! "Marry Me", "Time", and "A Dark Knight" would definitely have to go on my list of "Hans Zimmer's most amazing themes ever".


Anonymous2013-05-25 21:24:28
Don't forget Chevaliers De Sangreal, Now We Are Free, and The Heart of Davy Jones! ;)


Mike2013-05-25 21:27:12
Or "Tennessee" from Pearl Harbor.


Edmund Meinerts2013-05-25 21:42:45
Marry Me is my favorite Zimmer theme and cue as well. Although all of the suggestions below are also great pieces. I'll throw in the main theme from Crimson Tide as well as practically the proto power anthem. Such an influential score.


Ds2013-05-25 21:48:52
You guys are right. These are all AMAZING themes. Moving and addictive!

I'd add "Hummel Gets The Rockets" from The Rock and "All Of Them" from King Arthur.


Mike2013-05-25 21:58:50
A favorite of mine that hardly anyone mentions is The Burning Bush from The Prince of Egypt. It really conveys the presence of God.


James2013-05-25 22:02:17
And 9:11-14:12 in "Rocket Away" from the Rock! :D


Anonymous2013-05-25 22:06:23
Hybrid Soldier, since you're virtually famous, what Zimmer work is your favorite? :P


Hybrid Soldier2013-05-25 22:47:25
Depends on the mood... ;)


Prott2013-05-26 00:07:06
+1
"Marry Me" (and every reprise/variation of the Love Theme from AwE) is a wonderful piece of music. :)

... and don't forget "Show Me Your Firetruck" or "Journey To The Line". ;)


MGDrone2013-05-26 04:06:09
I'll always get chills when I listen to The Burning Heart from Hannibal. Such an under-appreciated cue in HZ's repertoire. Or To Every Captive Soul. I enjoy that love theme just a tad bit more than Marry Me. That in no way belittles Marry Me for me, it's one of HZ's best themes ever. Other ignored cues, I believe, are First Ideas from Frost/Nixon, The Banker's Waltz from Matchstick Men (and the whole score for that matter), and really the whole score to Two Deaths (granted, that one's hard to find).


Richard2013-05-26 05:44:59
Aye, many great masterpieces! Don't forget the instrumental Lion King score and the bittersweet anthem for Crimson Tide!


Christ2013-05-26 09:07:39
Air and Science and Religion from Angels and Demons, Heart of Davy Jones.


Cabox2013-05-26 17:25:06
Sure, but all of those were years ago, why doesn't Hans write something like that anymore :/ maybe for Winter's Tale


Mike2013-05-27 00:16:59
Actually, I didn't include this one above because I thought we were referring to "beautiful" music rather than "epic" music, but now that the scope isn't so limited, I would definitely include Wayne Manor in this list. That's a modern one, Cabox.

Mike reply Replies: 21 || 2013-03-18 05:02:51
Holy crud. This score (and it's not even complete) borders on 4 hours. That is impressive.


Mike2013-03-18 05:09:50
EDIT: Looked like it said 2:33'30, not 2:23'30. Still, I stand by what I said.


Edmund Meinerts2013-03-18 11:18:02
Of which the actually newly composed material comprises about 10 minutes...There's nothing impressive about a score that's 90% tracked-in cues from the previous entries in the franchise.


Ds2013-03-18 11:32:23
WTF Edmund, did you actually read what you just posted???


Edmund Meinerts2013-03-18 16:39:24
And have you heard the score? The vast majority of it is barely rearranged material from Pirates 1-3. They use Davy Jones and Cutler Beckett's themes for chrissake.


Edmund Meinerts2013-03-18 16:41:01
OH CRAP. I'm on the wrong page, aren't I. Uh...there isn't a delete post option on this website, is there? XD XD XD

...I love Pirates 3, by the way...


Mike2013-03-18 20:06:07
I was gonna say, Edmund... XD If you're referring to Dead Man's Chest, though, I agree with the original comment completely.


Mike2013-03-18 20:07:21
And of course POTC4 was atrocious. That goes without saying.


Edmund Meinerts2013-03-18 21:08:42
Yeah, for some reason I thought this was On Stranger Tides...I wouldn't have said that about Dead Man's Chest, though!


Mike2013-03-18 21:48:06
I guess with Dead Man's Chest you can either say it is a good sequel score or it isn't. I actually do enjoy it quite a bit, but it feels like there isn't much new material. There's the themes for Davy Jones and the Kraken and those are nice. We only hear the very beginning of Beckett's theme in that movie, and Tia Dalma's theme isn't present very often. The drunk Jack Sparrow theme is technically new, but it sounds like music from the first movie. Then the rest of the score is pretty much a regurgitation of Curse of the Black Pearl.

Though, of course, Dead Man's Chest is a far better score than On Stranger Tides, and only nerds like me really take this much time to analyze how much new music there is. :P


Medigo2013-03-19 10:53:14
I'd say DMC is at least a better movie than AWE. But thats just me
I wouldnt call its score a major regurgitation still, there are more new cues than just the ones people remember


Mike2013-03-20 08:24:31
Actually, there was one awesome new cue when Jack is chained to to the ship and gets eaten by the Kraken (Hello Beastie on the album). And then of course there was the cannibal island music, but that wasn't very memorable. To me, at least.


Jimmer2013-03-20 10:52:15
Actually Mike, even the track "Hello Beastie" wasn't even all that new. Listen to the score "King Arthur" (2005), track 3 "Do You Think I'm Saxon?" Then listen to "Hello Beastie." The similarities are everywhere! Maybe Hybrid can confirm this, but that track might've even been used as a temp, it's like exactly the same.


Mr. Charles2013-03-20 13:22:14
Remind me again why DMC is being discussed on the AWE page?


Anonymous2013-03-20 23:27:37
My guess, Jimmer, would be that the scene in question used the King Arthur piece as a temp track and then modeled the official music after it. Kind of like the way "Time" from Inception is based off "Journey to the Line" from The Thin Red Line.


Hybrid Soldier2013-03-20 23:36:31
Funny cause the cue you mention is actually by Hans... I mean, himself ! ;)


Mike2013-03-20 23:56:20
Yeah, haha...Self-plagiarism!


Hybrid Soldier2013-03-21 00:27:46
More like "finishing an idea once started" ! ;)


Richard2013-05-13 22:20:51
Actually, I think that Dead Man's Chest had more new material than any of the other movies. The Jack Sparrow theme, though based on a cameo cue in COTPB, was mostly new. Davy's Jones' theme was completely new, The Kraken's theme was completely new, and Jack's Action theme was completely new. That's the majority of the score in the movie right there.


Hybrid Soldier2013-05-13 22:22:23
Beckett's theme, Tia Dalma's theme... :)


Edmund Meinerts2013-05-13 22:30:00
Okay so Dead Man's Chest had the three major new themes, Jack, Kraken and Davy Jones (plus Jack's action theme), the beginnings of Beckett and Dalma's themes and a small standalone theme for the Cannibal Island. Not bad - that's seven by my count.

But At World's End had the love theme, which is really three separate melodies put together (A, B and C phrases), the Hoist the Colors theme (again two melodies, verse and chorus), Beckett's new full theme, Sao Feng's theme and (stretching a little here) the World's End theme. I'm inclined to throw in the parachute theme as well, even though it only crops up once, just because of how damn memorable it is. So that makes nine new themes! Plus, each score is progressively richer because it builds on what came before (with certain exceptions like the Kraken being confined only to DMC), so in reality AWE has over two dozen themes. Like I said...VERY complex thematically, and hence why I think it's RCP's best!


Hybrid Soldier2013-05-13 22:34:10
Well Edmund my little problem with POTC 3 is basically the problem I have with the movie...

It kinda gets boring & too long in its "Brethren Court" sequence. And the score follows... It's all calm and then turns into big mayhem with the Maelstrom.

From minute 1 to the last, POTC 2 flows better. The structure of the score and film is better in 2. Of course, "Jack & Beckett" or "Jiggy Kraken" or "Green Flash" have almost no equivalent in 2.

But hey, we won't fight to know which masterpiece is the best...

Hybrid Soldier reply Replies: 10 || 2012-12-01 22:31:57
So, time to play !

Hoist The Colours => HZ & Gore Verbinski, lyrics by T. Elliott & T. Rossio

Arrive In Singapore => HZ

Entering The Bath House => HZ, Geoff Zanelli (themes used : Verbinski & Badelt (POTC 1))

Steam Room => HZ, Tom Gire/John Sponsler (Badelt)

Sao Feng Negotiation => HZ, Lorne Balfe (Verbinski, Zanelli)

Battle With The Brits => HZ, Tom Gire/John Sponsler (Verbinski, Badelt)

Battle Continues - Will Makes Deal => HZ, Tom Gire/John Sponsler

Crew Embarks => HZ, Jackman, Örvarsson

Trying To Get Lost => HZ

Over The Edge => HZ, Jackman (Zanelli)

Multiple Jacks => HZ, Örvarsson

Crabs => Örvarsson

Captain Jack Sparrow => HZ, Örvarsson

Rescue Jack => HZ, Örvarsson

Who's Captain? - Below Deck => HZ, Balfe

Souls At Sea => HZ, Balfe (Verbinski)

Dreadlock Jack => HZ, Jackman, Örvarsson

The Green Flash => HZ, Jackman

Jiggy Kraken => HZ, Geoff Zanelli (Verbinski, Neely)

Jack & Beckett => HZ, Balfe (Zanelli)

Seduction => HZ, Zanelli

Sao Feng's Death => HZ, Balfe (Verbinski, Zanelli)

Chinese Captured By Brits => HZ, Balfe

Bootstraps - Elizabeth Locker => HZ, Balfe

Jack Catches Will (Part 1) => HZ, Balfe

Escape - Norrington Dies => HZ, Örvarsson (Neely)

Shipwreck Cove => HZ, Zanelli (Verbinski)

Brethren Court Begins => HZ, Balfe (Verbinski)

Davy Jones Visits Tia Dalma => HZ, Balfe (Verbinski)

Teague & The Code => HZ, Örvarsson (Verbinski)

Parlay => HZ

Flying Dutchman Prison => HZ, Örvarsson

Calypso On Deck => HZ, Zanelli (Badelt)

Releasing Calypso => HZ, Zanelli

Hoist The Colours Declaration => HZ, Glennie-Smith (Verbinski)

Maelstrom (Part 1) => HZ, Tom Gire/John Sponsler (Verbinski, Zanelli)

Getting The Chest => HZ, Tom Gire/John Sponsler (Badelt)

A Lost Bird => HZ, Tom Gire/John Sponsler (Verbinski, Badelt)

The Wedding => HZ, Jackman (Badelt)

Maelstrom (Part 2) => HZ, Tom Gire/John Sponsler (Badelt)

Davy's Death => HZ, Jackman (Badelt, Zanelli)

Liftoff => HZ, Zanelli

Beckett's Death => HZ, Örvarsson (Badelt)

Celebration => HZ, Tom Gire/John Sponsler

One Day => HZ, Jackman

The Fountain Of Youth => HZ, Balfe

End Titles => HZ, Zanelli

End Credits (Green Flash) => HZ, Jackman

End Credits (Hoist The Colours) => HZ, Glennie-Smith (Verbinski)


That's it ! :)


//////2012-12-01 22:36:27
Thanks for the credits Hybrid Soldier!


thejok3rrules2012-12-02 00:12:40
Hybrid Soldier, could you add the credits to the tracklist below? Thanks for them btw! :D


thejok3rrules2012-12-02 00:18:09
Never mind, I just read your previous comment about it xD


Mr. Fate2012-12-02 00:38:00
Just to clarify, Hybrid: the names listed inside parentheses indicate tracks that were written new but use old themes written by the composers in said parentheses?

If one were to want to tag the sessions, ideally would one include the names in the parentheses?


Hybrid Soldier2012-12-02 08:38:13
It's all new cues there, it contains theme written by Klaus Badelt & Blake Neely from POTC 1. And of course Verbinski (Zanelli too for his Tia Dalma theme), but he co-wrote the Hoist the Colours theme but certainly didn't work on any cue of the film.

For my personal tagging, I basically keep people who were involved in the film music writing (no Klaus or Blake).

But to be totally fair you could add them, yeah.


mittens2012-12-02 12:24:07
Cool, thanks for credits!


Mr. Fate2012-12-02 20:10:48
Thank you! From taking a look at this list, can one make the assumptions that Henry Jackman was behind the new love theme and Atli Örvarsson was behind the Multiple Jacks theme?

It also appears that a couple credits are missing. Can the credits for the OST help to fill in the gaps? I noticed the credits for some of the cues that make up "At Wit's End" on the OST are not present here. I wonder, if one were to take a close enough look at the music detailed here and see who wrote what, if one could infer who did the remaining cues...


Hybrid Soldier2012-12-02 20:44:57
Right for Atli. But the Love Theme is HZ, though yeah Jackman was in charge of arranging it most of the time (Lorne did too on Below Deck).

At Wit's End is made of "Trying To Get Lost" (HZ) + "Davy Jones Commanded" + "Crew Embarks" (HZ/AO/HJ) + "Over The Edge" (HZ/GZ/HJ)

And we know At Wit's End is by HZ/LB/GZ/AO/HJ. So yeah, by elimination, "Davy Jones Commanded" is HZ/LB. :)


T-Mann0362012-12-09 11:43:40
Ear-gasm!!!!!!


Mike2013-02-28 08:11:09
When you attach names to these cues like Geoff Zanelli or whoever, does that mean that that composer took Hans' cues and arranged them, and Hans was essentially uninvolved with the formation of that cue as such?

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Pirates Of The Caribbean - At World's End (Expanded Score) soundtrack - Hans Zimmer 2007