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And as far Zimmer scores that I don’t like for the most part, there is a small handful (Madagascar, MI2, etc.)That’s completely fair, and I honestly couldn’t defend this score and be genuine about it. I think it does help that I love this movie (despite being hard to watch) and have come to associate the music with it so much. Still, I can’t lie that I find portions of it to be incredibly effective, even when the music does become solely ambient. In terms of listenability/originality the best cue is, ironically, the 24-second “Washington” cue.<br><br>I would kill to know what Zimmer personally thinks of this score. I’m sure he had a great working relationship with Steve, hence him working on “Windows”, but I’m sure the temptrack must have been murder on his creativity...This is my least favorite Zimmer score, actually. Or else the one that I feel has the least going for it; I guess it doesn't make me mad like On Stranger Tides, but at the same time it lacks anything even remotely compelling. "Boat Trip to New Orleans" is the only halfway interesting cue and even then I don't really like to listen to it much. The experimental parts aren't interesting experiments (ooh...clapping...wow), and the Journey to the Line stuff is just tired and bland (on top of being super derivative). I get that it works in the movie or whatever but if I had a gun to my head with orders to delete one Hans score from my library and never listen to it again, I'm pretty sure this would be the one I'd go for.Even 5 years later, I’m still not sure how I feel about this score. <br><br>On one hand, the music complements the film extremely well. “Boat Trip to New Orleans” and “Soap” are both incredible in context, and even some of the more ambient cues are pretty effective. Alongside Interstellar probably Hans’ most minimilastic score, something which actually suits him well.<br><br>On the other hand, the Time/Journey to the Line temp is extremely blatant, and it definitely doesn’t help that 60% of the music used in film is basically a variation on that one idea (and some cues are purely sound effects). I still admire the score though, regardless of the familiarity issues.<br><br>With Windows coming out I’m very curious to see what approach will be. Personally, I like seeing Zimmer tackle a project with minimalism. Hopefully McQueen (who is a very talented director) doesn’t box Hans in with another TTRL temp... or any temp for that matter.Are you going to visit Russia?!) We are waiting for very much!)
He posted it before this site added the tracklist.Did you just copied and paste the tracklist above? lmaoThe reprise of "Batman on Fire" from Begins (1:59-2:30 in the Transfiguration suite) is good stuff! I wonder why Hans decided to reuse that particular idea.When are we going to see you in Chicago?Indeed, this score reminds me — in a good way — of The Rock.
Track 11, Onwards, here is my most favorite cue from the CoH franchise. It has that old school "power anthem" thing going on about it with full force. I truly wish this style is brought back to life again soon.Are there any more tour dates planned?Lord of the Rings - Shore<br>Battlestar Galactica - McCreary<br><br>Both are up there as my two favorite collection of works. GOT doesn't even compare to BSG. <br><br>For solo albums, my candidates are:<br><br>Titanic<br>The Lion King<br>Interstellar<br>Memoirs of a Geisha<br>Jurassic Park<br><br><br> <br><br>@superultramega<br>Honestly I feel like most of the issues with AUJ (and the other two hobbit films) were stemming from Peter Jackson editing the hell out of the music after the fact. It could be why they ended up dumping some themes in the following films.<br><br>Still, I don’t understand some of the criticism that the Hobbit trilogy scores received. DoS has some of the best action material imo, and the interpolations of Smaug’s theme(s) throughout the films are personally some of my favorite music from any LoTR project.<br><br>And this might be controversial, but I would put PoTC (the first three at least) on the level of Lord of the Rings in terms of the sheer amount of themes and development they receive. Maybe not quite as complex but they shouldn’t be overlooked.The Lion King and The Last Samurai are good choices, but I'm not as much of a fan as Zimmer's aesthetic or thematic work nearly as much as Howard Shore, or even Jablonskly at times. Game of Thrones I still can't comment on as I've never watched the show, or payed attention to Djawadi in general.<br><br>I would say Shore's heart wasn't in Desolation and Five Armies, but to say that about Unexpected Journey doesn't really feel right to me. Even themes like Gondor Restored and Nazgul's uses have some logic to them. <br><br>Gondor Restored was also used when the Ring is destroyed, meaning it also has a secondary meaning of victory against evil, (yes I know it affected Gondor too, but Gondor it isn't as direct). Which also applies in The Hobbit, as Bilbo saving Thorin was not only important for their relationship but also the future of Middle Earth as Thorin is vital to the battle against the orcs in Five Armies. <br><br>The Nazgul theme also makes sense as its first appearance is in Fellowship's opening, playing over Sauron's army of orcs, then Sauron himself. So it's linked both to Sauron himself and his servants, which includes Azog. Plus the version that plays in the film is the exact same variant (and lyrics) that plays in the Fellowship prologue. It serves almost as a precursor to the Nazgul. Plus I don't see why themes can't have several meanings anyway.  <br><br>Plus I love most of the new themes of AUJ (before they were abandoned in later films).
Not really a fair comparison, Hybrid, since videogames as a medium are much younger than films, and their scores weren't using real orchestras right until... mid 90's, would be my guess (feel free to correct me, guys).<br><br>The all time best film score for me would be a battle between The Last Samurai and Lion King. If "movie" includes TV shows, then it's Game of Thrones without a doubt, but I'm not gonna have this argument again ;)<br><br>Btw. I wouldn't mention Hobbit in the same sentence with LotR, even music-wise. A couple of great cues cannot hide the fact that Shore's heart wasn't in it.IS * lion kingBest film score of all time in lion king. Without any doubt. ;-)Can I just add, the album presentation for MW2 is really lame? It's a big, dare I say "epic" score in the 1990s Media Ventures mold. I think it's really solid. There are lots of different ideas from the first mission to the last, and a lot of them are written in the power anthem style that Hans ans co. don't really use much these days. Even Opening Titles is a throwback for Hans himself. <br><br>Unfortunately, almost none of the music as heard through the game is here. Instead, we got a bunch of shortened theme suites. :P<br><br>But the Gulag mission, the oil rig stuff, The Enemy of My Enemy, and lots of other missions all have pretty engaging and powerful music. I wish the RCP guys would do scores like this one more.Lord of the Rings (and even The Hobbit), are the only film scores that I'm buying an entire book for, just to fully understand the themes and motifs.
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Hans ZimmerGeoff ZanelliLorne BalfeHenry Jackman
ComposerAdditional MusicAdditional MusicAdditional Music
Pirates Of The Caribbean - At World's End (Expanded Score)
Label: Unofficial Release
Length: 237'41
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  1. Opening - Gallows (1:32)
    Hans Zimmer, Gore Verbinski (Lyrics: Ted Elliott, Terry Rossio)
  2. Arrive In Singapore (2:17)
    Hans Zimmer
  3. Mission Impossible (Part 1) (0:25)
    Hans Zimmer, Tom Gire, John Sponsler
  4. Mission Impossible (Part 2) (1:00)
    Hans Zimmer, Geoff Zanelli, Tom Gire, John Sponsler (Klaus Badelt)
  5. Entering The Bath House (2:52)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli (Klaus Badelt)
  6. Steam Room (0:41)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  7. Sao Feng Negotiation (5:08)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  8. Battle With The Brits (2:17)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  9. Battle Continues - Will Makes Deal (1:34)
    Hans Zimmer, Tom Gire, John Sponsler
  10. Crew Embarks (1:46)
    Hans Zimmer, Henry Jackman, Atli Örvarsson
  11. Trying To Get Lost (5:05)
    Hans Zimmer
  12. Davy's Tear (3:56)
    Hans Zimmer, Lorne Balfe
  13. Over The Edge (2:14)
    Hans Zimmer, Geoff Zanelli, Henry Jackman
  14. Multiple Jacks (7:29)
    Hans Zimmer, Atli Örvarsson
  15. Crew Arrives (Part 1) - Crabs (0:21)
    Atli Örvarsson
  16. Crew Arrives (Part 2) - Davy Jones Locker (1:18)
    Hans Zimmer, Atli Örvarsson
  17. Rescue Jack (2:12)
    Hans Zimmer, Atli Örvarsson
  18. Who's Captain? - Below Deck (2:07)
    Hans Zimmer, Lorne Balfe
  19. I See Dead People In Boats (4:20)
    Hans Zimmer, Lorne Balfe
  20. Dreadlock Jack (1:59)
    Hans Zimmer, Atli Örvarsson, Henry Jackman
  21. The Green Flash (3:50)
    Hans Zimmer, Henry Jackman
  22. Pull Your Guns (0:45)
    Hans Zimmer, Lorne Balfe
  23. Jiggy Kraken (3:58)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli (Blake Neely)
  24. Jack & Beckett (8:33)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  25. Elizabeth Is Calypso (2:00)
    Hans Zimmer, Geoff Zanelli
  26. Sao Feng's Death (1:35)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  27. Chinese Captured By Brits (0:40)
    Hans Zimmer, Lorne Balfe
  28. Bootstraps - Elizabeth Locker (2:25)
    Hans Zimmer, Henry Jackman
  29. Jack Catches Will (Part 1) (1:00)
    Hans Zimmer, Lorne Balfe
  30. Escape - Norrington Dies (4:14)
    Hans Zimmer, Atli Örvarsson (Blake Neely)
  31. Mrs. Fish (1:18)
    Hans Zimmer, Geoff Zanelli
  32. Will & Beckett (1:28)
    Hans Zimmer, Geoff Zanelli
  33. Shipwreck Cove (0:53)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  34. Brethren Court Begins (1:21)
    Hans Zimmer, Gore Verbinski, Lorne Balfe
  35. Barbossa Lobbies (1:04)
    Hans Zimmer, Lorne Balfe
  36. Davy Jones Visits Tia Dalma (3:48)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  37. Jack Lobbies (1:17)
    Hans Zimmer, Atli Örvarsson
  38. Teague & The Code (1:36)
    Hans Zimmer, Gore Verbinski, Atli Örvarsson
  39. Elizabeth Declares War - How's Mum? (1:19)
    Hans Zimmer, Lorne Balfe
  40. Parlay (2:13)
    Hans Zimmer
  41. Exchange Jack For Will (2:08)
    Hans Zimmer, Lorne Balfe
  42. Multiple Jacks In Brig (Part 1) (0:22)
    Hans Zimmer, Atli Örvarsson
  43. Multiple Jacks In Brig (Part 2) (0:44)
    Hans Zimmer, Atli Örvarsson
  44. Calypso On Deck (0:48)
    Hans Zimmer, Geoff Zanelli (Klaus Badelt)
  45. Releasing Calypso (4:41)
    Hans Zimmer, Geoff Zanelli
  46. Hoist The Colours Declaration (2:08)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  47. Maelstrom (Part 1A) (5:26)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Tom Gire, John Sponsler
  48. Maelstrom (Part 1B) (1:22)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  49. Maelstrom (Part 2) (1:27)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler
  50. The Wedding (3:11)
    Hans Zimmer, Gore Verbinski, Henry Jackman (Klaus Badelt)
  51. Getting The Chest (5:04)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  52. Davy's Death (2:50)
    Hans Zimmer, Geoff Zanelli, Henry Jackman (Klaus Badelt)
  53. Liftoff (2:22)
    Hans Zimmer, Geoff Zanelli
  54. Beckett's Death (5:05)
    Hans Zimmer, Atli Örvarsson (Klaus Badelt)
  55. Celebration (1:44)
    Hans Zimmer, Tom Gire, John Sponsler
  56. Will & Bootstrap (2:28)
    Hans Zimmer, Lorne Balfe
  57. Tender Times (2:40)
    Hans Zimmer, Henry Jackman
  58. Black Pearl Is Missing (1:17)
    Hans Zimmer, Henry Jackman
  59. Jack Sets Sail (1:28)
    Hans Zimmer, Lorne Balfe
  60. End Titles (1:12)
    Hans Zimmer, Geoff Zanelli
  61. End Credits (Green Flash) (2:15)
    Hans Zimmer, Henry Jackman
  62. End Credits (Hoist The Colours) (5:32)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  63. Waiting For Will (0:52)
    Hans Zimmer, Henry Jackman
  64. New Love Suite (11:45)
    Hans Zimmer, Henry Jackman
  65. Beckett Theme (Original Demo) (6:52)
    Hans Zimmer, Lorne Balfe
  66. The Pirate Lord Of Singapore (Album Suite) (5:58)
  67. Lord Cutler Beckett (Album Suite) (8:48)
  68. Marry Me (Album Suite) (11:37)
    Hans Zimmer, Henry Jackman
  69. Just Good Business (Album Suite) (5:56)
    Hans Zimmer, Lorne Balfe
  70. Hoist The Colours Suite (Album Suite) (5:44)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  71. Jack & Beckett (Alternate) (6:18)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  72. Sao Feng's Death (Alternate) (1:35)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  73. Shipwreck Cove (Alternate I) (0:54)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  74. Shipwreck Cove (Alternate II) (0:53)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  75. Parlay (Alternate) (2:12)
    Hans Zimmer
  76. Hoist The Colours Declaration (Alternate) (2:08)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  77. Maelstrom (Part 1B) (Alternate) (1:20)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  78. The Wedding (Alternate) (3:10)
    Hans Zimmer, Gore Verbinski, Henry Jackman (Klaus Badelt)
  79. Getting The Chest (Alternate) (5:14)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  80. Beckett's Death (Alternate) (5:04)
    Hans Zimmer, Atli Örvarsson (Klaus Badelt)
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Hybrid Soldier reply Replies: 10 || 2012-12-01 22:31:57
So, time to play !

Hoist The Colours => HZ & Gore Verbinski, lyrics by T. Elliott & T. Rossio

Arrive In Singapore => HZ

Entering The Bath House => HZ, Geoff Zanelli (themes used : Verbinski & Badelt (POTC 1))

Steam Room => HZ, Tom Gire/John Sponsler (Badelt)

Sao Feng Negotiation => HZ, Lorne Balfe (Verbinski, Zanelli)

Battle With The Brits => HZ, Tom Gire/John Sponsler (Verbinski, Badelt)

Battle Continues - Will Makes Deal => HZ, Tom Gire/John Sponsler

Crew Embarks => HZ, Jackman, Örvarsson

Trying To Get Lost => HZ

Over The Edge => HZ, Jackman (Zanelli)

Multiple Jacks => HZ, Örvarsson

Crabs => Örvarsson

Captain Jack Sparrow => HZ, Örvarsson

Rescue Jack => HZ, Örvarsson

Who's Captain? - Below Deck => HZ, Balfe

Souls At Sea => HZ, Balfe (Verbinski)

Dreadlock Jack => HZ, Jackman, Örvarsson

The Green Flash => HZ, Jackman

Jiggy Kraken => HZ, Geoff Zanelli (Verbinski, Neely)

Jack & Beckett => HZ, Balfe (Zanelli)

Seduction => HZ, Zanelli

Sao Feng's Death => HZ, Balfe (Verbinski, Zanelli)

Chinese Captured By Brits => HZ, Balfe

Bootstraps - Elizabeth Locker => HZ, Balfe

Jack Catches Will (Part 1) => HZ, Balfe

Escape - Norrington Dies => HZ, Örvarsson (Neely)

Shipwreck Cove => HZ, Zanelli (Verbinski)

Brethren Court Begins => HZ, Balfe (Verbinski)

Davy Jones Visits Tia Dalma => HZ, Balfe (Verbinski)

Teague & The Code => HZ, Örvarsson (Verbinski)

Parlay => HZ

Flying Dutchman Prison => HZ, Örvarsson

Calypso On Deck => HZ, Zanelli (Badelt)

Releasing Calypso => HZ, Zanelli

Hoist The Colours Declaration => HZ, Glennie-Smith (Verbinski)

Maelstrom (Part 1) => HZ, Tom Gire/John Sponsler (Verbinski, Zanelli)

Getting The Chest => HZ, Tom Gire/John Sponsler (Badelt)

A Lost Bird => HZ, Tom Gire/John Sponsler (Verbinski, Badelt)

The Wedding => HZ, Jackman (Badelt)

Maelstrom (Part 2) => HZ, Tom Gire/John Sponsler (Badelt)

Davy's Death => HZ, Jackman (Badelt, Zanelli)

Liftoff => HZ, Zanelli

Beckett's Death => HZ, Örvarsson (Badelt)

Celebration => HZ, Tom Gire/John Sponsler

One Day => HZ, Jackman

The Fountain Of Youth => HZ, Balfe

End Titles => HZ, Zanelli

End Credits (Green Flash) => HZ, Jackman

End Credits (Hoist The Colours) => HZ, Glennie-Smith (Verbinski)


That's it ! :)


//////2012-12-01 22:36:27
Thanks for the credits Hybrid Soldier!


thejok3rrules2012-12-02 00:12:40
Hybrid Soldier, could you add the credits to the tracklist below? Thanks for them btw! :D


thejok3rrules2012-12-02 00:18:09
Never mind, I just read your previous comment about it xD


Mr. Fate2012-12-02 00:38:00
Just to clarify, Hybrid: the names listed inside parentheses indicate tracks that were written new but use old themes written by the composers in said parentheses?

If one were to want to tag the sessions, ideally would one include the names in the parentheses?


Hybrid Soldier2012-12-02 08:38:13
It's all new cues there, it contains theme written by Klaus Badelt & Blake Neely from POTC 1. And of course Verbinski (Zanelli too for his Tia Dalma theme), but he co-wrote the Hoist the Colours theme but certainly didn't work on any cue of the film.

For my personal tagging, I basically keep people who were involved in the film music writing (no Klaus or Blake).

But to be totally fair you could add them, yeah.


mittens2012-12-02 12:24:07
Cool, thanks for credits!


Mr. Fate2012-12-02 20:10:48
Thank you! From taking a look at this list, can one make the assumptions that Henry Jackman was behind the new love theme and Atli Örvarsson was behind the Multiple Jacks theme?

It also appears that a couple credits are missing. Can the credits for the OST help to fill in the gaps? I noticed the credits for some of the cues that make up "At Wit's End" on the OST are not present here. I wonder, if one were to take a close enough look at the music detailed here and see who wrote what, if one could infer who did the remaining cues...


Hybrid Soldier2012-12-02 20:44:57
Right for Atli. But the Love Theme is HZ, though yeah Jackman was in charge of arranging it most of the time (Lorne did too on Below Deck).

At Wit's End is made of "Trying To Get Lost" (HZ) + "Davy Jones Commanded" + "Crew Embarks" (HZ/AO/HJ) + "Over The Edge" (HZ/GZ/HJ)

And we know At Wit's End is by HZ/LB/GZ/AO/HJ. So yeah, by elimination, "Davy Jones Commanded" is HZ/LB. :)


T-Mann0362012-12-09 11:43:40
Ear-gasm!!!!!!


Mike2013-02-28 08:11:09
When you attach names to these cues like Geoff Zanelli or whoever, does that mean that that composer took Hans' cues and arranged them, and Hans was essentially uninvolved with the formation of that cue as such?

Mike reply Replies: 6 || 2013-02-09 21:45:29
I love 0:53-1:10 in Maelstrom Part 1, how it mixes Beckett's theme with Hoist the Colors. 1:43-1:52 is really awesome as well.


Mike2013-02-09 21:51:08
If we ever see an expanded score release (as in, more cues, not just the suites, great though those are), I'd love to have the whole 20 or so minutes of the Maelstrom/battle music. We only got 6 minutes on the album in the second half of "I Don't Think Now Is the Best Time".


Areozz2013-02-10 00:39:55
What are you complaining about? Something expanded that you could pay money for--or have someone ELSE pay money for? The sessions are out; this is AT LEAST 95% of all of the music ever written, conducted, and recorded for this film. All 20 of those minutes are on the sessions so what the hell are you asking for?


Mike2013-02-10 02:24:54
What am I asking for? A LEGAL way to get the stuff.


Areozz2013-02-10 05:25:32
Oh yeah...You're the guy who asked permission to use a custom fan-made cover somewhere for his own private iTunes library. Your intentions might be good and honest, but your species is dying. You're in a world full of pirates.


Mike2013-02-10 05:44:06
Best to go out with pride, I guess.


uga2013-02-10 09:02:33
I liked how in Dead Man's Chest Becket claimed "The world is shrinking. Jack Sparrow is a dying breed." as in he's a pirate, yet here we are. The 21st century bootlegers.

Ds reply Replies: 1 || 2013-02-08 13:01:02
I think "One Day" isn't the film version, which featured piano. Do somebody know where to find it?


Areozz2013-02-08 13:45:00
no

Mike reply Replies: 4 || 2012-12-28 00:50:52
Is Beckett Theme (Original Demo) played on the piano like the Jack Theme Demo?


Mr. Fate2012-12-28 01:34:29
No. I am certain this is the track that can be found on Lorne Balfe's website.


Mike2012-12-28 01:48:25
I doubt it. The track on LB's site is 7:02. The one here is only 6:52. Perhaps it's like the suites in The Dark Knight's complete score, though, and the lengths are just different.


Hybrid Soldier2012-12-28 10:17:55
It is the cue on Lorne's site. Just cut the silence here... :)


Mike2012-12-29 09:11:06
I actually like the track on Lorne's website better than the album track. The harpsichord (or whatever it is) is more prominent.

Mike reply Replies: 0 || 2012-12-03 04:25:25
For the record, Hybrid: Jack & Beckett IS good.

Edmund Meinerts reply Replies: 0 || 2012-12-02 17:33:25
Man, I really wish I knew where to find this...At World's End is my favorite Zimmer score. Thanks for putting up the tracklist anyway, it gives me hope that one day I'll finally get my hands on thsi sucker!

Felix reply Replies: 4 || 2012-11-30 23:49:50
It's AMAZING


Mike2012-12-01 00:23:32
Yes indeed. I think this was Zimmer's finest score.


axel2012-12-01 10:13:25
It's probably the best Pirates Of The Caribbean's Score... It's my opinion, of course :)


Mikel SiW (a fan from Spain)2012-12-01 13:29:10
Sublime


Mike2012-12-01 19:38:27
The thing I love about this score is how big and fresh it is. Repetition of cues was kept to a minimum.

Jimmer reply Replies: 3 || 2012-12-01 14:43:07
@Hybrid: You know there is a partial cue list containing who composed what on the forums under the old thread, Tracklist Details. Page 4 I believe. You show go ahead and detail the rest of this gorgeous tracklist.


Master of Fate2012-12-01 14:47:08
I don't know why, but I have to agree with this! It would be pretty neat to see who composed everything. Although, I'll bet information like that could be pretty tough to hunt down.


Jimmer2012-12-01 15:07:04
@Master of Fate: Actually probably not for Hybrid. He even said further down that he has all the cue details... It's just a matter of putting them up here, which I pray he does because I'm really OCD and it quells that by having the exact composer for each cue.


Hybrid Soldier2012-12-01 15:57:36
I won't do it on the page cause I only do it when I'm 100% sure of everything (like Angels & Demons).

Give me a few minutes, I'll detail here on the comments all I can !

Hybrid Soldier reply Replies: 6 || 2012-11-30 19:56:12
Yes I do !

TTRL is just personal laziness (I just have never taken the time to take care of it properly, and I don't want to list raw things around here). :)


Mike2012-11-30 19:57:20
GOD BLESS YOU, HYBRID SOLDIER! I'm so happy.


Mike2012-11-30 19:59:57
Forgive me if this is a dumb question, Hybrid, but can we use these images for iTunes files or are they privately made stuff that will get someone's anger flaring if they're taken?


Mike2012-11-30 20:03:56
I know, I know: "That's dumb, everything is stolen, who cares, get with it".

I like certitude. ;)


Hybrid Soldier2012-11-30 20:12:01
I basically know those making covers I use (most of the time), sometimes they even do them for me (cause I suck :P), and I think they don't care, on the contrary they'd be flattered by people using their covers ! :P


Mike2012-11-30 20:13:23
Thanks! :)


Bondo2012-11-30 21:26:38
They don't mind at all ;)
(can't take credit for this one though!)

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Pirates Of The Caribbean - At World's End (Expanded Score) soundtrack - Hans Zimmer 2007