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Well, for starters, the HAN SOLO theme Williams wrote is kind of...well...meh....<br><br>And I can see where Powell had to incorporate the original Star Wars and some Empire themes....Asteroid Field being one of them.<br><br>I just kinda hoped Powell would adapt Asteroid Field into something more than whatever the hell butchery happened here....Whoa, whoa, whoa, whoa! When was there a flute in this score?? I just noticed there's a credit for a flute soloist, and I've listened to this score several times and never noticed a flute? Does anyone have any idea which track it might be?It's really sad how more than half of this score is just very messy bombastic sound rather than a more structured melodic/thematic approach, this coming from a hardcore Powell fan. The saddest thing is that this was THE film for him to score, full of action and chase sequences, which John has always excelled at. Here however, rather than his usual voice, it sounds as if he shies away from it and goes back to anything established by Williams every 30 seconds or so. Whenever it sounds like a cue is leading up to something interesting and exploring a new idea, it just shies away from it. This might have been on the directors/producer's side of things... or that's what I'm choosing to believe, at least. Don't get me wrong, every so often there are some sections that really do shine, this often being when Powell isn't just trying to sound Williamsy and/or referencing old SW material. Maybe I just need to give the album a few more listens. Usually happens whenever a new Powell soundtrack album is released. Not sure, though. Just by listening to Ferdinand a few times, for example, you could really feel and understand the story, its characters and their development, as their themes developed as well. This one is just a mess and feels... off.Such an inspiring track. Loved it when it was released and still love it.Only now just watched this show on Netflix and love balfes score . Canít believe this dark moody music is his !cant wait for Mission Impossible Fallout
It's a beautiful score. Already curious as to what he brings with The Meg@mrzimmerfan<br><br>Still have to disagree, I love the new ďPark ThemeĒ and the way it sort of takes over from the classic theme. Then you have the Indominus theme, Owenís theme, the villain theme, the family theme, the source music, etc.<br>Iíll take that any day over Lost World and JP3. Is it as good as the original score? Hell no, but not many scores are.<br><br>And I do see the similarities between the vulture theme and those other ones listed. Itís definitely not original, but it is effective.Really?, because sounds more like Beltrami than SilvestriVulture's theme is The Avengers theme but in lower tonesThis is just more of the "smooth talking, bad scoring" technique that Zimmer is very good at.
'Yeah, I definitely disagree. When I was watching Rogue One in theaters I kept getting taken out of the film because of the music, which isnít something that I normally pay attention to when I watch movies. '<br><br>The action music in that movie reinforces the tension and epicness of the movie (for example, The Master Switch gives gravitas to the scene and have a nice rendition for the theme of Chirrut's character)<br><br>'And I know it gets criticized a lot, but I honestly love Jurassic World. The flat recording sound aside, I think itís an intelligent score that does something new the franchise material while still paying tribute. Even Homecoming has grown on me, particularly Vultureís theme.'<br><br>Jurassic World, musically speaking, copies the tonal sound from the first Jurassic and dosen't give a memorable theme for the new park (the theme is more a other version from the Williams' theme), dosen't feel fresh to the franchise or inteligent, reverse, copies the tonal aspects from the original music from John Williams. Vulture's theme is a reshash from the Fantastic Four theme from Marco Beltrami and Philip Glassmpolonest123 Iím glad Iím not the only one who enjoys Jurassic World. It think it pays great tribute to John Williamsí groundbreaking work for the JP franchise, but it also had many exciting and creative motifs that made the score stand out in my mind.As for Pan, I initially wasnít impressed at all with the music. It took about a year for it to sink in and let me fall in love with the themes.@mrzimmerfan<br>Yeah, I definitely disagree. When I was watching Rogue One in theaters I kept getting taken out of the film because of the music, which isnít something that I normally pay attention to when I watch movies. <br><br>And I know it gets criticized a lot, but I honestly love Jurassic World. The flat recording sound aside, I think itís an intelligent score that does something new the franchise material while still paying tribute. Even Homecoming has grown on me, particularly Vultureís theme.@Ds: i'm not a big fan for Pan, i liked the score, but Powell have MUUUCH better action/fantasy scores.
"Pan" was also a replacement score, and look at the marvelous Powell score we got... However I don't know how long he had to score it. Certainly a bit more time than what Giacchino got for Rogue One.The action music is flat in Rogue One?, agree if the score isn't as good as Jupiter Ascending, for example, but the action music is BETTER than Spider-Man or Jurassic World.<br><br>IMHOAlso new Harry Gregson-Williams score out today! Breath.To be fair, Giacchino didnít have much time to work on Rogue One, which explains why certain portions (coughactionmusiccough) fell flat. Itís not a bad score at all, but yeah, John Powell is above and beyond a better composer. His recordings have life and energy, and while most of it still sounds like Powell, he is able to switch into Williams mode so easily.<br><br>In defense of Giacchino though, just go listen to Jupiter Ascending if you want a score on the same level as this. The action music is phenomenal, there are at least a dozen solid themes, and the recording doesnít seem as flat as some of his other scores.I think Powell found his niche with this score...<br>Because he's WAY better at apeing Williams than Giacchino could ever be, and with way more energy....<br><br>And here Giacchino prides his work on Williams from his origins in video game music... <br><br>This blows Giacchino out of the ocean and into the moon. This surprises me, as I expected Giacchino to have such  huge hard-on for Williams.
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Hans ZimmerGeoff ZanelliLorne BalfeHenry Jackman
ComposerAdditional MusicAdditional MusicAdditional Music
Pirates Of The Caribbean - At World's End (Expanded Score)
Label: Unofficial Release
Length: 237'41
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8489 votes)
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  1. Opening - Gallows (1:32)
    Hans Zimmer, Gore Verbinski (Lyrics: Ted Elliott, Terry Rossio)
  2. Arrive In Singapore (2:17)
    Hans Zimmer
  3. Mission Impossible (Part 1) (0:25)
    Hans Zimmer, Tom Gire, John Sponsler
  4. Mission Impossible (Part 2) (1:00)
    Hans Zimmer, Geoff Zanelli, Tom Gire, John Sponsler (Klaus Badelt)
  5. Entering The Bath House (2:52)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli (Klaus Badelt)
  6. Steam Room (0:41)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  7. Sao Feng Negotiation (5:08)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  8. Battle With The Brits (2:17)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  9. Battle Continues - Will Makes Deal (1:34)
    Hans Zimmer, Tom Gire, John Sponsler
  10. Crew Embarks (1:46)
    Hans Zimmer, Henry Jackman, Atli ÷rvarsson
  11. Trying To Get Lost (5:05)
    Hans Zimmer
  12. Davy's Tear (3:56)
    Hans Zimmer, Lorne Balfe
  13. Over The Edge (2:14)
    Hans Zimmer, Geoff Zanelli, Henry Jackman
  14. Multiple Jacks (7:29)
    Hans Zimmer, Atli ÷rvarsson
  15. Crew Arrives (Part 1) - Crabs (0:21)
    Atli ÷rvarsson
  16. Crew Arrives (Part 2) - Davy Jones Locker (1:18)
    Hans Zimmer, Atli ÷rvarsson
  17. Rescue Jack (2:12)
    Hans Zimmer, Atli ÷rvarsson
  18. Who's Captain? - Below Deck (2:07)
    Hans Zimmer, Lorne Balfe
  19. I See Dead People In Boats (4:20)
    Hans Zimmer, Lorne Balfe
  20. Dreadlock Jack (1:59)
    Hans Zimmer, Atli ÷rvarsson, Henry Jackman
  21. The Green Flash (3:50)
    Hans Zimmer, Henry Jackman
  22. Pull Your Guns (0:45)
    Hans Zimmer, Lorne Balfe
  23. Jiggy Kraken (3:58)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli (Blake Neely)
  24. Jack & Beckett (8:33)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  25. Elizabeth Is Calypso (2:00)
    Hans Zimmer, Geoff Zanelli
  26. Sao Feng's Death (1:35)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  27. Chinese Captured By Brits (0:40)
    Hans Zimmer, Lorne Balfe
  28. Bootstraps - Elizabeth Locker (2:25)
    Hans Zimmer, Henry Jackman
  29. Jack Catches Will (Part 1) (1:00)
    Hans Zimmer, Lorne Balfe
  30. Escape - Norrington Dies (4:14)
    Hans Zimmer, Atli ÷rvarsson (Blake Neely)
  31. Mrs. Fish (1:18)
    Hans Zimmer, Geoff Zanelli
  32. Will & Beckett (1:28)
    Hans Zimmer, Geoff Zanelli
  33. Shipwreck Cove (0:53)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  34. Brethren Court Begins (1:21)
    Hans Zimmer, Gore Verbinski, Lorne Balfe
  35. Barbossa Lobbies (1:04)
    Hans Zimmer, Lorne Balfe
  36. Davy Jones Visits Tia Dalma (3:48)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  37. Jack Lobbies (1:17)
    Hans Zimmer, Atli ÷rvarsson
  38. Teague & The Code (1:36)
    Hans Zimmer, Gore Verbinski, Atli ÷rvarsson
  39. Elizabeth Declares War - How's Mum? (1:19)
    Hans Zimmer, Lorne Balfe
  40. Parlay (2:13)
    Hans Zimmer
  41. Exchange Jack For Will (2:08)
    Hans Zimmer, Lorne Balfe
  42. Multiple Jacks In Brig (Part 1) (0:22)
    Hans Zimmer, Atli ÷rvarsson
  43. Multiple Jacks In Brig (Part 2) (0:44)
    Hans Zimmer, Atli ÷rvarsson
  44. Calypso On Deck (0:48)
    Hans Zimmer, Geoff Zanelli (Klaus Badelt)
  45. Releasing Calypso (4:41)
    Hans Zimmer, Geoff Zanelli
  46. Hoist The Colours Declaration (2:08)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  47. Maelstrom (Part 1A) (5:26)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Tom Gire, John Sponsler
  48. Maelstrom (Part 1B) (1:22)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  49. Maelstrom (Part 2) (1:27)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler
  50. The Wedding (3:11)
    Hans Zimmer, Gore Verbinski, Henry Jackman (Klaus Badelt)
  51. Getting The Chest (5:04)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  52. Davy's Death (2:50)
    Hans Zimmer, Geoff Zanelli, Henry Jackman (Klaus Badelt)
  53. Liftoff (2:22)
    Hans Zimmer, Geoff Zanelli
  54. Beckett's Death (5:05)
    Hans Zimmer, Atli ÷rvarsson (Klaus Badelt)
  55. Celebration (1:44)
    Hans Zimmer, Tom Gire, John Sponsler
  56. Will & Bootstrap (2:28)
    Hans Zimmer, Lorne Balfe
  57. Tender Times (2:40)
    Hans Zimmer, Henry Jackman
  58. Black Pearl Is Missing (1:17)
    Hans Zimmer, Henry Jackman
  59. Jack Sets Sail (1:28)
    Hans Zimmer, Lorne Balfe
  60. End Titles (1:12)
    Hans Zimmer, Geoff Zanelli
  61. End Credits (Green Flash) (2:15)
    Hans Zimmer, Henry Jackman
  62. End Credits (Hoist The Colours) (5:32)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  63. Waiting For Will (0:52)
    Hans Zimmer, Henry Jackman
  64. New Love Suite (11:45)
    Hans Zimmer, Henry Jackman
  65. Beckett Theme (Original Demo) (6:52)
    Hans Zimmer, Lorne Balfe
  66. The Pirate Lord Of Singapore (Album Suite) (5:58)
  67. Lord Cutler Beckett (Album Suite) (8:48)
  68. Marry Me (Album Suite) (11:37)
    Hans Zimmer, Henry Jackman
  69. Just Good Business (Album Suite) (5:56)
    Hans Zimmer, Lorne Balfe
  70. Hoist The Colours Suite (Album Suite) (5:44)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  71. Jack & Beckett (Alternate) (6:18)
    Hans Zimmer, Geoff Zanelli, Lorne Balfe
  72. Sao Feng's Death (Alternate) (1:35)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli, Lorne Balfe
  73. Shipwreck Cove (Alternate I) (0:54)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  74. Shipwreck Cove (Alternate II) (0:53)
    Hans Zimmer, Gore Verbinski, Geoff Zanelli
  75. Parlay (Alternate) (2:12)
    Hans Zimmer
  76. Hoist The Colours Declaration (Alternate) (2:08)
    Hans Zimmer, Gore Verbinski, Nick Glennie-Smith
  77. Maelstrom (Part 1B) (Alternate) (1:20)
    Hans Zimmer, Gore Verbinski, Tom Gire, John Sponsler (Klaus Badelt)
  78. The Wedding (Alternate) (3:10)
    Hans Zimmer, Gore Verbinski, Henry Jackman (Klaus Badelt)
  79. Getting The Chest (Alternate) (5:14)
    Hans Zimmer, Tom Gire, John Sponsler (Klaus Badelt)
  80. Beckett's Death (Alternate) (5:04)
    Hans Zimmer, Atli ÷rvarsson (Klaus Badelt)
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Mike reply Replies: 6 || 2013-02-09 21:45:29
I love 0:53-1:10 in Maelstrom Part 1, how it mixes Beckett's theme with Hoist the Colors. 1:43-1:52 is really awesome as well.


Mike2013-02-09 21:51:08
If we ever see an expanded score release (as in, more cues, not just the suites, great though those are), I'd love to have the whole 20 or so minutes of the Maelstrom/battle music. We only got 6 minutes on the album in the second half of "I Don't Think Now Is the Best Time".


Areozz2013-02-10 00:39:55
What are you complaining about? Something expanded that you could pay money for--or have someone ELSE pay money for? The sessions are out; this is AT LEAST 95% of all of the music ever written, conducted, and recorded for this film. All 20 of those minutes are on the sessions so what the hell are you asking for?


Mike2013-02-10 02:24:54
What am I asking for? A LEGAL way to get the stuff.


Areozz2013-02-10 05:25:32
Oh yeah...You're the guy who asked permission to use a custom fan-made cover somewhere for his own private iTunes library. Your intentions might be good and honest, but your species is dying. You're in a world full of pirates.


Mike2013-02-10 05:44:06
Best to go out with pride, I guess.


uga2013-02-10 09:02:33
I liked how in Dead Man's Chest Becket claimed "The world is shrinking. Jack Sparrow is a dying breed." as in he's a pirate, yet here we are. The 21st century bootlegers.

Ds reply Replies: 1 || 2013-02-08 13:01:02
I think "One Day" isn't the film version, which featured piano. Do somebody know where to find it?


Areozz2013-02-08 13:45:00
no

Mike reply Replies: 4 || 2012-12-28 00:50:52
Is Beckett Theme (Original Demo) played on the piano like the Jack Theme Demo?


Mr. Fate2012-12-28 01:34:29
No. I am certain this is the track that can be found on Lorne Balfe's website.


Mike2012-12-28 01:48:25
I doubt it. The track on LB's site is 7:02. The one here is only 6:52. Perhaps it's like the suites in The Dark Knight's complete score, though, and the lengths are just different.


Hybrid Soldier2012-12-28 10:17:55
It is the cue on Lorne's site. Just cut the silence here... :)


Mike2012-12-29 09:11:06
I actually like the track on Lorne's website better than the album track. The harpsichord (or whatever it is) is more prominent.

Mike reply Replies: 0 || 2012-12-03 04:25:25
For the record, Hybrid: Jack & Beckett IS good.

Edmund Meinerts reply Replies: 0 || 2012-12-02 17:33:25
Man, I really wish I knew where to find this...At World's End is my favorite Zimmer score. Thanks for putting up the tracklist anyway, it gives me hope that one day I'll finally get my hands on thsi sucker!

Felix reply Replies: 4 || 2012-11-30 23:49:50
It's AMAZING


Mike2012-12-01 00:23:32
Yes indeed. I think this was Zimmer's finest score.


axel2012-12-01 10:13:25
It's probably the best Pirates Of The Caribbean's Score... It's my opinion, of course :)


Mikel SiW (a fan from Spain)2012-12-01 13:29:10
Sublime


Mike2012-12-01 19:38:27
The thing I love about this score is how big and fresh it is. Repetition of cues was kept to a minimum.

Jimmer reply Replies: 3 || 2012-12-01 14:43:07
@Hybrid: You know there is a partial cue list containing who composed what on the forums under the old thread, Tracklist Details. Page 4 I believe. You show go ahead and detail the rest of this gorgeous tracklist.


Master of Fate2012-12-01 14:47:08
I don't know why, but I have to agree with this! It would be pretty neat to see who composed everything. Although, I'll bet information like that could be pretty tough to hunt down.


Jimmer2012-12-01 15:07:04
@Master of Fate: Actually probably not for Hybrid. He even said further down that he has all the cue details... It's just a matter of putting them up here, which I pray he does because I'm really OCD and it quells that by having the exact composer for each cue.


Hybrid Soldier2012-12-01 15:57:36
I won't do it on the page cause I only do it when I'm 100% sure of everything (like Angels & Demons).

Give me a few minutes, I'll detail here on the comments all I can !

Hybrid Soldier reply Replies: 6 || 2012-11-30 19:56:12
Yes I do !

TTRL is just personal laziness (I just have never taken the time to take care of it properly, and I don't want to list raw things around here). :)


Mike2012-11-30 19:57:20
GOD BLESS YOU, HYBRID SOLDIER! I'm so happy.


Mike2012-11-30 19:59:57
Forgive me if this is a dumb question, Hybrid, but can we use these images for iTunes files or are they privately made stuff that will get someone's anger flaring if they're taken?


Mike2012-11-30 20:03:56
I know, I know: "That's dumb, everything is stolen, who cares, get with it".

I like certitude. ;)


Hybrid Soldier2012-11-30 20:12:01
I basically know those making covers I use (most of the time), sometimes they even do them for me (cause I suck :P), and I think they don't care, on the contrary they'd be flattered by people using their covers ! :P


Mike2012-11-30 20:13:23
Thanks! :)


Bondo2012-11-30 21:26:38
They don't mind at all ;)
(can't take credit for this one though!)

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Pirates Of The Caribbean - At World's End (Expanded Score) soundtrack - Hans Zimmer 2007