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It's not in the OST release... :/Do anyone know what was that soundtrack that plays at opening scene? There where The Flying Dutchman rises from the sea, adn will and Henry have a little discourse. I think it`s some variation of "one day".I love this musicStill doesn't beat Lego Batman for best soundtrack this year. But a close secondI saw the movie tonight and I think that the music is great on the album, but in the movie it's fantastic. It gives something special and something extra to a lot of scenes. I think Zanelli did a great job on the score, with the use if new and old themes.
"This is the best score of the franchise since At World's End."<br><br>Watch out you don't trip over that low bar. ;)Maybe because it is IDENTICAL the another theme of the same series?I haven't seen the movie yet, but I will soon, but I've heard the soundtrack and I have only one thing to say. This is the best score of the franchise since At World's End. I had tears in my eyes every time an old theme played. I liked the score for On Stranger Tides, but I didn't like how it relied too much on older themes. I appreciate this score for not using the Ship battle theme and the rolling cage chase motif which I'm kinda tired of hearing them. I love the clever use of One Day as a theme for Henry Turner. Of course, everytime Jack's Themes (both the intro theme, the cello theme, and his DMC theme) and He's A Pirate show up, I can't help but smile and jump up and down. What about the new stuff? A lot of people have criticized Salazar's Theme for sounding like Blackbeard. It does don't get me wrong, but Zanelli isn't the first person to do this. The Winter Soldier is derived from Why So Serious. Optimus Prime's theme is IDENTICAL to the Knights March from King Arthur. Discombobulate from Sherlock Holmes, Absurdity from The Lone Ranger, and The Red Capes Are Coming from Batman v. Superman ALL SOUND THE SAME. They're awesome, but similar. Why is it so bad now? I like the rock elements in Salazar's theme and it makes it quite scary. Carina's Theme (The Brightest Star in the North) is also the main theme of the movie and it is perfect beyond belief. Her theme very much resembles past love themes, but it has a sense of herorism to it. I always gravitate to composer's themes for female characters (John Williams with my girls from Star Wars). The new adventure theme is epic! It does sound like He's A Pirate, but it is very catchy. I don't know what the score sounds like in the movie, but it sounds really good on the official soundtrack. To end this, all the action music is incredibly fun. Hans should be proud. Here are my top  5 favorite tracks:<br><br>1. Beyond My Beloved Horizon<br>2. The Brightest Star in the North<br>3. No Woman Has Ever Handled My Herschel<br>4. My Name is Barbossa<br>5. The Dying GullThe orchestrators are the same.<br><br>You really think the other composers aren't busy enough these days ? It was 10 YEARS ago ! lol*necessary (sorry about my english)
This composing lacks on every important aspect that make a film music score so nessesary to the movie itself. This music has no evolution, has no entity or identity.<br><br>You only know that you are listening the "WONDER WOMAN" ost when you listen the references to the now mythical (Zimmer) theme from Batman v Superman. And when this theme sounds in this composing it feels totaly out of place, really a shame.<br><br>Beyond, this music could easily work with another summer blockbuster like Transformers, Pirates of the Caribbean or a generic action flick.<br>For years Iíve been defending "DC" music works against the  Marvelís (MCU) soul-less soundtracks. And now after three awesome ost (DCEU) I have to eat my words.<br>Is not necessary to talk about how great are Man of Steel, Batman v Superman and Suicide Squad (ok, this last less, but with a epic main theme). You only need to listen Rupert Gregson-Williams Wonder Woman, and then play one of this three compositions.<br><br>But the most disappointing thing, is the great missed oportunity with the Wonder Woman Theme last year. That exotic tone, that woman strengh that you feel when you are listen this epic theme. Here all this feelings are lost. At the end, another Zimmer-Like Šlbum. <br>But like always in the "Zimmer-Like" longtime Šlbum library, not that height, not that quality, because if Wonder Womanís score remebers us something, is one and clear truth: Only Exists One Hans Zimmer.<br>What I don't understand is why couldn't they at least aim for the best soundscape this franchise have had by bringing the rest of the team from AWE of composers, arrangers and orchestrators back. If we look at AWE, apart from Zimmer, there was Zanelli, Jackman, Glennie-Smith, Balfe, ÷rvarsson, Gire and Sponsler on board. If they could choose one lead composer in Zimmer's absence, then whatever some dude wrote would at least sound interesting because of the colorful instrumentation and big, fresh orchestral sound AWE had. Or maybe, just rearrange old themes from the other movies in true AWE style would work just as well. There's plenty of material from POTC 1 that hasn't been used in the other films, and much of it would shine if orchestrated and performed in AWE's sonic fashion rather than the cheap sound the first film had.Fantastic album, particularly HGW's Metal Gear Solid and HZ's Call of Duty! Highly recommendedZanelli made a wonderful job with Zimmer's themes.<br>The new themes are great too, but he really did Zimmer's themes justice. I like the continuity.<br>Track 9.El Matador Del Mar, my favorite on the album.Maybe it's the end credits after the song
I also love the appearence of the theme in the end of Trafalgar Celebartion. Does anybody know what Action Reaction exactly is? It sounds a bit like a remix from the main theme but it could also be a part of the movie soundtrack. i don't know but it sounds cool.After listening to it the first time I thought this was a very good Zimmer score, but suddenly realized it was Rupert Gregson-Williams and that's a very good thing because he has been able to bring this Zimmer classic sound but with his own voice, as they said above here, with Last Samurai-like anthems and also remind me a bit of the second half of Hacksaw Ridge score, and that's great.<br>I specially liked No Man's Land, Wrath of Wonder Woman, Hell Hath No Fury and Lightning Strikes (well, in general, the second half is pretty awesome with many action heroic themes).<br>Cannot wait to hear it in the context of the movie.Love Maestro in The Holiday! The music keeps bringing me back to the movie. Something delightful about it!This is "One day" theme of the third soundtrack xDListen to 12:38 above and then also Main Title or Top of the World from Last of the Mohicans. Trevor Jones should have a listen.
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Daft PunkJoseph TrapaneseToby ChuGavin Greenaway
ComposerCo-ComposerAdditional ArrangementsConductor
Tron Legacy (Complete Score)
Label: Unofficial Release
Length: 124'55
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (4261 votes)
CD1
  1. Legacy Open (1:38)
  2. Bedtime Story (1:33)
  3. News Report (1:54)
  4. Motochase (1:35)
  5. Encom Tower (Part 1) (3:53)
  6. Encom Tower (Part 2) (2:18)
  7. Sam Visits Arcade (0:54)
  8. Recognizer Capture (2:38)
  9. Sam Descends To Grid (1:22)
  10. Sirens (2:04)
  11. Disc Game Intro (1:33)
  12. First Round (1:41)
  13. Sam Fights (1:40)
  14. Rinzler VS Sam (2:18)
  15. Throne Room (1:37)
  16. Lightbikes Intro (0:28)
  17. CLU Crowd Intro (1:20)
  18. Lightbikes Battle (3:25)
  19. Quorra Saves Sam (2:43)
  20. Safehouse Reunion (3:11)
  21. CLU Waits (0:40)
  22. Flynn's Flashback (4:11)
  23. Sam Plans Escape (1:42)
  24. Quorra Decides (3:10)
  25. Sam Seeks Zuse (2:55)
  26. End Of Line (2:37)
  27. Final Scheme (2:19)
  28. CLU Breaks In (2:42)
  29. Party Crashers (1:44)
CD2
  1. Flynn Drops In (1:23)
  2. Solar Sailer Intro (1:28)
  3. Solar Sailer (2:42)
  4. CLU Arrives (0:37)
  5. Flynn's Promise (1:55)
  6. Tron Tracks Flynn (1:33)
  7. CLU Sees Zuse (1:48)
  8. Sunrise Prelude (2:52)
  9. Rectifier Arrival (1:47)
  10. Quorra Caught (1:35)
  11. CLU Prepares (1:22)
  12. Quorra Meets CLU (1:39)
  13. CLU Speech (2:14)
  14. Recovering The Disc (4:12)
  15. Lightjets (4:39)
  16. CLU & Tron Fall (1:45)
  17. Portal Arrival (2:01)
  18. Portal Climax (3:22)
  19. Flynn Lives (1:52)
  20. First Sunrise (1:27)
  21. Overture (3:18)
  22. End Credits (4:23)
  23. Legacy Theme (1:59)
  24. Final Scheme (Alternate) (2:07)
  25. Solar Sailer (Alternate) (2:42)
  26. CLU Arrives (Alternate) (0:37)
  27. Flynn Lives (Alternate) (1:53)
  28. End Credits (Short) (2:30)
  29. 2008 Comic Con Teaser - Clay Duncan (1:52)
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theeaglesfan005 reply Replies: 4 || 2014-01-29 00:54:27
What's with DP's helmets on the top right?

I know on the liner notes there is a thank you directed towards Zimmer.. But what's the connection between HZ & DP?


Areozz2014-01-29 01:10:48
Zimmer was the Music Consultant.


Spence2014-01-29 06:53:26
They just won the grammy for Best Album. Since they've worked with RCP, it would only make sense to promote them in that promotion icon spot :)


Zeus2014-01-29 16:43:06
While that does make sense, it was well over 3 years ago. If anything, their helmets were there during the release of the soundtrack and / or film. But who knows. Perhaps that is why, perhaps not.


RealFfingMusic2014-02-08 20:19:13
How many people exactly composed the tracks?

Warfighter reply Replies: 6 || 2013-04-14 02:19:32
What was RCP's involvement in "Oblivion"? It definitely has a strong Inception/ Dark Knight vibe
The credits state: Mixed at RCP.

Did Clay Duncan work on this?

It's really a great score and fits the movie perfectly.



Ds2013-04-14 16:25:16
I think it's the first great epic score of 2013!

I didn't know it was mixed at RCP, i checked the digital booklet and didn't find anything about that... But i did it quickly so maybe i'm wrong!


Hybrid Soldier2013-04-14 16:33:51
Unlike Tron RCP didn't work on that one in any way... Yeah the score was mixed there, like a LOT of scores these days, cause it's one of the best facilities for that in Hollywood... ;)


The score is great, but unlike Tron, sounds really nothing like RCPish... Sure one cue is a TDKR ripoff (temptrack, I guess), and yeah a few have Tron vibe, but that's all... Putting a synth pad in a score these days & using percussions make everyone call anything RCP...


JamesT2013-04-15 02:32:34
Very true, Hybrid.


Edmund Meinerts2013-04-28 15:56:01
Sounds nothing like RCP? Then what's with all the Batman Begins/Dark Knight ostinatos running all over the place? That opening track "Waking Up" is obviously influenced by Zimmer's Batman scores (with one Inception blast thrown in for good measure) and it's far from the only one. The similarities go way beyond just synth and percussion.


Ds2013-04-28 16:38:19
I agree with Edmund Meinerts, the composers were clearly influenced by Zimmer last works for the orchestral parts (especially TDKR). But what's best in Oblivion score is the synth stuff, which remains very fresh.


Mike2013-07-05 01:21:13
Hybrid, which cue is the TDKR ripoff? Judging by the album, I'd guess it's "Waking Up", but I don't know since I never saw the film or heard the complete score.

Daniela reply Replies: 0 || 2013-04-14 04:20:18
Hi I'm from Chile. I study graphic design at Diego Portales University I have to do a work about Hans Zimmer . I would know if you can help me please, answering some questions &#191;What do you think about him as composer? &#191;What is his best soundtrack and why? &#191; What is important about his life?(something anecdotic) .If you tell me all the things that you know I'd be really grateful.

Anonymous reply Replies: 4 || 2012-12-28 05:15:40
Final Scheme, CD 1, is not on the recently leaked sessions?


Stygian2012-12-30 04:05:20
I'm fairly sure it is. Look again.


Anonymous2012-12-30 21:35:47
Not on my set.


Mr. Charles2012-12-30 22:52:14
Well then son, you need to download it again. It's listed on here as track 27. On the sessions, it's cue 5m26s Final Scheme. It was released as the bonus track "Castor"


Mr. Charles2012-12-30 22:54:33
There's an "s" in front of the 26 because it's source music. I would have thought that it's just part of the score, but I guess not. It plays when Sam is in the End of Line club talking with Castor, or "Zues". All of the music playing during that part of the film (End of Line, Final Scheme, Party Crashers) is considered source music.

Felix reply Replies: 2 || 2012-12-27 22:41:17
WOW


Mike2012-12-27 22:42:59
Yeah...the guy who posted all the tracklists really wasn't faking I guess... O_O


Stygian2012-12-30 04:06:07
Who and where are they

theeaglesfan005 reply Replies: 5 || 2012-12-28 03:43:16
Hybrid, do you have the credits for each track? :)


Hybrid Soldier2012-12-28 10:20:26
Well you know it's nearly all tracks by Daft Punk & Joe Trapanese.

Flynn's Flashback is by Toby Chu.


Then you have some unknown help by some unknown big guys, but it's not really known... xD


theeaglesfan0052012-12-28 19:47:46
i know Hans Zimmer was involved... in the booklet that came with the soundtrack they give a huge thanks to him and some other people

I really can't wait for Trapanese's TU release on January 8th


Mr. Charles2012-12-28 23:04:59
I was getting at that. They thanked Hans Zimmer, Harry Gregson-Williams, Christophe Beck and a couple other composers. The entire score has Zimmer's touch all over it. But thanks for the partial credit for that one cue I suppose. There just has to be more, though


Hybrid Soldier2012-12-29 10:06:51
Clay Duncan was the first guy hired to score Tron Legacy (hence his trailer music back 4 years ago). His music actually had the roots of the final score.

Director wanted Daft, so they kicked him.

But in the end Mickey wasn't pleased with DP, so they asked for some back up by RCP and others. Not saying DP's score was rejected, not at all, but it was really guided & helped by RCP people, including... Clay Duncan, the fallen... LOL


Mr. Charles2012-12-29 18:08:17
Well I went to Joseph Trapanese's site and found some credits. Turns out he's worked on M83's latest album. They happen to be composing Tom Cruise's new movie "Oblivion", which is directed by Joseph Kosinski, who also directed Legacy. Anyway, here's the credits:

1.) Outlands (OST)
Quorra Saves Sam (Sessions)

2.) Fall (OST)
Flynn Drops In (Sessions)

3.) Sunrise Prelude (Bonus Track, same on Sessions)

4.) Rectifier (OST)
C.L.U. Speech (Sessions)

5.) C.L.U. (OST)
Lightjets (Sessions)

6.) Flynn Lives (Same as OST & Sessions)

7.) Solar Sailor (OST)
End Credits, pt. II (Sessions)

Ans Toby Chu arranged "Flynn's Flashback", which is "Adagio for TRON" on the OST

Someguy who wants the inception score reply Replies: 2 || 2012-12-27 23:10:50
Where is the Inception recording sessions? I Mean its great to have this complete scores but why inception its not even released, even the dark knight rises was released so why not inception


Mike2012-12-28 00:06:28
Sadly, m'friend, I don't think it will surface. All we've had were countless fake track lists.


Anonymous2012-12-28 00:12:46
Inception... And Sherlock Holmes (1 and 2)!!!

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