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Why never ? <br>He dislikes the saga or not interested ? I'm curious.Does anyone know why "Knight's March" is not in the original album and if there is a extended edition that has this cue?<br><br>Rogue One was last minute change on Giacchino. I would like to hear Alexandre Desplat score to make a correct analysis from both scores. Besides that and with the little time, Giacchino's score is good, in the same style from maestro Williams. <br>Solo score is more different. Maestro Williams wrote the main theme and more cues, but what make the score different is Powell. He adapts Solo theme, and some of themes the original trilogy, but he puts him own stamp. Definitely is a Star Wars Score but with Powell stamp. Something Giacchino, maybe for the time, did not develop.<br>The film, well, i will watch on DVD.graciasWhile I always liked this score, it wasn’t until recently (when I revisited the film and album) that I realized how amazing it really is. There is still nothing that tops “Evacuating London” or the “Aslan” theme in terms of modern fantasy material. Each of the themes are brilliantly interconnected with each other, but stand on their own as well. I do wish there something a bit more distinctive for the White Witch, but that’s a small complaint.<br><br>The only other score that really reminds me of this (in terms of the string writing and piano material) is “Winters Tale” by Rupert. Also a pretty solid fantasy score.
I LOVE IT!!They kept the volume of the music so low in the movie, while rouge ones was jacked up and used as a center piece rather than side music like they did for John. Johnson piece is far better,  it they gave it a back seat <br>But Rogue One or Solo?<br><br>Because i remember more the music in RO after watching the movie than in Solo (well, maybe is because that theme for the character is so unispired and only i remember certain moments of the music)We are just gonna have to agree to disagree. ;-)I just said I haven't watched the movie or listened to the full score yet.
Still have to disagree, I love the new “Park Theme” and the way it sort of takes over from the classic theme. Then you have the Indominus theme, Owen’s theme, the villain theme, the family theme, the source music, etc.<br>I’ll take that any day over Lost World and JP3. Is it as good as the original score? Hell no, but not many scores are.'<br><br>The Lost World was a coherent evolution in the franchise, Williams maintains the original theme, but creates a darker and more percussive score (listen the expanded version by La La Land), because the movie isn't like Jurassic Park. And i getting appreciate more the Don Davis score for JPIII, better orchestrated than Jurassic World, both scores are FAR better than Jurassic World (one for a coherent and agressive tone and more memorable, and the other because is better orchestrated)<br><br>'And I do see the similarities between the vulture theme and those other ones listed. It’s definitely not original, but it is effective.'<br><br>I don't see any similaraties with the Avengers theme, effective?, yeah, but not memorable and i'll pick up any day than any theme in Jurassic WorldDo you remember any music outside the space chase?<br><br>Because i don't.I only watched the movie once, but the fact that I didn't take away any memorable music from Rogue One is a huge problem for a Star Wars film. I haven't listened to this score yet, but I have more hopes for this than Rogue One.Between this one and Rogue One, I'll take the last one.<br><br>Unfortunately the two scores run away from the typical sound of the franchise and at various times seem just a pastiche copy.<br><br>It's a good score, but it does not feel so natural. Even Han's theme is almost unrecognizable, forgettable and incoherent with the character. It does not have the same identity as the themes of Luke, Leia, Rey, Anakin, Jyn, Yoda or Dameron.woow! love it
It's funny that when they announced that the star wars story films would be scored by different conposers, I was like... COME ONE JOHNY GET ON IT and sure enough a year later... Same with Pan (one of his best scores in my opinion).Well, for starters, the HAN SOLO theme Williams wrote is kind of...well...meh....<br><br>And I can see where Powell had to incorporate the original Star Wars and some Empire themes....Asteroid Field being one of them.<br><br>I just kinda hoped Powell would adapt Asteroid Field into something more than whatever the hell butchery happened here....Whoa, whoa, whoa, whoa! When was there a flute in this score?? I just noticed there's a credit for a flute soloist, and I've listened to this score several times and never noticed a flute? Does anyone have any idea which track it might be?It's really sad how more than half of this score is just very messy bombastic sound rather than a more structured melodic/thematic approach, this coming from a hardcore Powell fan. The saddest thing is that this was THE film for him to score, full of action and chase sequences, which John has always excelled at. Here however, rather than his usual voice, it sounds as if he shies away from it and goes back to anything established by Williams every 30 seconds or so. Whenever it sounds like a cue is leading up to something interesting and exploring a new idea, it just shies away from it. This might have been on the directors/producer's side of things... or that's what I'm choosing to believe, at least. Don't get me wrong, every so often there are some sections that really do shine, this often being when Powell isn't just trying to sound Williamsy and/or referencing old SW material. Maybe I just need to give the album a few more listens. Usually happens whenever a new Powell soundtrack album is released. Not sure, though. Just by listening to Ferdinand a few times, for example, you could really feel and understand the story, its characters and their development, as their themes developed as well. This one is just a mess and feels... off.Such an inspiring track. Loved it when it was released and still love it.
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Score Producer - Music EngineerConductor - Orchestrator
Hans ZimmerJay RifkinShirley WalkerBruce Fowler
ComposerScore ProducerOrchestratorAdditional Orchestrator
Backdraft (Complete Score)
Label: Unofficial Release
Length: 64'33
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4332 votes)
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  1. Flashlight (0:52)
  2. Main Titles (4:26)
  3. The Real Thing (1:07)
  4. One Case Won't Do (1:16)
  5. Late For Work (0:54)
  6. Dig In - Mannequin Fire (8:31)
  7. Save My Baby (2:08)
  8. You Win (0:27)
  9. In Another Life (2:48)
  10. Hard Lesson To Learn (1:17)
  11. She's Hot & Smokey (2:28)
  12. Check It First - Check For Heat - Tim Burns (2:45)
  13. After The Fight (0:41)
  14. What's This Job All About? (2:15)
  15. The Ex Is Back? (1:03)
  16. I Just Can't Anymore - Swayzak's Office (2:01)
  17. Swayzak's OK (1:06)
  18. Did You Want To Be Your Dad? - Who Doesn't Love Fire? - Brian Finds Trych (2:49)
  19. Final Fire (9:59)
  20. Approaching Fire - Who's Your Brother? (9:22)
  21. Funeral - Swayzak Is Busted (3:14)
  22. Epilogue (3:34)
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badbu reply Replies: 16 || 2014-05-20 12:10:07
The best score of the last 20 years!
The sound is so impressive!


Edmund Meinerts2014-05-20 12:13:29
Bah! It's good, but to say there's been nothing better written since? Lord of the Rings, Jurassic Park, At World's End, How to Train Your Dragon...bullshit!

Besides, 20 years ago was 1994. This came out in 1991. :b


badbu2014-05-20 12:20:25
LOTR...no...JP...no...POC3...ok, you're right!HTTYD...no...:P
yes, i know :D
But this score was Hans breakthrough :)


Hybrid Soldier2014-05-20 12:23:41
This score is far superior than HTTYD... lol


0-cool2014-05-20 12:34:16
RIP Edmund Meinerts


Edmund Meinerts2014-05-20 12:39:45
You seriously think this is better than Lord of the Rings?


ERS2014-05-20 13:20:25
This just in: Backdraft will go down in history as the best score ever written for film. You heard it here first, folks! People three centuries from now will remember BACKDRAFT as the pivotal score that had "impressive sound."


RealFfingMusic@23142014-05-20 13:44:40
No, we don't. :P


badbu2014-05-20 13:59:00
@Edmund: yes, i think this is better! :)


Greg2014-05-20 14:02:45
This is the worst bullshit i ve ever read since the bible...
How is it even possible to think that this score which doesnt even have 1h of music can beat the LOTR and its 12 hours of music?
Backdraft, honnestly no one gives a fuck about that one, LOTR has sold out its concerts for the last past years so please think this straight.


badbu2014-05-20 14:23:41
ok sorry, i change my feelings and my mind :D


Anonymous2014-05-20 15:24:28
there are more interesting subjects to press on than what's the best music ever written. I for one like to know what happened during the album production for this film. Compared to this bootleg the stuff on the Milan disc sound like all new recordings. Tthat epilogue cue in particular sounds hell of a lot better on the Milan disc than here, even if the sound quality is not so good.


ZimmerFan2014-05-20 17:51:30
Of course, I love me some Zimmer, but only Zimmer drones think this beats things like Jurassic Park and LOTR. Pathethic...


Per2014-05-20 18:23:13
The film mix (or original mix or what you wanna call it) of the Epilogue cue (or all the cues for that matter, but in particular the Epilogue) I find far more superior, and more enjoying, and certainly more powerful!, than the lousy album mixes.

Only thing I liked about the album mix was that extra piano...


Ds2014-05-20 20:42:03
This is a nice score but holy shit it doesn't hold a candle to most HZ scores, and certainly not to HTTYD!


Marcorea2017-03-30 10:31:53
I gotta agree with ds here. I love BACKDRAFT and I'm a pretty big hz fan but there is no comparison. Especially with HTTYD. IMO zimmer cannot orchestrate in the same way with an organic orchestra the same way as shore, Willian's and even powell. He adds a lot of extra layers through synth. But zimmer is the best at the style of music he produces.


David2018-04-23 20:21:59
It's been nearly 27 years since this came out in 1991.

Edmund Meinerts reply Replies: 2 || 2017-03-29 16:47:31
Listening to this complete score for the first time and it's really striking how different the mix is on the album. The snare drums are much further forward, and everything sounds a lot brighter and immediate but also "thinner" on the album. Whereas the film mix has synth parts I didn't even know exist, like at the very beginning of the main titles/"Fighting 17th".

I'm trying to decide which version I like more, and it's difficult! The film versions sound "richer" but I miss the ballsy snare drum rhythms...


Hybrid Soldier2017-03-29 23:21:21
One is HZ, the other (the album) is not. End of story... :P


detective mittens2018-01-13 19:56:14
I think it's great if you have both versions, so you can choose whichever you feel like :)

I agree with everything you said except that I don't miss the ballsy snare drum rhythms so my vote goes to this mix xD

David reply Replies: 1 || 2014-07-14 22:28:40
Where can this album be purchased?

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Please enter number: 1137 


Zimson2014-07-15 05:30:11
It's a bootleg, so it's not for sale. *** EDITED ***

T-Mann036 reply Replies: 0 || 2014-05-19 17:05:28
In the loving memory of Shirley Walker.

Krieger reply Replies: 2 || 2013-04-30 00:52:15
Is there anywhere i can buy/download this complete score? I cannot find it, ANYWHERE.


Terry2013-07-16 14:35:33
got to www.elitesoundtracks.co.uk they have it instock


Aggelos2014-05-18 10:53:32
Why dere iz no dizcuzion for diz Zimmer zweetie?
Diz iz a great expanded zcore! Diz is da cummah!!! Zimmer unleazh his fury and wrath with diz zoundtrax back in 1991!!!


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Backdraft (Complete Score) soundtrack - Hans Zimmer 1991