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As always with unused pieces of music. There are always be more interesting. Like with Dark Phoenix.I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.I'm just waiting for Gemini Man, that (i hope) would be fun
I love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says'<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cue
Lorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(
Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.

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Marc StreitenfeldSunna Wehrmeijer
ComposerAdditional Music
The Grey (Expanded Score)
Label: Unofficial Release
Length: 49'17 rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2550 votes)
  1. Wife Memory (1:10)
  2. Writing The Letter (2:00)
  3. Suicide (1:43)
  4. Death Valley (0:32)
  5. You Are Gonna Die (3:40)
  6. Freezing To Death (1:19)
  7. Get Off Her! (0:41)
  8. Blood In The Air (0:42)
  9. Eyes Glowing (1:36)
  10. The Morning After (3:15)
  11. Life And Death (2:50)
  12. Collecting Wallets (1:53)
  13. Lagging Behind (2:19)
  14. Running From Wolves (1:44)
  15. Talking Tough (1:45)
  16. Omega (0:46)
  17. Walking (1:55)
  18. Into The Fray (2:02)
  19. The Cliff (1:18)
  20. Jump (1:46)
  21. Hanging (1:16)
  22. Daughter Appears (2:31)
  23. What Do You Do? (1:45)
  24. Last Walk (2:37)
  25. Memorial (3:49)
  26. Alpha (2:24)
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Neo reply Replies: 0 || 2014-07-22 11:05:56
Bit of late to the party. Watched the movie yesterday and liked the score to it very much. While looking then after the score, Ive found another more complete edition. Just in case for anyone who is also late to the game:

1. Wife Memory
2. Writting the Letter
3. Suicide
4. Suicide (Alternate)
5. You're Gonna Die
6. Walking Inside The Plane
7. Walking Inside The Plane (Alternate)
8. Searching For Firewood
9. Wolf Attacks Ottway
10. Attack Aftermath
11. Around the Fire
12. Put That Back
13. Eyes Glowing
14. Something's Out There
15. The Morning After
16. The Morning After (Alternate)
17. Life & Death
18. Life & Death (Alternate)
19. Collecting Wallets
20. Collecting Wallets (Alternate)
21. Lagging Behind
22. Running From The Wolves
23. Ottway Fights Diaz
24. Alpha Appears
25. Alpha Appears (Alternate)
26. Omega Attacks Diaz
27. Leaving The Camp
28. Into The Fray (Outro Only)
29. Burke Dies
30. Remembering The Wife
31. Remembering The Wife (Alternate)
32. Finding The River
33. Jump
34. Falling Down The Rope
35. Daughter Appears
36. Diaz Breaking Down
37. Diaz Welcomes Death
38. Chased By The River
39. Suicide Flashback
40. Heinrich Drowns
41. Last Walk
42. Wallets
43. Surrounded By Wolves
44. The City Surf
45. Main On Ends
46. End Credit Suite

Thank you Mr. Streitenfeld for this beautiful Score!

Evenstar reply Replies: 0 || 2013-02-10 14:16:26
Great expanded score! btw. cover art credits go to scoretemple© 2001-2018 OST 
The Grey (Expanded Score) soundtrack - Marc Streitenfeld 2012