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Yes ! Now this is ACTION MUSIC . Not just loud drums or Baaaaaaams!!!Go watch the film and you'll understand why there's no Rachel's themei believe that glimpses of the original would have solved the problem ;)Not actually though...probably a bit more Jackman than there actually is, eh? ;)@James<br><br>I have heard the original Vangelis theme but I was referring to a new theme for this new movie.
Okay. I'm on the Lorne Balfe bandwagon now. I don't care if this movie is trash, this is a great listening experience, which is sometimes difficult to find in a score these days.Composer credits !@spectre<br><br>She has a theme! Search for "Rachael's Song"!I agree. It is the most beautiful theme of the previous film and one of the biggest in Vangelis' career.I feel like there should have been a proper theme for Rachael. She was a really important character in both movies and it would have been nice to hear a sad melancholic melody for in her in some kind of Flashback or dream sequence for Deckard.
$$$$$$ the soundtrack is FANTASTICSame here, I want to re-live the whole film through score and there is so much more we havent heard yet. Keeping my fingers crossed.Just listen to all of it !!!! It’s a great classic soundtrack with cool electronics and great tunes- balfe is the topListen all the score and make the list yourself with the best moments for you, guy! Lolcan anybody recommend the absolute best themes on this score to me please!
No he is not. It's just the musical palette created for all the futuristic scifi films that are inspired by what Vangelis did in 1982.Balfe is doing a Reddit interview in 2 hours time . Hopefully we can get to the bottom of Why he replaced Pinar and Clint Mansell on Ghost in The ShellI totally agree with you. I was let down when I first heard the album. It's great but it's a selection of the score. I feel like they could've done a better job crafting the album. <br>Hell, something experimental like releasing the music as it is as a long (digital) track would've been interesting. <br><br>I think what made it difficult for them is how the tempo changes all the time, which might have resulted in an unpleasant listening experience (I think that might have been their point of view). For example, in the movie, the tempo of the cue "Home" changes a lot and some layers are taken out while the album version has a constant tempo.<br><br>Unfortunately, the number of people who noticed how unsatisfying this release is, is quite small, so there won't be anything official. Once again, we have to wait for leaks or bootlegs.also seems very like ghost in the shell. Did Balfe also help out on this score ?I can hear it<br>'Her Eyes were Green' gave me a heavy Arrival-vibe for example<br>
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Music Scoring MixerSupervising Sound Designer
Hans ZimmerAlan MeyersonClaude Letessier
ComposerMusic Scoring MixerSound Engineer
The Last Days
Label: Promotional release
Length: 47'27
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3067 votes)
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  1. The Las Days Suite (7:43)
  2. Prosperity (1:24)
  3. Main Title Theme (1:09)
  4. Innocence (1:48)
  5. Occupation (3:21)
  6. Deportation (1:36)
  7. The Arrow Cross (3:03)
  8. Wallenberg (3:24)
  9. Separation (1:55)
  10. Auschwitz (2:37)
  11. Survival (1:50)
  12. Shabbat (1:10)
  13. Liberation (1:14)
  14. Cannot Forget (1:20)
  15. Remembrance (2:28)
  16. Edith´s Theme (2:56)
  17. Returning (1:02)
  18. Live Today (2:41)
  19. Final Theme (4:46)
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Peter Bezemer reply Replies: 0 || 2015-02-26 13:11:42
Absolutely beautiful

Zimson reply Replies: 0 || 2014-12-28 10:06:31
Wow, that belongs in a concert hall.

inspector mittens reply Replies: 0 || 2012-08-29 22:46:27
Just for the info, on the front cover it says: "Orchestrations and additional music by Nathan Wang".

Mathais reply Replies: 0 || 2008-06-12 00:00:00
It's splendid yes... I don't understand why you don't find it...
GREAT ZIMMER

johncarter reply Replies: 0 || 2006-11-26 00:00:00
this is a splendid score
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The Last Days soundtrack - Hans Zimmer 1998