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Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
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Henry JackmanDominic LewisMatthew MargesonFrank J. Garcia
ComposerAdditional MusicAdditional ArrangementsScore Coordinator
Wreck-It Ralph (Complete Score)
Label: Promotional Release
Length: 83'51
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2827 votes)
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  1. 8-Bit Steamboat Willie (0:21)
    Dominic Lewis
  2. Fix-It Felix (1:09)
    Henry Jackman, Dominic Lewis
  3. Different Worlds (Part 1) (0:38)
    Henry Jackman
  4. Different Worlds (Part 2) (1:47)
    Henry Jackman
  5. Wreck-It Ralph Main Title (1:36)
    Henry Jackman
  6. Bureaucratic Dressing Down (0:43)
    Henry Jackman, Dominic Lewis
  7. Ralph At The Door Sting (0:08)
    Henry Jackman
  8. Felix Party Source (1:08)
    Henry Jackman
  9. Felix 8-Bit Death (0:07)
    Dominic Lewis
  10. Cake Remonstration (2:05)
    Henry Jackman, Dominic Lewis
  11. Pie In The Sky (0:33)
    Henry Jackman
  12. Oh Susannah (8-Bit) (0:28)
    Dominic Lewis, Frank J. Garcia
  13. Lost & Found (0:29)
    Henry Jackman
  14. Markowski Panics (1:14)
    Henry Jackman
  15. Reporting For Duty (1:08)
    Henry Jackman, Matthew Margeson
  16. The Beacon (1:14)
    Henry Jackman, Dominic Lewis
  17. Gameplay Gone Wrong (0:15)
    Dominic Lewis
  18. Where's Ralph? (Part 1) (0:56)
    Henry Jackman, Dominic Lewis
  19. Where's Ralph? (Part 2) (1:12)
    Henry Jackman, Dominic Lewis
  20. Rocket To Sugar Rush (4:09)
    Henry Jackman, Dominic Lewis
  21. Vanellope Von Schweetz (Part 1) (1:36)
    Henry Jackman
  22. Vanellope Von Schweetz (Part 2) (1:11)
    Henry Jackman
  23. Vanellope Von Schweetz (Part 3) (0:17)
    Henry Jackman
  24. Cybug Explanation (1:51)
    Henry Jackman, Dominic Lewis
  25. Pay To Play (2:34)
    Henry Jackman
  26. The Glitch (Part 1) (1:10)
    Henry Jackman, Dominic Lewis
  27. The Glitch (Part 2) (0:38)
    Henry Jackman, Dominic Lewis
  28. Oh-Ree-Yo March (0:47)
    Henry Jackman, Dominic Lewis
  29. Bad Guys Don't Win Medals (2:04)
    Henry Jackman, Dominic Lewis
  30. Discrimating Racers (2:04)
    Henry Jackman
  31. Jawbreaker (Part 1) (0:24)
    Henry Jackman
  32. Jawbreaker (Part 2) (0:34)
    Henry Jackman
  33. A Disagreeable Pact (1:49)
    Henry Jackman, Dominic Lewis
  34. NesQuik Sand (Part 1) (0:43)
    Henry Jackman, Dominic Lewis
  35. NesQuik Sand (Part 2) (1:00)
    Henry Jackman, Dominic Lewis
  36. Bakery Skulking (1:21)
    Henry Jackman
  37. Bake-A-Kart (1:18)
    Henry Jackman
  38. Trombone Fiasco (0:12)
    Henry Jackman, Daniel Pinder
  39. Emotional Biscuits (2:31)
    Henry Jackman
  40. Build A Racetrack (Part 1) (2:03)
    Henry Jackman
  41. Build A Racetrack (Part 2) (0:17)
    Henry Jackman
  42. Build A Racetrack (Part 3) (0:25)
    Henry Jackman
  43. Top Shelf (0:19)
    Henry Jackman, Dominic Lewis
  44. Gubbin Tampering (1:44)
    Henry Jackman, Dominic Lewis
  45. One Dynamite Gal (Part 1) (1:00)
    Henry Jackman, Dominic Lewis
  46. One Dynamite Gal (Part 2) (1:31)
    Henry Jackman, Dominic Lewis
  47. The King's Deceit (2:53)
    Henry Jackman, Dominic Lewis
  48. You Really Are A Bad Guy (2:53)
    Henry Jackman
  49. Alone (1:13)
    Henry Jackman
  50. Saccharine Conspiracy (2:21)
    Henry Jackman
  51. Fungeon & Fanfare (1:45)
    Henry Jackman
  52. Mario Karnage (2:31)
    Henry Jackman, Matthew Margeson
  53. Turbo VS Glitch (2:57)
    Henry Jackman, Matthew Margeson
  54. Cybug Invasion (1:35)
    Henry Jackman, Matthew Margeson
  55. No One I'd Rather Be (2:43)
    Henry Jackman
  56. Into The Light (1:07)
    Henry Jackman, Dominic Lewis
  57. Finish Line Transformation (1:18)
    Henry Jackman, Dominic Lewis
  58. Princess Vanellope (1:28)
    Henry Jackman, Dominic Lewis
  59. Wrap-Up (1:11)
    Henry Jackman
  60. Arcade Finale (2:14)
    Henry Jackman
  61. 8-Bit Suite (3:15)
    Henry Jackman, Dominic Lewis
  62. A Disagreeable Pac (Alternate Insert) (0:13)
    Henry Jackman, Dominic Lewis
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Frank reply Replies: 1 || 2015-11-02 00:06:07
I thought Jackman was gonna compose for Disney's next animation Zootopia but Giacchino took it over. Any news about it Hybrid?


Frisbee2015-11-02 10:30:31
Jackman seemingly passed on Goosebumps too (he had scored most of the directors films so I guess he should have been asked at the very least). I can only imagine he is being overwhelmed with his current assignments - or maybe he took an advice that the Bolt/Tangled director can be a hard man to work with? (He seemingly was during Tangled)

Giacchino was about the last person I thought they'd secure on another Disney movie on such a short time, especially by the studio who sacked Menken with the claim that they don't want to be repetitive.

Hybrid Soldier reply Replies: 2 || 2013-02-07 23:19:09
As promised, the full details.


Funny thing : the weird voices in the Nesquik Sand cue, that's actually Dom Lewis singing... :P


Blu2013-02-08 07:37:05
No roles for Skrillex, Adam Young, Matthew Thiessen, Jamie Houston and Yasushi Akimoto in the music? These guys have seemingly received the Annie award for the music of this film along with Jackman too?


Hybrid Soldier2013-02-08 09:04:02
I'm only interested in the score music team.

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Wreck-It Ralph (Complete Score) soundtrack - Henry Jackman 2012