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Tina had a lot of work to do here!Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.A fanmade.<br><br>Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
So I'm curious about something...that fake End Titles track that was posted here twice and removed...if it wasn't Dunkirk, what WAS it? It was actually a decent piece and sounded like Hans.I agree.  This to me was Nolan's Revenant. Good looking cinematography, but almost no story and zero emotional connection to anything happening.  I disagree with Adam.  It doesn't drudge up negative feelings either because, unless you have an explicit connection to the Battle of Dunkirk, it doesn't try to give anything meaning.  The film was everything I feared when I saw the trailer, boring and limited in depth.  As I was leaving I heard someone describe as a documentary, but I wouldn't even call it that.  It is like an art film, definitely not for everyone.  I'd probably call it a historical recreation on film.<br><br>As for the "music".  It definitely fit the "movie" in that it hardly was the fundamental thing it is described as.  Mostly droning noise, air, or ticking.  Not for everyone and not really listenable either.<br><br>Overall this felt like a pop-avant garde project.  Maybe Dunkirk is something extremely culturally relevant in England? Like still present in the vernacular? I don't know but this movie fails to take add anything to the human experience. It does not transcend its basic scenario and title. Dunkirk. That is it.Nope, it has the inicial feeling of 528491 of Inception.Shivering Soldier is DEFINITELY similar to Bruce's theme in BVSThe Tracklist Of This movie has Been Released At film Music reporter And Film Music Site. There Us much Of The Score By Atli Írvarsson And Various Artists:<br><br>1.Nobody Gets Out Alive<br>(Samuel L.jackson)<br>2.Hello(Lionel Ritchie)<br>3.Hitman's Bodyguard(Atli Írvarsson)<br>4.Ships On The Ocean(Kunior Well's Chicago Blues Band)<br>5.Smells Like Ass Back Here<br>(Atli Írvarsson)<br>6.Jag Didn't Smells Like Ass <br>(Atli Írvarsson)<br>7.I Want To Know What Love Is<br>(Foreigner)<br>8.Amsterdam Chase(Dmitri Golovko)<br>9.Black Betty(Spiderbait)<br>10.Little Quennie(Chuck Berry)<br>11.One Of The Good Guys?<br>(Atli Írvarsson)<br>12.Kincaid's Gospel<br>(Atli Írvarsson)<br>13.Dukovish(Atli Írvarsson)<br>14.Broken Wing(Atli Írvarsson)<br>15.Dancing In The Moonlight<br>(King Harvest)<br><br>Atli Írvarsson:Composer<br>Additional Music By Claudio Olachea & Dmitri Golovko<br>Music Supervisor By Selena Arizanonic
Has anyone had any luck getting an autograph after one of his concerts? Going to one soon.*four. Yes, I can do math. :PI like that Lorne is directly credited on Regimental Brothers and End Titles. Ditto Wallfisch with Home, Variation 15, and End Titles. That's three credits from the start!I agree, but this one is much better.It probably felt less emotionally engaging because we've been fed with emotions like friendships, love, joy or sorrow in most of the films. Dunkirk was emotionally engaging with emotions like fear of death, longing to go home. Hope this gives you another perspective
Divisive opinion:<br>I honestly wasn't crazy about the film. It wasn't bad, and the score was very appropriate, but I felt they could have done something different to not just be visually engaging, but emotionally engaging. Maybe I'm crazy, I'm seeing it again today, but that's my initial reaction.@Hari "I am afraid?"<br><br>There is no need to fear. Lol.<br>They have been doing this since ... always<br>Filmtracks since 2003.<br>The problem is that HZ has no formal musical training and this will always put him on a step down when compared to those who have or who in one way or another try to follow in a more orchestral way."At least for people who claim to be more cultured"<br><br>--------------------------------------------------<br><br>@Hari No! He never assumed that. The other day, I think in BvS or Boss Baby review, he commented that people accuse him of always bashing HZ works in exchange for views. But he denies, saying he does this to make it clear that not all people are satisfied with the current situation of the scores produced these days. And that HZ has yes, his share of guilt about it.<br><br>--------------------------------------------------<br><br>I do not like hatred in what he writes. First because it influences other reviewers to do the same and second because it is not 100% fair.<br><br>For PoTC 5, for example, he gave 3 stars. While the other scores of the franchise were always migrating between 1 and 2 stars.<br>If everyone had 3 stars, with the exception of the 4 effort, I'd be okay with that.And his justification for this is that Geoff is ridding the music of the damage franchise brought by Hans. WTF?<br><br>But at the end of the day I'm okay with that too.<br>----------------------------------------------<br>I make it clear that I do not have so much trouble with the way he review the scores. No problem. The problem is the use of hate words whenever it comes with a score review by Hans.<br><br>He called Captain Philips of a piece of shit. Even if I agree with him that it is bad, is sad that you read this. But okay.<br>Wonder Woman wasn't too bad :Dits just Tick Took effect, Great for the Movie but so Disappointed As an Album.<br>You misunderstood me, everything I've heard about the score excited me and I still am very excited to see the movie and to hear the score. I was one of the people who defended Hans' approach early on when "Supermarine" was released. I like what i've heard from the score and I don't want a melody or a main theme. (even though it seems like Supermarine can count as a main theme from what I've heard about the score)<br><br>My issue is with the 11 track 59 minute album. Let's take "The Mole" for example, I've been told that at the 2:00 mark there was a section that's in the movie but was cut out of the track so "The Mole" would've been much longer than 5 minutes. That section is one of my favorite things about the score (it was featured in the prologue). The first clip with Mark Rylance featured music that is similar to the end of "The Mole" but it's not the same cue and it doesn't appear elsewhere on the album. <br>I'm a big, big fan of Hans and Nolan but the fact that they keep screwing up their soundtrack official releases is bothersome to me.
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Steve JablonskyJacob SheaNathan WhiteheadJeff Biggers
ComposerComposerAdditional MusicMusic Scoring Mixer
Gears Of War - Judgment (VG)
Label: Sumthing Else Music
Length: 56'52
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4146 votes)
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  1. Judgment (2:21)
  2. Jacked (2:20)
  3. Undefined Charges (2:42)
  4. High Surge (1:50)
  5. Upper Reaches (1:44)
  6. Disorder In The Court (1:44)
  7. Return Fire (3:10)
  8. Slowly But Surely (2:21)
  9. A New Plan (1:24)
  10. Smarter Men Than We (2:14)
  11. Shibboleth (1:58)
  12. Not So Fast (0:47)
  13. The Last Stretch (2:29)
  14. Comms Online (1:44)
  15. Gauntlet (4:48)
  16. What It Takes (0:56)
  17. Hold The Line (1:36)
  18. Tower Of Lightmass (1:47)
  19. Enemy Unveiled (2:27)
  20. Around The Court (1:43)
  21. Against All Reason (1:04)
  22. Forbidden Streets (1:34)
  23. Asset Recovery (0:48)
  24. Evac Zone (1:40)
  25. Fait And Swift (1:38)
  26. Ulterior Motive (1:08)
  27. Vantage Point (1:45)
  28. Taking A Stand (1:42)
  29. Pendulum Swings (1:39)
  30. Charges Dropped (1:49)
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Warfighter reply Replies: 2 || 2013-04-16 03:17:11
Does anyone know anything about the series "Trough the Wormhole" (with Morgan Freeman). The credits state: Theme by Hans Zimmer, music by HZ & Jacob Shea. Thanks! It sounds a bit like "Angels & Demons". Beautiful theme!


Warfighter2013-04-16 03:22:06
Extreme Music also published an album from Jacob Shea: "Celtic Adventure" It features bagpipes. Maybe inspired by his work (the unused themes/Suites) on "Battleship"? It's definitely worth checking out!


someone2014-09-02 16:49:31
Can you please tell me where I can find that ''Celtic Adventure'' album? I have searched everywhere, but did not find it...

Fan reply Replies: 1 || 2014-02-01 05:51:52
Great Score!


Edmund Meinerts2014-02-01 12:58:12
Really? REALLY? THIS is a "great" score?

I've heard 152 scores of 2013, of which this is the lowest-rated.

dark prince reply Replies: 0 || 2014-02-01 03:02:52
Sad and dissappointing score, all the epic of the saga lose on Gears of War: Judgement, than prefer the electronic sound and the noisy, and lose the qualities of the previously score by Steve Jablonsky for the saga

Tobi reply Replies: 0 || 2013-03-20 22:32:36
why must the music producer want sound when they can get themes and sound, this was very disappointing, I was looking forward to this. It sounds like Battleship & Transformers are crying.

Anonymous reply Replies: 5 || 2013-03-19 13:45:41
It's meh.

Bye great themes, bye choir, bye epicness...and hello rumbling generic electronics...


MrZimmerFan (Fan from Spain)2013-03-19 15:05:24
It's good work by Steve and Jacob, very different than Gears 2 and 3, electronics and guitars, and the Gears' theme.

Gears of War 2: 4/5
Gears of War 3: 5/5
Gears of War - Judgment: 3'5/5


Hybrid Soldier2013-03-19 16:46:32
I'm with the unknown guy there, it's quite uninteresting like most of 3... 2 was waaaaaaay above them !


D A R T H2013-03-19 21:19:48
Gears of War 2: 4/5
Gears of War 3: 3,5/5
Gears of War - Judgment: 2/5


Evenstar2013-03-19 21:30:25
I knew it... damn.


Jasper2013-03-19 23:41:38
Yep, gotta agree with this too. It just feels clinical and lifeless, but I guess it'll probably serve the game just fine, however it doesn't stand out like it used to.

MrZimmerFan (Fan from Spain) reply Replies: 0 || 2013-03-08 21:26:18
Samples on Sumthing

h t t p://www.sumthing.com /p/ gears-of-war-judgment/

D A R T H reply Replies: 2 || 2013-02-21 18:34:31
Do you have a release date ?


MrZimmerFan (Fan from Spain)2013-02-21 18:42:32
@DARTH

19 March


Evenstar2013-02-21 19:50:38
Freakin awesome! I hope it's better than Gears of War 3. 2 was awesome.

Hybrid Soldier reply Replies: 5 || 2013-02-18 23:27:03
New score coming !


MrZimmerFan (Fan from Spain)2013-02-19 12:22:54
I can't wait!!, this and Pain & Gain, wooou


El Baradei2013-02-19 13:32:30
Steve Jablonsky is one of the most interesting composers of RC, and also Battleship was a good score.
I have Gears of War 1 - 3, nice listening.


D A R T H2013-02-20 11:16:04
The music of GOW1 was composed by Kevin Riepl


marcorea2013-02-20 15:30:18
....and the best by far of the three imo


MrZimmerFan (Fan from Spain)2013-02-20 17:16:08
The Riepl work is darker and very atmospheric, is good, but the Jablonsky's... , i prefer the epic and actioner thing

Anonymous reply Replies: 0 || 2013-02-19 19:02:47
The game leaked today so a rip is only a few days away :)

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Gears Of War - Judgment (VG) soundtrack - Steve Jablonsky - Jacob Shea 2013