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I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*
OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit UpI'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?
Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>Any chance you could do a what makes up the tracks for the BB album Hybrid?
Just want to give this score (and film) some major props. It seems like Ron Howard is one of those great directors who brings the best out of the composers he works with. It’s also interesting hearing just how much Lorne Balfe’s voice really comes through here.<br><br>Also, I wonder if it’s a coincidence just how much the OSCORP tune from TASM2 sounds like “Watergate Montage” (or did Marc Webb like a temp lol)Yeah, that theme starting at 1:35 is totally Black Rain! I love it though.So is nobody going to point out that Hans just casually slipped a theme from Black Rain into the middle of "Millennium Theme", note for note? :pI hope there will be an album for Angel Has Fallen by 	David Buckley.PM me on YouTube for further questions.

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Hans ZimmerTom Holkenborg (Junkie XL)Atli ÖrvarssonAndrew Kawczynski
ComposerAdditional MusicAdditional MusicAdditional Music
Man Of Steel
Label: WaterTower Music
Length: 118'21 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (40811 votes)
  1. Look To The Stars (2:58)
  2. Oil Rig (1:45)
    Hans Zimmer, Junkie XL
  3. Sent Here For A Reason (3:46)
  4. DNA (3:34)
    Hans Zimmer, Andrew Kawczynski
  5. Goodbye My Son (2:01)
  6. If You Love These People (3:22)
    Hans Zimmer, Andrew Kawczynski
  7. Krypton's Last (1:58)
  8. Terraforming (9:49)
    Hans Zimmer, Steve Mazzaro
  9. Tornado (2:55)
    Hans Zimmer, Steve Mazzaro
  10. You Die Or I Do (3:13)
    Hans Zimmer, Junkie XL
  11. Launch (2:36)
    Hans Zimmer, Steve Mazzaro
  12. Ignition (1:19)
    Hans Zimmer, Junkie XL
  13. I Will Find Him (2:57)
    Hans Zimmer, Junkie XL
  14. This Is Clark Kent (3:47)
    Hans Zimmer
  15. I Have So Many Questions (3:47)
  16. Flight (4:18)
    Hans Zimmer, Andrew Kawczynski
  17. What Are You Going To Do When You Are Not Saving The World? (5:27)
  1. Man Of Steel (Hans' Original Sketchbook) (28:16)
    Hans Zimmer

    Limited Deluxe Edition

  2. Are You Listening, Clark? (2:48)
    Hans Zimmer, Andrew Kawczynski
  3. General Zod (7:21)
    Hans Zimmer, Junkie XL
  4. You Led Us Here (2:59)
    Hans Zimmer, Junkie XL
  5. This Is Madness! (3:48)
    Hans Zimmer, Junkie XL
  6. Earth (6:11)
    Hans Zimmer, Steve Mazzaro
  7. Arcade (7:25)
    Hans Zimmer, Junkie XL
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Russel reply Replies: 1 || 2013-06-28 06:39:31
Anyone get the sessions yet? I hear their already out there.

Mike2013-06-28 07:26:53
In the words of Jason Bourne, "I doubt that".

NM reply Replies: 0 || 2013-06-27 23:52:12
Love the soundtrack but the film was awful. And the music as used in the film was awful too. Pretty disappointed.

As a standalone album, it's still great though.

... reply Replies: 0 || 2013-06-27 00:28:53
What happened to the great music for Lois Lane?
and some of the brass in the beginning...and different versions of the cello in DNA...

Anon reply Replies: 0 || 2013-06-26 17:14:51
Really hope we get a full score for this one!! There some amazing cues that were completely left out on the OST

Man-the-fuck-up-of-steel reply Replies: 0 || 2013-06-26 10:22:10
in Man of steel OST where is the missing part when jor-el tells Supes he is " the bridge between two peoples" (and sends him as Jesus to save us btw) all the way to Lois'rescue (that bit sounds like a thunderous Last Samurai )???
or are we in for another commercial spin to make us buy at the dvd release the latest collector edition that includes it? like the film additions cd to Braveheart...

GR7 reply Replies: 12 || 2013-06-24 09:40:41
Just reading the filmtracks (prohibited name here?) review of the score . --> "he [Zimmer] has landed himself in assignments not befitting his capabilities" This guy from filmtracks has so much crap in the brain....

Brent2013-06-24 10:00:40
That guy just drives me nuts.

Edmund Meinerts2013-06-24 11:06:07
He knows what he's talking about and I agree with a lot of his points in that Man of Steel review, even though it's overly harsh in a few places. I particularly agree with the way he picks apart Zimmer's interview words. I don't get how he (Zimmer) can set himself up as a champion of orchestral music when he's constantly slathering that orchestra with synth/sample overdubs that make the entire thing sound fake and cheap.

There's a difference between justified negative criticism and bashing, and I think a few people around here would do well to learn it.

0-cool2013-06-24 11:37:31
I don't think that Zimmer ever claimed to write orchestral/symphonic music.
He takes inspiration from many genres, like pop/rock/electronic

tomPoland2013-06-24 12:12:48
One star is a little too harsh, but guy has the point.
This music sounds cheap and fake, and Zimmer always talk big in interviews. HZ should take a break and rethink his career, or we will have that awful inception-sound in every future movie.

Star Trek FTW! :)

Meta2013-06-24 16:10:09
Filmtracks guy has a thing for Zimmer, so I usually tend to take his reviews of his works with a large grain of salt.

But if you ask me, Zimmer isn't the only one out there - just the most popular one - so really that reviewer needs to be more even keeled about his critical bashings, because he comes off more like who hates Zimmer first and foremost. And how can you really trust a score review with that kind of bias?

The man TOILS in picking apart Zimmer, you can tell there's some kind of vendetta going on there that I am not interested in associating myself with.

Master2013-06-24 20:33:14
Not necessarily a vendetta, he views zimmer as most people, including myself, view justin bieber; awful and a waste of talent. And any chance he gets, he likes to remind us all of that. It's not unusual to have absolute hatred towards something or someone now, is it?

Mike2013-06-24 20:36:50
The filmtracks guy has valid points, but it does seem like he's predisposed to dislike anything Zimmer makes these days. I agree with Meta: he toils in picking apart Zimmer. I don't like synthesizers and would gladly see them go. But if Hans can make a good score with them (and he usually can), then I'm not gonna get too worked up about it. The only modern Zimmer score that was too noticeably heavy on the synth was Inception, but honestly, I think that was more Lorne than Hans, since Lorne was the one who arranged the music in the film. The Mombasa suite does kinda sound like dubstep, so shame on Zimmer for that, but otherwise the really electronic stuff you're hearing is cues by Lorne Balfe based on Zimmer's themes (did I ever mention Lorne should get co-composer credit for that movie? :P).

Edmund Meinerts2013-06-24 21:19:50
I don't mind the use of synth in most cases. The way, say, John Powell or David Arnold integrate electronics is awesome, because they don't tamper with the orchestra and use the drum loops and such to expand the sonic palette, to do things that live instruments just can't. But the way Zimmer does it is by using not only unique synth textures, but also covering up the orchestral performance with sampled versions of the same instruments, which completely robs the live players of their organic sound. In certain cases, like Inception, it works...but then that Inception synth brass started being used in every single score (and trailer) and it got old REALLY quickly. I genuinely like the "What Will You...etc." cue, but it would sound SO much better if the brass was able to belt out that heroic theme without the "aid" of samples that really only make it sound cheap. Or take Oblivion, which is a Zimmer score in all but name, but which maintains a great organic sound by keeping its orchestral and electronic components separate.

The way Zimmer is doing it, I fear people will look back on his recent scores the same way we look back on Harold Faltermeyer today: yes, maybe it'll elicit a nostalgic grin or two, but it runs the risk of becoming extremely dated. The beautiful thing about orchestras is that they sounded the same 200 years ago and they'll sound the same 200 years from now...I hear a lot of folk claim that they're "old-fashioned", but in reality they're timeless. And that's why John Williams' Superman fanfare will live on when Man of Steel is forgotten.

Mike2013-06-24 21:44:30
Didn't AWE use a real orchestra? That might contribute to the reason it's such a good score...

Aragorn2013-06-24 21:49:44
"Or take Oblivion, which is a Zimmer score in all but name..."

Best comment ever. xD

Lucius2013-06-24 22:06:37
The guy at Filmtracks also said Revenge of the Sith was "the good but badly frayed edge" of the Star Wars scores, but if you ask me it was the most powerful and moving of all of them.

Edmund Meinerts2013-06-24 22:07:23
Even in At World's End the brass occasionally sounds a bit sample-ish (it shows in the uber-dramatic Davy Jones theme statement in "Crew Embarks"). I guess it's just something Zimmer likes to do. But yes, that score is easily one of Zimmer's most organic-sounding, which is just one of the reasons I love it so much.

GR7 reply Replies: 4 || 2013-06-23 14:06:04
We still dont have Hybrid's point of view on the score !

Hybrid Soldier2013-06-23 14:07:22
I've been listening to this score non-stop since last tuesday night... And I mean non-stop, haven't listened to anything else. Does that say enough to you ? :)

GR72013-06-23 20:34:57
:) I've been doing the same thing since friday night ;) The 28 min track, though it is clearly experiments of themes improved in the first CD, is wonderfull.
un petit mot de français comme Dujardin aux Oscars : Meerrrcccci Hansssssss !

Mike2013-06-24 04:15:49
Got a favorite track, Hybrid? Mine is definitely "What Are You Going to Do When You Are Not Saving the World?". I also love "Arcade" and "Flight" a lot.

Ds2013-06-24 09:44:41
IF YOU LOVE THESE PEOPLE is imo the masterpiece of this album :p

Mike reply Replies: 1 || 2013-06-24 05:31:45
Can someone tell me exactly what cues were used in the scene when Clark saved the school bus? I know it uses 0:32-1:30 in "Flight", but what was after/around that? Was the other stuff elsewhere on the OST or not? Also, when the dude found his truck after leaving the bar, was that the end of "This is Clark Kent" or just something like it?

Ds2013-06-24 09:43:37
For the bus scene, you're right and i don't think there's something else. In the truck scene you're also correct, it's basically the very end of This Is Clark Kent but the mix is a bit different.

Mike reply Replies: 9 || 2013-06-23 02:03:13
"Flight" is one of the few instances where I prefer the album version over the film version. The strings added in the film feel unnecessary and forced, in my opinion. Almost like "we need to do everything we can do make this scene blow people away, so here, let's add strings!" But the music already worked as-was. Either way, that was one of the best scenes I've watched in a while.

Richard2013-06-23 06:10:29
Yay, someone else who noticed the extra strings! :P

Ds2013-06-23 16:43:40
Val, this version is actually a part of the track "Original Sketchbook", followed by the 2nd part of the track "Flight", that's it :p

Val2013-06-23 16:50:27
Ah.. sorry ;-). Me, i'm always searching for the track played during the fall of the ship.. Or when he saves "someone" and i can't find it anywhere that's so frustrating because this song is so epic -_-

Ds2013-06-23 17:10:43
I'm afraid you won't find these bits until the recording sessions have leaked, but i don't think it's going to happen soon...

Val2013-06-23 21:33:09
Wait and see ..

Mike2013-06-24 04:10:55
Ds, you say you don't think the recording sessions will leak soon. Well, we got TDKR's recording sessions (or complete score or whatever it's technically called) a couple months before TDKR's DVD/Blu-Ray release. So it might not take too long. ;)

john2013-06-24 06:12:55
when jor el flys in the beginning what song its that too?


Mike2013-06-24 06:24:47
That's DNA, John :)

Ash2013-06-24 08:47:51
I cant believe no one has mentioned the beautiful piano theme that is heard when Lois follows Clark and enters the ship. And I cant find it anywhere in the entire soundtrack. I would really appreciate some help finding the track!

john reply Replies: 0 || 2013-06-24 06:11:43
when jor el flys in the beginning what song is that too?

Alex reply Replies: 1 || 2013-06-24 03:03:49
Does anybody know what part of the movie contains the last part of "General Zod"? The very last section of the song with the slow, sad version of his theme played with lots of strings.

Mike2013-06-24 04:08:33
It's not used in the film, sadly.

anon reply Replies: 4 || 2013-06-23 18:09:26
I've realized that while the music in this score is amazing, I find the mix and master make it very difficult for me to listen to. The strings are very poorly mixed (violins are all you can hear most of the time), brass sounds synthy in a lot of moments, and the drums tend to be too overwhelming (which I've never said about a Zimmer score, I always love his drums). The master is also weird. Too many high-mid frequencies and ridiculously extreme dynamics make it hard to listen to in casual environments (car, running with ipod, etc.)

Now, I have still yet to hear the 7.1 mix, so maybe that's better, but I'm really not a fan of the stereo mix/master.

Edmund Meinerts2013-06-23 23:29:19
Brass ALWAYS sounds synthy in Zimmer's scores, especially post-Inception. It's bloody annoying if you ask me. :/

Ds2013-06-24 00:18:52
Zimmer's brass: i'm loving it.

score_trader2013-06-24 02:03:32
exactly what I thought when I first heard the samples, if you won't want to lose your lunch, I wouldn't watch the featurette that has clips of the recording sessions. Everything sounded so much better on the microphone of the fucking film crew than in the actual sound track.

anon2013-06-24 02:26:07
Sadly, I have seen the featurette. It is sad how much clearer and better everything sounded on the built-in mic than than the CD...

Guitwo reply Replies: 5 || 2013-06-23 13:38:53
already saw the movie twice. the audio mixing is sometimes not as good as it could/should be.
the biggest problem of MoS is: Cinematography. really a pain in the *ss. i don't understand the need to make that camera shaky from the shot to the last one. it's unbelievable.

Ds2013-06-23 13:47:45
Usually i really don't like shaky-cam, but here i found it was well made. It brought a sense of speed and urgency, and made all these Super-men more believable. Photography was awesome too.

If you saw it in 3D i can believe this was a pain in the ass. Shaky-cam + postconversion = worst 3D ever.

Guitwo2013-06-23 13:50:28
oh and eventhough on the second viewing it was better I still think this movie lacks time to develop most of his characters (especially Zod). The relationship between the kent and why clark is important to them. Lois and Clark's relationship. i also, wanted to see clark becoming superman in a much longer time.

Guitwo2013-06-23 13:54:37
i saw it in Imax 3D. :D

i understand the need to shake things up during a fight scene or action sequence. What i don't understand is why shake your camera for a dialogue. I was not impressed with the mass destruction because i don't have time to focus on something or pay attention to the details. and you have all these zoom in/oun that are very transformers-like.

Ds2013-06-23 14:49:53
Actually i liked these zoom in/zoom out :p

I think your main problem was caused by the 3D. In 2D i had absolutely no problem to focus on every detail and to enjoy the mass destruction.

In the beginning everything seems to go a bit too fast but then there are a lot of flashback that really help to understand the characters and the relationships. I thought there was a lot of emotion throughout the movie, especially the scenes involving Kevin Costner, perfectly cast imo.

Guitwo2013-06-23 14:58:36
i think it's a matter of taste and personnal sensitivity :D haha

matthew reply Replies: 2 || 2013-06-22 22:06:09
yust saw the movie. I consider myself as a Zimmer fan.
sooo disappointed with the score as it was presented in the movie. the mixing was soo soft and under the sound effects.
when I heard This Is Madness! I thought this is too intense. I knew that this is an unused suite kind of thing. yust as almost the whole deluxe edition thing. oil rig is such a badass track, in the movie it's a fart. the first part of flight with the guitar, it's almost you can't hear a thing.
the classic zimmer choir sound (the end of Goodbye my son / the end of Terraforming) is murdered. simply it's not there.
when you see Morricone's L'arena in the Kill Bill OST release, before you see the movie, you know that it's gonna be fucking loud it's gonna be IN the movie and it's going to make 500 people breathe together. this is why the whole planet loves Tarantino. the reason why I'm soo angry is because I THINK Hans is an absolute world class composer. He is one of my favorite, he is the absolute best in remote control, he is still burning inside, still crazy, no lost spark.
so if you're in love with this score and you think it's great and it's full of Mr noise maker Hans Zimmer, then I don't recommend watching the movie.
so everybody crank up the Hi-Fi and blow up the world with this amazing score, from SuperHans!

Mike2013-06-22 22:12:38
As do others, I agree. The film score wasn't as good in the film as it is by itself.

Ds2013-06-23 10:49:20
The more blatant underusing is the drum orchestra. When listening to the album i thought "what a huge drum sound, that's really bad-ass!". In the movie? I could barely hear there were drums. The exact same result would've been achieved with only one drummer.

The beginning of Oil Rig was barely audible. The mid-part of Tornado too. It must've been a frustration for Hans. He did all these experiments "for pleasure" but someone thought there was no room for them in the movie...

Ds reply Replies: 8 || 2013-06-20 11:55:46
Honestly i thought the music in the movie was very good, but not as good as on the album. There's just so much noise in the action scenes that some of the best bits are just pushed in the background, like the mid-part of "Terraforming", which is a shame!

But i was very happy to hear "If You Love These People" in full length in the climax.

Mike2013-06-21 02:52:36
I agree. This was one of the few times where I preferred the ALBUM over the film score itself. And as I said previously, I thought the main Superman theme was underused. This was especially disappointing since the best form of it ("What Are You Going to Do When You Are Not Saving the World?") was relegated to the end credits. That means most people wouldn't even have gotten to hear it, because most people leave pretty much as soon as the credits begin. So unless you are familiar with the score when you see the movie (like I was), you might leave thinking that Superman had no discernible theme at all.

Ds2013-06-21 10:05:26
Well, Clark Kent has the piano theme, which was very discernible. I'm sure everyone noticed it, and how beautiful it was.

Kal El has the theme heard in Goodbye My Son and Flight Part 2, epic and powerful (among others).

The real "Superman" isn't born until the very end of the movie, so it has sense the bombastic "main theme" comes only then. In my opinion, of course, and i think it's Hans' opinion too :-)

Edmund Meinerts2013-06-21 10:54:28
So the theme that's a total rip off of "Science and Religion" is Kal-El's theme. Good to know! ;)

Mike2013-06-21 20:24:48
The Superman theme is also used when Kal-El is born, when Clark lifts the bus out of the water, and when he steps out in the Superman suit. But still...I thought it would have merited a bit more use.

0-cool2013-06-21 21:03:35
I prefer the Kal El theme over the Superman one. I hope Zimmer doesn't ditch it for the sequel.
I could actually see him combine the 2 themes for ultimate epicness

Mike2013-06-21 21:45:54
Whoa...0-cool...I think you might be on to something. That'd be awesome! But something tells me the themes will remain separate. Kind of like the way Batman has the two notes and the "Dark Knight" theme, yet they never mesh.

Ds2013-06-22 15:13:27
Mike: the Superman theme is of course heard throughout the movie, but its 'bombastic' form only appears in the credits.

I'm sure it'll be used A LOT more in the sequel!

Mike2013-06-22 22:11:10
I just realized I was right: I said a while back that we should expect Hans to give Superman more than one theme, just like he gave Batman more than one theme, and he did. There's the Superman theme ("Look to the Stars", "Flight", "What Are You Going To Do When You Are Not Saving the World?"), the Kal-El theme ("Goodbye My Son", "Flight") and the Clark Kent piano theme--though it seems to me like the piano theme and the Superman theme may be the same tune. I can't really tell.

Aragorn reply Replies: 2 || 2013-06-22 00:30:01
What in the world is the point of Flight Part 2 if it's just the second half of a track already on the album?

meta2013-06-22 03:50:46
PROMOTION, my dear fellow....

tomPoland2013-06-22 08:27:24
Hype and PR, 2 things that make Zimmer so loved by his fans.

TRU4T reply Replies: 0 || 2013-06-21 23:40:58
i had a good time in MoS china premiere. Music in RealD system hall was so hard to be heard clearly. but next day in IMAX hall, everything is crytal clear. especially "If You Love These People" in the final battle scences with the massive sound effects. oh! a eater egg for fans for Zack and Hans at the very end of the film.

Big hoss reply Replies: 3 || 2013-06-18 06:36:28
When Clark steals the clothes from the mans truck, the song that is playing in the background....what is it called????

Meta2013-06-18 06:43:37
Oh that's a 90s golden oldie of grunge goodness....

Is it Soundgarden? or Pearl Jam...

cant remember....

Big hoss 2013-06-18 07:04:21
It was "seasons" by Chris Cornell

David2013-06-21 19:24:01
You can find "Seasons" on the 1992 Singles soundtrack

Pierre reply Replies: 3 || 2013-06-20 15:17:53
Why the HELL does anyone care what "Hybrid" thinks of the score?

Martin2013-06-20 19:12:05
Agree !
JNH, Horner or Goldsmith OK ; but this guy ? I really don't care

tomPoland2013-06-21 11:50:59
We all know that he will rate it at least 4,5/5.

Score itself is like 3/5 max.

So far, only Star Trek didn't dissapoint me - Giacchino knows how to write powerfull and intelligent orchestral music.

PS. Brian Tyler is taking over Marvel Cinematic Universe!

Richard2013-06-21 19:11:14
Why the hell does anyone care if you care what Hybrid thinks of the score?

Hybrid Soldier reply Replies: 2 || 2013-06-20 19:17:30
Little story about why Geoff Zanelli isn't credited at all.

Simple, he started at a very early stage of the scoring, arranging some HZ ideas in the first couple of weeks of scoring. But then he left to focuse on Lone Ranger. So he didn't work on any final "score cue" (so didn't take credit at all), his worked is more like "melted" in the original ideas... :)

Aytekin2013-06-20 21:41:54
Ok and what about Satnam Ramgotra !! must be credited as musician, huh ?

Hybrid Soldier2013-06-20 22:46:03
He's added !!!!!!! You happy ??? :P

Val reply Replies: 5 || 2013-06-19 19:04:26
Does someone know something about the only track which does not take part of the score ? ( playing twice when MOS saved L***). There's still nothing on the web.. Help me please !

Mike2013-06-19 20:38:40
You might hear about it if/when the complete score gets out...

Hybrid Soldier2013-06-19 20:43:45
I think it's HZ with arrangements by Junkie.

Val2013-06-19 21:16:43
Mike, you think another complete score will be release ? I hope .. Thanks. I will find it !

Pieter2013-06-19 22:52:22
Dude how is L*** not a spoiler:P

Val2013-06-20 11:29:23
Pieter, because it's a movie about superman. :P

Leo reply Replies: 0 || 2013-06-20 08:06:04
Like pretty much everyone on this site, I wonder what Hybrid thinks of the score. Also, when the name of the composers which wrote each cue will show up?

Paul reply Replies: 0 || 2013-06-20 01:04:04
Anyone know a release date for the Z+ app on android?

Mike reply Replies: 0 || 2013-06-19 20:37:12
Hybrid, did Zimmer work with JunkieXL on "General Zod" and "Arcade", or was JunkieXL alone, simply imitating Zimmer's style? iTunes credits both of them, but we know never to trust official credits. lol. The end of "General Zod" sounds distinctly Zimmer-like, but, to quote Jim Gordon, "I've been wrong before".

Jimmy reply Replies: 0 || 2013-06-19 03:27:34
Hybrid, your reaction, please. :P

Robert reply Replies: 1 || 2013-06-19 00:16:00
I bought the two-disc, limited edition version of the soundtrack and it seems the volume leveling is quite low. I have to turn up the volume quite high to hear the full score. Has anyone experienced this or could this be a coding issue on my copy? I have not yet listened to it with headphones, only in my car at this time. Thanks.

Mike2013-06-19 00:22:50
I got the deluxe version via iTunes and didn't really notice it. The only time I experienced that was in "This is Clark Kent". The main part was a little too quiet, then the end was mega-loud.

Geoffrey reply Replies: 0 || 2013-06-18 22:47:54
Hi ! I have a litte question.
Is the 2 discs edition is the same in Europe and USA or the package is a little bit different ? Thanks for answering ;-)

Bane reply Replies: 2 || 2013-06-14 07:01:02
In the movie, there's a little piano motif for anytime Lois kinda..does detective work. Is this on the album?

Mike2013-06-14 08:50:00
No idea. Haven't seen the film yet. If there hasn't been an answer by the time I see it, I'll let you know.

Bane2013-06-18 07:18:28
Just came back, and sadly it isn't. :/

mescalito reply Replies: 0 || 2013-06-17 20:42:23
my chronological order

01-Look to the Stars
03-Goodbye My Son
06-I Will Find Him
07-Krypton's Last
08-Oil Rig
09-Sent here for a Reason
10-This is Clark Kent
11-I have so many questions
15-You die or I do
16-If you love these people (el mejor tema del soundtrack para mí)
17-What Are You Going to Do When You Are Not Saving the World?

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Man Of Steel soundtrack - Hans Zimmer 2013