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OST album additional credits:<br><br><br>Geoff Zanelli (James Newton Howard)<br><br>MISTRESS OF EVIL<br><br><br>Geoff Zanelli, Phill Boucher<br><br>ETIQUETTE LESSONS (James Newton Howard)<br>IT IS LOVE THAT WILL HEAL YOU<br>BACK TO THE MOORS  (James Newton Howard)<br><br><br>Geoff Zanelli, Zak McNeil<br><br>WHAT IS GOING ON HERE? (James Newton Howard)<br>PINTO'S RECON MISSION<br>ORIGIN STORY<br>THE DANCE OF THE FEY<br>YOUR MAJESTY, THEY'RE COMING FROM THE SEA<br>THE PHOENIX (James Newton Howard)<br><br><br>Geoff Zanelli, Phill Boucher, Zak McNeil<br><br>ALL HE WANTED WAS PEACE<br>YOU DON'T HAVE TO CHANGE (James Newton Howard)<br>I'VE MADE MY CHOICE<br>PROTECTING OUR KIND<br>MALEFICENT RETURNS (James Newton Howard)<br>HELLO, BEASTIE! (James Newton Howard)<br>TIME TO COME HOMEMaybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? I’m currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.
Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThat’s a cool choice, I’m hoping for something more like “It” and less like “Light’s Out”.
Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the jobPowell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isn’t fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, I’m interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.
Bring on the remixes!LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film music
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Atli ÖrvarssonMatthew MargesonClay DuncanSteven Kofsky
ComposerAdditional MusicAmbient Music DesignMusic Production Services
The Code (Complete Score)
Label: Unofficial Release
Length: 79'10
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3833 votes)
  1. Bath House Assassination (2:20)
  2. Subway Pursuit (2:15)
  3. Subway Heist (4:10)
  4. Fortune Teller (0:52)
  5. Ripley's Surprise Visit (1:19)
  6. Very Bad Karma (1:27)
  7. Ripley's Proposition (0:38)
  8. Ripley Interrupts (0:59)
  9. Research (1:56)
  10. The Code (1:13)
  11. Stalking (1:02)
  12. Love On The Dance Floor (0:44)
  13. Sexy Time (2:02)
  14. The Dry Cleaners (1:52)
  15. Surveying The Surveillance (0:51)
  16. The Riga Rose (2:22)
  17. The Elevator - Probing The Security (3:07)
  18. Gabriel Steals The Bracelet (1:40)
  19. Preparations (2:24)
  20. Chinese Food (2:47)
  21. A World You Can't Trust (1:16)
  22. Meeting Petrovich (4:15)
  23. Breaking In (5:39)
  24. Romanov Porno (0:38)
  25. Voice Activaton (2:16)
  26. The First Vault Door Opens (3:17)
  27. The Door Code (4:50)
  28. Gabriel Is A Cop (3:20)
  29. Gabriel's Escape (3:21)
  30. The Exchange (1:50)
  31. Weber Gets His Man (0:23)
  32. The Wooden Eggs (3:58)
  33. Swindled (4:08)
  34. Ripley's Goodbye (2:50)
  35. A World You Can't Trust (Alternate) (1:16)
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T-Mann036 reply Replies: 2 || 2014-12-13 18:58:41
Hey Soldier... I have a question for you. Do you have any plans on listing the composers responsible for each track?


Hybrid Soldier2014-12-13 19:09:00
No I don't have the cuesheet for this one but Matt did a lot...


T-Mann0362014-12-13 19:28:02
I understand. Thanks anyways! *salute*

Mikkel reply Replies: 2 || 2014-11-24 11:43:01
01 - 1M1 Bath House Assassination
02 - 1M2 Subway Pursuit
03 - 1M3 Subway Heist
04 - 1M5 Fortune Teller
05 - 1M6 Ripley's Surprise Visit
06 - 1M7 Very Bad Karma
07 - 1M9 Ripley's Proposition
08 - 1M11 Ripley's Interruptus
09 - 2M1 Research
10 - 2M2A The Code
11 - 2M2B Stalking
12 - 2M4 Love On The Dance Floor
13 - 2M6 Sexy Time
14 - 2M7 The Dry Cleaners
15 - 2M11 Surveying The Surveillance
16 - 2M12 The Riga Rosa
17 - 2M13-3M1A The Elevator - Probing The Security
18 - 3M1B Gabriel Steals The Bracelet
19 - 3M2 Preparations
20 - 3M3 Chinese Food
21 - 3M4 World You Can't Trust
22 - 3M5 Meeting Petrovich
23 - 4M1A Breaking In
24 - 4M1B Romanov Porno
25 - 4M3 Voice Activation
26 - 4M4-5 The First Vault Dorr Opens
27 - 4M6 The Door Code
28 - 5M1 Gabriel is a Cop
29 - 5M2 Gabriel's Escape
30 - 5M3 The Exchange
31 - 5M4 Weber Gets His Man
32 - 5M5 The Wooden Eggs
33 - 5M6 Swindled
34 - 6M1 Ripley's Goodbye
35 - 6M5 End Credits Suite


T-Mann0362014-11-28 07:12:08
100% complete!


Edmund Meinerts2014-11-28 10:47:52
Yes this...is the cue list that's right above you in the official page. Well done.

T-Mann036 reply Replies: 0 || 2014-11-24 03:43:11
This is truly one of the BEST recording sessions ever!

ongiz reply Replies: 0 || 2014-02-17 14:48:17
Can you please upload the Song Subway Heist Hybrid?

senat reply Replies: 0 || 2014-02-17 01:12:08
i love this score

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The Code (Complete Score) soundtrack - Atli Örvarsson 2009