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Hybrid, what did Danny think of what Hans was doing? Since he tries to claim that no Batman composer after him wrote a "theme"...Okay, so I'm not a fan of Balfe's; I think it's objectively the case that much of his music is very, very similar to work he's already done (seriously, how many times has he made obviously variations of Journey to the Line / Time?). However, his best work is both highly creative and emotionally compelling IMO, not sure how one could expect more than that. Ironclad is actually a good example of thisActually Hybrid my comment is based on their separate  interviews years apart. Zimmer's arguably dismissive comment years ago and Elfman's arguably stern remark about his theme being the only Batman theme, of recent note. <br><br>If they are both good friends who go to each other's barbecues on Sundays and drink beer together, more power to them. If they have a stellar working relationship, well, I obviously am not privy to that, but good on them. However based on what I've heard my impressions don't lean towards the latter.<br><br>If I'm wrong, I'm wrong. <br>  <br><br><br>"Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty."<br><br>Blackwood might want to have a word with you.Too many songs! But at least there is 15 tracks of score.<br><br>BTW, I don't think Djawadi is able just to do themes. His score in GoT Season 7 shows that he is able to do action tracks very well. Also, in GoT Season 6, he shows that he is able to have many themes and develop them in many different ways.
Meta your comment is based on smoke...<br><br><br>Do you have any idea of what Hans & Elfman's relation is ? How many scores Danny mixed at Remote Control ? That when Hans was writing Batman Begins, Danny was in the next room and Hans invited him to check what he was doing ? How many people from RCP Elfman recruited to help him ?lol it's too funny the guy even spent the time of typing all this...<br><br>Some people apparently have very boring lives on this planet !These comments by “Balfe” are comical.god knows where such venom comes from . Maybe an ex employee probably.he was correct on one point .He is indeed a trailer composer.He just did the mission impossible trailer!!!LOL. I guess this "Balfe" guy is one of those trolls from Stop RCP group.Many benevolent saviours explaining the error of our music tastes have surfaced recently, haven't they?
Eh, Mr. Ellipsis, I have to take issue with your appeal to popularity. Justin Bieber sells millions of records. That doesn't make his music good. Last year's piece of crap pointless Beauty and the Beast remake made a frankly terrifying amount of money at the box office. Doesn't stop it being a piece of crap.Guys, I know a lot of you probably think I'm an overly critical snob, but next time you do, just remember this guy and realize how much worse I could be. :pBalfe is not a composer, but still he gets to compose dozens of films and shows every single year, wow. He must be doing something good if he is on of the most busiest composers out there, don´t you think? Or you want to tell me that every producer, director or whoever hires him is deaf? Do you know how many films had to be re-scored by Balfe in the past few years? <br><br>Why you feed the troll?<br><br>Wrong.<br><br>1. Wallfish is a very fine composer, period. Hans is a synth guy.<br><br>2. If Hans wasn't concern about BR he wouldn't do it.<br><br>3. Slavery was abolished 150 years ago. Hans choose to did it and agreed to involve Wallfish.<br><br>4. Maybe true, but it wasn't the thought of Villeneuve.
here we go again:<br>Why Hans Zimmer Got The Job You Wanted (And You Didn’t)<br>https://behindtheaudio.com/2013/07/hans-zimmer/Hey you guys.<br><br>Balfe is a trailer composer not someone who composes real scores. He helps Hans out on his projects and occasionally may have a good idea. He is not an artist, simple as that.<br><br>Listen to the 'scores' he composed. At best, marginal efforts in sound libraries, they are just utterly shitty. The epitome of that is Terminator Genisys that even fans of the franchise found embarassing (and that is for a series based on synth scores). The samples are especially abhorrent<br><br>How he climbed to compose music for real films is a mystery. Go back to one of his earliest scores, the 2009 'score' for Ironclad, to find how utterly disappointing his work has been all the way throughout his career.<br><br>Balfe is a hack. He will never be considered a real composer. The industry knows Hans is pushing him and once that attention goes somewhere else, as it does with Hans frequently, Balfe will be immediately forgotten. Tell me - who actually wants a Lorne Balfe score for their film!!<br><br>You rapid fans supporting his work will be laughed at as being idiotic symbiotic followers. Get a fragging grip.<br><br>Balfe is not a composer. <br><br><br>This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here?<br><br>1. Wallfisch, a very fine composer is not a synth guy.<br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure.This score is probably the largest failure of Zimmer's career - these would have been his objectives - think about it:<br><br>1. Enhancing the work of Vangelis for a project he has always admired.<br>2. The chance to work with an absolutely open palette of sounds<br>3. The opportunity to truly reinvent not only film music but MUSIC.<br>4. Ability to work with Denis Villeneuve, a man who gets scores nominated for the fact that they are innovative.<br><br>How did Hans fail here? <br><br>1. Wallfisch, a very fine composer is not a synth guy. <br><br>2. Hans does not give a shit anymore, seriously.<br><br>3. An imposed composer on a passion project rarely works<br><br>4. Johannson's work on Arrival is so beyond Zimmer's abilities that he had to go secure. <br><br><br>Dunkirk is a sound experiment and not a score. It is rather sad to see a fine composer like Benjamin Wallfisch deal with this nationalistic nonsense.
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Atli ÖrvarssonMatthew MargesonClay DuncanSteven Kofsky
ComposerAdditional MusicAmbient Music DesignMusic Production Services
The Code (Complete Score)
Label: Unofficial Release
Length: 79'10
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3187 votes)
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  1. Bath House Assassination (2:20)
  2. Subway Pursuit (2:15)
  3. Subway Heist (4:10)
  4. Fortune Teller (0:52)
  5. Ripley's Surprise Visit (1:19)
  6. Very Bad Karma (1:27)
  7. Ripley's Proposition (0:38)
  8. Ripley Interrupts (0:59)
  9. Research (1:56)
  10. The Code (1:13)
  11. Stalking (1:02)
  12. Love On The Dance Floor (0:44)
  13. Sexy Time (2:02)
  14. The Dry Cleaners (1:52)
  15. Surveying The Surveillance (0:51)
  16. The Riga Rose (2:22)
  17. The Elevator - Probing The Security (3:07)
  18. Gabriel Steals The Bracelet (1:40)
  19. Preparations (2:24)
  20. Chinese Food (2:47)
  21. A World You Can't Trust (1:16)
  22. Meeting Petrovich (4:15)
  23. Breaking In (5:39)
  24. Romanov Porno (0:38)
  25. Voice Activaton (2:16)
  26. The First Vault Door Opens (3:17)
  27. The Door Code (4:50)
  28. Gabriel Is A Cop (3:20)
  29. Gabriel's Escape (3:21)
  30. The Exchange (1:50)
  31. Weber Gets His Man (0:23)
  32. The Wooden Eggs (3:58)
  33. Swindled (4:08)
  34. Ripley's Goodbye (2:50)
  35. A World You Can't Trust (Alternate) (1:16)
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T-Mann036 reply Replies: 2 || 2014-12-13 18:58:41
Hey Soldier... I have a question for you. Do you have any plans on listing the composers responsible for each track?


Hybrid Soldier2014-12-13 19:09:00
No I don't have the cuesheet for this one but Matt did a lot...


T-Mann0362014-12-13 19:28:02
I understand. Thanks anyways! *salute*

Mikkel reply Replies: 2 || 2014-11-24 11:43:01
01 - 1M1 Bath House Assassination
02 - 1M2 Subway Pursuit
03 - 1M3 Subway Heist
04 - 1M5 Fortune Teller
05 - 1M6 Ripley's Surprise Visit
06 - 1M7 Very Bad Karma
07 - 1M9 Ripley's Proposition
08 - 1M11 Ripley's Interruptus
09 - 2M1 Research
10 - 2M2A The Code
11 - 2M2B Stalking
12 - 2M4 Love On The Dance Floor
13 - 2M6 Sexy Time
14 - 2M7 The Dry Cleaners
15 - 2M11 Surveying The Surveillance
16 - 2M12 The Riga Rosa
17 - 2M13-3M1A The Elevator - Probing The Security
18 - 3M1B Gabriel Steals The Bracelet
19 - 3M2 Preparations
20 - 3M3 Chinese Food
21 - 3M4 World You Can't Trust
22 - 3M5 Meeting Petrovich
23 - 4M1A Breaking In
24 - 4M1B Romanov Porno
25 - 4M3 Voice Activation
26 - 4M4-5 The First Vault Dorr Opens
27 - 4M6 The Door Code
28 - 5M1 Gabriel is a Cop
29 - 5M2 Gabriel's Escape
30 - 5M3 The Exchange
31 - 5M4 Weber Gets His Man
32 - 5M5 The Wooden Eggs
33 - 5M6 Swindled
34 - 6M1 Ripley's Goodbye
35 - 6M5 End Credits Suite


T-Mann0362014-11-28 07:12:08
100% complete!


Edmund Meinerts2014-11-28 10:47:52
Yes this...is the cue list that's right above you in the official page. Well done.

T-Mann036 reply Replies: 0 || 2014-11-24 03:43:11
This is truly one of the BEST recording sessions ever!

ongiz reply Replies: 0 || 2014-02-17 14:48:17
Can you please upload the Song Subway Heist Hybrid?

senat reply Replies: 0 || 2014-02-17 01:12:08
i love this score

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The Code (Complete Score) soundtrack - Atli Örvarsson 2009