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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Hans ZimmerGeoff ZanelliDominic LewisTom Gire
ComposerAdditional MusicAdditional MusicAdditional Music
Rango (Expanded Score)
Label: Unofficial Release
Length: 86'01
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5156 votes)
  1. Orchestra Tuning (0:10)
    Hans Zimmer
  2. The Stage Is Set (0:45)
    Hans Zimmer, Geoff Zanelli
  3. Who Am I? (0:28)
    Hans Zimmer
  4. Hola! (0:10)
    Hans Zimmer, Heitor Pereira
  5. In The Desert - Meet Road Kill (0:22)
    Hans Zimmer
  6. The Spirit Of The West, Amigo (0:28)
    Hans Zimmer, Geoff Zanelli
  7. It's A Metaphore - Forkboy (0:45)
    Hans Zimmer, Geoff Zanelli, Lard
  8. You Must First Find Dirt (0:40)
    Hans Zimmer, Geoff Zanelli
  9. Welcome Amigo (1:06)
    Rick Garcia, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  10. Don't Move (0:11)
    Hans Zimmer, Geoff Zanelli
  11. Hawk Chase (2:56)
    Jose Hernandez, Anthony Zuniga, Robert Lopez, Hans Zimmer, Tom Gire, John Sponsler
  12. Rango's Dream (0:58)
    Hans Zimmer, Geoff Zanelli
  13. Rango Meets Beans (0:37)
    Hans Zimmer, Dominic Lewis
  14. Frozen Beans (0:36)
    Hans Zimmer, Geoff Zanelli
  15. Certain Demise (0:27)
    Hans Zimmer, Heitor Pereira, Gore Verbinski
  16. Welcome To Dirt (0:47)
    Hans Zimmer, Geoff Zanelli
  17. Rango Tries To Blend In (0:41)
    Hans Zimmer, Michael A. Levine
  18. Saloon Piano #1 (0:16)
    Hans Zimmer, Tom Gire, John Sponsler
  19. Name's Rango (1:35)
    Hans Zimmer, Dominic Lewis
  20. All Seven Of 'em (0:29)
    Hans Zimmer, Dominic Lewis
  21. Beans In Bank (0:48)
    Hans Zimmer, Geoff Zanelli
  22. That's All That's Left? (1:10)
    Hans Zimmer, Geoff Zanelli
  23. Saloon Piano #2 (0:12)
    Hans Zimmer, Tom Gire, John Sponsler
  24. Meet Bad Bill (0:52)
    Hans Zimmer, Lorne Balfe
  25. Bad Bill Duel - Now That Rango's In Town (2:04)
    Hans Zimmer, Dominic Lewis
  26. Lizard For Lunch (1:28)
    Jose Hernandez, Anthony Zuniga, Robert Lopez, Hans Zimmer, Tom Gire, John Sponsler
  27. It's Time He Met The Mayor (0:14)
    Hans Zimmer, Geoff Zanelli
  28. Stuck In The Guacamole (0:14)
    Hans Zimmer, Heitor Pereira, Gore Verbinski
  29. Water Drop Sting (0:38)
    Hans Zimmer, Geoff Zanelli
  30. They Believe (1:12)
    Hans Zimmer, Geoff Zanelli
  31. Undertaker Sting (0:17)
    Hans Zimmer, Geoff Zanelli
  32. The Clock Strikes Twelve (0:49)
    Hans Zimmer, Adam Peters
  33. The Holy Spigot (1:56)
    Hans Zimmer, Geoff Zanelli
  34. Ain't No One Gonna Tango With The Rango (0:55)
    Hans Zimmer, Dominic Lewis
  35. Bank Choir Sting (0:08)
    Peter Miller
  36. Bank's Been Robbed (0:17)
    Rick Garcia, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  37. Forming A Posse (0:19)
    Hans Zimmer, Geoff Zanelli
  38. We Ride #1 (0:33)
    John Thum, David Thum, Geoff Zanelli, William Malpede, Hans Zimmer
  39. Going Underground - He Was Drowned (5:46)
    Hans Zimmer, Geoff Zanelli
  40. We Ride #2 (0:46)
    John Thum, David Thum, Geoff Zanelli, William Malpede, Hans Zimmer
  41. Flaming Doodles (0:23)
    Hans Zimmer, Dominic Lewis
  42. Prayer To The Spirit Of The West (1:05)
    Hans Zimmer, Geoff Zanelli
  43. Rango & Beans (1:05)
    Hans Zimmer, Dominic Lewis
  44. Frozen Kiss (0:36)
    Hans Zimmer
  45. Spying On The Rodents (0:43)
    Hans Zimmer, Geoff Zanelli
  46. The Stage Is Set #2 (0:26)
    Hans Zimmer, Geoff Zanelli
  47. Rodents Rise (0:24)
    Hans Zimmer, Lorne Balfe
  48. Wild Boar Gataway (0:29)
    Hans Zimmer, Tom Gire, John Sponsler
  49. Bats (4:30)
    Hans Zimmer, John Thum, David Thum, Tom Gire, John Sponsler
  50. Empty Bottle (0:14)
    Peter Miller
  51. La Muerte A Llegado (0:46)
    Rick Garcia, George Del Hoyo, Kenneth Karman, Gore Verbinski, James Ward Byrkit
  52. The Posse Returns To Dirt (0:54)
    Hans Zimmer, Adam Peters
  53. Muddy Boots - Golf Game (2:57)
    Hans Zimmer, Geoff Zanelli
  54. We've Got A Problem (0:27)
    Hans Zimmer, Adam Peters
  55. Believe In me (0:37)
    Hans Zimmer, Adam Peters
  56. Rattlesnake Jake (3:19)
    Hans Zimmer, Geoff Zanelli
  57. They Follow The Water (0:45)
    Hans Zimmer, Geoff Zanelli
  58. Epiphany - Flashback (1:40)
    Hans Zimmer, Lorne Balfe
  59. I'm Going Back (1:21)
    Hans Zimmer, Lorne Balfe
  60. Jake Threatens Beans (1:23)
    Hans Zimmer, Geoff Zanelli
  61. Rango Returns (1:18)
    Hans Zimmer, Dominic Lewis
  62. Luring In Jake (0:30)
    Hans Zimmer, Geoff Zanelli
  63. It's A Miracle! (5:15)
    Hans Zimmer, Geoff Zanelli
  64. El Canelo (0:45)
    Los Lobos, Gore Verbinski
  65. The Sunset Shot (0:54)
    Hans Zimmer
  66. Walk Don't Rango (2:48)
    Los Lobos, Arturo Sandoval, John Thum, David Thum, Michael A. Levine, Hans Zimmer, Gore Verbinski
  67. Rango Theme Song (3:30)
    Los Lobos, John Thum, David Thum, Michael A. Levine, Hans Zimmer, Gore Verbinski
  68. Rango Suite (5:59)
    Hans Zimmer
  69. Going Underground (Alternate) (4:05)
    Hans Zimmer, Geoff Zanelli
  70. We Ride #2 (Alternate) (0:49)
    John Thum, David Thum, Geoff Zanelli, William Malpede, Hans Zimmer
  71. Jake Threatens Beans (Alternate) (1:21)
    Hans Zimmer, Geoff Zanelli
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Ladislav reply Replies: 0 || 2018-01-13 11:13:32
Hello,
how is possible buy this full version?
Thank You very much,
Ladislav

mpolonest123 reply Replies: 3 || 2017-05-11 18:26:50
Wow, this score is such a mess, both in film and out. Even moreso than The Lone Ranger. Between the temp tracks and the straight rip offs (Rango Returns which is basically "Parlay" which itself was inspired by Morricone) there is almost nothing original here. That being said, It's still incredibly fun to listen to. The massive amount of co-composers definitely helps.

Also Hybrid, slightly off-topic but did Zimmer have a bad experience on The Lone Ranger? I remember hearing something about that, but wasn't entirely sure (and I honestly love that score)


Hybrid Soldier2017-05-11 20:42:50
No one wants to talk about TLR, not even Verbinski ! lol


mpolonest123 2017-05-11 20:51:57
Lol! I personally didn't find the film that bad, but I guess the production must've been a different story....


Ds2017-05-11 22:16:27
That's a pity because that movie was far from bad. Much better than most of the recent blockbusters in my opinion. Really nothing to be ashamed of.

Levi reply Replies: 0 || 2014-01-01 02:52:44
Something that kinda confuses me: does Hans actually sit down and write the cues WITH people like Geoff Zanelli, or does he just kinda give a layout of the cue and then the other guy goes off and does it on his own?

Areozz reply Replies: 0 || 2013-10-12 17:01:35
Might anyone be able to track down the slate numbers for this set? I already have some of them from when that set of demos surfaced a while back, but there's still a good amount missing.

Thanks for any help!

Anonymous reply Replies: 2 || 2013-05-31 04:28:22
I'm trying to figure out what other Zimmer work the "Rango Suite" sounds like, but I can't place it. :/


Meta2013-05-31 06:06:25
Broken Arrow, perhaps...Upon listening to Rango it reminded me alt of that score. Particularly the synth banjo/guitar and the harmonica....


MGDrone2013-05-31 18:29:11
As Good As It Gets haha. What do they have in common? Nuthin', but it's still cool to know haha.

Hybrid Soldier reply Replies: 3 || 2013-05-13 23:07:54
Did someone notice Lorne putting a Crysis 2 theme right in the middle of it ? :P


Edmund Meinerts2013-05-13 23:14:26
Not yet. Damnit, too many leaks recently, plus exams, equals not enough time to listen to all these goodies (but apparently enough time to talk about them on the Internet...uhh...)

What cue? :p


Hybrid Soldier2013-05-13 23:18:53
Rodents Rise !


BTW Lorne didn't do many cues on it, but surely "I'm Going Back" is one of my fav' of the entire score... :)


Prott2013-05-30 23:30:15
Haha, at first I was trying to find the Prophet's theme (wondering how the hell did I manage to miss that one). Then I discovered it's actualy the Alien's theme. :-)
It's a great cue (... too bad this theme is missing from both Rango's and Crysis' OSTs).



Hybrid Soldier reply Replies: 0 || 2013-05-30 12:38:00
2 things about this score.

The Elfman temp cue from The Kingdom was kept in the final film cause HZ & Gore couldn't come up with anything better without just being a poor ripoff. Danny's track was perfect, so they decided to keep it.

Atli Örvarsson & his assistant Dave Fleming have an official "arranger" & "tech advisor" credit, but it's likely they've done nothing on it. Atli started working on it but on his very first cues left the project to do another score. So unless a few arrangements he did were kept, Atli was not involved... But still got credited !

Preacher reply Replies: 6 || 2013-05-13 05:09:45
OK instead of Luring In Jake, I got a track called Here It Comes that runs 5:25. And a track called The Other Side, which isn't on here. What gives? Why do leaked scores never match the tracklists here? How do we know what's what?


Preacher2013-05-13 05:11:34
And We Ride #2 Alternate is like 50 seconds, not 4 mins... *sigh*


Mike2013-05-13 06:10:25
Remember, Preacher, this is not the complete score. It's expanded. That should tell you immediately that some music will be missing. Remember, too, that even if a score is listed as "complete", it might STILL have music missing (such as The Dark Knight Rises).


Preacher2013-05-13 06:32:21
I understand, but the recent leak has different tracks to this edition. One would think they would be the same.


Hybrid Soldier2013-05-13 09:45:03
The We Ride length was my bad (hey, try typing this whole stuff in a row without making a typo, TRY ! :P) !

The Other Side, if you have any little knowledge or interest in Hans Zimmer, you'd just notice it's a source cue taken from The Weatherman.


Preacher2013-05-13 10:01:06
Thanks for that - I don't know the Weatherman score.
What about Here It Comes/It's A Miracle? Are they the same?


Hybrid Soldier2013-05-13 10:02:12
Yeah I use official cue sheet titles... :)

Anonymous reply Replies: 0 || 2013-05-13 00:41:51
The cues in here are really short...



Mr. JarJar reply Replies: 0 || 2013-05-12 19:29:25
YES!

Bou reply Replies: 2 || 2013-05-12 17:55:35
Oh my Gosh! I hope it leaks soon!


...2013-05-12 17:58:02
It has leaked=)


al bundy2013-05-12 18:01:11
yep, it's out :)

T-Mann036 reply Replies: 0 || 2013-05-12 18:00:10
Happy Mother's Day, eh?

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Rango (Expanded Score) soundtrack - Hans Zimmer 2011